The Affinities and Medieval Transposition / Dolores Pesce |
Autore | Pesce Dolores |
Pubbl/distr/stampa | Bloomington : , : Indiana University Press, , 1987 |
Descrizione fisica | 1 online resource (1 online resource xiv, 239 pages) : : illustrations |
Collana | Music--scholarship and performance |
Soggetto topico |
Transposition (Music)
Musical intervals and scales Music theory Music theory - History - 16th century Music theory - History - 15th century Music theory - History - 500-1400 |
Soggetto genere / forma |
History
Electronic books. |
ISBN | 0-253-05573-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | From Hucbald to Guide : origins of the concept. Hucbald's De harmonica institutione ; Musica enchiriadis and Scolica enchiriadis ; Dialogus de musica ; Berno's Prologus in tonarium ; Micrologus and Epistola by Guido of Arezzo -- The eleventh and twelfth-century commentators : transposition and transformation. Liber argumentorum and liber specierum ; Musica by Hermannus Contractus ; Musica by Wilhelm of Hirsau ; De musica by Aribo ; Commentarius anonymus in Micrologum Guidonis Aretini ; The Leipzig treatise ; The Leipzig tonary ; Quaestiones in musica ; Anonymous Wolf ; De musica by John ; The Cistercian treatises -- Hexachords : seats of the modes. A treatise by Johannes de Garlandia ; Tractatus de tonis by Petrus de Cruce ; Practica artis musice by Amerus ; Tractatus de musica by Magister Lambertus ; Tractatus de musica by Jerome of Moravia ; Speculum musicae by Jacques de Liege ; Luciarium by Marchetto of Padua ; Quatuor principalia musicae ; Cantuagium by Heinrich Eger von Kalkar ; Coussemaker's Anonymous I -- Coniunctae or transposition. The Berkeley manuscript ; Anonymous, Rome, Vatican lat. 5129 ; Anonymous XI ; The Szalkai treatise ; Lectura by Petrus Tallanderius -- The rise of octave species theory. Declaratio musicae disciplinae by Ugolino of Orvieto ; Liber de natura et proprietetate tonorum by Johannes Tinctoris ; De preceptis artis musicae by Guilielmus Monachus ; Musices opusculum by Nocolaus Burtius ; Practica musicae by Franchinus Gaffurius ; Opus aureum musicae and Enchiridon musices by Nicolaus Wollick ; Musicae activae micrologus by Andreas Ornithoparchus ; The writings of Pietro Aaron ; The writings of Martin Agricola ; Scintille di musica by Giovanni Maria Langranco ; Recanetum de musica aurea by Stefano Vanneo ; The writings of Henricus Glareanus -- Conclusion -- Appendix A : Discussion of principal sedes according to Wilhelm -- Appendix B : Passages on "transposition by necessity" -- Appendix C : Chant citations in Marchetto's discussion of the eight modes -- Appendix D : Treatises by Johannes Cochlaeus, Vencelaus Philomathes and Georg Rhau. |
Record Nr. | UNINA-9910524855403321 |
Pesce Dolores
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Bloomington : , : Indiana University Press, , 1987 | ||
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Lo trovi qui: Univ. Federico II | ||
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Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / / by Jacomien Prins |
Autore | Prins Jacomien |
Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2015 |
Descrizione fisica | 1 online resource (473 p.) |
Disciplina | 781.092/245 |
Collana | Brill Studies in Intellectual History |
Soggetto topico |
Music theory - History - 15th century
Music theory - History - 16th century Philosophy, Renaissance Harmony of the spheres Renaissance - Italy Humanism - Italy |
Soggetto genere / forma | Electronic books. |
ISBN | 90-04-28176-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- 1 Introduction -- 2 The Universe as a Musical Creation -- 3 Man as a Co-Creator of His Harmonic Nature -- 4 From the Music of the Spheres to the Mathematization of Space -- 5 Man’s Nostalgia for a Lost Musical Paradise -- 6 Conclusion -- Select Bibliography -- Index. |
Record Nr. | UNINA-9910463640003321 |
Prins Jacomien
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Leiden, Netherlands : , : Brill, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / / by Jacomien Prins |
Autore | Prins Jacomien |
Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2015 |
Descrizione fisica | 1 online resource (473 p.) |
Disciplina | 781.092/245 |
Collana | Brill Studies in Intellectual History |
Soggetto topico |
Music theory - History - 15th century
Music theory - History - 16th century Philosophy, Renaissance Harmony of the spheres Renaissance - Italy Humanism - Italy |
ISBN | 90-04-28176-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- 1 Introduction -- 2 The Universe as a Musical Creation -- 3 Man as a Co-Creator of His Harmonic Nature -- 4 From the Music of the Spheres to the Mathematization of Space -- 5 Man’s Nostalgia for a Lost Musical Paradise -- 6 Conclusion -- Select Bibliography -- Index. |
Record Nr. | UNINA-9910788037003321 |
Prins Jacomien
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Leiden, Netherlands : , : Brill, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / / by Jacomien Prins |
Autore | Prins Jacomien |
Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2015 |
Descrizione fisica | 1 online resource (473 p.) |
Disciplina | 781.092/245 |
Collana | Brill Studies in Intellectual History |
Soggetto topico |
Music theory - History - 15th century
Music theory - History - 16th century Philosophy, Renaissance Harmony of the spheres Renaissance - Italy Humanism - Italy |
ISBN | 90-04-28176-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- 1 Introduction -- 2 The Universe as a Musical Creation -- 3 Man as a Co-Creator of His Harmonic Nature -- 4 From the Music of the Spheres to the Mathematization of Space -- 5 Man’s Nostalgia for a Lost Musical Paradise -- 6 Conclusion -- Select Bibliography -- Index. |
