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Leonardo music journal
| Leonardo music journal |
| Pubbl/distr/stampa | Oxford, U.K. ; ; New York, : Pergamon Press, 1991-2020 |
| Descrizione fisica | 1 online resource (30 volumes) |
| Disciplina | 780 |
| Soggetto topico |
Music - 20th century
Music theory - History - 20th century Sound Music and science Musique - 20e siècle - Histoire et critique Théorie musicale - Histoire - 20e siècle Son Musique et sciences Music Music theory |
| Soggetto genere / forma |
Czasopismo muzykologiczne
Muzyka współczesna History Periodicals. |
| Soggetto non controllato | Creative technologies |
| ISSN | 1531-4812 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996204794303316 |
| Oxford, U.K. ; ; New York, : Pergamon Press, 1991-2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Leonardo music journal
| Leonardo music journal |
| Pubbl/distr/stampa | Oxford, U.K. ; ; New York, : Pergamon Press, 1991-2020 |
| Descrizione fisica | 1 online resource (30 volumes) |
| Disciplina | 780 |
| Soggetto topico |
Music - 20th century
Music theory - History - 20th century Sound Music and science Musique - 20e siècle - Histoire et critique Théorie musicale - Histoire - 20e siècle Son Musique et sciences Music Music theory |
| Soggetto genere / forma |
Czasopismo muzykologiczne
Muzyka współczesna History Periodicals. |
| Soggetto non controllato | Creative technologies |
| ISSN | 1531-4812 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910143008403321 |
| Oxford, U.K. ; ; New York, : Pergamon Press, 1991-2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The music of the spheres : music, science, and the natural order of the universe / Jamie James
| The music of the spheres : music, science, and the natural order of the universe / Jamie James |
| Autore | James, Jamie |
| Edizione | [Paperbound ed] |
| Pubbl/distr/stampa | New York : Copernicus, 1995 |
| Descrizione fisica | xv, 262 p. : ill. ; 24 cm. |
| Disciplina | 780 |
| Soggetto topico |
Harmony of the spheres
Music and science Music-philosophy and aesthetics Science-Philosophy |
| ISBN | 0387944745 |
| Classificazione | AMS 00A99 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISALENTO-991001163269707536 |
James, Jamie
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| New York : Copernicus, 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Musicologia [[electronic resource] ] : musical knowledge from Plato to John Cage / / Robin Maconie
| Musicologia [[electronic resource] ] : musical knowledge from Plato to John Cage / / Robin Maconie |
| Autore | Maconie Robin |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (542 p.) |
| Disciplina | 780 |
| Soggetto topico |
Music - Philosophy and aesthetics
Music and science |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-61636-X
1-4616-6421-7 9786613928818 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Introduction; 0: Go!; 1: The Aha! Theory of Creation; 2: Snake in a Tree; 3: Error; 4: Isolation; 5: Notations; 6: Wheels; 7: String Theory; 8: Paradox Regained; 9: Zeno's Arrow; 10: Path Integral; 11: Weights and Measures; 12: The Director's Cut; 13: Brane Waves; 14: Transition; 15: Transference; 16: Lecture on Nothing; 17: Atonality; 18: Sprechstimme; 19: Multiples; 20: A Cochlear Implant; 21: Serialism; 22: Schrodinger's Cat; 23: Prepared Piano; 24: Aleatory; 25: Satie's Captions; 26: Minimalism; 27: Graphic Music
28: Cluster Music29: Fractal Music; 30: Simultaneity; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910464532703321 |
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Maconie Robin
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| Lanham, : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Musicologia [[electronic resource] ] : musical knowledge from Plato to John Cage / / Robin Maconie
| Musicologia [[electronic resource] ] : musical knowledge from Plato to John Cage / / Robin Maconie |
| Autore | Maconie Robin |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (542 p.) |
| Disciplina | 780 |
| Soggetto topico |
Music - Philosophy and aesthetics
Music and science |
| ISBN |
1-283-61636-X
1-4616-6421-7 9786613928818 |
| Classificazione | 24.75 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Introduction; 0: Go!; 1: The Aha! Theory of Creation; 2: Snake in a Tree; 3: Error; 4: Isolation; 5: Notations; 6: Wheels; 7: String Theory; 8: Paradox Regained; 9: Zeno's Arrow; 10: Path Integral; 11: Weights and Measures; 12: The Director's Cut; 13: Brane Waves; 14: Transition; 15: Transference; 16: Lecture on Nothing; 17: Atonality; 18: Sprechstimme; 19: Multiples; 20: A Cochlear Implant; 21: Serialism; 22: Schrodinger's Cat; 23: Prepared Piano; 24: Aleatory; 25: Satie's Captions; 26: Minimalism; 27: Graphic Music
