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Creating solo performance / / Sean Bruno and Luke Dixon
| Creating solo performance / / Sean Bruno and Luke Dixon |
| Autore | Bruno Sean |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2015 |
| Descrizione fisica | 1 online resource (287 p.) |
| Disciplina | 792.028 |
| Altri autori (Persone) | DixonLuke |
| Soggetto topico |
Acting - Auditions
One-person shows (Performing arts) |
| ISBN |
1-317-91180-6
0-415-72000-1 1-317-91181-4 1-315-85014-1 |
| Classificazione | ART060000PER000000PER001000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; 1 Introduction to contemporary solo performance; 1.1 How to use this book; 1.2 Exercises and micro-performances; 1.3 Approaching exercises and micro-performances; 1.4 Narrative vs non-narrative performance; 1.5 As a workshop guide; 1.6 The chapters; 1.7 Which subjects make for a good solo performance?; 1.8 Why make solo performance?; 1.9 How long should my solo performance be?; 1.10 What if my idea has been done before?; 1.11 How do I keep my story ideas from being stolen?; 1.12 Where can I rehearse/work?
1.13 How do I know if my work is any good?1.14 Why and how should I document my work?; 1.15 Where do I go with my show when it is done?; 1.16 Advice for practice; 2 Beginnings; Introduction; 2.1 Exercise: Being your audience; 2.2 Exercise: Proustian biscuits; 2.3 Exercise: Openings; 2.4 Exercise: Starting points; 2.5 Exercise: Forming your script; 2.6 Exercise/micro-performance: Coming soon; 2.7 Exercise: First person or third man?; 2.8 Exercise: Job interview; 2.9 Exercise: Memory box; 2.10 Exercise: Scrap scripting; 2.11 Exercise: Building icebergs; 2.12 Exercise: Who's it for? 2.13 Exercise: Defining your space2.14 Exercise: The Slave of the Ring; 2.15 Exercise: Big questions; 2.16 Exercise: Guiding question; 2.17 Exercise: Climaxes, turning points and transformations; 2.18 Exercise: Begin with an ending; 2.19 Exercise: Zoom lens; 2.20 Exercise: Application form; 2.21 Exercise: Voice warm up; 2.22 Exercise: Body warm up; 2.23 Micro-performance: Cleansing the space; 2.24 Micro-performance: Evoking the story; 2.25 Micro-performance: Physical seeds; 2.26 Micro-performance: Orientation; 2.27 Micro-performance: The untold story; 2.28 Micro-performance: Cleaning up 2.29 Micro-performance: Story time2.30 Micro-performance: My niche; 2.31 Case study: Judi Dench; 2.32 Case study: David Benson; 2.33 Case study: James Hodgson; 2.34 Case study: Emma Cooper; 2.35 Case study: Pat Holden; 3 Character/persona: Performer as vehicle; Introduction; 3.1 Exercise: Stranger in a stranger land; 3.2 Exercise: Passport; 3.3 Exercise: Wheres and whys; 3.4 Exercise: Consequences; 3.5 Exercise: What's in a name?; 3.6 Exercise: Home and work; 3.7 Exercise: Who do you think you are talking to?; 3.8 Exercise: Six degrees of separation; 3.9 Exercise: Many voices 3.10 Exercise: Who do you think you are?3.11 Exercise: Social networking; 3.12 Exercise: Questions and answers; 3.13 Micro-performance: Performing the answers; 3.14 Micro-performance: Flickering life; 3.15 Micro-performance: Becoming; 3.16 Micro-performance: Speed dating; 3.17 Micro-performance: Passport photo; 3.18 Micro-performance: Consequences; 3.19 Micro-performance: Clothing; 3.20 Micro-performance: Public confession; 3.21 Micro-performance: Private confession; 3.22 Micro-performance: Self-portrait; 3.23 Micro-performance: Daily grind; 3.24 Micro-performance: Manchurian candidate 3.25 Micro-performance: A few of my favourite things |
| Record Nr. | UNINA-9910787092603321 |
Bruno Sean
|
||
| Abingdon, Oxon ; ; New York : , : Routledge, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Creating solo performance / / Sean Bruno and Luke Dixon
