The Cambridge companion to the musical / / edited by William A. Everett and Paul R. Laird [[electronic resource]] |
Edizione | [Second edition.] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
Descrizione fisica | 1 online resource (xiv, 412 pages) : digital, PDF file(s) |
Disciplina | 782.1/4 |
Collana | Cambridge companions to music |
Soggetto topico |
Musicals - History and criticism
Musical theater - History |
ISBN |
1-107-48147-3
1-107-48646-7 1-139-00182-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; pt. I. Adaptations and transformations : before 1940. American musical theatre before the twentieth century / Katherine K. Preston ; Non-English-language musical theatre in the United States / John Koegel ; Birth pangs, growing pains and sibling rivalry : musical theatre in New York, 1900-1920 / Orly Leah Krasner ; American and British operetta in the 1920s : romance, nostalgia and adventure / William A. Everett ; Images of African Americans : African-American musical theatre, Showboat, and Porgy and Bess / John Graziano ; The melody (and the words) linger on : American musical comedies of the 1920s and 1930s / Geoffrey Block -- ; pt. II. Maturations and formulations : 1940-1970. 'We said we wouldn't look back' : British musical theatre, 1935-1960 / John Snelson ; The coming of the musical play : Rodgers and Hammerstein / Ann Sears ; The successors of Rodgers and Hammerstein from the 1940s to the 1960s / Thomas L. Riis and Ann Sears ; Musical sophistication on Broadway : Kurt Weill and Leonard Bernstein / Bruce D. McClung and Paul R. Laird -- ; pt. III. Evolutions and integrations : after 1970. Stephen Sondheim and the musical of the outsider / Jim Lovensheimer ; Choreographers, directors and the fully integrated musical / Paul R. Laird ; From Hair to Rent : is rock a four-letter word on Broadway? / Scott Warfield ; The megamusical : the creation, internationalisation and impact of a genre / Paul Prece and William A. Everett ; Something borrowed, something blue : the marriage of the musical and Europe / Judith Sebesta ; New horizons : the musical at the dawn of the twenty-first century / Bud Coleman. -- ; pt. IV. Legacies and transformations. Why do they start to sing and dance all of a sudden? : examining the film musical / Graham Wood ; Revisiting classic musicals : revivals, film, television and recordings / Jessica Sternfeld ; The creation of a Broadway musical : Stephen Schwartz, Winnie Holzman, and Wicked / Paul R. Laird. |
Record Nr. | UNISA-996210317603316 |
Cambridge : , : Cambridge University Press, , 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Musical theatre, realism and entertainment / / Millie Taylor |
Autore | Taylor Millie |
Pubbl/distr/stampa | London : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (203 p.) |
Disciplina | 792.6 |
Collana | Ashgate interdisciplinary studies in opera |
Soggetto topico |
Musicals - History and criticism
Musical theater - History Music and language |
ISBN |
1-315-59699-7
1-317-09136-1 1-317-09135-3 1-283-36783-1 9786613367839 1-4094-3832-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you. |
Record Nr. | UNINA-9910781575703321 |
Taylor Millie | ||
London : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical theatre, realism and entertainment / / Millie Taylor |
Autore | Taylor Millie |
Pubbl/distr/stampa | London : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (203 p.) |
Disciplina | 792.6 |
Collana | Ashgate interdisciplinary studies in opera |
Soggetto topico |
Musicals - History and criticism
Musical theater - History Music and language |
ISBN |
1-315-59699-7
1-317-09136-1 1-317-09135-3 1-283-36783-1 9786613367839 1-4094-3832-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you. |
Record Nr. | UNINA-9910826653703321 |
Taylor Millie | ||
London : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical theatre, realism and entertainment [[electronic resource] /] / Millie Taylor |
Autore | Taylor Millie |
Pubbl/distr/stampa | Farnham, England ; ; Burlington Vt., : Ashgate, c2012 |
Descrizione fisica | 1 online resource (203 p.) |
Disciplina | 792.6 |
Collana | Ashgate interdisciplinary studies in opera |
Soggetto topico |
Musicals - History and criticism
Musical theater - History Music and language |
Soggetto genere / forma | Electronic books. |
ISBN |
1-317-09136-1
1-317-09135-3 1-283-36783-1 9786613367839 1-4094-3832-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you. |
Record Nr. | UNINA-9910457391103321 |
Taylor Millie | ||
Farnham, England ; ; Burlington Vt., : Ashgate, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Nation and race in West End revue : 1910-1930 / / David Linton |
Autore | Linton David <1967-> |
Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2021] |
Descrizione fisica | 1 online resource (206 pages) |
Disciplina | 782.1409 |
Collana | Palgrave studies in British musical theatre |
Soggetto topico | Musical theater - History |
Soggetto genere / forma | Electronic books. |
ISBN | 3-030-75209-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910494560203321 |
Linton David <1967-> | ||
Cham, Switzerland : , : Springer, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|