Conceptualizing music [[electronic resource] ] : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski |
Autore | Zbikowski Lawrence Michael |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2002 |
Descrizione fisica | 1 online resource (377 p.) |
Disciplina | 781/.11 |
Collana | AMS studies in music |
Soggetto topico |
Musical perception
Musical analysis Cognition |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-518797-0
1-280-48140-4 9786610481408 0-19-803217-X 1-60256-973-8 0-19-518502-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
Record Nr. | UNINA-9910465804303321 |
Zbikowski Lawrence Michael | ||
Oxford ; ; New York, : Oxford University Press, 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Conceptualizing music [[electronic resource] ] : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski |
Autore | Zbikowski Lawrence Michael |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2002 |
Descrizione fisica | 1 online resource (377 p.) |
Disciplina | 781/.11 |
Collana | AMS studies in music |
Soggetto topico |
Musical perception
Musical analysis Cognition |
ISBN |
0-19-518797-0
1-280-48140-4 9786610481408 0-19-803217-X 1-60256-973-8 0-19-518502-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
Record Nr. | UNINA-9910792231303321 |
Zbikowski Lawrence Michael | ||
Oxford ; ; New York, : Oxford University Press, 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Conceptualizing music : cognitive structure, theory, and analysis / / Lawrence M. Zbikowski |
Autore | Zbikowski Lawrence Michael |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2002 |
Descrizione fisica | 1 online resource (377 p.) |
Disciplina | 781/.11 |
Collana | AMS studies in music |
Soggetto topico |
Musical perception
Musical analysis Cognition |
ISBN |
0-19-518797-0
1-280-48140-4 9786610481408 0-19-803217-X 1-60256-973-8 0-19-518502-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
Record Nr. | UNINA-9910820713303321 |
Zbikowski Lawrence Michael | ||
Oxford ; ; New York, : Oxford University Press, 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Embodiment of musical creativity : the cognitive and performative causality of musical composition / / Zvonimir Nagy |
Autore | Nagy Zvonimir <1978-> |
Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2017 |
Descrizione fisica | 1 online resource (247 pages) : illustrations |
Disciplina | 781.1/1 |
Collana | SEMPRE Studies in The Psychology of Music |
Soggetto topico |
Composition (Music) - Psychological aspects
Musical perception Creative ability |
ISBN |
1-315-46901-4
1-315-46899-9 1-315-46900-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. I. Towards the embodiment of musical creativity -- pt. II. The embodied creativity of musical composition -- pt. III. Conceptualization and contextualization of musical creativity. |
Record Nr. | UNINA-9910149374703321 |
Nagy Zvonimir <1978-> | ||
Abingdon, Oxon : , : Routledge, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing |
Autore | Honing Henkjan |
Pubbl/distr/stampa | Amsterdam, : Vossiuspers UvA, 2011 |
Descrizione fisica | 1 online resource (25 p.) |
Disciplina | 780 |
Soggetto topico |
Music - Psychological aspects
Cognition Musical ability Musical perception |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-25937-0
9786613259370 90-485-1508-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Illiterate Listener; Music and language; Music cognition; Musicality; Methodology; Epilogue; Acknowledgements; Notes; References |
Record Nr. | UNINA-9910461462303321 |
Honing Henkjan | ||
Amsterdam, : Vossiuspers UvA, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing |
Autore | Honing Henkjan |
Pubbl/distr/stampa | Amsterdam, : Vossiuspers UvA, 2011 |
Descrizione fisica | 1 online resource (25 p.) |
Disciplina | 780 |
Soggetto topico |
Music - Psychological aspects
Cognition Musical ability Musical perception |
ISBN |
1-283-25937-0
9786613259370 90-485-1508-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Illiterate Listener; Music and language; Music cognition; Musicality; Methodology; Epilogue; Acknowledgements; Notes; References |
Record Nr. | UNINA-9910789727603321 |
Honing Henkjan | ||
Amsterdam, : Vossiuspers UvA, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing |
Autore | Honing Henkjan |
Pubbl/distr/stampa | Amsterdam, : Vossiuspers UvA, 2011 |
Descrizione fisica | 1 online resource (25 p.) |
Disciplina | 780 |
Soggetto topico |
Music - Psychological aspects
Cognition Musical ability Musical perception |
ISBN |
1-283-25937-0
9786613259370 90-485-1508-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Illiterate Listener; Music and language; Music cognition; Musicality; Methodology; Epilogue; Acknowledgements; Notes; References |
Record Nr. | UNINA-9910812925403321 |
Honing Henkjan | ||
Amsterdam, : Vossiuspers UvA, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Les incarnations du son : les métaphores du geste dans l'écoute musicale |
Autore | Spampinato Francesco |
Pubbl/distr/stampa | [Place of publication not identified], : Harmattan, 2015 |
Disciplina | 781.1/1 |
Collana | Sâemiotique et philosophie de la musique Les incarnations du son |
Soggetto topico |
Music - Physiological aspects
Gesture in music - Psychological aspects Movement, Psychology of Music Musical perception Music Philosophy Music, Dance, Drama & Film |
ISBN |
2-336-38328-4
2-336-73339-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-9910159382103321 |
Spampinato Francesco | ||
[Place of publication not identified], : Harmattan, 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
Autore | Sanden Paul |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (221 p.) |
Disciplina | 781.1/1 |
Collana |
Routledge research in music
Routledge research in music |
Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-97325-1
0-203-07851-9 1-136-15656-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
Record Nr. | UNINA-9910463155803321 |
Sanden Paul | ||
New York : , : Routledge, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
Autore | Sanden Paul |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (221 p.) |
Disciplina | 781.1/1 |
Collana |
Routledge research in music
Routledge research in music |
Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
Record Nr. | UNINA-9910786048603321 |
Sanden Paul | ||
New York : , : Routledge, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|