| Creating solo performance / / Sean Bruno and Luke Dixon |
| Autore | Bruno Sean |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2015 |
| Descrizione fisica | 1 online resource (287 p.) |
| Disciplina | 792.028 |
| Altri autori (Persone) | DixonLuke |
| Soggetto topico |
Acting - Auditions
One-person shows (Performing arts) |
| ISBN |
1-317-91180-6
0-415-72000-1 1-317-91181-4 1-315-85014-1 |
| Classificazione | ART060000PER000000PER001000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Table of Contents; 1 Introduction to contemporary solo performance; 1.1 How to use this book; 1.2 Exercises and micro-performances; 1.3 Approaching exercises and micro-performances; 1.4 Narrative vs non-narrative performance; 1.5 As a workshop guide; 1.6 The chapters; 1.7 Which subjects make for a good solo performance?; 1.8 Why make solo performance?; 1.9 How long should my solo performance be?; 1.10 What if my idea has been done before?; 1.11 How do I keep my story ideas from being stolen?; 1.12 Where can I rehearse/work?
1.13 How do I know if my work is any good?1.14 Why and how should I document my work?; 1.15 Where do I go with my show when it is done?; 1.16 Advice for practice; 2 Beginnings; Introduction; 2.1 Exercise: Being your audience; 2.2 Exercise: Proustian biscuits; 2.3 Exercise: Openings; 2.4 Exercise: Starting points; 2.5 Exercise: Forming your script; 2.6 Exercise/micro-performance: Coming soon; 2.7 Exercise: First person or third man?; 2.8 Exercise: Job interview; 2.9 Exercise: Memory box; 2.10 Exercise: Scrap scripting; 2.11 Exercise: Building icebergs; 2.12 Exercise: Who's it for? 2.13 Exercise: Defining your space2.14 Exercise: The Slave of the Ring; 2.15 Exercise: Big questions; 2.16 Exercise: Guiding question; 2.17 Exercise: Climaxes, turning points and transformations; 2.18 Exercise: Begin with an ending; 2.19 Exercise: Zoom lens; 2.20 Exercise: Application form; 2.21 Exercise: Voice warm up; 2.22 Exercise: Body warm up; 2.23 Micro-performance: Cleansing the space; 2.24 Micro-performance: Evoking the story; 2.25 Micro-performance: Physical seeds; 2.26 Micro-performance: Orientation; 2.27 Micro-performance: The untold story; 2.28 Micro-performance: Cleaning up 2.29 Micro-performance: Story time2.30 Micro-performance: My niche; 2.31 Case study: Judi Dench; 2.32 Case study: David Benson; 2.33 Case study: James Hodgson; 2.34 Case study: Emma Cooper; 2.35 Case study: Pat Holden; 3 Character/persona: Performer as vehicle; Introduction; 3.1 Exercise: Stranger in a stranger land; 3.2 Exercise: Passport; 3.3 Exercise: Wheres and whys; 3.4 Exercise: Consequences; 3.5 Exercise: What's in a name?; 3.6 Exercise: Home and work; 3.7 Exercise: Who do you think you are talking to?; 3.8 Exercise: Six degrees of separation; 3.9 Exercise: Many voices 3.10 Exercise: Who do you think you are?3.11 Exercise: Social networking; 3.12 Exercise: Questions and answers; 3.13 Micro-performance: Performing the answers; 3.14 Micro-performance: Flickering life; 3.15 Micro-performance: Becoming; 3.16 Micro-performance: Speed dating; 3.17 Micro-performance: Passport photo; 3.18 Micro-performance: Consequences; 3.19 Micro-performance: Clothing; 3.20 Micro-performance: Public confession; 3.21 Micro-performance: Private confession; 3.22 Micro-performance: Self-portrait; 3.23 Micro-performance: Daily grind; 3.24 Micro-performance: Manchurian candidate 3.25 Micro-performance: A few of my favourite things |
| Record Nr. | UNINA-9910816519903321 |
|
Bruno Sean
|
||
| Abingdon, Oxon ; ; New York : , : Routledge, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Lake disappointment / / Lachlan Philpott & Luke Mullins
| Lake disappointment / / Lachlan Philpott & Luke Mullins |
