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Act : Zeitschrift für Musik & Performance
| Act : Zeitschrift für Musik & Performance |
| Pubbl/distr/stampa | Thurnau, : Forschungsinstitut für Musiktheater |
| Soggetto topico |
Musical theater
Performing arts |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | ger |
| Record Nr. | UNINA-9910894347203321 |
| Thurnau, : Forschungsinstitut für Musiktheater | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens
| Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens |
| Pubbl/distr/stampa | Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015] |
| Descrizione fisica | 1 online resource |
| Disciplina | 792.09032 |
| Collana | Eikones |
| Soggetto topico |
Musical theater
Opera - Production and direction |
| ISBN | 3-8467-5864-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Preliminary Material / Nicola Gess , Tina Hartmann and Dominika Hens -- Barocktheater als Spektakel. Eine Einführung / Nicola Gess and Tina Hartmann -- Illusionsgrenzen – Grenzen der Illusion. Bühnenbilder, machines und ihre Rezeption im Rahmen der höfischen Feste Louis’ XIV und der Académie royale de musique / Christian Quaeitzsch -- Solare Orientierung. Heliotropismus in Tragödie und Tragédie en musique / Juliane Vogel -- Hören und Sehen von Bewegungen im Spannungsfeld von einer historischen Wirkungsästhetik und zeitgenössischen Inszenierungspraxis: Jean-Philippe Rameaus Tragédies lyriques als choreografische Herausforderung / Stephanie Schroedter -- »Je croyois qu’on venoit au Spectacle pour l’entendre«. Das französische Musiktheater um die Mitte des 18. Jahrhunderts, die Konkurrenz zwischen Sehen und Hören und die Eroberung des Raums durch die Musik / Dörte Schmidt -- Vom Wahnsinn des Sehens in geschlossenen Räumen. Raumdebatten und Szenografie im 17. Jahrhundert / Ulrike Haß -- Körperlose Stimmen. Herrschaftsdiskurse in Rameaus Zoroastre / Annette Kappeler -- Rückkehr der Visualität? Perspektiven auf das Dresdner Opernjahr 1756 / Christine Fischer -- Spektakuläre Wendungen. Zum Umgang mit dem Fremden in Barockoper und Grand opéra. Die Stuttgarter Inszenierungen von Alcina und La Juive durch Sergio Morabito und Jossi Wieler / Günther Heeg -- Choreografieoper? Bewegung und Bedeutung in Glucks Orpheus und Eurydike von Pina Bausch / David Levin -- Autorinnen und Autoren / Nicola Gess , Tina Hartmann and Dominika Hens. |
| Record Nr. | UNINA-9910795295703321 |
| Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens
| Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens |
| Pubbl/distr/stampa | Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015] |
| Descrizione fisica | 1 online resource |
| Disciplina | 792.09032 |
| Collana | Eikones |
| Soggetto topico |
Musical theater
Opera - Production and direction |
| ISBN | 3-8467-5864-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Preliminary Material / Nicola Gess , Tina Hartmann and Dominika Hens -- Barocktheater als Spektakel. Eine Einführung / Nicola Gess and Tina Hartmann -- Illusionsgrenzen – Grenzen der Illusion. Bühnenbilder, machines und ihre Rezeption im Rahmen der höfischen Feste Louis’ XIV und der Académie royale de musique / Christian Quaeitzsch -- Solare Orientierung. Heliotropismus in Tragödie und Tragédie en musique / Juliane Vogel -- Hören und Sehen von Bewegungen im Spannungsfeld von einer historischen Wirkungsästhetik und zeitgenössischen Inszenierungspraxis: Jean-Philippe Rameaus Tragédies lyriques als choreografische Herausforderung / Stephanie Schroedter -- »Je croyois qu’on venoit au Spectacle pour l’entendre«. Das französische Musiktheater um die Mitte des 18. Jahrhunderts, die Konkurrenz zwischen Sehen und Hören und die Eroberung des Raums durch die Musik / Dörte Schmidt -- Vom Wahnsinn des Sehens in geschlossenen Räumen. Raumdebatten und Szenografie im 17. Jahrhundert / Ulrike Haß -- Körperlose Stimmen. Herrschaftsdiskurse in Rameaus Zoroastre / Annette Kappeler -- Rückkehr der Visualität? Perspektiven auf das Dresdner Opernjahr 1756 / Christine Fischer -- Spektakuläre Wendungen. Zum Umgang mit dem Fremden in Barockoper und Grand opéra. Die Stuttgarter Inszenierungen von Alcina und La Juive durch Sergio Morabito und Jossi Wieler / Günther Heeg -- Choreografieoper? Bewegung und Bedeutung in Glucks Orpheus und Eurydike von Pina Bausch / David Levin -- Autorinnen und Autoren / Nicola Gess , Tina Hartmann and Dominika Hens. |
| Record Nr. | UNINA-9910825865903321 |
| Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
British and American Musical Theatre Exchanges in the West End (1924-1970) : The “Americanization” of Drury Lane / / by Arianne Johnson Quinn
| British and American Musical Theatre Exchanges in the West End (1924-1970) : The “Americanization” of Drury Lane / / by Arianne Johnson Quinn |
| Autore | Quinn Arianne Johnson |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (293 pages) |
| Disciplina | 792.6097309421 |
| Collana | Palgrave Studies in British Musical Theatre |
| Soggetto topico |
Theater - History
Musical theater Cultural industries Theater Theater - Production and direction Theatre History Music Theatre Theatre Industry Global and International Theatre and Performance Theatre Direction and Production |
| ISBN |
9783031146633
3031146638 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue. |
| Record Nr. | UNINA-9910760298803321 |
Quinn Arianne Johnson
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor
| Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor |
| Pubbl/distr/stampa | Oxford [England] : , : Oxford University Press, , [2014] |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 782.1/4 |
| Altri autori (Persone) |
SymondsDominic
TaylorMillie |
| Soggetto topico |
Music and dance
Music - Performance Musical theater Singing |
