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Conceptualizing music [[electronic resource] ] : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski
| Conceptualizing music [[electronic resource] ] : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski |
| Autore | Zbikowski Lawrence Michael |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2002 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 781/.11 |
| Collana | AMS studies in music |
| Soggetto topico |
Musical perception
Musical analysis Cognition |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-518797-0
1-280-48140-4 9786610481408 0-19-803217-X 1-60256-973-8 0-19-518502-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910465804303321 |
Zbikowski Lawrence Michael
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| Oxford ; ; New York, : Oxford University Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Conceptualizing music [[electronic resource] ] : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski
| Conceptualizing music [[electronic resource] ] : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski |
| Autore | Zbikowski Lawrence Michael |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2002 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 781/.11 |
| Collana | AMS studies in music |
| Soggetto topico |
Musical perception
Musical analysis Cognition |
| ISBN |
0-19-518797-0
1-280-48140-4 9786610481408 0-19-803217-X 1-60256-973-8 0-19-518502-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910792231303321 |
|
Zbikowski Lawrence Michael
|
||
| Oxford ; ; New York, : Oxford University Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Conceptualizing music : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski
| Conceptualizing music : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski |
| Autore | Zbikowski Lawrence Michael |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2002 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 781/.11 |
| Collana | AMS studies in music |
| Soggetto topico |
Musical perception
Musical analysis Cognition |
| ISBN |
0-19-518797-0
1-280-48140-4 9786610481408 0-19-803217-X 1-60256-973-8 0-19-518502-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910974291403321 |
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Zbikowski Lawrence Michael
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| Oxford ; ; New York, : Oxford University Press, 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Embodiment of musical creativity : the cognitive and performative causality of musical composition / / Zvonimir Nagy
| Embodiment of musical creativity : the cognitive and performative causality of musical composition / / Zvonimir Nagy |
| Autore | Nagy Zvonimir <1978-> |
| Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (247 pages) : illustrations |
| Disciplina | 781.1/1 |
| Collana | SEMPRE Studies in The Psychology of Music |
| Soggetto topico |
Composition (Music) - Psychological aspects
Musical perception Creative ability |
| ISBN |
1-315-46901-4
1-315-46899-9 1-315-46900-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Towards the embodiment of musical creativity -- pt. II. The embodied creativity of musical composition -- pt. III. Conceptualization and contextualization of musical creativity. |
| Record Nr. | UNINA-9910149374703321 |
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Nagy Zvonimir <1978->
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| Abingdon, Oxon : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing
| The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing |
| Autore | Honing Henkjan |
| Pubbl/distr/stampa | Amsterdam, : Vossiuspers UvA, 2011 |
| Descrizione fisica | 1 online resource (25 p.) |
| Disciplina | 780 |
| Soggetto topico |
Music - Psychological aspects
Cognition Musical ability Musical perception |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-25937-0
9786613259370 90-485-1508-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Illiterate Listener; Music and language; Music cognition; Musicality; Methodology; Epilogue; Acknowledgements; Notes; References |
| Record Nr. | UNINA-9910461462303321 |
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Honing Henkjan
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| Amsterdam, : Vossiuspers UvA, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing
| The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing |
| Autore | Honing Henkjan |
| Pubbl/distr/stampa | Amsterdam, : Vossiuspers UvA, 2011 |
| Descrizione fisica | 1 online resource (25 p.) |
| Disciplina | 780 |
| Soggetto topico |
Music - Psychological aspects
Cognition Musical ability Musical perception |
| ISBN |
1-283-25937-0
9786613259370 90-485-1508-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Illiterate Listener; Music and language; Music cognition; Musicality; Methodology; Epilogue; Acknowledgements; Notes; References |
| Record Nr. | UNINA-9910789727603321 |
|
Honing Henkjan
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| Amsterdam, : Vossiuspers UvA, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Les incarnations du son : les métaphores du geste dans l'écoute musicale
| Les incarnations du son : les métaphores du geste dans l'écoute musicale |
| Autore | Spampinato Francesco |
| Pubbl/distr/stampa | [Place of publication not identified], : Harmattan, 2015 |
| Disciplina | 781.1/1 |
| Collana | Sâemiotique et philosophie de la musique Les incarnations du son |
| Soggetto topico |
Music - Physiological aspects
Gesture in music - Psychological aspects Movement, Psychology of Music Musical perception Music Philosophy Music, Dance, Drama & Film |
| ISBN |
2-336-38328-4
2-336-73339-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910159382103321 |
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Spampinato Francesco
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| [Place of publication not identified], : Harmattan, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-97325-1
0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910463155803321 |
|
Sanden Paul
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| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910786048603321 |
|
Sanden Paul
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||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
| Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
| Autore | Berger Harris M. <1966-> |
| Pubbl/distr/stampa | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica | 1 online resource (578 p.) |
| Disciplina | 781.65 |
| Collana | Music/culture |
| Soggetto topico |
Musical perception
Music - Philosophy and aesthetics Rock music - Ohio - Cleveland - History and criticism Rock music - Ohio - Akron - History and criticism Jazz - Ohio - Cleveland - History and criticism Jazz - Ohio - Akron - History and criticism Music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-10991-3
9786613109910 0-8195-7182-2 0-585-38754-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
| Record Nr. | UNINA-9910455661203321 |
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Berger Harris M. <1966->
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| Hanover, N.H., : University Press of New England, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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