| Autore | Philpott Lachlan <1972-, > |
| Pubbl/distr/stampa | Strawberry Hills, NSW : , : Currency Press Pty Ltd., , 2017 |
| Descrizione fisica | 1 online resource (40 pages) : portraits |
| Disciplina | A822.4 |
| Soggetto topico |
Australian drama - 21st century
Motion picture actors and actresses Actors One-person shows (Performing arts) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-76062-114-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Introduction by John McCallum -- Acknowledgements -- First Production Details -- Production Note -- Lake Disappointment by Lachlan Philpott and Luke Mullins -- Scene One -- Scene Two -- Scene Three -- Scene Four -- Scene Five -- Scene Six -- Scene Seven -- Scene Eight -- Plays by Currency Press -- Copyright Details. |
| Record Nr. | UNINA-9910511314403321 |
|
Philpott Lachlan <1972-, >
|
||
| Strawberry Hills, NSW : , : Currency Press Pty Ltd., , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Telling history [[electronic resource] ] : a manual for performers and presenters of first-person narratives / / Joyce M. Thierer
| Telling history [[electronic resource] ] : a manual for performers and presenters of first-person narratives / / Joyce M. Thierer |
| Autore | Thierer Joyce M. <1949-> |
| Pubbl/distr/stampa | Lanham, : AltaMira, c2010 |
| Descrizione fisica | 1 online resource (248 p.) |
| Disciplina | 792.09 |
| Collana | American Association for State and Local History book series |
| Soggetto topico |
Historical reenactments - United States
Historical reenactments Historical drama, American Historical drama First person narrative One-person shows (Performing arts) Performing arts History - Methodology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-49799-5
9786612497995 0-7591-1308-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction, or, "Read before Dissembling and the Story of This Book"; Ch01. The Significance of Historical Performance; Ch02. How to Choose a Historic Figure to Portray; Ch03. Researching for a First-Person Narrative; Ch04. Creating Your Script; Ch05. Telling History; Ch06. The Business of Doing Freelance Historical Performance; Ch07. Enhancing Museums and Historic Sites with Historical Performance; Ch08. Dreams and Plans; Appendix A. How to Create a First-Person Narrative; Appendix B. Structuring the First-Person Narrative Script; Appendix C. Setting and Clothing
Appendix D. Sample Contract Appendix E. Sample Invoice; Appendix F. Youth Registration Forms; Appendix G. Local Arrangements for Workshops; Appendix H. Ride into History's Historical Performance Definitions; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910454820703321 |
|
Thierer Joyce M. <1949->
|
||
| Lanham, : AltaMira, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Telling history [[electronic resource] ] : a manual for performers and presenters of first-person narratives / / Joyce M. Thierer
| Telling history [[electronic resource] ] : a manual for performers and presenters of first-person narratives / / Joyce M. Thierer |
| Autore | Thierer Joyce M. <1949-> |
| Pubbl/distr/stampa | Lanham, : AltaMira, c2010 |
| Descrizione fisica | 1 online resource (248 p.) |
| Disciplina | 792.09 |
| Collana | American Association for State and Local History book series |
| Soggetto topico |
Historical reenactments - United States
Historical reenactments Historical drama, American Historical drama First person narrative One-person shows (Performing arts) Performing arts History - Methodology |
| ISBN |
1-282-49799-5
