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Act : Zeitschrift für Musik & Performance
Act : Zeitschrift für Musik & Performance
Pubbl/distr/stampa Thurnau, : Forschungsinstitut für Musiktheater
Soggetto topico Musical theater
Performing arts
Soggetto genere / forma Periodicals.
Formato Materiale a stampa
Livello bibliografico Periodico
Lingua di pubblicazione ger
Record Nr. UNINA-9910894347203321
Thurnau, : Forschungsinstitut für Musiktheater
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens
Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens
Pubbl/distr/stampa Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015]
Descrizione fisica 1 online resource
Disciplina 792.09032
Collana Eikones
Soggetto topico Musical theater
Opera - Production and direction
ISBN 3-8467-5864-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Preliminary Material / Nicola Gess , Tina Hartmann and Dominika Hens -- Barocktheater als Spektakel. Eine Einführung / Nicola Gess and Tina Hartmann -- Illusionsgrenzen – Grenzen der Illusion. Bühnenbilder, machines und ihre Rezeption im Rahmen der höfischen Feste Louis’ XIV und der Académie royale de musique / Christian Quaeitzsch -- Solare Orientierung. Heliotropismus in Tragödie und Tragédie en musique / Juliane Vogel -- Hören und Sehen von Bewegungen im Spannungsfeld von einer historischen Wirkungsästhetik und zeitgenössischen Inszenierungspraxis: Jean-Philippe Rameaus Tragédies lyriques als choreografische Herausforderung / Stephanie Schroedter -- »Je croyois qu’on venoit au Spectacle pour l’entendre«. Das französische Musiktheater um die Mitte des 18. Jahrhunderts, die Konkurrenz zwischen Sehen und Hören und die Eroberung des Raums durch die Musik / Dörte Schmidt -- Vom Wahnsinn des Sehens in geschlossenen Räumen. Raumdebatten und Szenografie im 17. Jahrhundert / Ulrike Haß -- Körperlose Stimmen. Herrschaftsdiskurse in Rameaus Zoroastre / Annette Kappeler -- Rückkehr der Visualität? Perspektiven auf das Dresdner Opernjahr 1756 / Christine Fischer -- Spektakuläre Wendungen. Zum Umgang mit dem Fremden in Barockoper und Grand opéra. Die Stuttgarter Inszenierungen von Alcina und La Juive durch Sergio Morabito und Jossi Wieler / Günther Heeg -- Choreografieoper? Bewegung und Bedeutung in Glucks Orpheus und Eurydike von Pina Bausch / David Levin -- Autorinnen und Autoren / Nicola Gess , Tina Hartmann and Dominika Hens.
Record Nr. UNINA-9910795295703321
Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens
Barocktheater als spektakel : maschine, blick und bewegung auf der opernbühne des Ancien Régime / / edited by Nicola Gess, Tina Hartmann, and Dominika Hens
Pubbl/distr/stampa Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015]
Descrizione fisica 1 online resource
Disciplina 792.09032
Collana Eikones
Soggetto topico Musical theater
Opera - Production and direction
ISBN 3-8467-5864-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Preliminary Material / Nicola Gess , Tina Hartmann and Dominika Hens -- Barocktheater als Spektakel. Eine Einführung / Nicola Gess and Tina Hartmann -- Illusionsgrenzen – Grenzen der Illusion. Bühnenbilder, machines und ihre Rezeption im Rahmen der höfischen Feste Louis’ XIV und der Académie royale de musique / Christian Quaeitzsch -- Solare Orientierung. Heliotropismus in Tragödie und Tragédie en musique / Juliane Vogel -- Hören und Sehen von Bewegungen im Spannungsfeld von einer historischen Wirkungsästhetik und zeitgenössischen Inszenierungspraxis: Jean-Philippe Rameaus Tragédies lyriques als choreografische Herausforderung / Stephanie Schroedter -- »Je croyois qu’on venoit au Spectacle pour l’entendre«. Das französische Musiktheater um die Mitte des 18. Jahrhunderts, die Konkurrenz zwischen Sehen und Hören und die Eroberung des Raums durch die Musik / Dörte Schmidt -- Vom Wahnsinn des Sehens in geschlossenen Räumen. Raumdebatten und Szenografie im 17. Jahrhundert / Ulrike Haß -- Körperlose Stimmen. Herrschaftsdiskurse in Rameaus Zoroastre / Annette Kappeler -- Rückkehr der Visualität? Perspektiven auf das Dresdner Opernjahr 1756 / Christine Fischer -- Spektakuläre Wendungen. Zum Umgang mit dem Fremden in Barockoper und Grand opéra. Die Stuttgarter Inszenierungen von Alcina und La Juive durch Sergio Morabito und Jossi Wieler / Günther Heeg -- Choreografieoper? Bewegung und Bedeutung in Glucks Orpheus und Eurydike von Pina Bausch / David Levin -- Autorinnen und Autoren / Nicola Gess , Tina Hartmann and Dominika Hens.
