Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The Digital Musician [[electronic resource]]
| The Digital Musician [[electronic resource]] |
| Autore | Hugill Andrew |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 786.7 |
| Soggetto topico |
Computer music - History and criticism
Computer music -- History and criticism Electronic music - History and criticism Electronic music -- History and criticism Music - Philosophy and aesthetics Music -- Philosophy and aesthetics Music Music, Dance, Drama & Film Music Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-87364-7
1-136-27989-X 9786613714954 0-203-11179-6 1-136-27988-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Digital Musician; Copyright; Contents; Figures and Tables; Preface; Notes to the Second Edition; Acknowledgements; Part I: Engaging; 1. Creative Identity; What Are You?; Project 1 (Elementary): Elevator Pitch; Where Have You Come From?; Where Are You Going?; Introduction to the Case Studies; Project 2 (Intermediate): Personal Vision Statement; 2. Aural Awareness; Listening; Listening Modes; Listening Purposes; Listening Situations; Project 3 (Elementary): Listen, Listen; The Soundscape; Project 4 (Intermediate): Soundwalk; Soundscape Composition
Project 5 (Advanced): Soundscape PieceHearing; Project 6 (Elementary): Speech Patterns; The Ear-Brain Connection; Information: The Mechanics of Hearing; Machine Listening; 3. Exploring Sound; Acoustics and Psychoacoustics; Information: Fundamentals of Acoustics; Sound Structures; Project 7 (Intermediate): Sound Structures; Duration; Project 8 (Elementary): Extended Duration; Pitch and Tuning; Information: The Harmonic Series; Harmonicity and Inharmonicity; Project 9 (Advanced): Drone Piece; From Noise to Silence; Information: Noise and Loudness; Project 10 (Advanced): Incomplete Silence TimbreProject 11 (Intermediate): Timbral Study; 4. Listening to Music; The Musician's Ear; Aural Phenomena; Active Listening; Critical Listening; Listening to Electro-acoustic Music; Project 12 (Elementary): Sud; Part II: Creating; 5. Organizing Sound; Sound-Art, Sonic Art and Sound Design; Project 13 (Intermediate): Hearing Hearing; Sound in Space; Information: Behaviour of Sound in Space; Project 14 (Intermediate): Diffraction Installation; Network Space; Project 15 (Elementary): Sonic Wiki; Spatialization; Multichannel Sound Diffusion; Information: Spatialization Layouts Project 16 (Advanced): Types of SpaceSound through Time; Spectromorphology; Project 17 (Advanced): Quintessence; 6. Digitizing Sound; Sampling; Fourier Transforms; Project 18 (Elementary): FFT Processing; File Formats; Project 19 (Elementary): File Formats; Representing; Wave-form Diagrams; Spectograms; Synthesizing; Information: Sinusoids; Project 20: Analysis-Synthesis; Processing; Time Domain Processes; Frequency Domain Processes; Project 21 (Elementary): Reverse EQ; Dynamic Processes; Spatial Processes; Spectral Processes; Project 22 (Elementary): Sonic Morph; 7. Creating Music The ComposerWhy Compose?; Project 23 (Intermediate): Inspiration Box; The Compositional Process; Aural Imagination; Project 24 (Intermediate): Sunset; Intention and Result; Freedom and Constraint; Project 25 (Advanced): Sudoku; Originality and Style; Project 26 (Advanced): Pastiche; Form and Structure; Project 27 (Advanced): Open-form Work; Mood and Modalities; Project 28 (Advanced): Night Piece; 8. Instruments and Media; Musicians and their Instruments; Organology; Project 29 (Advanced): Infra-Instrument; Extended Acoustic Instruments Project 30 (Elementary): Sound Byte for Voice or Percussion |
| Record Nr. | UNINA-9910452888503321 |
Hugill Andrew
|
||
| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Digital Musician [[electronic resource]]
| The Digital Musician [[electronic resource]] |
| Autore | Hugill Andrew |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 786.7 |
| Soggetto topico |
Computer music - History and criticism
Computer music -- History and criticism Electronic music - History and criticism Electronic music -- History and criticism Music - Philosophy and aesthetics Music -- Philosophy and aesthetics Music Music, Dance, Drama & Film Music Philosophy |
| ISBN |
1-280-87364-7
1-136-27989-X 9786613714954 0-203-11179-6 1-136-27988-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Digital Musician; Copyright; Contents; Figures and Tables; Preface; Notes to the Second Edition; Acknowledgements; Part I: Engaging; 1. Creative Identity; What Are You?; Project 1 (Elementary): Elevator Pitch; Where Have You Come From?; Where Are You Going?; Introduction to the Case Studies; Project 2 (Intermediate): Personal Vision Statement; 2. Aural Awareness; Listening; Listening Modes; Listening Purposes; Listening Situations; Project 3 (Elementary): Listen, Listen; The Soundscape; Project 4 (Intermediate): Soundwalk; Soundscape Composition
