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Analisi della performance : un ponte tra tra teoria e interpretazione : atti del Convegno internazionale (Messina, 7-9 giugno 2018) / / a cura di Alba Crea, Madalena Soveral, Sara Zurletti
| Analisi della performance : un ponte tra tra teoria e interpretazione : atti del Convegno internazionale (Messina, 7-9 giugno 2018) / / a cura di Alba Crea, Madalena Soveral, Sara Zurletti |
| Pubbl/distr/stampa | LIM - Libreria Musicale Italiana |
| Soggetto topico |
Music - Interpretation (Phrasing, dynamics, etc.)
Music - Performance Musical analysis |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Analisi della performance |
| Record Nr. | UNINA-9910733768503321 |
| LIM - Libreria Musicale Italiana | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-66502-5
9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910465725803321 |
Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| ISBN |
1-136-32975-7
1-280-66502-5 9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910791940303321 |
|
Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| ISBN |
1-136-32975-7
1-280-66502-5 9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910821718303321 |
|
Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analytical approaches to world music
| Analytical approaches to world music |
| Pubbl/distr/stampa | Ridgeward, NY, : Analytical Approaches to World Music |
| Disciplina | 780.1 |
| Soggetto topico |
Music
Musical analysis Ethnomusicology Folk music |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910138801303321 |
| Ridgeward, NY, : Analytical Approaches to World Music | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analytical approaches to world music
| Analytical approaches to world music |
| Pubbl/distr/stampa | Ridgeward, NY, : Analytical Approaches to World Music |
| Disciplina | 780.1 |
| Soggetto topico |
Music
Musical analysis Ethnomusicology Folk music |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996353850203316 |
| Ridgeward, NY, : Analytical Approaches to World Music | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Analytical variations - eight critical essays on applied music theory / / Bengt Edlund
| Analytical variations - eight critical essays on applied music theory / / Bengt Edlund |
| Autore | Edlund Bengt |
| Pubbl/distr/stampa | Berlin : , : Peter Lang, , [2020] |
| Descrizione fisica | 1 online resource (618 pages) |
| Disciplina | 781 |
| Collana | Methodology of music research |
| Soggetto topico | Musical analysis |
| Soggetto genere / forma | Electronic books. |
| ISBN |
3-631-79798-2
3-631-79797-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910629583803321 |
|
Edlund Bengt
|
||
| Berlin : , : Peter Lang, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analyzing classical form : an approach for the classroom / / William E. Caplin
| Analyzing classical form : an approach for the classroom / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (759 p.) |
| Disciplina | 784.18 |
| Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-974718-0
0-19-998730-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
| Record Nr. | UNINA-9910453103303321 |
|
Caplin William Earl <1948->
|
||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analyzing classical form : an approach for the classroom / / William E. Caplin
| Analyzing classical form : an approach for the classroom / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (759 p.) |
| Disciplina | 784.18 |
| Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
| ISBN |
0-19-974718-0
0-19-998730-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
| Record Nr. | UNINA-9910790634803321 |
|
Caplin William Earl <1948->
|
||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analyzing classical form : an approach for the classroom / / William E. Caplin
| Analyzing classical form : an approach for the classroom / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (759 p.) |
| Disciplina | 784.18 |
| Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
| ISBN |
0-19-974718-0
0-19-998730-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
| Record Nr. | UNINA-9910808841903321 |
|
Caplin William Earl <1948->
|
||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Musical analysis
(104)
- Music - Philosophy and aesthetics (24)
- Music theory (16)
- Music (9)
- Counterpoint (8)