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Analyzing atonal music : pitch-class set theory and its contexts / / Michiel Schuijer
| Analyzing atonal music : pitch-class set theory and its contexts / / Michiel Schuijer |
| Autore | Schuijer Michiel |
| Pubbl/distr/stampa | Rochester, NY, : University of Rochester Press, 2008 |
| Descrizione fisica | 1 online resource (xviii, 306 pages) : digital, PDF file(s) |
| Disciplina | 781.2/67 |
| Collana | Eastman studies in music |
| Soggetto topico |
Musical analysis - Data processing
Atonality Computer composition Musical pitch Set theory |
| ISBN |
1-282-89494-3
9786612894947 1-58046-711-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Pitch-class set theory : an overture -- Objects and entities -- Operations -- Equivalence -- Similarity -- Inclusion -- "Blurring the boundaries" : analysis, performance, and history -- Mise-en-scene. |
| Record Nr. | UNINA-9911008478703321 |
Schuijer Michiel
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| Rochester, NY, : University of Rochester Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cognitive Foundations of Musical Pitch / / Carol L. Krumhansl
| Cognitive Foundations of Musical Pitch / / Carol L. Krumhansl |
| Autore | Krumhansl Carol L. |
| Pubbl/distr/stampa | Oxford University Press, 2001 |
| Descrizione fisica | 1 online resource (318 pages) : illustrations |
| Disciplina | 781.11 |
| Collana | Oxford Psychology Series |
| Soggetto topico |
Musical pitch
Cognitive psychology Music - Psychological aspects |
| ISBN |
9780198022152
0198022158 0-19-989320-9 1-280-48178-1 9786610481781 0-19-802215-8 0-19-028744-6 1-4237-3872-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795710503321 |
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Krumhansl Carol L.
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| Oxford University Press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cognitive Foundations of Musical Pitch / / Carol L. Krumhansl
| Cognitive Foundations of Musical Pitch / / Carol L. Krumhansl |
| Autore | Krumhansl Carol L. |
| Pubbl/distr/stampa | Oxford University Press, 2001 |
| Descrizione fisica | 1 online resource (318 pages) : illustrations |
| Disciplina | 781.11 |
| Collana | Oxford Psychology Series |
| Soggetto topico |
Musical pitch
Cognitive psychology Music - Psychological aspects |
| ISBN |
9780198022152
0198022158 0-19-989320-9 1-280-48178-1 9786610481781 0-19-802215-8 0-19-028744-6 1-4237-3872-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910815774903321 |
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Krumhansl Carol L.
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| Oxford University Press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cognitive foundations of musical pitch [[electronic resource] /] / Carol L. Krumhansl
| Cognitive foundations of musical pitch [[electronic resource] /] / Carol L. Krumhansl |
| Autore | Krumhansl Carol L |
| Pubbl/distr/stampa | New York, : Oxford University Press, 1990 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 781/.11 |
| Collana | Oxford psychology series |
| Soggetto topico |
Music - Psychological aspects
Musical pitch Cognitive psychology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-514836-3
1-4237-3872-1 1-280-48178-1 0-19-802215-8 9786610481781 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1. OBJECTIVES AND METHODS; The approach of cognitive psychology; The plan of the research; Outline of the following chapters; 2. QUANTIFYING TONAL HIERARCHIES AND KEY DISTANCES; The tonal hierarchy; The first probe tone study: individual differences with a major-key context; Replication and extension to minor-key contexts; A derived measure of interkey distance; A spatial representation of interkey distance; Theoretical maps of key relationships; 3. MUSICAL CORRELATES OF PERCEIVED TONAL HIERARCHIES; Tonal consonance; Tonal consonance and tonal hierarchies
Statistical analyses of tonal compositions Tonal distributions and tonal hierarchies; Tonal hierarchies, tonal consonance, and tonal distributions; 4. A KEY-FINDING ALGORITHM BASED ON TONAL HIERARCHIES; The key-finding algorithm; Application I: initial segments of preludes of J. S. Bach, Shostakovich, and Chopin; Application II: fugue subjects of J. S. Bach and Shostakovich; Application III: J. S. Bach's C Minor Prelude, Book II; Limitations and possible extensions of the algorithm; 5. PERCEIVED RELATIONS BETWEEN MUSICAL TONES; Geometric representations of musical pitch Limitations of geometric models Experimental measures of tonal relations; Correlations with tonal consonance and tonal distributions; 6. PERCEPTUAL ORGANIZATION AND PITCH MEMORY; Gestalt theory; Three principles of tonal stability; Perceptual organization in music: Segmentation and melodic similarity; 7. QUANTIFYING HARMONIC HIERARCHIES AND KEY DISTANCES; Music-theoretical descriptions of harmony; Quantifying the harmonic hierarchy; Harmonic hierarchy of diatonic triads I-VII; Deriving key distances from harmonic hierarchies; 8. PERCEIVED HARMONIC RELATIONS Perceived harmonic relations and key structure Perceived harmonic relations of diatonic triads I-VII; Key context effects on perceived harmonic relations; Key structure and memory for chord sequences; Key context effects on memory for chord sequences; Relational effects on memory for chord sequences; Parallels between perceived tonal and harmonic structures; 9. PERCEIVING MULTIPLE KEYS: MODULATION AND POLYTONALITY; Tracing the developing and changing sense of key; Tonal hierarchies and polytonality; 10. TONAL HIERARCHIES IN ATONAL AND NON-WESTERN TONAL MUSIC Tonal hierarchies in 12-tone serial music Tonal hierarchies in North Indian music; Tonal hierarchies in Balinese music; Tonal hierarchies: some generalizations; 11. MUSIC COGNITION: THEORETICAL AND EMPIRICAL GENERALIZATIONS; Properties of the diatonic-harmonic system; Properties of pentatonic, octatonic, and North Indian scales; Properties emerging from the empirical studies; References; Author index; Subject index; |
| Record Nr. | UNINA-9910465135303321 |
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Krumhansl Carol L
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| New York, : Oxford University Press, 1990 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tonal pitch space [[electronic resource] /] / Fred Lerdahl
| Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910465798503321 |
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Lerdahl Fred <1943->
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| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tonal pitch space [[electronic resource] /] / Fred Lerdahl
| Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910792229003321 |
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Lerdahl Fred <1943->
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| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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