Africa in stereo : modernism, music, and pan-African solidarity / / Tsitsi Ella Jaji |
Autore | Jaji Tsitsi |
Pubbl/distr/stampa | Oxford : , : Oxford University Press, , 2014 |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 809/.896 |
Soggetto topico |
African literature - History and criticism
Modernism (Literature) - Africa Music in literature Musical films - History and criticism Comparative literature - African and American Comparative literature - American and African Music - Social aspects - Africa |
Soggetto genere / forma | Electronic books. |
ISBN | 0-19-993638-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post-)pan-African futures -- Epilogue: Singing songs. |
Record Nr. | UNINA-9910453617203321 |
Jaji Tsitsi
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Oxford : , : Oxford University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Africa in stereo : modernism, music, and pan-African solidarity / / Tsitsi Ella Jaji |
Autore | Jaji Tsitsi |
Pubbl/distr/stampa | Oxford : , : Oxford University Press, , 2014 |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 809/.896 |
Soggetto topico |
African literature - History and criticism
Modernism (Literature) - Africa Music in literature Musical films - History and criticism Comparative literature - African and American Comparative literature - American and African Music - Social aspects - Africa |
ISBN | 0-19-993638-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post-)pan-African futures -- Epilogue: Singing songs. |
Record Nr. | UNINA-9910790768403321 |
Jaji Tsitsi
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Oxford : , : Oxford University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Africa in stereo : modernism, music, and pan-African solidarity / / Tsitsi Ella Jaji |
Autore | Jaji Tsitsi |
Pubbl/distr/stampa | Oxford : , : Oxford University Press, , 2014 |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 809/.896 |
Soggetto topico |
African literature - History and criticism
Modernism (Literature) - Africa Music in literature Musical films - History and criticism Comparative literature - African and American Comparative literature - American and African Music - Social aspects - Africa |
ISBN | 0-19-993638-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post-)pan-African futures -- Epilogue: Singing songs. |
Record Nr. | UNINA-9910815514903321 |
Jaji Tsitsi
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Oxford : , : Oxford University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Contemporary musical film / / edited by K.J. Donnelly and Beth Carroll [[electronic resource]] |
Autore | Donnelly K. J. |
Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2017 |
Descrizione fisica | 1 online resource (x, 192 pages) : digital, PDF file(s) |
Disciplina | 791.4375 |
Collana | Music and the moving image |
Soggetto topico | Musical films - History and criticism |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN |
1-4744-1313-7
1-4744-1314-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION: REIMAGINING THE CONTEMPORARY MUSICAL IN THE TWENTY-FIRST CENTURY -- PART ONE. ORIGINAL MUSICALS -- 1 AESTHETIC ABSURDITIES IN TAKASHI MIIKE’S THE HAPPINESS OF THE KATAKURIS -- 2 FILM AND THE TWILIGHT OF ROCK (ROCK IS DEAD AND FILM KILLED IT): POST-MILLENNIAL ROCK MUSICALS -- 3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL -- 4 THE ANTI-MUSICAL OR GENERIC AFFINITY: IS THERE ANYTHING LEFT TO SAY? -- 5 ‘IS THIS REAL ENOUGH FOR YOU?’: LYRICAL ARTICULATION OF THE BEATLES’ SONGS IN ACROSS THE UNIVERSE -- 6 ‘LOVE IS AN OPEN DOOR’: REVISING AND REPEATING DISNEY’S MUSICAL TROPES IN FROZEN -- PART TWO STAGE TO SCREEN -- 7 STAR QUALITY? SONG, CELEBRITY AND THE JUKEBOX MUSICAL IN MAMMA MIA! -- 8 BEYOND THE BARRICADE: ADAPTING LES MISÉRABLES FOR THE CINEMA -- PART THREE. MUSICALS BY ANOTHER NAME -- 9 O BROTHER, WHERE ART THOU?: THE COEN BROTHERS AND THE MUSICAL GENRE CONTAMINATION -- 10 RACING IN THE BEAT: MUSIC IN THE FAST & FURIOUS FRANCHISE -- 11 KILL BILL: QUENTIN TARANTINO AS A MUSICAL FILMMAKER -- INDEX |
Record Nr. | UNINA-9910795101203321 |
Donnelly K. J.
