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Auld Lang Syne : A Song and Its Culture
| Auld Lang Syne : A Song and Its Culture |
| Autore | Grant M. J |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Open Book Publishers, 2021 |
| Descrizione fisica | 1 online resource (360 pages) |
| Soggetto topico |
Theory of music & musicology
Music reviews & criticism Folk & traditional music Scotland Social & cultural history |
| Soggetto non controllato |
Auld Lang Syne
group identity reception reuse song |
| ISBN | 1-80064-067-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Introduction -- Note on the Text -- Acknowledgements -- 1. Elements of a Theory of Song -- 1.1 The Social Functions of Song -- 1.2 The Songs Folk Sing: Some Historical Evidence -- 1.3 Implied and Inherited Significance -- 1.4 Auld Lang Syne as an Object of Research: Some Issues -- The Tunes -- The Words -- The Traditions -- 2. Auld Lang Syne: Context and Genesis -- 2.1 Being a Short Discourse on Song in the Eighteenth Century -- 2.2 Auld Lang Syne before Burns -- FIRST PART -- SECOND PART -- 2.3 The Jacobite Songs -- 3. Burns's Song -- 3.1 Mrs Dunlop's Song -- 3.2 Burns's Text -- 3.3 Burns's Tune -- 3.4 What Thomson Did -- 3.5 From M1 to M2 -- 3.6 The Legacy of the Old Songs and Two Contemporaries of the New -- 4. Auld Lang Syne in the Early Nineteenth Century -- 4.1 "We'll toom the cup to friendship's growth" -- 4.2 The Establishment of M2 -- 4.3 Performance and Periodicals -- 4.4 Mr Sinclair's Song -- 4.5 After Rob Roy Macgregor -- 4.6 American Sources -- 5. The Song of Union -- 5.1 The Freemasons -- 5.2 The Fraternalist's Song -- 5.3 Immortal Memory: The Burns Clubs and the Burns Cult -- 5.4 Solidarity -- 6. The Song of Parting -- 6.1 Good Night, And Joy Be With You All -- 6.2 The Song of Empire -- 6.3 The Song of Parting -- 7. The Folk's Song -- 7.1 Mr Micawber's Song -- 7.2 The Song of Conflict and Reconciliation -- 7.3 Variations on a Theme -- 7.4 Iconography and Reminiscence -- 7.5 The Sentimentalist's Song -- 7.6 Auld Lang Syne at the Threshold of the Information Revolution -- 8.The Song of New Year -- 8.1 A Guid New Year To Ane And A': The Scots and New Year -- 8.2 New Year at St. Paul's -- 8.3 America and the Bells -- 8.4 Traditions Come Together -- 9. Take Leave, Brothers: The German Reception of Auld Lang Syne -- 9.1 The Art Composer's Song -- 9.2 Active and Passive Reception -- 9.3 The Scout's Song.