28: Cluster Music29: Fractal Music; 30: Simultaneity; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910788540203321 |
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Maconie Robin
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| Lanham, : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Les mutations de l’écriture / / François Nicolas
| Les mutations de l’écriture / / François Nicolas |
| Autore | Alunni Charles |
| Pubbl/distr/stampa | Paris, : Éditions de la Sorbonne, 2015 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 410 |
| Altri autori (Persone) |
BarbinEvelyne
BayleFrançois Cohen-TannoudjiGilles GuitartRené LassègueJean LaszloPierre MoatiRaoul NicolasFrançois PaulThierry |
| Soggetto topico |
Music - Philosophy and aesthetics
Musical notation Music and rhetoric Music and language Art and music Music and literature Music and science Technical writing Writing |
| Soggetto genere / forma | Conference proceedings. |
| Soggetto non controllato |
notation musicale
écriture cinéma informatique chorégraphie rédaction scientifique et technique |
| ISBN | 2-85944-811-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto | Première partie. Arts. Les enjeux logiques de l'écriture musicale / F. Nicolas ; De l'écoute-lecture à l'écoute-écriture, ou, la main-oreille dans tous ses états / F. Bayle ; Chorégraphie et Cinétographie / E. Barbin -- Deuxième partie. Lettres. Remarques historiques et anthropologiques sur l'écriture informatique / J. Lassègue ; Les métastes de la trace / R. Moati ; De l'écriture de la mutation à la mutation de l'écriture / C. Alunni -- Troisième partie. Sciences. Figures, lettres et preuves / R. Guitart ; Diagrammes et amplitudes de Feynman / G. Cohen-Tannoudji ; Mutations d'écriture en chimie / P. Laszlo ; Poincaré et la déconstruction du négatif / T. Paul. |
| Record Nr. | UNINA-9910168756003321 |
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Alunni Charles
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| Paris, : Éditions de la Sorbonne, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Proceedings of the worldwide music conference 2021 . Volume 2 / / Ildar D. Khannanov, Roman Ruditsa, editors
| Proceedings of the worldwide music conference 2021 . Volume 2 / / Ildar D. Khannanov, Roman Ruditsa, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2021] |
| Descrizione fisica | 1 online resource (113 pages) |
| Disciplina | 780.05 |
| Collana | Current Research in Systematic Musicology |
| Soggetto topico |
Music and science
Musicology |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-030-85886-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Preface -- Contents -- Mathematics of Pitch and Interval -- Relative Musical Pitch in Formal Definition -- 1 Introduction -- 1.1 Subject of the Study -- 1.2 Clarifications -- 1.3 Aspects of Consideration of the Objects Under Study -- 1.4 Research Objectives and Methods -- 2 Preliminary (Informal) Overview of Research Objects -- 2.1 Tones and Intervals -- 2.2 Interval Structures and Interval Systems -- 2.3 Some Technical Concepts -- 2.4 Primary SPO Systems -- 2.5 Conjugacies of Interval Systems. Primary Conjugacies. The Aggregate of All SPO Systems -- 2.6 Some Comments -- 3 Formal Definitions -- 3.1 Key Concepts -- 3.2 Some Generalizations and Definitions -- 3.3 Conjugations and Conjugacies of Interval Systems -- 3.4 Final Definitions: Interval Systems and Conjugacies of Interval Systems of the SPO -- 4 Final Notes -- References -- What Are Musical Intervals? A Question Recharged via an Algebraic Theory of Measurement -- 1 Motivation -- 2 A Refined Approach to an Algebraic Theory of Measurement - Tailored to Capture a General Theory of Musical Intervals -- 3 Musical Side -- 4 Summary -- References -- Language and Narrative -- Thinking/Feeling Musical Narrative -- 1 Introduction -- 2 The Concept of Narrative -- 3 Sound as Narrative Material -- 4 Musical Storytelling as Sonic Thinking -- 5 Conclusion -- References -- The Conceptual Structure of Music: Congruence, Modularity, and the Language of Musical Thought -- 1 Introduction -- 2 Perceptual Multiparametric Congruence -- 2.1 Basic Percepts -- 2.2 Complex Concepts -- 2.3 Rhythm and Metre -- 2.4 Chords and Harmony -- 3 Modularity -- 3.1 Evidence from Neuropsychology and Neuroscience -- 3.2 Schemas of Music Modularity -- 4 Perception and Cognition -- 4.1 The Language of Musical Thought -- 4.2 Central Systems -- 5 Findings and Discussion -- References -- Evolution and Perception.