| ISBN | 0-19-999717-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Singing the dance, dancing the song. The song's the thing : capturing the "sung" to make it "song" / Dominic Symonds ; The (un)pleasure of song : on the enjoyment of listening to opera / Carlo Zuccarini -- Performativity as dramaturgy. Relocating the song : Julie Taymor's jukebox musical Across the universe (2007) / George Rodosthenous ; Dynamic shape : the dramaturgy of song and dance in Lloyd Webber's Cats (1981) / Ben Macpherson -- Performativity as transition. Dance breaks and dream ballets : transitional moments in musical theater / Mary Jo Lodge ; "Love let me sing you" : the liminality of song and dance in La Chiusa's Bernarda Alba (2006) / Matthew Lockitt -- Performativity as identity. Tapping the ivories : jazz and tap dance in Jelly's last jam (1992) / Kathryn Edney ; Everything's coming up Kurt : the Broadway song in Glee / Jessica Sternfeld ; Angry dance : postmodern innovation, masculinities and gender subversion / Judith A. Sebesta --
Performativity as context. Deconstructing the singer : the concerts of Laurie Anderson / Ainhoa Kaiero Claver ; Singing and a song : the "intimate difference" in Susan Philipsz's Lowlands -- / Zeynep Bulut ; Acting operatically : body, voice and the actress in Beckett's theater / Marianne Sharp -- Performativity as practice. Vox elettronica : song, dance and live electronics in the practice of sound theater / Caroline Wilkins ; From ear to foot : how choreographers interpret music / Sabine Wilden ; Singing from stones : physiovocality and Gardzienice's Theater of musicality / Konstatinos Thomaidis -- Performativity as community. Singing the community : the musical theater chorus as character / Bethany Hughes ; Singing and dancing ourselves : the politics of the ensemble in A chorus line (1975) / Millie Taylor -- Performativity as writing. |
| Record Nr. | UNINA-9910790842103321 |
| Oxford [England] : , : Oxford University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor
| Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor |
| Pubbl/distr/stampa | Oxford [England] : , : Oxford University Press, , [2014] |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 782.1/4 |
| Altri autori (Persone) |
SymondsDominic
TaylorMillie |
| Soggetto topico |
Music and dance
Music - Performance Musical theater Singing |
| ISBN | 0-19-999717-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Singing the dance, dancing the song. The song's the thing : capturing the "sung" to make it "song" / Dominic Symonds ; The (un)pleasure of song : on the enjoyment of listening to opera / Carlo Zuccarini -- Performativity as dramaturgy. Relocating the song : Julie Taymor's jukebox musical Across the universe (2007) / George Rodosthenous ; Dynamic shape : the dramaturgy of song and dance in Lloyd Webber's Cats (1981) / Ben Macpherson -- Performativity as transition. Dance breaks and dream ballets : transitional moments in musical theater / Mary Jo Lodge ; "Love let me sing you" : the liminality of song and dance in La Chiusa's Bernarda Alba (2006) / Matthew Lockitt -- Performativity as identity. Tapping the ivories : jazz and tap dance in Jelly's last jam (1992) / Kathryn Edney ; Everything's coming up Kurt : the Broadway song in Glee / Jessica Sternfeld ; Angry dance : postmodern innovation, masculinities and gender subversion / Judith A. Sebesta --
Performativity as context. Deconstructing the singer : the concerts of Laurie Anderson / Ainhoa Kaiero Claver ; Singing and a song : the "intimate difference" in Susan Philipsz's Lowlands -- / Zeynep Bulut ; Acting operatically : body, voice and the actress in Beckett's theater / Marianne Sharp -- Performativity as practice. Vox elettronica : song, dance and live electronics in the practice of sound theater / Caroline Wilkins ; From ear to foot : how choreographers interpret music / Sabine Wilden ; Singing from stones : physiovocality and Gardzienice's Theater of musicality / Konstatinos Thomaidis -- Performativity as community. Singing the community : the musical theater chorus as character / Bethany Hughes ; Singing and dancing ourselves : the politics of the ensemble in A chorus line (1975) / Millie Taylor -- Performativity as writing. |
| Record Nr. | UNINA-9910807754703321 |
| Oxford [England] : , : Oxford University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Giselle e il teatro musicale : nuove visioni per la storia del balletto / / Maria Venuso
| Giselle e il teatro musicale : nuove visioni per la storia del balletto / / Maria Venuso |
| Autore | Venuso Maria |
| Pubbl/distr/stampa | Polistampa |
| Disciplina | 792 |
| Soggetto topico |
Musical theater - Europe - 19th century - History
Romanticism in music Ballet - Europe - History Ballet - Europe - Histoire Théâtre musical - Europe - Histoire Ballet Musical theater |
| Soggetto genere / forma | History |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Altri titoli varianti | Giselle e il teatro musicale |
| Record Nr. | UNINA-9910551864103321 |
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Venuso Maria
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| Polistampa | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The golden age of American musical theatre : 1943-1965 / / Corinne J. Naden
| The golden age of American musical theatre : 1943-1965 / / Corinne J. Naden |
| Autore | Naden Corinne J |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2011 |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 792.609747/1 |
| Soggetto topico |
Musical theater - United States - History - 20th century
Musicals Musicals - United States - 20th century - History and criticism Musical theater PERFORMING ARTS - Theater - General |
| Soggetto genere / forma |
Criticism, interpretation, etc.