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Edinburgh : , : Edinburgh University Press, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Contemporary musical film / / edited by K.J. Donnelly and Beth Carroll [[electronic resource]] |
Autore | Donnelly K. J. |
Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2017 |
Descrizione fisica | 1 online resource (x, 192 pages) : digital, PDF file(s) |
Disciplina | 791.4375 |
Collana | Music and the moving image |
Soggetto topico | Musical films - History and criticism |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN |
1-4744-1313-7
1-4744-1314-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION: REIMAGINING THE CONTEMPORARY MUSICAL IN THE TWENTY-FIRST CENTURY -- PART ONE. ORIGINAL MUSICALS -- 1 AESTHETIC ABSURDITIES IN TAKASHI MIIKE’S THE HAPPINESS OF THE KATAKURIS -- 2 FILM AND THE TWILIGHT OF ROCK (ROCK IS DEAD AND FILM KILLED IT): POST-MILLENNIAL ROCK MUSICALS -- 3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL -- 4 THE ANTI-MUSICAL OR GENERIC AFFINITY: IS THERE ANYTHING LEFT TO SAY? -- 5 ‘IS THIS REAL ENOUGH FOR YOU?’: LYRICAL ARTICULATION OF THE BEATLES’ SONGS IN ACROSS THE UNIVERSE -- 6 ‘LOVE IS AN OPEN DOOR’: REVISING AND REPEATING DISNEY’S MUSICAL TROPES IN FROZEN -- PART TWO STAGE TO SCREEN -- 7 STAR QUALITY? SONG, CELEBRITY AND THE JUKEBOX MUSICAL IN MAMMA MIA! -- 8 BEYOND THE BARRICADE: ADAPTING LES MISÉRABLES FOR THE CINEMA -- PART THREE. MUSICALS BY ANOTHER NAME -- 9 O BROTHER, WHERE ART THOU?: THE COEN BROTHERS AND THE MUSICAL GENRE CONTAMINATION -- 10 RACING IN THE BEAT: MUSIC IN THE FAST & FURIOUS FRANCHISE -- 11 KILL BILL: QUENTIN TARANTINO AS A MUSICAL FILMMAKER -- INDEX |
Record Nr. | UNINA-9910813419403321 |
Donnelly K. J.
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Edinburgh : , : Edinburgh University Press, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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The international film musical / / edited by Corey K. Creekmur and Linda Y. Mokdad |
Autore | Creekmur Corey |
Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , [2012] |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 791.436 |
Collana | Traditions in world cinema |
Soggetto topico | Musical films - History and criticism |
ISBN |
1-78402-334-5
0-7486-3478-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; Pt. I: Europe. Britain / John Mundy -- France / Kelley Conway -- Germany / Antje Ascheid -- Portugal / Lisa Shaw -- Spain / Inmaculada Sánchez Alarcón -- Italy / Alex Marlow-Mann -- Greece / Lydia Papadimitriou -- Soviet Union / Richard Taylor -- ; Pt. II: Latin America. Mexico / Ana M. López -- Brazil / João Luis Vieira -- ; Pt. III: Asia. Japan / Aaron Gerow -- China / Emilie Yueh-yu Yeh -- India / Michael Lawrence -- ; Pt. IV: The Middle East. Egypt / Linda Y. Mokdad -- Turkey / Nezih Erdoǧan -- ; Pt. V: Hollywood and the world. The post-modern transnational film musical / Björn Norðfjörð -- Coda : the musical as international genre: reading notes / Rick Altman. |
Record Nr. | UNINA-9910785926103321 |
Creekmur Corey
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Edinburgh : , : Edinburgh University Press, , [2012] | ||
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Lo trovi qui: Univ. Federico II | ||
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The international film musical / / edited by Corey K. Creekmur and Linda Y. Mokdad |
Autore | Creekmur Corey |
Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , [2012] |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 791.436 |
Collana | Traditions in world cinema |
Soggetto topico | Musical films - History and criticism |
ISBN |
1-78402-334-5
0-7486-3478-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; Pt. I: Europe. Britain / John Mundy -- France / Kelley Conway -- Germany / Antje Ascheid -- Portugal / Lisa Shaw -- Spain / Inmaculada Sánchez Alarcón -- Italy / Alex Marlow-Mann -- Greece / Lydia Papadimitriou -- Soviet Union / Richard Taylor -- ; Pt. II: Latin America. Mexico / Ana M. López -- Brazil / João Luis Vieira -- ; Pt. III: Asia. Japan / Aaron Gerow -- China / Emilie Yueh-yu Yeh -- India / Michael Lawrence -- ; Pt. IV: The Middle East. Egypt / Linda Y. Mokdad -- Turkey / Nezih Erdoǧan -- ; Pt. V: Hollywood and the world. The post-modern transnational film musical / Björn Norðfjörð -- Coda : the musical as international genre: reading notes / Rick Altman. |
Record Nr. | UNINA-9910807062603321 |
Creekmur Corey
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Edinburgh : , : Edinburgh University Press, , [2012] | ||
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Lo trovi qui: Univ. Federico II | ||
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Musicals in film : a guide to the genre / / Thomas S. Hischak |
Autore | Hischak Thomas S |
Pubbl/distr/stampa | Santa Barbara : , : Greenwood, , 2017 |
Descrizione fisica | 1 online resource (xxvii, 449 pages) : illustrations |
Disciplina | 791.43/6 |
Collana | Gale eBooks |