Record Nr. UNINA-9910825865903321
Paderborn, Germany : , : Wilhelm Fink GmbH & Co. Verlags-KG, , [2015]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
British and American Musical Theatre Exchanges in the West End (1924-1970) : The “Americanization” of Drury Lane / / by Arianne Johnson Quinn
British and American Musical Theatre Exchanges in the West End (1924-1970) : The “Americanization” of Drury Lane / / by Arianne Johnson Quinn
Autore Quinn Arianne Johnson
Edizione [1st ed. 2024.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024
Descrizione fisica 1 online resource (293 pages)
Disciplina 792.6097309421
Collana Palgrave Studies in British Musical Theatre
Soggetto topico Theater - History
Musical theater
Cultural industries
Theater
Theater - Production and direction
Theatre History
Music Theatre
Theatre Industry
Global and International Theatre and Performance
Theatre Direction and Production
ISBN 3-031-14663-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue.
Record Nr. UNINA-9910760298803321
Quinn Arianne Johnson  
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor
Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor
Pubbl/distr/stampa Oxford [England] : , : Oxford University Press, , [2014]
Descrizione fisica 1 online resource (337 p.)
Disciplina 782.1/4
Altri autori (Persone) SymondsDominic
TaylorMillie
Soggetto topico Music and dance
Music - Performance
Musical theater
Singing
ISBN 0-19-999717-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Singing the dance, dancing the song. The song's the thing : capturing the "sung" to make it "song" / Dominic Symonds ; The (un)pleasure of song : on the enjoyment of listening to opera / Carlo Zuccarini -- Performativity as dramaturgy. Relocating the song : Julie Taymor's jukebox musical Across the universe (2007) / George Rodosthenous ; Dynamic shape : the dramaturgy of song and dance in Lloyd Webber's Cats (1981) / Ben Macpherson -- Performativity as transition. Dance breaks and dream ballets : transitional moments in musical theater / Mary Jo Lodge ; "Love let me sing you" : the liminality of song and dance in La Chiusa's Bernarda Alba (2006) / Matthew Lockitt -- Performativity as identity. Tapping the ivories : jazz and tap dance in Jelly's last jam (1992) / Kathryn Edney ; Everything's coming up Kurt : the Broadway song in Glee / Jessica Sternfeld ; Angry dance : postmodern innovation, masculinities and gender subversion / Judith A. Sebesta --
Performativity as context. Deconstructing the singer : the concerts of Laurie Anderson / Ainhoa Kaiero Claver ; Singing and a song : the "intimate difference" in Susan Philipsz's Lowlands -- / Zeynep Bulut ; Acting operatically : body, voice and the actress in Beckett's theater / Marianne Sharp -- Performativity as practice. Vox elettronica : song, dance and live electronics in the practice of sound theater / Caroline Wilkins ; From ear to foot : how choreographers interpret music / Sabine Wilden ; Singing from stones : physiovocality and Gardzienice's Theater of musicality / Konstatinos Thomaidis -- Performativity as community. Singing the community : the musical theater chorus as character / Bethany Hughes ; Singing and dancing ourselves : the politics of the ensemble in A chorus line (1975) / Millie Taylor -- Performativity as writing.