9786612497995 0-7591-1308-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction, or, "Read before Dissembling and the Story of This Book"; Ch01. The Significance of Historical Performance; Ch02. How to Choose a Historic Figure to Portray; Ch03. Researching for a First-Person Narrative; Ch04. Creating Your Script; Ch05. Telling History; Ch06. The Business of Doing Freelance Historical Performance; Ch07. Enhancing Museums and Historic Sites with Historical Performance; Ch08. Dreams and Plans; Appendix A. How to Create a First-Person Narrative; Appendix B. Structuring the First-Person Narrative Script; Appendix C. Setting and Clothing
Appendix D. Sample Contract Appendix E. Sample Invoice; Appendix F. Youth Registration Forms; Appendix G. Local Arrangements for Workshops; Appendix H. Ride into History's Historical Performance Definitions; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910778404203321 |
|
Thierer Joyce M. <1949->
|
||
| Lanham, : AltaMira, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Telling history : a manual for performers and presenters of first-person narratives / / Joyce M. Thierer
| Telling history : a manual for performers and presenters of first-person narratives / / Joyce M. Thierer |
| Autore | Thierer Joyce M. <1949-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, : AltaMira, c2010 |
| Descrizione fisica | 1 online resource (248 p.) |
| Disciplina | 792.09 |
| Collana | American Association for State and Local History book series |
| Soggetto topico |
Historical reenactments - United States
Historical reenactments Historical drama, American Historical drama First person narrative One-person shows (Performing arts) Performing arts History - Methodology |
| ISBN |
1-282-49799-5
9786612497995 0-7591-1308-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction, or, "Read before Dissembling and the Story of This Book"; Ch01. The Significance of Historical Performance; Ch02. How to Choose a Historic Figure to Portray; Ch03. Researching for a First-Person Narrative; Ch04. Creating Your Script; Ch05. Telling History; Ch06. The Business of Doing Freelance Historical Performance; Ch07. Enhancing Museums and Historic Sites with Historical Performance; Ch08. Dreams and Plans; Appendix A. How to Create a First-Person Narrative; Appendix B. Structuring the First-Person Narrative Script; Appendix C. Setting and Clothing
Appendix D. Sample Contract Appendix E. Sample Invoice; Appendix F. Youth Registration Forms; Appendix G. Local Arrangements for Workshops; Appendix H. Ride into History's Historical Performance Definitions; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910811465503321 |
|
Thierer Joyce M. <1949->
|
||
| Lanham, : AltaMira, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Utopia in performance : finding hope at the theater / / Jill Dolan
| Utopia in performance : finding hope at the theater / / Jill Dolan |
| Autore | Dolan Jill <1957-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, c2005 |
| Descrizione fisica | 1 online resource (248 p.) |
| Disciplina | 791 |
| Soggetto topico |
One-person shows (Performing arts)
Monodramas - History and criticism Theater - Psychological aspects |
| ISBN |
1-282-59156-8
9786612591563 0-472-02557-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction, feeling the potential of elsewhere -- "A femme, a butch, a Jew" -- Finding our feet in one another's shoes -- Def poetry jam -- The Laramie Project -- Militant optimism. |
| Record Nr. | UNINA-9910827388803321 |
|
Dolan Jill <1957->
|
||
| Ann Arbor, : University of Michigan Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Walking, writing and performance [[electronic resource] ] : autobiographical texts / / by Deirdre Heddon, Carl Lavery and Phil Smith ; edited by Roberta Mock
| Walking, writing and performance [[electronic resource] ] : autobiographical texts / / by Deirdre Heddon, Carl Lavery and Phil Smith ; edited by Roberta Mock |