Soggetto topico | Musical films - History and criticism |
ISBN |
9798400688874
9798216120674 9781440844232 1440844232 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: who needs talking? -- Timeline of movie musicals -- Movie musical terms -- Movie musical genres -- History of the movie musical. The 1920s: learning to sing onscreen -- The 1930s: singing and dancing through a Depression -- The 1940s: musicals during a World War -- The 1950s: competing with television -- The 1960s: musicals during a revolution -- The 1970s: struggling to survive -- The 1980s and 1990s: looking for new forms for musicals -- Musicals since 2000: a rebirth of sorts. |
Record Nr. | UNINA-9910151562203321 |
Hischak Thomas S
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Santa Barbara : , : Greenwood, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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The sound of musicals / / edited by Steven Cohan |
Pubbl/distr/stampa | London : , : BFI, , 2010 |
Descrizione fisica | 1 online resource (viii, 217 pages) : illustrations |
Disciplina | 791.436 |
Soggetto topico | Musical films - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-83871-160-0
1-84457-579-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Acknowledgments.- Notes on Contributors.- Introduction: How Do You Solve a Problem like the Film Musical?.- PART ONE: GENRE MATTERS.- From Homosocial to Heterosexual: The Musical's Two Projects; R.Altman.- British Gaiety: Musical Cinema and the Theatrical Tradition in British Film; L.Napper.- The Mellifluous Illogics of the 'Bollywood Musical'; B.Sarkar.- The International Art Musical: Defining and Periodizing the Post-1980s Musical; J.Feuer.- PART TWO: HISTORIES OF THE HOLLYWOOD MUSICAL.- Flirting with Terpischore: Dance, Class, and Entertainment in 1930s Musicals; A.L.McLean.- Star Spangled Shows: History and Utopia in Wartime Canteen Musicals; S.Cohan.- Sailors and Kissing Bandits: The Challenging Spectacle of Frank Sinatra at MGM; K.McNally.- Bloody Mary is the Girl I Love: U.S. White Liberalism vs. Pacific Islander Subjectivity in South Pacific; S.Griffin.- The Singing Sixties: Rethinking the Julie Andrews Roadshow Musical; B.Farmer.- The Streisand Musical; P.Robertson Wojcik.- PART THREE: BEYOND CLASSIC HOLLYWOOD.- The Music and Musicality of Bollywood; A.Morcom.- Robert Altman and the New Hollywood Musical; G.Sherwood Magee.- The Musical as Mode: Community Formation and Alternative Rock in Empire Records; K.J.Bozelka.- A Musical Dressed Up in a Different Way: Urban Ireland and the Possible Spaces of John Carney's Once; M.J.Fee.- Touch from a Distance: Christopher Honoré s Les Chansons d'Amour David; A.Gerstner.- Dozing off During History: Hairspray's Iterations and the Gift of Black Music; M.Tinkcom. |
Record Nr. | UNINA-9910467942303321 |
London : , : BFI, , 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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The sound of musicals / / edited by Steven Cohan |
Pubbl/distr/stampa | London : , : BFI, , 2010 |
Descrizione fisica | 1 online resource (viii, 217 pages) : illustrations |
Disciplina | 791.436 |
Soggetto topico | Musical films - History and criticism |
ISBN |
1-83902-060-1
1-83871-160-0 1-84457-579-9 |
Classificazione | 9,2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Acknowledgments.- Notes on Contributors.- Introduction: How Do You Solve a Problem like the Film Musical?.- PART ONE: GENRE MATTERS.- From Homosocial to Heterosexual: The Musical's Two Projects; R.Altman.- British Gaiety: Musical Cinema and the Theatrical Tradition in British Film; L.Napper.- The Mellifluous Illogics of the 'Bollywood Musical'; B.Sarkar.- The International Art Musical: Defining and Periodizing the Post-1980s Musical; J.Feuer.- PART TWO: HISTORIES OF THE HOLLYWOOD MUSICAL.- Flirting with Terpischore: Dance, Class, and Entertainment in 1930s Musicals; A.L.McLean.- Star Spangled Shows: History and Utopia in Wartime Canteen Musicals; S.Cohan.- Sailors and Kissing Bandits: The Challenging Spectacle of Frank Sinatra at MGM; K.McNally.- Bloody Mary is the Girl I Love: U.S. White Liberalism vs. Pacific Islander Subjectivity in South Pacific; S.Griffin.- The Singing Sixties: Rethinking the Julie Andrews Roadshow Musical; B.Farmer.- The Streisand Musical; P.Robertson Wojcik.- PART THREE: BEYOND CLASSIC HOLLYWOOD.- The Music and Musicality of Bollywood; A.Morcom.- Robert Altman and the New Hollywood Musical; G.Sherwood Magee.- The Musical as Mode: Community Formation and Alternative Rock in Empire Records; K.J.Bozelka.- A Musical Dressed Up in a Different Way: Urban Ireland and the Possible Spaces of John Carney's Once; M.J.Fee.- Touch from a Distance: Christopher Honoré s Les Chansons d'Amour David; A.Gerstner.- Dozing off During History: Hairspray's Iterations and the Gift of Black Music; M.Tinkcom. |
Record Nr. | UNINA-9910794824003321 |
London : , : BFI, , 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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