Project 5 (Advanced): Soundscape PieceHearing; Project 6 (Elementary): Speech Patterns; The Ear-Brain Connection; Information: The Mechanics of Hearing; Machine Listening; 3. Exploring Sound; Acoustics and Psychoacoustics; Information: Fundamentals of Acoustics; Sound Structures; Project 7 (Intermediate): Sound Structures; Duration; Project 8 (Elementary): Extended Duration; Pitch and Tuning; Information: The Harmonic Series; Harmonicity and Inharmonicity; Project 9 (Advanced): Drone Piece; From Noise to Silence; Information: Noise and Loudness; Project 10 (Advanced): Incomplete Silence TimbreProject 11 (Intermediate): Timbral Study; 4. Listening to Music; The Musician's Ear; Aural Phenomena; Active Listening; Critical Listening; Listening to Electro-acoustic Music; Project 12 (Elementary): Sud; Part II: Creating; 5. Organizing Sound; Sound-Art, Sonic Art and Sound Design; Project 13 (Intermediate): Hearing Hearing; Sound in Space; Information: Behaviour of Sound in Space; Project 14 (Intermediate): Diffraction Installation; Network Space; Project 15 (Elementary): Sonic Wiki; Spatialization; Multichannel Sound Diffusion; Information: Spatialization Layouts Project 16 (Advanced): Types of SpaceSound through Time; Spectromorphology; Project 17 (Advanced): Quintessence; 6. Digitizing Sound; Sampling; Fourier Transforms; Project 18 (Elementary): FFT Processing; File Formats; Project 19 (Elementary): File Formats; Representing; Wave-form Diagrams; Spectograms; Synthesizing; Information: Sinusoids; Project 20: Analysis-Synthesis; Processing; Time Domain Processes; Frequency Domain Processes; Project 21 (Elementary): Reverse EQ; Dynamic Processes; Spatial Processes; Spectral Processes; Project 22 (Elementary): Sonic Morph; 7. Creating Music The ComposerWhy Compose?; Project 23 (Intermediate): Inspiration Box; The Compositional Process; Aural Imagination; Project 24 (Intermediate): Sunset; Intention and Result; Freedom and Constraint; Project 25 (Advanced): Sudoku; Originality and Style; Project 26 (Advanced): Pastiche; Form and Structure; Project 27 (Advanced): Open-form Work; Mood and Modalities; Project 28 (Advanced): Night Piece; 8. Instruments and Media; Musicians and their Instruments; Organology; Project 29 (Advanced): Infra-Instrument; Extended Acoustic Instruments Project 30 (Elementary): Sound Byte for Voice or Percussion |
| Record Nr. | UNINA-9910779248203321 |
|
Hugill Andrew
|
||
| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Tragic and the Ecstatic [[electronic resource] ] : The Musical Revolution of Wagner's Tristan and Isolde
| The Tragic and the Ecstatic [[electronic resource] ] : The Musical Revolution of Wagner's Tristan and Isolde |
| Autore | Chafe Eric Thomas <1946-> |
| Pubbl/distr/stampa | New York ; ; Oxford, : Oxford University Press, c2004 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina | 782.1 |
| Soggetto topico |
Music -- Philosophy and aesthetics
Schopenhauer, Arthur, 1788-1860 Wagner, Richard, 1813-1883. Tristan und Isolde |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-029200-8
0-19-971136-4 9786611769710 1-281-76971-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction; 1. The Path to Schopenhauer; 2. Tristan and Schopenhauer; 3. Tristan and Gottfried von Strassburg I: Minne; 4. Tristan and Gottfried von Strassburg II: Honor; 5. The Desire Music; 6. The Prelude: A Musico-poetic View; 7. Tragedy and Dramatic Structure; 8. The Two Death Motives; 9. Musico-poetic Design in Act 1; 10. Act 2, Scene 1: Night and Minne; 11. The Love Scene in Act 2: Transition and Periodicity; 12. Tristan's Answer to King Mark: Moral and Philosophical Questions; 13. Act 3: Musico-poetic Design; 14. Love as Fearful Torment; 15. The Road to Salvation
Appendix: Transcriptions from the Compositional Draft of Act 2, Scene 2Notes; Bibliography; Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; R; S; T; U; V; W; Z |
| Record Nr. | UNINA-9910465817203321 |
|
Chafe Eric Thomas <1946->
|
||
| New York ; ; Oxford, : Oxford University Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Tragic and the Ecstatic [[electronic resource] ] : The Musical Revolution of Wagner's Tristan and Isolde
| The Tragic and the Ecstatic [[electronic resource] ] : The Musical Revolution of Wagner's Tristan and Isolde |
