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"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910465630403321 |
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910792157603321 |
|
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910809346103321 |
|
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
An account of the English dramatick poets, or, Some observations and remarks on the lives and writings of all those that have publish'd either comedies, tragedies, tragi-comedies, pastorals, masques, interludes, farces or opera's in the English tongue [[electronic resource] /] / by Gerard Langbaine
| An account of the English dramatick poets, or, Some observations and remarks on the lives and writings of all those that have publish'd either comedies, tragedies, tragi-comedies, pastorals, masques, interludes, farces or opera's in the English tongue [[electronic resource] /] / by Gerard Langbaine |
| Autore | Langbaine Gerard <1656-1692.> |
| Pubbl/distr/stampa | Oxford, : Printed by L.L. for George West and Henry Clements, 1691 |
| Descrizione fisica | [16], 556, [32], p., [5] leaves of plates : ports |
| Soggetto topico |
English drama
Opera Theater - England |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996387041203316 |
|
Langbaine Gerard <1656-1692.>
|
||
| Oxford, : Printed by L.L. for George West and Henry Clements, 1691 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
An account of the English dramatick poets, or, Some observations and remarks on the lives and writings, of all those that have publish'd either comedies, tragedies, tragi-comedies, pastorals, masques, interludes, farces, or opera's in the English tongue [[electronic resource] /] / by Gerard Langbaine
| An account of the English dramatick poets, or, Some observations and remarks on the lives and writings, of all those that have publish'd either comedies, tragedies, tragi-comedies, pastorals, masques, interludes, farces, or opera's in the English tongue [[electronic resource] /] / by Gerard Langbaine |
| Autore | Langbaine Gerard <1656-1692.> |
| Pubbl/distr/stampa | Oxford, : Printed by L.L. [i.e. Leon Lichfield], for George West, and Henry Clements, booksellers, an. Dom. 1691 |
| Descrizione fisica | [16], 556, [32], p., [5] leaves of plates : ports |
| Soggetto topico |
English drama
Opera Theater - England |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996383881103316 |
|
Langbaine Gerard <1656-1692.>
|
||
| Oxford, : Printed by L.L. [i.e. Leon Lichfield], for George West, and Henry Clements, booksellers, an. Dom. 1691 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
All Ears : The Aesthetics of Espionage / / Peter Szendy ; translated by Roland Vegső
| All Ears : The Aesthetics of Espionage / / Peter Szendy ; translated by Roland Vegső |
| Autore | Szendy Peter |
| Edizione | [First edition] |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , 2017 |
| Descrizione fisica | 1 online resource (171 pages) : illustrations |
| Disciplina | 111.85 |
| Soggetto topico |
Opera
Motion pictures - Aesthetics Music - Philosophy and aesthetics Aesthetics Espionage |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8232-7400-4
0-8232-7397-0 0-8232-7399-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910154638503321 |
|
Szendy Peter
|
||
| New York, NY : , : Fordham University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
All Ears : The Aesthetics of Espionage / / Peter Szendy ; translated by Roland Vegső
| All Ears : The Aesthetics of Espionage / / Peter Szendy ; translated by Roland Vegső |
| Autore | Szendy Peter |
| Edizione | [First edition] |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , 2017 |
| Descrizione fisica | 1 online resource (171 pages) : illustrations |
| Disciplina | 111.85 |
| Soggetto topico |
Opera
Motion pictures - Aesthetics Music - Philosophy and aesthetics Aesthetics Espionage |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8232-7400-4
0-8232-7397-0 0-8232-7399-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910798934303321 |
|
Szendy Peter
|
||
| New York, NY : , : Fordham University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
All Ears : The Aesthetics of Espionage / / Peter Szendy ; translated by Roland Vegső
| All Ears : The Aesthetics of Espionage / / Peter Szendy ; translated by Roland Vegső |
| Autore | Szendy Peter |
