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Embodied gestures
| Embodied gestures |
| Autore | Tomás Enrique |
| Pubbl/distr/stampa | Vienna, : TU Wien Academic Press, 2022 |
| Descrizione fisica | 1 online resource (166 p.) |
| Soggetto topico |
Acoustic & sound engineering
Electronic music Music recording & reproduction Musical instruments & instrumental ensembles Perception User interface design & usability |
| Soggetto non controllato |
Expression; Music; Musical experience; Body language; Composition |
| ISBN | 3-85448-047-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910558695803321 |
Tomás Enrique
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| Vienna, : TU Wien Academic Press, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan
| Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan |
| Autore | Strachan Robert |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (205 pages) |
| Disciplina | 786.7/16411 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Computer music - History and criticism Electronic music - History and criticism Digital audio editors Creation (Literary, artistic, etc.) Music and technology Music recording & reproduction |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5013-1063-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. |
| Record Nr. | UNINA-9910149403203321 |
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Strachan Robert
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| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan
| Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan |
| Autore | Strachan Robert |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (205 pages) |
| Disciplina | 786.7/16411 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Computer music - History and criticism Electronic music - History and criticism Digital audio editors Creation (Literary, artistic, etc.) Music and technology Music recording & reproduction |
| ISBN |
1-5013-1065-8
1-5013-1063-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. |
| Record Nr. | UNINA-9910798945503321 |
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Strachan Robert
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| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan
| Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan |
| Autore | Strachan Robert |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (205 pages) |
| Disciplina | 786.7/16411 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Computer music - History and criticism Electronic music - History and criticism Digital audio editors Creation (Literary, artistic, etc.) Music and technology Music recording & reproduction |
| ISBN |
1-5013-1065-8
1-5013-1063-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. |
| Record Nr. | UNINA-9910810270903321 |
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Strachan Robert
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| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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YouTube vs. GEMA : Musik und Urheberrecht im digitalen Kapitalismus
| YouTube vs. GEMA : Musik und Urheberrecht im digitalen Kapitalismus |
| Autore | Stade Philip |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Marburg, : Büchner-Verlag, 2021 |
| Descrizione fisica | 1 online resource (377 pages) |
| Soggetto topico |
Music industry
Copyright law Media studies Music recording & reproduction |
| Soggetto non controllato |
YouTube
GEMA social media music industry streaming Cultural Studies Popular Music Studies media law sampling copyright intellectual property rights |
| ISBN |
9783963177699
3963177691 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Cover -- Inhalt -- Vorwort -- A. Einleitung -- B. Werkzeugkiste -- 1. Theorie -- 1.1 Cultural Studies -- 1.2 Diskurstheorie nach Foucault -- 1.3 Diskurs- und Hegemonietheorie nach Laclau und Mouffe -- 1.4 Framing -- 2. Methoden -- 2.1 Diskursanalysen -- 2.2 Netnographie und Online-Diskursanalyse -- 2.3 Situationsanalyse -- 3. Methodisches Vorgehen -- 3.1 Analyseschritte -- 3.2 Korpusbildung und Text-Selektion für die Feinanalyse -- 3.3 Kodieren mit MAXQDA -- 3.4 Heuristische Fragen -- 3.5 Forschungsethik -- 3.6 Sprache und Layout -- 4. Selbstreflexion -- 4.1 Autobiographisches -- 4.2 Methodenreflexion -- 4.3 Abschließende Reflexion -- 5. Forschungsstand -- C. Rahmung -- 1. Historische Wurzeln der Diskurskoalitionen -- 2. Musikwirtschaft im digitalen Wandel -- 3. (Musik-)Urheberrecht im digitalen Wandel -- 4. Kapitalismus im digitalen Wandel -- 4.1 Digitaler Kapitalismus -- 4.2 Kritik am digitalen Kapitalismus -- 4.3 Netzwerkalternativen zum digitalen Kapitalismus -- 5. Zusammenfassung -- D. Polarisierung -- 1. Exklusiv! Sven Regeners »Wut-Rede« -- 2. Zugang! Deichkinds »Illegale Fans« -- 3. Zusammenfassung -- E. YouTube vs. GEMA -- 1. YouTube vs. GEMA als institutionell-journalistischer Diskurs -- 2. YouTube vs. GEMA in Sozialen Medien -- 2.1 Der jetzt.de-Artikel »Die Dummheit der GEMA-Hasser« -- 2.2 Generelle Beobachtungen -- 2.3 Übergeordnete diskursive Strategien (jetzt.de-Kommentare) -- 2.4 GEMA-Kritik - generell (jetzt.de-Kommentare) -- 2.5 GEMA-Kritik - YouTube-GEMA-Konflikt (jetzt.de-Kommentare) -- 2.6 GEMA-Bashing (jetzt.de-Kommentare) -- 2.7 Google/YouTube-Kritik und -Bashing (jetzt.de-Kommentare) -- 2.8 Kontrastierung mit Facebook-Kommentaren -- 3. Zusammenfassung -- F. Fazit -- G. Danksagung -- H. Literaturverzeichnis -- I. Anhang. |
| Record Nr. | UNINA-9910547697203321 |
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Stade Philip
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| Marburg, : Büchner-Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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