| Autore | Heddon Deirdre <1969-> |
| Pubbl/distr/stampa | Bristol, : Intellect Books, 2009 |
| Descrizione fisica | 1 online resource (186 p.) |
| Disciplina |
808.2
828.920808 |
| Altri autori (Persone) |
LaveryCarl <1969->
SmithPhil MockRoberta |
| Soggetto topico |
Autobiographical drama, English
One-person shows (Performing arts) Walking |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-31242-1
9786612312427 1-84150-337-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | FrontCover; Preliminary Pages; Contents; Introduction: It's (Not Really) All About Me, Me, Me; Part 1: Carl Lavery; Mourning Walk; Mourning Walk and Pedestrian Performance: History, Aesthetics and Ethics; Part 2: Phil Smith; The Crab Walks; Crab Walking and Mythogeography; Crab Steps Aside; Part 3: Dee Heddon; Tree: A Studio Performance; One Square Foot: Thousands of Routes; Sources; Biographical Notes |
| Record Nr. | UNINA-9910455293703321 |
|
Heddon Deirdre <1969->
|
||
| Bristol, : Intellect Books, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Walking, writing and performance [[electronic resource] ] : autobiographical texts / / by Deirdre Heddon, Carl Lavery and Phil Smith ; edited by Roberta Mock
| Walking, writing and performance [[electronic resource] ] : autobiographical texts / / by Deirdre Heddon, Carl Lavery and Phil Smith ; edited by Roberta Mock |
| Autore | Heddon Deirdre <1969-> |
| Pubbl/distr/stampa | Bristol, : Intellect Books, 2009 |
| Descrizione fisica | 1 online resource (186 p.) |
| Disciplina |
808.2
828.920808 |
| Altri autori (Persone) |
LaveryCarl <1969->
SmithPhil MockRoberta |
| Soggetto topico |
Autobiographical drama, English
One-person shows (Performing arts) Walking |
| ISBN |
1-282-31242-1
9786612312427 1-84150-337-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | FrontCover; Preliminary Pages; Contents; Introduction: It's (Not Really) All About Me, Me, Me; Part 1: Carl Lavery; Mourning Walk; Mourning Walk and Pedestrian Performance: History, Aesthetics and Ethics; Part 2: Phil Smith; The Crab Walks; Crab Walking and Mythogeography; Crab Steps Aside; Part 3: Dee Heddon; Tree: A Studio Performance; One Square Foot: Thousands of Routes; Sources; Biographical Notes |
| Record Nr. | UNINA-9910778493303321 |
|
Heddon Deirdre <1969->
|
||
| Bristol, : Intellect Books, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Walking, writing and performance : autobiographical texts / / by Deirdre Heddon, Carl Lavery and Phil Smith ; edited by Roberta Mock
| Walking, writing and performance : autobiographical texts / / by Deirdre Heddon, Carl Lavery and Phil Smith ; edited by Roberta Mock |
| Autore | Heddon Deirdre <1969-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, : Intellect Books, 2009 |
| Descrizione fisica | 1 online resource (186 p.) |
| Disciplina |
808.2
828.920808 |
| Altri autori (Persone) |
LaveryCarl <1969->
SmithPhil MockRoberta |
| Soggetto topico |
Autobiographical drama, English
One-person shows (Performing arts) Walking |
| ISBN |
1-282-31242-1
9786612312427 1-84150-337-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | FrontCover; Preliminary Pages; Contents; Introduction: It's (Not Really) All About Me, Me, Me; Part 1: Carl Lavery; Mourning Walk; Mourning Walk and Pedestrian Performance: History, Aesthetics and Ethics; Part 2: Phil Smith; The Crab Walks; Crab Walking and Mythogeography; Crab Steps Aside; Part 3: Dee Heddon; Tree: A Studio Performance; One Square Foot: Thousands of Routes; Sources; Biographical Notes |
| Altri titoli varianti | Walking, writing & performance |
| Record Nr. | UNINA-9910807462403321 |
|
Heddon Deirdre <1969->
|
||
| Bristol, : Intellect Books, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
