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The beginnings of polish musicology / / Małgorzata Sieradz ; translated by Lindsay Davidson
| The beginnings of polish musicology / / Małgorzata Sieradz ; translated by Lindsay Davidson |
| Autore | Sieradz Małgorzata |
| Pubbl/distr/stampa | Bern, : Peter Lang International Academic Publishing Group, 2020 |
| Descrizione fisica | 1 online resource (578 pages) |
| Disciplina | 780.720 |
| Altri autori (Persone) | DavidsonLindsay <1973-> |
| Collana | Eastern European studies in musicology |
| Soggetto topico | Musicology - History |
| Soggetto genere / forma | History |
| Soggetto non controllato |
1928
1950 History of Musical Periods Instytutu Kwartalnik Music Musical Sociology Musicology Muzyczny muzykologii początki Polish polskiej Sieradz Sociology Sztuki Wydawnictwo |
| ISBN |
3-631-82378-9
3-631-82377-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Copyright information -- Contents -- Introduction -- I. Socio-institutional contexts of the establishment of Kwartalnik Muzyczn y -- 1. Panorama of Polish musicological journalism until 1910 -- Roman Chojnacki's Młoda Muzyka and Przegląd Muzyczny -- WTM and Henryk Opieński's Kwartalnik Muzyczny (1911-14) -- collaboration with Adolf Chybiński -- clarification of the concept of a musicological quarterly -- university series
2. Societies, associations, institutes of the interwar period: 'Club of professional music press' -- Polish Society for Contemporary Music -- Polish Musicological Society -- Frederic Chopin Institute -- Association of Early Music Lovers and Publishing Society -- 3. Music magazines of the interwar period: Lwowskie Wiadomości Muzyczne i Literackie, Poznań's Przegląd Muzyczny, Mateusz Gliński's Muzyka -- other environmental and local musical magazines -- controversies over the model of an expert journal of the milieu 1. Panorama of Polish musicological journalism until 1910 -- Roman Chojnacki's M ł oda Muzyka and Przegl ą d Muzyczny -- WTM and Henryk Opieński's Kwartalnik Muzyczny (1911-14) -- collaboration with Adolf Chybi ń ski -- clarification of the concept of a -- II. Hopes of Polish musicology -- Kwartalnik Muzyczny in the years 1928-1933 -- 1. The idea of publishing a musicological quarterly -- preparatory work -- establishing Kwartalnik Muzyczny : the periodical's concept -- programme assumptions: the first editorial -- reactions of the milieu 2. Musicological circles in Poland (Lviv, Cracow, Poznań, Warsaw) as addresses of the Kwartalnik -- socio-scientific contexts: ideas about the functioning of the musicological environment -- main topics of interest -- other possibilities of publishing musicological studies: academic publishing -- 3. Musicology among academic disciplines in the interwar period -- systematics, discussions -- III. Difficult years -- Kwartalnik Muzyczny in the years 1948-1950 -- 1. New context of the functioning of the academic milieu and their publications -- 'bourgeoisie musicology' 2. Ideologisation of learning about music -- conferences, conventions, congresses -- Marxist musicology -- Państwowy Instytut Sztuki -- gradual radicalisation in academia -- 3. An attempt to continue the formula of the magazine -- Adolf Chybiński and his collaborators (Zofia Lissa, Tadeusz Ochlewski, Józef M. Chomiński -- scope of cooperation and organisation of editorial work) -- new organisation of publishing work (PWM, PIS) 4. Authors and subjects as well as concepts, problems and work methods -- continuation of the pre-war work -- around the current issues of musical socialist realism -- thematic projects |
| Record Nr. | UNINA-9910508506303321 |
Sieradz Małgorzata
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| Bern, : Peter Lang International Academic Publishing Group, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]]
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]] |
| Autore | Rehding Alexander |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
1-107-13635-0
1-280-43080-X 0-511-17928-6 1-139-14888-5 0-511-06178-1 0-511-05545-5 0-511-30631-8 0-511-48136-5 0-511-07024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Altri titoli varianti | Hugo Riemann & the Birth of Modern Musical Thought |
| Record Nr. | UNINA-9910450036903321 |
|
Rehding Alexander
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]]
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]] |
| Autore | Rehding Alexander |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
0-511-09588-0
1-107-13635-0 1-280-43080-X 0-511-17928-6 1-139-14888-5 0-511-06178-1 0-511-05545-5 0-511-30631-8 0-511-48136-5 0-511-07024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Altri titoli varianti | Hugo Riemann & the Birth of Modern Musical Thought |
| Record Nr. | UNISA-996248129103316 |
|
Rehding Alexander
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]]
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]] |
| Autore | Rehding Alexander |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
0-511-09588-0
1-107-13635-0 1-280-43080-X 0-511-17928-6 1-139-14888-5 0-511-06178-1 0-511-05545-5 0-511-30631-8 0-511-48136-5 0-511-07024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Altri titoli varianti | Hugo Riemann & the Birth of Modern Musical Thought |
| Record Nr. | UNINA-9910783110003321 |
|
Rehding Alexander
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding |
| Autore | Rehding Alexander |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge ; ; New York, : Cambridge University Press, 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
9780511095887
0511095880 9781107136359 1107136350 9781280430800 128043080X 9780511179280 0511179286 9781139148887 1139148885 9780511061783 0511061781 9780511055454 0511055455 9780511306310 0511306318 9780511481369 0511481365 9780511070242 0511070241 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Record Nr. | UNINA-9910961225403321 |
|
Rehding Alexander
|
||
| Cambridge ; ; New York, : Cambridge University Press, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