9.4 Closing the Circle -- 10. A Song Abroad -- 10.1 Princess Constance Magogo's Song -- 10.2 Foreign-Language Versions of Auld Lang Syne -- 10.3 Bells and Anthems -- 10.4 Quotation and Quodlibet -- 10.5 The Song of War and Peace -- 10.6 Threads Lead Back to the Centre -- 11. Preliminary Conclusions: A Song and Its Culture -- 12. Auld Acquaintance: Auld Lang Syne Comes Home -- 12.1 The Road to Devolution -- 12.2 The Return of M1 and the Rise of M3 -- 12.3 What Does Auld Lang Syne Have to Do with Burns? -- Appendix 1: Eight Jacobite Songs Related to Auld Lang Syne -- 1. "The true Scots Mens Lament for the Loss of the Rights of their Ancient Kingdom", published by John Read of Pearson's Close Edinburgh, 1718. -- 2. "A SONG To the tune of AULD LANG SYNE" -- 3. "A ballad for those whose honour is sound, Who cannot be named, and must not be found. Written by a Sculpter in the Year 1746" -- 4. Jacobite "Auld Lang Syne" attributed to Lochiel's Regiment (Le Régiment d'Albanie), 1747 -- 5. "Ballad. Tune Auld Lang Syne" -- 6. "Song. To the same Tune" [i.e., Auld Lang Syne] -- 7. "Shall Monarchy Be Quite Forgot" -- 8. Jacobite "Auld Lang Syne", by Andrew Lang (1844-1912) -- Appendix 2: Burns's Auld Lang Syne-The Five Versions (B1-B5) -- B1 The version sent to Frances Dunlop, 7 December 1788 -- B2 The version published in The Scots Musical Museum, 1796 -- B3 A version written by Burns into a copy of vol. I of the Scots Musical Museum -- B4 The version sent to George Thomson, September 1793 -- B5 What may have been a "working version", now held in the Burns Cottage Museum in Alloway -- Appendix 3: Seven Parodies and Contrafacta from The Universal Songster, vols. II-III (1829, 1834) -- 1. "I'll drive dull sorrow from my mind" -- 2. "'Tis true this life's a languid stream" -- 3. "Winny won't be mine" -- 4. "Should brandy ever be forgot? A parody". 5. "Auld lang syne" (J. H. Dixon) -- 6. "Should lovers' joys be e'er forgot?" -- 7. "War was proclaimed 'twixt love and I" -- Appendix 4: Eight Nineteenth-Century German Translations -- 1. "Die alte gute Zeit" (Wilhelm Gerhard) -- 2. "Soll alte Freundschaft vergessen sein" (Eduard Fiedler) -- 3. "Die alte Zeit" (Heinrich Julius Heintze) -- 4. "'S ist lange her" (L. G. Silbergleit) -- 5. "Die liebe, alte Zeit" (Otto Baisch) -- 6. "Lang, lang dohin" (Gustav Legerlotz) -- 7. "Die gute alte Zeit" (Wilhelmine Prinzhorn) -- 8. Auf gute alte Zeit (K. Bartsch) -- Appendix 5: Four Versions in Jèrriais -- 1. Version by Ph'lippe Langliais (died 1884) -- 2. Version by John D. Hubert (1895) -- 3. Version published in Nouvelle Chronique de Jersey, 15 November 1902 -- 4. Version by Mathilde dé Faye, "Georgie" -- Bibliography -- Bibliography I: Main Burns Editions Cited -- Bibliography II: Musical and Poetical Sources without Author/Editor Names -- Bibliography III: Other Sources Referenced Using the Author-Date System -- Discography for Recordings Discussed in Chapter 12 -- List of Illustrations -- Audio Examples -- Index. |
| Record Nr. | UNINA-9910513706203321 |
Grant M. J
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| Open Book Publishers, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield
| Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield |
| Autore | Banfield Bill |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Maryland : , : Scarecrow Press, , 2009 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 780.89/96073 |
| Collana | African American Cultural Theory and Heritage |
| Soggetto topico |
African Americans - Music - Music
Popular music - United States - History and criticism Music reviews & criticism Music: styles & genres Music |
| ISBN |
979-88-8182-274-3
1-282-48047-2 9786612480478 0-8108-7287-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Part I. A CULTURAL CHARGE; Ch01. Black Notes and Cultural Codes:Makings of a Black Music Philosophy; Ch02. A New Black Music Arts Aesthetic; Ch03. A History of Aesthetic Definitions; Ch04. Hip to the Hop; Part II. BUILDING A BLACKMUSIC PHILOSOPHY; Ch05. A Cultural Education; Ch06. Black Music Studies; Part III. MAPPING BLACK MUSIC,HISTORY, MEANING,CODES, AND ARTISTRY; Ch07. African Roots toBlues, New Orleans, and Ragtime; Photospread; Ch08. Jazz: The NewModern Mode of Being; Ch09. Race Records, Gospel,R&B, and Urban Blues
