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From Jim Crow to Jay-Z [[electronic resource] ] : race, rap, and the performance of masculinity / / by Miles White
| From Jim Crow to Jay-Z [[electronic resource] ] : race, rap, and the performance of masculinity / / by Miles White |
| Autore | White Miles <1954-> |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2011 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 305.38/896073 |
| Collana | African American music in global perspective |
| Soggetto topico |
Rap (Music) - Social aspects - United States
African American men - Race identity Music and race Masculinity - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-43200-5
9786613432001 0-252-09367-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Shadow and act : American popular music and the absent black presence -- The fire this time : black masculinity and the politics of racial performance -- Affective gestures : hip-hop aesthetics, blackness and the literacy of performance -- Real niggas : black men, hard men, and the rise of gangsta culture -- Race rebels : whiteness and the new masculine desire. |
| Record Nr. | UNINA-9910457638303321 |
White Miles <1954->
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| Urbana, : University of Illinois Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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From Jim Crow to Jay-Z [[electronic resource] ] : race, rap, and the performance of masculinity / / by Miles White
| From Jim Crow to Jay-Z [[electronic resource] ] : race, rap, and the performance of masculinity / / by Miles White |
| Autore | White Miles <1954-> |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2011 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 305.38/896073 |
| Collana | African American music in global perspective |
| Soggetto topico |
Rap (Music) - Social aspects - United States
African American men - Race identity Music and race Masculinity - United States |
| ISBN |
1-283-43200-5
9786613432001 0-252-09367-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Shadow and act : American popular music and the absent black presence -- The fire this time : black masculinity and the politics of racial performance -- Affective gestures : hip-hop aesthetics, blackness and the literacy of performance -- Real niggas : black men, hard men, and the rise of gangsta culture -- Race rebels : whiteness and the new masculine desire. |
| Record Nr. | UNINA-9910778901703321 |
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White Miles <1954->
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| Urbana, : University of Illinois Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Just My Soul Responding
| Just My Soul Responding |
| Autore | Ward Robin |
| Pubbl/distr/stampa | New York, : Routledge, April 1998 |
| Descrizione fisica | 1 online resource (xi, 600p. ) : ill., facsim., ports |
| Disciplina | 781.643/0973 |
| Soggetto topico |
Rhythm and blues music - History and criticism
African Americans - Music - History and criticism Popular music - United States - History and criticism African Americans - Civil rights Music and race |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-21445-5
0-585-46044-2 1-280-18667-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1 Deliver me from the days of old: "I hear you knocking..." - from R&B to Rock and Roll; "Down in the alley" - sex, success and sociology among black male vocal groups and shouters; "Too much monkey business" - race, rock and resistance. Part 2 People get ready: "Can I get a witness?" - civil rights, soul and secularization; "Everybody needs somebody to love" - southern soul, southern dreams, national stereotypes; "All for one, and one for all" - black enterprise, racial politics and the business of soul; "On the outside looking in" - rhythm and blues, celebrity politics and the civil rights movement. Part 3 One nation divisible under a groove: "Tell it like it is" - soul, funk and sexual politics in the black power era; "Get up, get into it, get involved" - black music and the black power movement; "Take that to the bank" - black capitalism, corporate soul and disco fever. Epilogue: "How I keep from going under" - black music in the post-revolutionary era. |
| Record Nr. | UNINA-9910451068203321 |
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Ward Robin
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| New York, : Routledge, April 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Just my soul responding
| Just my soul responding |
| Autore | Ward Robin |
| Pubbl/distr/stampa | New York, : Routledge, April 1998 |
| Descrizione fisica | 1 online resource (xi, 600p. ) : ill., facsim., ports |
| Disciplina | 781.643/0973 |
| Soggetto topico |
Rhythm and blues music - History and criticism
African Americans - Music - History and criticism Popular music - United States - History and criticism African Americans - Civil rights Music and race |
| ISBN |
0-203-21445-5
0-585-46044-2 1-280-18667-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1 Deliver me from the days of old: "I hear you knocking..." - from R&B to Rock and Roll; "Down in the alley" - sex, success and sociology among black male vocal groups and shouters; "Too much monkey business" - race, rock and resistance. Part 2 People get ready: "Can I get a witness?" - civil rights, soul and secularization; "Everybody needs somebody to love" - southern soul, southern dreams, national stereotypes; "All for one, and one for all" - black enterprise, racial politics and the business of soul; "On the outside looking in" - rhythm and blues, celebrity politics and the civil rights movement. Part 3 One nation divisible under a groove: "Tell it like it is" - soul, funk and sexual politics in the black power era; "Get up, get into it, get involved" - black music and the black power movement; "Take that to the bank" - black capitalism, corporate soul and disco fever. Epilogue: "How I keep from going under" - black music in the post-revolutionary era. |
| Record Nr. | UNINA-9910783890203321 |
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Ward Robin
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| New York, : Routledge, April 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Michael Jackson and the blackface mask / / Harriet J. Manning
| Michael Jackson and the blackface mask / / Harriet J. Manning |
| Autore | Manning Harriet J. |
| Pubbl/distr/stampa | London : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 782.42166092 |
| Collana | Ashgate popular and folk music series |
| Soggetto topico |
Music and race
Blackface entertainers Minstrel music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-09688-6
1-315-59515-X 1-317-09687-8 1-4094-5511-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; List of Figures; General Editor's Preface; Introduction; 1 Conflict and Contradiction: Nineteenth-Century Blackface Minstrelsy; 2 'Black or White': From Jim Crow to Michael Jackson; 3 The Continuum of Blackface Minstrelsy; 4 Ghosts: Racial Fantasy and the Lost Black Self; 5 Turnaround: Love and Theft; 6 Just Using It: Eminem, the Mask and a Fight for Authenticity; 7 The Burden of Ambiguity; 8 This Is It; Bibliography; Index |
| Record Nr. | UNINA-9910462925003321 |
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Manning Harriet J.