| Autore | Chafe Eric Thomas <1946-> |
| Pubbl/distr/stampa | New York ; ; Oxford, : Oxford University Press, c2004 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina | 782.1 |
| Soggetto topico |
Music -- Philosophy and aesthetics
Schopenhauer, Arthur, 1788-1860 Wagner, Richard, 1813-1883. Tristan und Isolde |
| ISBN |
0-19-029200-8
0-19-971136-4 9786611769710 1-281-76971-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction; 1. The Path to Schopenhauer; 2. Tristan and Schopenhauer; 3. Tristan and Gottfried von Strassburg I: Minne; 4. Tristan and Gottfried von Strassburg II: Honor; 5. The Desire Music; 6. The Prelude: A Musico-poetic View; 7. Tragedy and Dramatic Structure; 8. The Two Death Motives; 9. Musico-poetic Design in Act 1; 10. Act 2, Scene 1: Night and Minne; 11. The Love Scene in Act 2: Transition and Periodicity; 12. Tristan's Answer to King Mark: Moral and Philosophical Questions; 13. Act 3: Musico-poetic Design; 14. Love as Fearful Torment; 15. The Road to Salvation
Appendix: Transcriptions from the Compositional Draft of Act 2, Scene 2Notes; Bibliography; Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; R; S; T; U; V; W; Z |
| Record Nr. | UNINA-9910792226403321 |
|
Chafe Eric Thomas <1946->
|
||
| New York ; ; Oxford, : Oxford University Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity / / Anahid Kassabian
| Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity / / Anahid Kassabian |
| Autore | Kassabian Anahid |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2013] |
| Descrizione fisica | 1 online resource (184 p.) |
| Disciplina | 781.11 |
| Soggetto topico |
Listening
Music -- Philosophy and aesthetics Sound Music - Philosophy and aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-520-95486-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Ubiquitous Listening -- 2. Listening to Video Art and the Problem of Too Many Homelands -- 3. "BOOM!" Is the Next Big Thing -- 4. Musicals Hit the Small Screen -- 5. Improvising Diasporan Identities -- 6. Would You Like Some World Music with Your Latte? -- Conclusion -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910463234103321 |
|
Kassabian Anahid
|
||
| Berkeley, CA : , : University of California Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity / / Anahid Kassabian
| Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity / / Anahid Kassabian |
| Autore | Kassabian Anahid |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2013] |
| Descrizione fisica | 1 online resource (184 p.) |
| Disciplina | 781.11 |
| Soggetto topico |
Listening
Music -- Philosophy and aesthetics Sound Music - Philosophy and aesthetics |
| Soggetto non controllato |
art
artists background noise clever insight critical theory cultural hybridization digital art digital music engage with music engaging for reference listening lively marketing tools media studies modern life mood modulation music and sound music appreciation music musical moments musical thought musicology passive listening performing arts popular music sonic experiences sonic tourism sound studies sound theory sound white noise |
| ISBN | 0-520-95486-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Ubiquitous Listening -- 2. Listening to Video Art and the Problem of Too Many Homelands -- 3. "BOOM!" Is the Next Big Thing -- 4. Musicals Hit the Small Screen -- 5. Improvising Diasporan Identities -- 6. Would You Like Some World Music with Your Latte? -- Conclusion -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910786229003321 |
|
Kassabian Anahid
|
||
| Berkeley, CA : , : University of California Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity / / Anahid Kassabian
| Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity / / Anahid Kassabian |
| Autore | Kassabian Anahid |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2013] |
| Descrizione fisica | 1 online resource (184 p.) |
| Disciplina | 781.11 |
| Soggetto topico |
Listening
Music -- Philosophy and aesthetics Sound Music - Philosophy and aesthetics |
| ISBN |
9780520954861
0520954866 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Ubiquitous Listening -- 2. Listening to Video Art and the Problem of Too Many Homelands -- 3. "BOOM!" Is the Next Big Thing -- 4. Musicals Hit the Small Screen -- 5. Improvising Diasporan Identities -- 6. Would You Like Some World Music with Your Latte? -- Conclusion -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910955306603321 |
|
Kassabian Anahid
|
||
| Berkeley, CA : , : University of California Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
