Analyzing the music of living composers (and others) / / edited by Jack Boss [and three others] |
Pubbl/distr/stampa | Newcastle upon Tyne, United Kingdom : , : Cambridge Scholars, , 2013 |
Descrizione fisica | 1 online resource (290 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical analysis - History - 20th century
Musical analysis - History - 21st century Music - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 1-4438-6471-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
TABLE OF CONTENTS; PREFACE; PART I: PROCESS IN THE MUSIC OF LIVING COMPOSERS; INTRODUCTION TO PART I; CHAPTER ONE - MAKING THE MOST OF MINIMALISM; CHAPTER TWO - COHERENCE AND COMPREHENSIBILITY IN JOAN TOWER'S PURPLE RHAPSODY; CHAPTER THREE - GAMES, SIMPLICITY, AND TREES; CHAPTER FOUR - AN INTRODUCTION TO THE MUSIC OF WILLEM CEULEERS; PART II: THE TONAL TRADITION; INTRODUCTION TO PART II; CHAPTER FIVE - HARMONY AND THE MYTH OF NARCISSUS IN SCHUBERT'S ""DU LIEBST MICH NICHT""; CHAPTER SIX - MAHLER'S MUSICAL IDEA; CHAPTER SEVEN - DEBUSSY'S UNTERBRECHUNG; PART III: POP MUSIC AND BEYOND
INTRODUCTION TO PART III CHAPTER EIGHT - WHEN POP STARS COLLIDE; CHAPTER NINE - GROOVE TOPICS IN IMPROVISED JAZZ; CHAPTER TEN - THE MUSIC OF MARIO, LINK, AND SAMUS; CHAPTER ELEVEN - HEARING HEIMA; PART IV: MUSICAL GEOMETRY AND TEMPORAL STRUCTURING; INTRODUCTION TO PART IV; CHAPTER TWELVE - SERIAL N-CUBES; CHAPTER THIRTEEN - TEMPORAL STRUCTURING IN COLIN MATTHEWS'S ELEVEN STUDIES [INVENTIONS] IN VELOCITY; CONTRIBUTORS |
Record Nr. | UNINA-9910464604103321 |
Newcastle upon Tyne, United Kingdom : , : Cambridge Scholars, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Analyzing the music of living composers (and others) / / edited by Jack Boss [and three others] |
Pubbl/distr/stampa | Newcastle upon Tyne, United Kingdom : , : Cambridge Scholars, , 2013 |
Descrizione fisica | 1 online resource (290 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical analysis - History - 20th century
Musical analysis - History - 21st century Music - History and criticism |
ISBN | 1-4438-6471-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
TABLE OF CONTENTS; PREFACE; PART I: PROCESS IN THE MUSIC OF LIVING COMPOSERS; INTRODUCTION TO PART I; CHAPTER ONE - MAKING THE MOST OF MINIMALISM; CHAPTER TWO - COHERENCE AND COMPREHENSIBILITY IN JOAN TOWER'S PURPLE RHAPSODY; CHAPTER THREE - GAMES, SIMPLICITY, AND TREES; CHAPTER FOUR - AN INTRODUCTION TO THE MUSIC OF WILLEM CEULEERS; PART II: THE TONAL TRADITION; INTRODUCTION TO PART II; CHAPTER FIVE - HARMONY AND THE MYTH OF NARCISSUS IN SCHUBERT'S ""DU LIEBST MICH NICHT""; CHAPTER SIX - MAHLER'S MUSICAL IDEA; CHAPTER SEVEN - DEBUSSY'S UNTERBRECHUNG; PART III: POP MUSIC AND BEYOND
INTRODUCTION TO PART III CHAPTER EIGHT - WHEN POP STARS COLLIDE; CHAPTER NINE - GROOVE TOPICS IN IMPROVISED JAZZ; CHAPTER TEN - THE MUSIC OF MARIO, LINK, AND SAMUS; CHAPTER ELEVEN - HEARING HEIMA; PART IV: MUSICAL GEOMETRY AND TEMPORAL STRUCTURING; INTRODUCTION TO PART IV; CHAPTER TWELVE - SERIAL N-CUBES; CHAPTER THIRTEEN - TEMPORAL STRUCTURING IN COLIN MATTHEWS'S ELEVEN STUDIES [INVENTIONS] IN VELOCITY; CONTRIBUTORS |
Record Nr. | UNINA-9910786782803321 |
Newcastle upon Tyne, United Kingdom : , : Cambridge Scholars, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Analyzing the music of living composers (and others) / / edited by Jack Boss [and three others] |
Pubbl/distr/stampa | Newcastle upon Tyne, United Kingdom : , : Cambridge Scholars, , 2013 |
Descrizione fisica | 1 online resource (290 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical analysis - History - 20th century
Musical analysis - History - 21st century Music - History and criticism |
ISBN | 1-4438-6471-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
TABLE OF CONTENTS; PREFACE; PART I: PROCESS IN THE MUSIC OF LIVING COMPOSERS; INTRODUCTION TO PART I; CHAPTER ONE - MAKING THE MOST OF MINIMALISM; CHAPTER TWO - COHERENCE AND COMPREHENSIBILITY IN JOAN TOWER'S PURPLE RHAPSODY; CHAPTER THREE - GAMES, SIMPLICITY, AND TREES; CHAPTER FOUR - AN INTRODUCTION TO THE MUSIC OF WILLEM CEULEERS; PART II: THE TONAL TRADITION; INTRODUCTION TO PART II; CHAPTER FIVE - HARMONY AND THE MYTH OF NARCISSUS IN SCHUBERT'S ""DU LIEBST MICH NICHT""; CHAPTER SIX - MAHLER'S MUSICAL IDEA; CHAPTER SEVEN - DEBUSSY'S UNTERBRECHUNG; PART III: POP MUSIC AND BEYOND
INTRODUCTION TO PART III CHAPTER EIGHT - WHEN POP STARS COLLIDE; CHAPTER NINE - GROOVE TOPICS IN IMPROVISED JAZZ; CHAPTER TEN - THE MUSIC OF MARIO, LINK, AND SAMUS; CHAPTER ELEVEN - HEARING HEIMA; PART IV: MUSICAL GEOMETRY AND TEMPORAL STRUCTURING; INTRODUCTION TO PART IV; CHAPTER TWELVE - SERIAL N-CUBES; CHAPTER THIRTEEN - TEMPORAL STRUCTURING IN COLIN MATTHEWS'S ELEVEN STUDIES [INVENTIONS] IN VELOCITY; CONTRIBUTORS |
Record Nr. | UNINA-9910827774003321 |
Newcastle upon Tyne, United Kingdom : , : Cambridge Scholars, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|