Ch10. Urban Contemporary:Soul, Funk, and GlobalCh11. Hip Hop: Connecting the Dots; Part IV. CODA: CLOSING THEMES; Ch12. Core Values and the Black Aesthetic Code; Appendix: Recommended Music and Songs; Notes; Index; About the Author |
| Record Nr. | UNINA-9910972384603321 |
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Banfield Bill
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| Lanham, Maryland : , : Scarecrow Press, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Studying the Dead : the Grateful Dead Scholars Caucus, an informal history / / edited by Nicholas G. Meriwether
| Studying the Dead : the Grateful Dead Scholars Caucus, an informal history / / edited by Nicholas G. Meriwether |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, MD : , : Scarecrow Press, , 2013 |
| Descrizione fisica | 1 online resource (335 p.) |
| Disciplina | 782.42166092/2 |
| Soggetto topico |
Music reviews & criticism
Music: styles & genres Music |
| ISBN |
979-88-8181-889-0
0-8108-9125-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Preface; Introduction; The Grateful Dead Scholars Caucus; I: Voices; 1 "The Sound of Thick Air"; 2 The Taoist Perspective in "Weather Report Suite"; 3 "In and Out of the Garden"; 4 Who Is Dionysus and Why Does He Keep Following Me Everywhere?; 5 The Grateful Dead Parallax; 6 "Sometimes You Get Shown the Light"; 7 Remembering the Dead; 8 "Trouble with You Is the Trouble with Me"; II: Conversations; 9 Coming Out to Raise the Dead; 10 Deadhead Word Jam; 11 By Popular Demand; 12 "Raise That Flag"; 13 "Got to Callin' It Home"; 14 "With Thought Jewels Polished and Gleaming"
15 "Spinning That Curious Sense of Our Own"16 "Shall We Go?"; 17 "Never Had Such a Good Time"; 18 "When the Secrets All Are Told"; 19 "Seeking All That's Still Unsung"; 20 "More Than Words Can Tell"; 21 "Can't Talk to You without Talking to Me"; 22 "The Secret of This Tie That Binds"; 23 "All the Years Combine"; Conclusion; Appendix 1; Appendix 2; The Grateful Dead Scholars Caucus Area Chairs; Credits; Index; About the Contributors; About the Editor |
| Record Nr. | UNINA-9910961245303321 |
| Lanham, MD : , : Scarecrow Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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What Makes Music European : Looking beyond Sound
| What Makes Music European : Looking beyond Sound |
| Autore | Sorce Keller Marcello |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Maryland : , : Scarecrow Press, , 2011 |
| Descrizione fisica | 1 online resource (333 p.) |
| Disciplina |
780.94
781.620094 |
| Collana | Europea: Ethnomusicologies and Modernities |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics Music - Social aspects Folk & traditional music Music reviews & criticism Theory of music & musicology |
| ISBN |
979-82-16-29368-2
979-88-8183-927-7 1-280-66992-6 9786613646859 0-8108-7673-6 |
| Classificazione | 9,2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Series Editors' Foreword; Preface; Introduction; Part I: Who Makes the Music (Why We All Are "Composers"); 1 Composing as We Think of It, Composing as We Do It; 2 Oral Transmission; 3 Improvisation and the Collective Dimension; 4 When "We" Get the Music; Part II: Originality, Ideology, and Taste; 5 Should Music Be Original, and How Original Can It Be; 6 Why People Identify with Organized Sound; 7 Why Is Music So Ideological; 8 How Can We Face So Many Different Musics; 9 Why Do We Misunderstand the Music of All Times and Places; 10 How Much of a Good Thing
11 Musical Gardens and Greenhouses versus Woods and PrairiesPart III: The Tangible Aspects of Music Making; 12 The Social Value of Music; 13 Musical Value and Its Locations; Conclusions; Appendix; References; Index; About the Author |
| Record Nr. | UNINA-9910971800503321 |
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Sorce Keller Marcello
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| Lanham, Maryland : , : Scarecrow Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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