Correlations Between Musical and Biological Variation in Derivative Analysis -- 1 Introduction -- 2 The Model of Derivative Analysis -- 3 MDA's Biological Correspondences -- 3.1 Decontextualized Variation -- 3.2 Variation on Time -- 4 Concluding Remarks -- References -- To the Question of the Possibility of Identifying the Psychophysiological Signs of "Ethnic Hearing" as Differential Perception of "Native" and "Alien" Music -- 1 Introduction -- 2 Objective Differentiation of the Signs of Musical Perception: A List of Possibilities -- 2.1 The Psychophysiological Signs of Musical Sensitivity -- 2.2 EMG and Temperature Indices of Music Perception -- 2.3 Neurobiological Indices of Music Perception -- 2.4 Dependence of the Psychophysiological Features of Music Perception on Neurohumoral Conditions -- 2.5 Dependence of the Psychophysiological Features of Music Perception on the Dominant Archetype Pattern -- 2.6 Dependence of Psychophysiological Features of the Perception of Music on the Dominant Sensor Modality Listener -- 2.7 Dependence of Psychophysiological Features of the Perception of Music on the Given Compositional and Ethnic Musical Style -- 2.8 Dependence of Psychophysiological Features of the Perception of Music on the Experience of Music Perception and Socio-cultural Factors -- 3 Conclusions -- References -- The Musical-Theoretical Concept of Tatiana Sergeyevna Bershadskaya -- 1 Introduction. About the Works of Bershadskaya -- 2 General Approaches -- 2.1 Science and Creativity -- 2.2 Methodology -- 2.3 The Universality of Musical Theory -- 3 The System of Musical Лaд (L-System) -- 3.1 Harmonic Functions -- 3.2 Non-harmonic Functions -- 3.3 Typology of L-Systems -- 3.4 Monodic-Harmonic L-System -- 4 Conclusion -- References -- Sociology -- About the Apollonian and the Dionysian: Dialogues Between Music and Wine in the Spanish Social Context. 1 Introduction -- 2 Methodology -- 2.1 Design and Choice of Categories -- 2.2 How Was It Measured? -- 2.3 Application of the Model, Preparation of the Survey and Fieldwork -- 3 Results -- 3.1 Musical Profile of the Respondents -- 3.2 What Does Wine Sound like? -- 3.3 Music-Wine vs. Scenarios -- 3.4 Wine in the Time of Covid -- 3.5 Favorite Moments -- 4 Conclusions -- 5 Further Investigations -- References -- Correction to: Proceedings of the Worldwide Music Conference 2021 -- Correction to: I. D. Khannanov and R. Ruditsa (Eds.): Proceedings of the Worldwide Music Conference 2021, CRSM 9, https://doi.org/10.1007/978-3-030-85886-5 -- Author Index. |
| Record Nr. | UNINA-9910502637903321 |
| Cham, Switzerland : , : Springer, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Proceedings of the Worldwide Music Conference 2021 . Volume 1 / / Ildar D. Khannanov, Roman Ruditsa, editors
| Proceedings of the Worldwide Music Conference 2021 . Volume 1 / / Ildar D. Khannanov, Roman Ruditsa, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2021] |
| Descrizione fisica | 1 online resource (viii, 174 pages) : illustrations |
| Disciplina | 780.05 |
| Collana | Current Research in Systematic Musicology |
| Soggetto topico |
Music and science
Musicology |
| ISBN | 3-030-74039-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910484625503321 |
| Cham, Switzerland : , : Springer, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Suite on "Spiritus Silvestre": For Symphony / Denzil Ford
| Suite on "Spiritus Silvestre": For Symphony / Denzil Ford |
| Autore | Ford Denzil |
| Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2020 |
| Descrizione fisica | 1 online resource (44 pages) : illustrations; PDF, digital file(s) |
| Soggetto topico |
Carbon dioxide
Climatology Meteorology Music and science |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prelude -- Intermezzo -- Overture -- Cavatina -- There's a hole in the glass flask -- New ways to play an analyzer -- The image king -- Coda -- Index of musical terms -- Working bibliography. |
| Record Nr. | UNINA-9910140445603321 |
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Ford Denzil
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| Baltimore, Maryland : , : Project Muse, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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