History Stories, plots, etc. |
| ISBN |
979-82-16-24600-8
979-82-16-37106-9 1-282-97536-6 9786612975363 0-8108-7734-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. America's unique contribution -- 2. The history of Broadway -- 3. Golden age timeline -- 4. The golden age musicals of Broadway -- 5. The golden age stars of Broadway -- 6. The theatres of Broadway -- 7. The awards of Broadway. |
| Record Nr. | UNINA-9910972322003321 |
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Naden Corinne J
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| Lanham, Md., : Scarecrow Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Great White Way : Race and the Broadway Musical / / Warren Hoffman
| The Great White Way : Race and the Broadway Musical / / Warren Hoffman |
| Autore | Hoffman Warren <1976-> |
| Pubbl/distr/stampa | Piscataway : , : Rutgers University Press, , 2014 |
| Descrizione fisica | 1 online resource (x, 251 pages) : illustrations, music |
| Disciplina | 792.60890097471 |
| Soggetto topico |
Race in musical theater - History - Social aspects - 20th century - United States
Music and race - History - Social aspects - 21st century - United States Musical theater - History - Political aspects - 20th century - United States Musical theater - Political aspects - History - 21st century - United States Musical theater |
| ISBN | 0-8135-6336-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright; Contents; Acknowledgments; Overture: All Singin'! All Dancin'! All White People?; Act One: 1927- 1957; 1. Only Make Believe: Performing Race in Show Boat; 2. Playing Cowboys and Indians: Forging Whitenessin Oklahoma! and Annie Get Your Gun; 3. Trouble in New York City: The Racial Politicsof West Side Story and The Music Man; Act Two: 1967- 2012; 4. Carbon Copies: Black and InterracialProductions of White Musicals; 5. A Chorus Line: The Benetton of Broadway Musicals; 6. Everything Old Is New Again: Nostalgia and the Broadway Musical at the End of the Twentieth Century
Exit Music Notes; Bibliography; Permissions; Index; About the Author |
| Record Nr. | UNINA-9910465008403321 |
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Hoffman Warren <1976->
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| Piscataway : , : Rutgers University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Great White Way : Race and the Broadway Musical / / Warren Hoffman
| The Great White Way : Race and the Broadway Musical / / Warren Hoffman |
| Autore | Hoffman Warren <1976-> |
| Pubbl/distr/stampa | Piscataway : , : Rutgers University Press, , 2014 |
| Descrizione fisica | 1 online resource (x, 251 pages) : illustrations, music |
| Disciplina | 792.60890097471 |
| Soggetto topico |
Race in musical theater - History - Social aspects - 20th century - United States
Music and race - History - Social aspects - 21st century - United States Musical theater - History - Political aspects - 20th century - United States Musical theater - Political aspects - History - 21st century - United States Musical theater |
| ISBN | 0-8135-6336-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright; Contents; Acknowledgments; Overture: All Singin'! All Dancin'! All White People?; Act One: 1927- 1957; 1. Only Make Believe: Performing Race in Show Boat; 2. Playing Cowboys and Indians: Forging Whitenessin Oklahoma! and Annie Get Your Gun; 3. Trouble in New York City: The Racial Politicsof West Side Story and The Music Man; Act Two: 1967- 2012; 4. Carbon Copies: Black and InterracialProductions of White Musicals; 5. A Chorus Line: The Benetton of Broadway Musicals; 6. Everything Old Is New Again: Nostalgia and the Broadway Musical at the End of the Twentieth Century
Exit Music Notes; Bibliography; Permissions; Index; About the Author |
| Record Nr. | UNINA-9910789397303321 |
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Hoffman Warren <1976->
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| Piscataway : , : Rutgers University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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