Record Nr. UNINA-9910790842103321
Oxford [England] : , : Oxford University Press, , [2014]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor
Gestures of music theatre : the performativity of song and dance / / edited by Dominic Symonds and Millie Taylor
Pubbl/distr/stampa Oxford [England] : , : Oxford University Press, , [2014]
Descrizione fisica 1 online resource (337 p.)
Disciplina 782.1/4
Altri autori (Persone) SymondsDominic
TaylorMillie
Soggetto topico Music and dance
Music - Performance
Musical theater
Singing
ISBN 0-19-999717-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Singing the dance, dancing the song. The song's the thing : capturing the "sung" to make it "song" / Dominic Symonds ; The (un)pleasure of song : on the enjoyment of listening to opera / Carlo Zuccarini -- Performativity as dramaturgy. Relocating the song : Julie Taymor's jukebox musical Across the universe (2007) / George Rodosthenous ; Dynamic shape : the dramaturgy of song and dance in Lloyd Webber's Cats (1981) / Ben Macpherson -- Performativity as transition. Dance breaks and dream ballets : transitional moments in musical theater / Mary Jo Lodge ; "Love let me sing you" : the liminality of song and dance in La Chiusa's Bernarda Alba (2006) / Matthew Lockitt -- Performativity as identity. Tapping the ivories : jazz and tap dance in Jelly's last jam (1992) / Kathryn Edney ; Everything's coming up Kurt : the Broadway song in Glee / Jessica Sternfeld ; Angry dance : postmodern innovation, masculinities and gender subversion / Judith A. Sebesta --
Performativity as context. Deconstructing the singer : the concerts of Laurie Anderson / Ainhoa Kaiero Claver ; Singing and a song : the "intimate difference" in Susan Philipsz's Lowlands -- / Zeynep Bulut ; Acting operatically : body, voice and the actress in Beckett's theater / Marianne Sharp -- Performativity as practice. Vox elettronica : song, dance and live electronics in the practice of sound theater / Caroline Wilkins ; From ear to foot : how choreographers interpret music / Sabine Wilden ; Singing from stones : physiovocality and Gardzienice's Theater of musicality / Konstatinos Thomaidis -- Performativity as community. Singing the community : the musical theater chorus as character / Bethany Hughes ; Singing and dancing ourselves : the politics of the ensemble in A chorus line (1975) / Millie Taylor -- Performativity as writing.
Record Nr. UNINA-9910807754703321
Oxford [England] : , : Oxford University Press, , [2014]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Giselle e il teatro musicale : nuove visioni per la storia del balletto / / Maria Venuso
Giselle e il teatro musicale : nuove visioni per la storia del balletto / / Maria Venuso
Autore Venuso Maria
Pubbl/distr/stampa Polistampa
Disciplina 792
Soggetto topico Musical theater - Europe - 19th century - History
Romanticism in music
Ballet - Europe - History
Ballet - Europe - Histoire
Théâtre musical - Europe - Histoire
Ballet
Musical theater
Soggetto genere / forma History
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Altri titoli varianti Giselle e il teatro musicale
Record Nr. UNINA-9910551864103321
Venuso Maria  
Polistampa
Materiale a stampa
Lo trovi qui: Univ. Federico II
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The Great White Way : Race and the Broadway Musical / / Warren Hoffman
The Great White Way : Race and the Broadway Musical / / Warren Hoffman
Autore Hoffman Warren <1976->
Pubbl/distr/stampa Piscataway : , : Rutgers University Press, , 2014
Descrizione fisica 1 online resource (x, 251 pages) : illustrations, music
Disciplina 792.60890097471
Soggetto topico Race in musical theater - History - Social aspects - 20th century - United States
Music and race - History - Social aspects - 21st century - United States
Musical theater - History - Political aspects - 20th century - United States
Musical theater - Political aspects - History - 21st century - United States
Musical theater
