Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing [[electronic resource] ] : Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609
| Andreas Ornithoparcus his Micrologus, or Introduction: containing the art of singing [[electronic resource] ] : Digested into foure bookes. Not onely profitable, but also necessary for all that are studious of musicke. Also the dimension and perfect vse of the monochord, according to Guido Aretinus. By Iohn Douland lutenist, lute-player, and Bachelor of Musicke in both the Vniuersities. 1609 |
| Autore | Ornithoparchus Andreas <active 16th century> |
| Pubbl/distr/stampa | London, : Printed [by Thomas Snodham] for Thomas Adams, dwelling in Paules Church-yard, at the signe of the white Lion, [1609] |
| Descrizione fisica | [8], 80 [i.e. 90], [2] p. : music |
| Altri autori (Persone) |
DowlandJohn <1563?-1626.>
Guido, d'Arezzo |
| Soggetto topico |
Music theory - History - 17th century
Music theory - History |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996391756603316 |
Ornithoparchus Andreas <active 16th century>
|
||
| London, : Printed [by Thomas Snodham] for Thomas Adams, dwelling in Paules Church-yard, at the signe of the white Lion, [1609] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
A briefe and short instruction of the art of musicke [[electronic resource] ] : to teach how to make discant, of all proportions that are in vse: very necessary for all such as are desirous to attaine to knowledge in the art; and may by practice, if they can sing, soone be able to compose three, foure, and five parts: and also to compose all sorts of canons that are usuall, by these directions of two or three parts in one, upon the plain-song. By Elvvay Bevin
| A briefe and short instruction of the art of musicke [[electronic resource] ] : to teach how to make discant, of all proportions that are in vse: very necessary for all such as are desirous to attaine to knowledge in the art; and may by practice, if they can sing, soone be able to compose three, foure, and five parts: and also to compose all sorts of canons that are usuall, by these directions of two or three parts in one, upon the plain-song. By Elvvay Bevin |
| Autore | Bevin Elway <approximately 1554-1638> |
| Pubbl/distr/stampa | London, : Printed by R. Young, at the signe of the Starre on Bread-street hill, 1631 |
| Descrizione fisica | [6], 52 p. : music |
| Soggetto topico |
Music theory - History - 17th century
Music theory - History Musical canon |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996390021703316 |
|
Bevin Elway <approximately 1554-1638>
|
||
| London, : Printed by R. Young, at the signe of the Starre on Bread-street hill, 1631 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Histoire universelle de la musique et de la théorie musicale / / S. Donval
| Histoire universelle de la musique et de la théorie musicale / / S. Donval |
| Autore | Donval Serge |
| Disciplina | 781 |
| Soggetto topico |
Music theory - History
Music - History and criticism Music Music theory |
| Soggetto genere / forma |
Criticism, interpretation, etc.
History |
| ISBN |
2-336-37401-3
2-336-72412-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910134848303321 |
|
Donval Serge
|
||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]]
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]] |
| Autore | Rehding Alexander |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
1-107-13635-0
1-280-43080-X 0-511-17928-6 1-139-14888-5 0-511-06178-1 0-511-05545-5 0-511-30631-8 0-511-48136-5 0-511-07024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Altri titoli varianti | Hugo Riemann & the Birth of Modern Musical Thought |
| Record Nr. | UNINA-9910450036903321 |
|
Rehding Alexander
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]]
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]] |
| Autore | Rehding Alexander |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
0-511-09588-0
1-107-13635-0 1-280-43080-X 0-511-17928-6 1-139-14888-5 0-511-06178-1 0-511-05545-5 0-511-30631-8 0-511-48136-5 0-511-07024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Altri titoli varianti | Hugo Riemann & the Birth of Modern Musical Thought |
| Record Nr. | UNISA-996248129103316 |
|
Rehding Alexander
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]]
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]] |
| Autore | Rehding Alexander |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
0-511-09588-0
1-107-13635-0 1-280-43080-X 0-511-17928-6 1-139-14888-5 0-511-06178-1 0-511-05545-5 0-511-30631-8 0-511-48136-5 0-511-07024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Altri titoli varianti | Hugo Riemann & the Birth of Modern Musical Thought |
| Record Nr. | UNINA-9910783110003321 |
|
Rehding Alexander
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]]
| Hugo Riemann and the birth of modern musical thought / / Alexander Rehding [[electronic resource]] |
| Autore | Rehding Alexander |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
| Descrizione fisica | 1 online resource (x, 218 pages) : digital, PDF file(s) |
| Disciplina | 780/.92 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Music theory - History
Musicology - History |
| ISBN |
0-511-09588-0
1-107-13635-0 1-280-43080-X 0-511-17928-6 1-139-14888-5 0-511-06178-1 0-511-05545-5 0-511-30631-8 0-511-48136-5 0-511-07024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations. |
| Altri titoli varianti | Hugo Riemann & the Birth of Modern Musical Thought |
| Record Nr. | UNINA-9910828557403321 |
|
Rehding Alexander
|
||
| Cambridge : , : Cambridge University Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical representations, subjects, and objects [[electronic resource] ] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno
| Musical representations, subjects, and objects [[electronic resource] ] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno |
| Autore | Moreno Jairo <1963-> |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2004 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 781/.1 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Music - Philosophy and aesthetics
Music - Semiotics Music theory - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-07160-2
9786612071607 0-253-11119-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject. |
| Record Nr. | UNINA-9910457522503321 |
|
Moreno Jairo <1963->
|
||
| Bloomington, : Indiana University Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical representations, subjects, and objects [[electronic resource] ] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno
| Musical representations, subjects, and objects [[electronic resource] ] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno |
| Autore | Moreno Jairo <1963-> |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2004 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 781/.1 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Music - Philosophy and aesthetics
Music - Semiotics Music theory - History |
| ISBN |
1-282-07160-2
9786612071607 0-253-11119-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject. |
| Record Nr. | UNINA-9910784576303321 |
|
Moreno Jairo <1963->
|
||
| Bloomington, : Indiana University Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical representations, subjects, and objects [[electronic resource] ] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno
| Musical representations, subjects, and objects [[electronic resource] ] : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / / Jairo Moreno |
| Autore | Moreno Jairo <1963-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2004 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 781/.1 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Music - Philosophy and aesthetics
Music - Semiotics Music theory - History |
| ISBN |
1-282-07160-2
9786612071607 0-253-11119-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject. |
| Record Nr. | UNINA-9910829198203321 |
|
Moreno Jairo <1963->
|
||
| Bloomington, : Indiana University Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