Record Nr. | UNINA-9910807442503321 |
Prins Jacomien
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Leiden, Netherlands : , : Brill, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Music theory [[electronic resource] ] : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan |
Autore | Ultan Lloyd <1929-1998.> |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1977 |
Descrizione fisica | 1 online resource |
Disciplina | 781/.09/02 |
Soggetto topico |
Music theory - History - 500-1400
Music theory - History - 15th century Music theory - History - 16th century Aesthetics, Medieval Aesthetics, Modern Renaissance |
Soggetto genere / forma | Electronic books. |
ISBN |
0-8166-5549-9
1-4356-0631-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910452160303321 |
Ultan Lloyd <1929-1998.>
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Minneapolis, : University of Minnesota Press, c1977 | ||
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Lo trovi qui: Univ. Federico II | ||
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Music theory [[electronic resource] ] : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan |
Autore | Ultan Lloyd <1929-1998.> |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1977 |
Descrizione fisica | 1 online resource |
Disciplina | 781/.09/02 |
Soggetto topico |
Music theory - History - 500-1400
Music theory - History - 15th century Music theory - History - 16th century Aesthetics, Medieval Aesthetics, Modern Renaissance |
ISBN |
0-8166-5549-9
1-4356-0631-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910778399203321 |
Ultan Lloyd <1929-1998.>
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Minneapolis, : University of Minnesota Press, c1977 | ||
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Lo trovi qui: Univ. Federico II | ||
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Music theory : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan |
Autore | Ultan Lloyd <1929-1998.> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1977 |
Descrizione fisica | 1 online resource |
Disciplina | 781/.09/02 |
Soggetto topico |
Music theory - History - 500-1400
Music theory - History - 15th century Music theory - History - 16th century Aesthetics, Medieval Aesthetics, Modern Renaissance |
ISBN |
0-8166-5549-9
1-4356-0631-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contents -- Preface -- Part One. The Middle Ages -- Chapter 1 Notation -- Plainsong notation -- Rhythmic modal notation -- Franconian notation -- Summary -- Chapter 2 Plainsong -- The ecclesiastical modes -- Plainsong line -- Placement of text -- Solmization -- Summary -- Chapter 3 Monophonic Forms -- Plainsong for the Mass and the Offices -- Other sacred forms and techniques -- Secular monophonic forms and performance styles -- Plainsong analytical procedures: sacred -- Plainsong analytical procedures: secular -- Compositional considerations -- Summary -- Chapter 4 Early Polyphony: Organum -- Strict organum -- Free organum -- Melismatic organum -- Summary -- Chapter 5 Ars Nova Notation -- Modus, tempus, and prolatio -- The four prolations -- Rests -- Syncopation (dotted and colored notes) -- Analytical considerations -- Summary -- Chapter 6 Early Contrapuntal Concepts and Devices -- Dissonance -- Stimmtausch -- Canon -- Summary -- Chapter 7 Late Contrapuntal Concepts and Devices -- Chromaticism (Musica Ficta) -- Hocket -- Isorhythm -- Cadences -- Summary -- Chapter 8 Sacred Polyphonic Forms -- Organum -- Conductus -- Motet -- Messe de Nostre Dame (Machaut) -- Summary -- Chapter 9 Secular Polyphonic Forms -- Virelai -- Ballade -- Rondeau -- Caccia -- Madrigal -- Instruments and instrumental forms -- Summary -- Chapter 10 The Late Fourteenth Century -- Notational considerations -- Rhythmic complexities -- Summary -- Part Two. The Renaissance -- Chapter 11 Transition -- White mensural notation -- Analytical considerations -- Summary -- Chapter 12 Early Fifteenth Century - Dufay -- Cantus firmus Mass: Se la face ay pale -- Phrase and motivic structure -- Rhythm -- Counterpoint -- Cadences -- Form -- Compositional considerations -- Summary -- Chapter 13 Middle and Late Fifteenth Century - Johannes Ockeghem -- Missa Mi-Mi -- Syncopation.
Texture -- Canon -- Compositional considerations -- Summary -- Chapter 14 Late Fifteenth and Early Sixteenth Centuries - Josquin des Pres -- Paired imitation -- Repetition and canon -- Invertible counterpoint -- Sequence -- Other devices -- Compositional considerations -- Summary -- Chapter 15 Sixteenth-Century Secular Forms -- Chanson -- Madrigal -- Compositional considerations -- Other secular forms -- Summary -- Chapter 16 Palestrina: Part One -- Contour of line and use of intervals -- Rhythmic characteristics -- Text treatment -- General observations -- Summary -- Chapter 17 Palestrina: Part Two -- Two-voice counterpoint -- Dissonance treatment -- Three (and more) voice counterpoint -- Concluding observations -- Summary -- Chapter 18 Summary, Conclusions, and New Directions -- Evolution of ideas -- Harmony -- Cadences -- Notes -- Bibliography -- Appendix -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z. |
Record Nr. | UNINA-9910809427003321 |
Ultan Lloyd <1929-1998.>
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Minneapolis, : University of Minnesota Press, c1977 | ||
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Lo trovi qui: Univ. Federico II | ||
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