ISBN 0-8135-6336-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Title Page; Copyright; Contents; Acknowledgments; Overture: All Singin'! All Dancin'! All White People?; Act One: 1927- 1957; 1. Only Make Believe: Performing Race in Show Boat; 2. Playing Cowboys and Indians: Forging Whitenessin Oklahoma! and Annie Get Your Gun; 3. Trouble in New York City: The Racial Politicsof West Side Story and The Music Man; Act Two: 1967- 2012; 4. Carbon Copies: Black and InterracialProductions of White Musicals; 5. A Chorus Line: The Benetton of Broadway Musicals; 6. Everything Old Is New Again: Nostalgia and the Broadway Musical at the End of the Twentieth Century
Exit Music Notes; Bibliography; Permissions; Index; About the Author
Record Nr. UNINA-9910465008403321
Hoffman Warren <1976->  
Piscataway : , : Rutgers University Press, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Great White Way : Race and the Broadway Musical / / Warren Hoffman
The Great White Way : Race and the Broadway Musical / / Warren Hoffman
Autore Hoffman Warren <1976->
Pubbl/distr/stampa Piscataway : , : Rutgers University Press, , 2014
Descrizione fisica 1 online resource (x, 251 pages) : illustrations, music
Disciplina 792.60890097471
Soggetto topico Race in musical theater - History - Social aspects - 20th century - United States
Music and race - History - Social aspects - 21st century - United States
Musical theater - History - Political aspects - 20th century - United States
Musical theater - Political aspects - History - 21st century - United States
Musical theater
ISBN 0-8135-6336-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Title Page; Copyright; Contents; Acknowledgments; Overture: All Singin'! All Dancin'! All White People?; Act One: 1927- 1957; 1. Only Make Believe: Performing Race in Show Boat; 2. Playing Cowboys and Indians: Forging Whitenessin Oklahoma! and Annie Get Your Gun; 3. Trouble in New York City: The Racial Politicsof West Side Story and The Music Man; Act Two: 1967- 2012; 4. Carbon Copies: Black and InterracialProductions of White Musicals; 5. A Chorus Line: The Benetton of Broadway Musicals; 6. Everything Old Is New Again: Nostalgia and the Broadway Musical at the End of the Twentieth Century
Exit Music Notes; Bibliography; Permissions; Index; About the Author
Record Nr. UNINA-9910789397303321
Hoffman Warren <1976->  
Piscataway : , : Rutgers University Press, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Great White Way : Race and the Broadway Musical / / Warren Hoffman
The Great White Way : Race and the Broadway Musical / / Warren Hoffman
Autore Hoffman Warren <1976->
Pubbl/distr/stampa Piscataway : , : Rutgers University Press, , 2014
Descrizione fisica 1 online resource (x, 251 pages) : illustrations, music
Disciplina 792.60890097471
Soggetto topico Race in musical theater - History - Social aspects - 20th century - United States
Music and race - History - Social aspects - 21st century - United States
Musical theater - History - Political aspects - 20th century - United States
Musical theater - Political aspects - History - 21st century - United States
Musical theater
ISBN 0-8135-6336-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Title Page; Copyright; Contents; Acknowledgments; Overture: All Singin'! All Dancin'! All White People?; Act One: 1927- 1957; 1. Only Make Believe: Performing Race in Show Boat; 2. Playing Cowboys and Indians: Forging Whitenessin Oklahoma! and Annie Get Your Gun; 3. Trouble in New York City: The Racial Politicsof West Side Story and The Music Man; Act Two: 1967- 2012; 4. Carbon Copies: Black and InterracialProductions of White Musicals; 5. A Chorus Line: The Benetton of Broadway Musicals; 6. Everything Old Is New Again: Nostalgia and the Broadway Musical at the End of the Twentieth Century
Exit Music Notes; Bibliography; Permissions; Index; About the Author
Record Nr. UNINA-9910828481703321
Hoffman Warren <1976->  
Piscataway : , : Rutgers University Press, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui