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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910456396403321 |
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910808751903321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond sound [[electronic resource] ] : the college and career guide in music technology / / Scott L. Phillips
| Beyond sound [[electronic resource] ] : the college and career guide in music technology / / Scott L. Phillips |
| Autore | Phillips Scott L |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2013 |
| Descrizione fisica | 1 online resource (256 pages ) : illustrations |
| Disciplina | 780.23 |
| Soggetto topico |
Music - Vocational guidance
Music and technology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-983768-6
0-19-999652-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910453189203321 |
|
Phillips Scott L
|
||
| New York, : Oxford University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond sound [[electronic resource] ] : the college and career guide in music technology / / Scott L. Phillips
| Beyond sound [[electronic resource] ] : the college and career guide in music technology / / Scott L. Phillips |
| Autore | Phillips Scott L |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2013 |
| Descrizione fisica | 1 online resource (256 pages ) : illustrations |
| Disciplina | 780.23 |
| Soggetto topico |
Music - Vocational guidance
Music and technology |
| ISBN |
0-19-983768-6
0-19-999652-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910779764303321 |
|
Phillips Scott L
|
||
| New York, : Oxford University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond sound : the college and career guide in music technology / / Scott L. Phillips
| Beyond sound : the college and career guide in music technology / / Scott L. Phillips |
| Autore | Phillips Scott L |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2013 |
| Descrizione fisica | 1 online resource (256 pages ) : illustrations |
| Disciplina | 780.23 |
| Soggetto topico |
Music - Vocational guidance
Music and technology |
| ISBN |
0-19-983768-6
0-19-999652-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Contents -- Acknowledgments -- Foreword -- About the Companion Website -- Introduction -- 1. The Professional Music Technologist -- 2. Preparing to Be a Music Technologist -- 3. Studying to Be a Music Technologist -- 4. Starting Your Career as a Music Technologist -- 5. Music Technologists in the Recording Studio -- 6. Music Technologists in Live Sound -- 7. Music Technologists in Film and Television -- 8. Music Technologists in Digital Media -- 9. Music Technologists in Sales and Support -- 10. Music Technologists in Education -- 11. Conclusion -- Appendix A: College Programs by School -- Appendix B: College Programs by State -- Appendix C: Graduate Programs by School -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- R -- S -- T -- U -- V -- W. |
| Record Nr. | UNINA-9910812617803321 |
|
Phillips Scott L
|
||
| New York, : Oxford University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the dance floor [[electronic resource] ] : female DJs, technology and electronic dance music culture / / [Rebekah Farrugia]
| Beyond the dance floor [[electronic resource] ] : female DJs, technology and electronic dance music culture / / [Rebekah Farrugia] |
| Autore | Farrugia Rebekah |
| Pubbl/distr/stampa | Bristol [England], : Intellect, 2012 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina |
306.4842
782.42166 |
| Soggetto topico |
Music and technology
Disc jockeys Underground dance music |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84150-699-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Table of Contents; List of Figures; Acknowledgements; Introduction; Chapter 1 Critical Connections: Gender, Technologyand Popular Music Cultures; Chapter 2 Sex Kittens, T-Shirt DJs and Dykes: Negotiating Identitiesin an Era of DJ Commodification; Chapter 3 Potlucks, Listservs and E-Zines: Networking and SocialCapital in Action; Chapter 4 Building a Women-Centred DJ Collective: From San Franciscoto Cyberspace to Sister USA; Chapter 5 Producing Producers: Exploring Women's Place in the Production of Electronic Dance Music
Conclusion: Are the Tables Turning?Appendix; References; Index; Back Cover |
| Record Nr. | UNINA-9910462044403321 |
|
Farrugia Rebekah
|
||
| Bristol [England], : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the dance floor [[electronic resource] ] : female DJs, technology and electronic dance music culture / / [Rebekah Farrugia]
| Beyond the dance floor [[electronic resource] ] : female DJs, technology and electronic dance music culture / / [Rebekah Farrugia] |
| Autore | Farrugia Rebekah |
| Pubbl/distr/stampa | Bristol [England], : Intellect, 2012 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina |
306.4842
782.42166 |
| Soggetto topico |
Music and technology
Disc jockeys Underground dance music |
| ISBN | 1-84150-699-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Table of Contents; List of Figures; Acknowledgements; Introduction; Chapter 1 Critical Connections: Gender, Technologyand Popular Music Cultures; Chapter 2 Sex Kittens, T-Shirt DJs and Dykes: Negotiating Identitiesin an Era of DJ Commodification; Chapter 3 Potlucks, Listservs and E-Zines: Networking and SocialCapital in Action; Chapter 4 Building a Women-Centred DJ Collective: From San Franciscoto Cyberspace to Sister USA; Chapter 5 Producing Producers: Exploring Women's Place in the Production of Electronic Dance Music
Conclusion: Are the Tables Turning?Appendix; References; Index; Back Cover |
| Record Nr. | UNINA-9910790336603321 |
|
Farrugia Rebekah
|
||
| Bristol [England], : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the dance floor : female DJs, technology and electronic dance music culture / / [Rebekah Farrugia]
| Beyond the dance floor : female DJs, technology and electronic dance music culture / / [Rebekah Farrugia] |
| Autore | Farrugia Rebekah |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol [England], : Intellect, 2012 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina |
306.4842
782.42166 |
| Soggetto topico |
Music and technology
Disc jockeys Electronic dance music |
| ISBN | 1-84150-699-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Table of Contents; List of Figures; Acknowledgements; Introduction; Chapter 1 Critical Connections: Gender, Technologyand Popular Music Cultures; Chapter 2 Sex Kittens, T-Shirt DJs and Dykes: Negotiating Identitiesin an Era of DJ Commodification; Chapter 3 Potlucks, Listservs and E-Zines: Networking and SocialCapital in Action; Chapter 4 Building a Women-Centred DJ Collective: From San Franciscoto Cyberspace to Sister USA; Chapter 5 Producing Producers: Exploring Women's Place in the Production of Electronic Dance Music
Conclusion: Are the Tables Turning?Appendix; References; Index; Back Cover |
| Record Nr. | UNINA-9910810647703321 |
|
Farrugia Rebekah
|
||
| Bristol [England], : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Capturing sound [[electronic resource] ] : how technology has changed music / / Mark Katz
| Capturing sound [[electronic resource] ] : how technology has changed music / / Mark Katz |
| Autore | Katz Mark <1970-> |
| Edizione | [Rev. ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (xiv, 320 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Sound recording industry
Music and technology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-76403-9
9786612764035 0-520-94735-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. CAUSES -- 2. MAKING AMERICA MORE MUSICAL THE PHONOGRAPH AND "GOOD MUSIC " -- 3. CAPTURING JAZZ -- 4. AESTHETICS OUT OF EXIGENCY. VIOLIN VIBRATO AND THE PHONOGRAPH -- 5. THE RISE AND FALL OF GRAMMOPHONMUSIK -- 6. THE TURNTABLE AS WEAPON. UNTDERSTANDING THE HIP-HOP DJ BATTLE -- 7. MUSIC IN 1s AND 0s THE ART AND POLITICS OF DIGITAL SAMPLING -- 8. LISTENING IN CYBERSPACE -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- SUPPLEMENTARY WEB MATERIALS -- INDEX |
| Record Nr. | UNINA-9910460027203321 |
|
Katz Mark <1970->
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