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| London : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, difference and the residue of race / / by Jo Haynes
| Music, difference and the residue of race / / by Jo Haynes |
| Autore | Haynes Jo. |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, N.Y. : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (186 p.) |
| Disciplina | 780.89 |
| Collana | Routledge research in race and ethnicity |
| Soggetto topico |
Music and race
Popular music - Social aspects World music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-08448-9
1-283-84372-2 1-136-19192-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Music, Difference and the Residue of Race; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; 1 The Durability of Race; 2 Configuring Music and Race; 3 Difference and Differentiation; 4 Difference and Hybridisation; 5 Music Affinity; 6 Conclusion: The Residue of Race; Appendix; Notes; References; Index |
| Record Nr. | UNINA-9910462720103321 |
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Haynes Jo.
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| New York, N.Y. : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, difference and the residue of race / / by Jo Haynes
| Music, difference and the residue of race / / by Jo Haynes |
| Autore | Haynes Jo. |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, N.Y. : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (186 p.) |
| Disciplina | 780.89 |
| Collana | Routledge research in race and ethnicity |
| Soggetto topico |
Music and race
Popular music - Social aspects World music - Social aspects |
| ISBN |
1-136-19191-7
0-203-08448-9 1-283-84372-2 1-136-19192-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Music, Difference and the Residue of Race; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; 1 The Durability of Race; 2 Configuring Music and Race; 3 Difference and Differentiation; 4 Difference and Hybridisation; 5 Music Affinity; 6 Conclusion: The Residue of Race; Appendix; Notes; References; Index |
| Record Nr. | UNINA-9910786600203321 |
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Haynes Jo.
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| New York, N.Y. : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The strange career of Porgy and Bess [[electronic resource] ] : race, culture, and America's most famous opera / / Ellen Noonan
| The strange career of Porgy and Bess [[electronic resource] ] : race, culture, and America's most famous opera / / Ellen Noonan |
| Autore | Noonan Ellen <1966-> |
| Pubbl/distr/stampa | Chapel Hill, : University of North Carolina Press, 2012 |
| Descrizione fisica | 1 online resource (440 p.) |
| Disciplina | 782.1 |
| Soggetto topico |
Music and race
Race in opera African Americans in popular culture - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4696-0025-0
0-8078-3733-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A romance of Negro life : Porgy, 1925 -- Interlude : Charleston, 1680-1900 -- A chocolate-covered lithograph strip : Porgy, 1927 -- Interlude : Charleston, 1920 -1940 -- Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935 -- Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956 -- Interlude : Charleston, 1940-1960 -- Forget any version you may have seen before : Porgy and Bess, 1959-2012 -- Epilogue : Charleston, 1970-2005. |
| Record Nr. | UNINA-9910462452403321 |
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Noonan Ellen <1966->
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||
| Chapel Hill, : University of North Carolina Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The strange career of Porgy and Bess [[electronic resource] ] : race, culture, and America's most famous opera / / Ellen Noonan
| The strange career of Porgy and Bess [[electronic resource] ] : race, culture, and America's most famous opera / / Ellen Noonan |
| Autore | Noonan Ellen <1966-> |
| Pubbl/distr/stampa | Chapel Hill, : University of North Carolina Press, 2012 |
| Descrizione fisica | 1 online resource (440 p.) |
| Disciplina | 782.1 |
| Soggetto topico |
Music and race
Race in opera African Americans in popular culture - 20th century |
| ISBN |
1-4696-0025-0
0-8078-3733-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A romance of Negro life : Porgy, 1925 -- Interlude : Charleston, 1680-1900 -- A chocolate-covered lithograph strip : Porgy, 1927 -- Interlude : Charleston, 1920 -1940 -- Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935 -- Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956 -- Interlude : Charleston, 1940-1960 -- Forget any version you may have seen before : Porgy and Bess, 1959-2012 -- Epilogue : Charleston, 1970-2005. |
| Record Nr. | UNINA-9910786319403321 |
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Noonan Ellen <1966->
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| Chapel Hill, : University of North Carolina Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Subversive sounds [[electronic resource] ] : race and the birth of jazz in New Orleans / / Charles Hersch
| Subversive sounds [[electronic resource] ] : race and the birth of jazz in New Orleans / / Charles Hersch |
| Autore | Hersch Charles <1956-> |
| Pubbl/distr/stampa | Chicago, : University of Chicago Press, c2007 |
| Descrizione fisica | 1 online resource (304 p.) |
| Disciplina | 781.65/20976335 |
| Soggetto topico |
Jazz - Louisiana - New Orleans - History and criticism
Music - Social aspects - Louisiana - New Orleans - History Music and race |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-95714-3
9786611957148 0-226-32869-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Places -- Reaction -- Musicians -- Music -- Dissemination : Morton, La Rocca, and Armstrong. |
| Record Nr. | UNINA-9910454155503321 |
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Hersch Charles <1956->
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| Chicago, : University of Chicago Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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