Aesthetic technologies of modernity, subjectivity, and nature : opera, orchestra, phonograph, film / / Richard Leppert |
Autore | Leppert Richard D. |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (369 p.) |
Disciplina | 780.9/04 |
Soggetto topico |
Music - Philosophy and aesthetics
Modernism (Music) - History - 20th century Opera - Social aspects Motion pictures - Social aspects Sound recordings - Social aspects Nature in music Nature in motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN | 0-520-96252-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope. |
Record Nr. | UNINA-9910460843203321 |
Leppert Richard D.
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Oakland, California : , : University of California Press, , [2015] | ||
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Lo trovi qui: Univ. Federico II | ||
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Aesthetic technologies of modernity, subjectivity, and nature : opera, orchestra, phonograph, film / / Richard Leppert |
Autore | Leppert Richard D. |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (369 p.) |
Disciplina | 780.9/04 |
Soggetto topico |
Music - Philosophy and aesthetics
Modernism (Music) - History - 20th century Opera - Social aspects Motion pictures - Social aspects Sound recordings - Social aspects Nature in music Nature in motion pictures |
Soggetto non controllato |
aesthetic modernism
early 20th century culture early 20th century fine arts early 20th century music early 20th century subjectivity early century opera recording film modern media musical aesthetics of the early 20th century musical technology nature in film nature in western modernity opera music sound recording sounds of modernity tensions and traumas of modernity visions of modernity western modernity |
ISBN | 0-520-96252-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope. |
Record Nr. | UNINA-9910798069903321 |
Leppert Richard D.
![]() |
||
Oakland, California : , : University of California Press, , [2015] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Aesthetic technologies of modernity, subjectivity, and nature : opera, orchestra, phonograph, film / / Richard Leppert |
Autore | Leppert Richard D. |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (369 p.) |
Disciplina | 780.9/04 |
Soggetto topico |
Music - Philosophy and aesthetics
Modernism (Music) - History - 20th century Opera - Social aspects Motion pictures - Social aspects Sound recordings - Social aspects Nature in music Nature in motion pictures |
Soggetto non controllato |
aesthetic modernism
early 20th century culture early 20th century fine arts early 20th century music early 20th century subjectivity early century opera recording film modern media musical aesthetics of the early 20th century musical technology nature in film nature in western modernity opera music sound recording sounds of modernity tensions and traumas of modernity visions of modernity western modernity |
ISBN | 0-520-96252-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope. |
Record Nr. | UNINA-9910816070603321 |
Leppert Richard D.
![]() |
||
Oakland, California : , : University of California Press, , [2015] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Situating opera : period, genre, reception / / Herbert Lindenberger [[electronic resource]] |
Autore | Lindenberger Herbert <1929-> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2010 |
Descrizione fisica | 1 online resource (ix, 313 pages) : digital, PDF file(s) |
Disciplina | 782.1 |
Collana | Cambridge studies in opera |
Soggetto topico |
Opera
Opera - Social aspects Operas - Literary themes, motives |
ISBN |
1-107-21540-4
0-511-85130-8 1-282-81821-X 9786612818219 0-511-91762-7 0-511-91664-7 0-511-91483-0 0-511-91860-7 0-511-91303-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Prologue: why opera? Why (how, where) situate? -- Anatomy of a war horse: Il trovatore from A to Z -- On opera and society (assuming a relationship) -- Opera and the novel: antithetical or complementary? -- Opera by other means -- Opera and/as lyric -- From separatism to union: aesthetic theorizing from Reynolds to Wagner -- Toward a characterization of modernist opera -- Anti-theatricality in twentieth-century opera -- A brief consumers' history of opera -- Epilogue: why (what, how if) opera studies? |
Record Nr. | UNINA-9910459644603321 |
Lindenberger Herbert <1929->
![]() |
||
Cambridge : , : Cambridge University Press, , 2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Situating opera : period, genre, reception / / Herbert Lindenberger [[electronic resource]] |
Autore | Lindenberger Herbert <1929-2018> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2010 |
Descrizione fisica | 1 online resource (ix, 313 pages) : digital, PDF file(s) |
Disciplina | 782.1 |
Collana | Cambridge studies in opera |
Soggetto topico |
Opera
Opera - Social aspects Operas - Literary themes, motives |
ISBN |
1-107-21540-4
0-511-85130-8 1-282-81821-X 9786612818219 0-511-91762-7 0-511-91664-7 0-511-91483-0 0-511-91860-7 0-511-91303-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Prologue: why opera? Why (how, where) situate? -- Anatomy of a war horse: Il trovatore from A to Z -- On opera and society (assuming a relationship) -- Opera and the novel: antithetical or complementary? -- Opera by other means -- Opera and/as lyric -- From separatism to union: aesthetic theorizing from Reynolds to Wagner -- Toward a characterization of modernist opera -- Anti-theatricality in twentieth-century opera -- A brief consumers' history of opera -- Epilogue: why (what, how if) opera studies? |
Record Nr. | UNINA-9910785254603321 |
Lindenberger Herbert <1929-2018>
![]() |
||
Cambridge : , : Cambridge University Press, , 2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Situating opera : period, genre, reception / / Herbert Lindenberger [[electronic resource]] |
Autore | Lindenberger Herbert <1929-2018> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2010 |
Descrizione fisica | 1 online resource (ix, 313 pages) : digital, PDF file(s) |
Disciplina | 782.1 |
Collana | Cambridge studies in opera |
Soggetto topico |
Opera
Opera - Social aspects Operas - Literary themes, motives |
ISBN |
1-107-21540-4
0-511-85130-8 1-282-81821-X 9786612818219 0-511-91762-7 0-511-91664-7 0-511-91483-0 0-511-91860-7 0-511-91303-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Prologue: why opera? Why (how, where) situate? -- Anatomy of a war horse: Il trovatore from A to Z -- On opera and society (assuming a relationship) -- Opera and the novel: antithetical or complementary? -- Opera by other means -- Opera and/as lyric -- From separatism to union: aesthetic theorizing from Reynolds to Wagner -- Toward a characterization of modernist opera -- Anti-theatricality in twentieth-century opera -- A brief consumers' history of opera -- Epilogue: why (what, how if) opera studies? |
Record Nr. | UNINA-9910817725203321 |
Lindenberger Herbert <1929-2018>
![]() |
||
Cambridge : , : Cambridge University Press, , 2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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