| Edizione | [First edition] |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , 2017 |
| Descrizione fisica | 1 online resource (171 pages) : illustrations |
| Disciplina |
111.85
327.1209 |
| Soggetto topico |
Opera
Motion pictures - Aesthetics Music - Philosophy and aesthetics Aesthetics Espionage |
| ISBN |
0-8232-7400-4
0-8232-7397-0 0-8232-7399-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Half-title -- Title -- Copyright -- Contents -- (No) More Ears: A Preface to the English- Language Edition -- Translator's Note -- Entrance: The Spies of Jericho -- Discipline and Listen -- Before the Wiretap -- Overhearing and Diaphony -- A Small History of Big Ears (Toward the Panacousticon) -- Mastery and Metrics in Figaro -- The Ages of Fear -- Telelistening and Telesurveillance -- A Secret Conversation -- Underground Passage: The Mole in Its Burrow -- In the Footsteps of Orpheus -- The Trackers, with Hidden Noise -- The Mortal Ear, or Orpheus Turns Around -- On the Phone: Papageno at Mabuse's -- The Phantom of the Opera -- Wozzeck at the Moment of His Death -- Adorno, the Informer -- Exit: J.D.'s Dream -- Notes -- Bibliography. |
| Record Nr. | UNINA-9910824126903321 |
|
Szendy Peter
|
||
| New York, NY : , : Fordham University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
All Ears : The Aesthetics of Espionage / / Peter Szendy
| All Ears : The Aesthetics of Espionage / / Peter Szendy |
| Autore | Szendy Peter |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , [2016] |
| Descrizione fisica | 1 online resource (176 p.) |
| Disciplina | 327.12 |
| Altri autori (Persone) | VégsőRoland |
| Soggetto topico |
Aesthetics
Espionage Motion pictures - Aesthetics Music - Philosophy and aesthetics Opera Bentham Coppola Deleuze Derrida Foucault Kafka Mozart Orpheus espionage surveillance MUSIC / History & Criticism |
| Soggetto non controllato |
Bentham
Coppola Deleuze Derrida Foucault Kafka Mozart Orpheus espionage surveillance |
| ISBN | 0-8232-7398-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- (No) More Ears: A Preface to the English- Language Edition -- Translator’s Note -- Entrance: The Spies of Jericho -- Discipline and Listen -- Underground Passage: The Mole in Its Burrow -- In the Footsteps of Orpheus -- Exit: J.D.’s Dream -- NOTES -- BIBLIOGRAPHY |
| Record Nr. | UNINA-9910149580003321 |
|
Szendy Peter
|
||
| New York, NY : , : Fordham University Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alto : the voice of bel canto / / Dan H. Marek
| Alto : the voice of bel canto / / Dan H. Marek |
| Autore | Marek Dan H. |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2016] |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 783.6/8 |
| Soggetto topico |
Contraltos
Opera |
| ISBN | 1-4422-3589-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Musical Examples; Figures; Acknowledgments; Introduction; PART I. THE ALTO VOICE IN THE BAROQUE ERA; Chapter 1. Mezzos and Contraltos; Chapter 2. Why Castrati?; Chapter 3. Altos in the Dawn of Opera; Chapter 4. Altos, Neapolitan Style; Chapter 5. Mr. "Hendel's" Altos; Chapter 6. Faustina Bordoni and Il Caro Sassone; Chapter 7. Gluck's Basses-Dessus and Mozart's Altos; Chapter 8. Intermezzo; PART II. ALTOS IN THE ROMANTIC REVOLUTION; Chapter 9. Cambio di Voce; Chapter 10. The Swan of Pesaro and I Musici; Chapter 11. The Maestro and the Prima Donna Assoluta; Chapter 12. Giuditta Pasta
Chapter 13. Carolina Unger (Ungher): The Forgotten Prima DonnaChapter 14. Maria (Garcia) Malibran; Chapter 15. Pauline (Garcia) Viardot; Chapter 16. The Altos of Grand Opéra; Chapter 17. "La Favorite," Rosine Stoltz; Chapter 18. Altos in Opéra Lyrique and Opéra Comique; Chapter 19. The Bel Canto Altos of Bellini and Donizetti; Chapter 20. Verdi and Verismo Altos; Chapter 21. German Romanticism, Wagner, Strauss, and the Alto Voice; Chapter 22. The Russian Altos; Chapter 23. Altos in the English-Speaking World; PART III. ALTOS AFTER 1900; Chapter 24. Twentieth-Century Altos Chapter 25. Contemporary Alto SingersSelected Bibliography; Selected Bibliography; Alto Singer Index; General Index; About the Author |
| Record Nr. | UNINA-9910798649903321 |
|
Marek Dan H.
|
||
| Lanham : , : Rowman & Littlefield, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Opera
(168)
- Music - Philosophy and aesthetics (11)
- Music (6)
- Music and literature (6)
- Oper (5)