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The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre
| The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (325 p.) |
| Disciplina |
791.0942109032
792.09421 792/.09421 |
| Altri autori (Persone) | LowerreKathryn |
| Collana | Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance |
| Soggetto topico |
Musical theater -- England -- London -- History -- 17th century
Musical theater -- England -- London -- History -- 18th century Theater -- England -- London -- History -- 17th century Theater -- England -- London -- History -- 18th century Theater - History - 17th century - London - England Theater - History - 18th century - London - England Musical theater - History - 17th century - England - London Musical theater - History - 18th century - London - England Music, Dance, Drama & Film Drama |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-315-23859-4
1-4094-5532-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts
6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index |
| Record Nr. | UNINA-9910464904003321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre
| The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (325 p.) |
| Disciplina |
791.0942109032
792.09421 792/.09421 |
| Altri autori (Persone) | LowerreKathryn |
| Collana | Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance |
| Soggetto topico |
Musical theater -- England -- London -- History -- 17th century
Musical theater -- England -- London -- History -- 18th century Theater -- England -- London -- History -- 17th century Theater -- England -- London -- History -- 18th century Theater - History - 17th century - London - England Theater - History - 18th century - London - England Musical theater - History - 17th century - England - London Musical theater - History - 18th century - London - England Music, Dance, Drama & Film Drama |
| ISBN |
1-315-23859-4
1-4094-5532-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts
6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index |
| Record Nr. | UNINA-9910789121703321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre
| The lively arts of the London stage, 1675-1725 / / edited by Kathryn Lowerre |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (325 p.) |
| Disciplina |
791.0942109032
792.09421 792/.09421 |
| Altri autori (Persone) | LowerreKathryn |
| Collana | Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance |
| Soggetto topico |
Musical theater -- England -- London -- History -- 17th century
Musical theater -- England -- London -- History -- 18th century Theater -- England -- London -- History -- 17th century Theater -- England -- London -- History -- 18th century Theater - History - 17th century - London - England Theater - History - 18th century - London - England Musical theater - History - 17th century - England - London Musical theater - History - 18th century - London - England Music, Dance, Drama & Film Drama |
| ISBN |
1-315-23859-4
1-4094-5532-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts
6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index |
| Record Nr. | UNINA-9910827865303321 |
| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
