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Beyond Memory : Recording the History, Moments and Memories of South African Music / / from the diary of Max Mojapelo ; edited by Sello Galane
| Beyond Memory : Recording the History, Moments and Memories of South African Music / / from the diary of Max Mojapelo ; edited by Sello Galane |
| Autore | Mojapelo Max |
| Pubbl/distr/stampa | Somerset West, South Africa : , : African Minds, , 2008 |
| Descrizione fisica | 1 online resource (xv, 360 p. ) |
| Disciplina | 781.630968 |
| Altri autori (Persone) | GalaneSello |
| Soggetto topico |
Ethnomusicology - South Africa
Popular music - South Africa - History and criticism Black people - South Africa - Music - History and criticism Music - South Africa - History and criticism |
| ISBN |
1-283-11393-7
9786613113931 1-920355-89-8 1-920355-90-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910524900703321 |
Mojapelo Max
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| Somerset West, South Africa : , : African Minds, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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National culture in post-apartheid Namibia : state-sponsored cultural festivals and their histories / / Michael Akuupa
| National culture in post-apartheid Namibia : state-sponsored cultural festivals and their histories / / Michael Akuupa |
| Autore | Akuupa Michael |
| Pubbl/distr/stampa | Basel, Switzerland : , : Basler Afrika Bibliographien, , 2015 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 780.71068 |
| Soggetto topico |
Music - Instruction and study - South Africa
Music - Instruction and study - Sweden Music - Social aspects - Sweden Music - Social aspects - South Africa Music - South Africa - History and criticism Music - Sweden - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-905758-69-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title page; Copyright page; Contents; Acknowledgement; Preface; Foreword; 1. The Festive 'Moment' of Namibia; Introduction; 2. The 'Performance' of Culture; On 'Doing' and 'Performing' 'Culture' at State Sponsored Culture Festivals; Anthropology and Performance; Performance Theory in the Social Science Sphere; Theory of Performance: A Critical Analysis; Postcolonial Nationalism: One Namibia One Nation; Festival Making in Postcolonial Africa; Culture and Making the Nation; Festival with New Social Meaning and Function; 3. Home Anthropology and Politics of Ekoro
"Whose Child are You?1" The Dynamics and Politics of ekoro/likoro in Doing Ethnography at Home Connectedness of Ekoro and its Workings in the Research Field; Analysis of Ekoro and its Working in the Research Field; Assumed and Imposed Fieldwork Self; 4. Kavango the 'Domicile' in Perspective; Kavango: Whose Land is It?; Kavango the Place or People?; Kavango as Told in Legends; The Royal Narrative; Early German Colonial and Missionary Encounters; Kavango the Native Reserve; Volkekunde Anthropology and Kavango; Kavango After the Implementation of the Odendaal Plan Kavango in Contemporary Discourse: A Historical Sanitization Project 5. Sangfees, the Antecedent of the Postcolonial Annual National Culture Festival; The Making of the Colonial Festival: 'sangfees 1'; The Department of Education Administration for Kavango; Division of Youth and Culture Affairs; Sangfees at Ekongoro; Ezuva for the 'Youth'; Postcolonial Annual Culture Festivals; 6. Kavango Cultural Identity in Postcolonial Namibia; Reclaiming Colonial Ethnicity in a Postcolonial Context; On the Search for 'Tradition' and 'Culture' in Namibia; Kavango Museum Maria Mwengere Culture Centre: 'The Culture Booklet: An Instrument of Objectification'"Culture Booklet": A Resource of Advocacy; 7. Namibian Identity Through Dance; "Making the Nation": The Role of Local People in the Festival; A Note on 'Kavango' Traditional Dances; Rehearsal Performances; At Swapo Regional Office; Festival Making: Exploring Local participation and Influences in the Discourse of Nation-Building; Mpungu Circuit and Kavango Regional Festivals; 8. Deconstructing Postcolonial Ethnic Diversity Annual National Culture Festival: Discourses of Difference and Belonging in Postcolonial Namibia The Annual National Culture Festival; The March Through Town; Inside the Stadium; 'Performances' of Culture; Analysis of the Festival Representations in Kavango; Reflections on Kavango Identity; 9. The Postcolonial Nation as Curated by the State Through Dance; Conclusion; Festivals and 'Nation Building'; List of Abbreviations; Bibliography; Index; Back cover |
| Record Nr. | UNINA-9910461016203321 |
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Akuupa Michael
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||
| Basel, Switzerland : , : Basler Afrika Bibliographien, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
National culture in post-apartheid Namibia : state-sponsored cultural festivals and their histories / / Michael Akuupa
| National culture in post-apartheid Namibia : state-sponsored cultural festivals and their histories / / Michael Akuupa |
| Autore | Akuupa Michael |
| Pubbl/distr/stampa | Basel, Switzerland : , : Basler Afrika Bibliographien, , 2015 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 780.71068 |
| Collana | Basel Namibia studies series |
| Soggetto topico |
Music - Instruction and study - South Africa
Music - Instruction and study - Sweden Music - Social aspects - Sweden Music - Social aspects - South Africa Music - South Africa - History and criticism Music - Sweden - History and criticism |
| Soggetto genere / forma |
Theses et ecrits academiques.
Academic theses. History Electronic books. |
| ISBN | 3-905758-69-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title page; Copyright page; Contents; Acknowledgement; Preface; Foreword; 1. The Festive 'Moment' of Namibia; Introduction; 2. The 'Performance' of Culture; On 'Doing' and 'Performing' 'Culture' at State Sponsored Culture Festivals; Anthropology and Performance; Performance Theory in the Social Science Sphere; Theory of Performance: A Critical Analysis; Postcolonial Nationalism: One Namibia One Nation; Festival Making in Postcolonial Africa; Culture and Making the Nation; Festival with New Social Meaning and Function; 3. Home Anthropology and Politics of Ekoro.
"Whose Child are You?1" The Dynamics and Politics of ekoro/likoro in Doing Ethnography at HomeConnectedness of Ekoro and its Workings in the Research Field; Analysis of Ekoro and its Working in the Research Field; Assumed and Imposed Fieldwork Self; 4. Kavango the 'Domicile' in Perspective; Kavango: Whose Land is It?; Kavango the Place or People?; Kavango as Told in Legends; The Royal Narrative; Early German Colonial and Missionary Encounters; Kavango the Native Reserve; Volkekunde Anthropology and Kavango; Kavango After the Implementation of the Odendaal Plan. Kavango in Contemporary Discourse: A Historical Sanitization Project5. Sangfees, the Antecedent of the Postcolonial Annual National Culture Festival; The Making of the Colonial Festival: 'sangfees1'; The Department of Education Administration for Kavango; Division of Youth and Culture Affairs; Sangfees at Ekongoro; Ezuva for the 'Youth'; Postcolonial Annual Culture Festivals; 6. Kavango Cultural Identity in Postcolonial Namibia; Reclaiming Colonial Ethnicity in a Postcolonial Context; On the Search for 'Tradition' and 'Culture' in Namibia; Kavango Museum. Maria Mwengere Culture Centre: 'The Culture Booklet: An Instrument of Objectification'"Culture Booklet": A Resource of Advocacy; 7. Namibian Identity Through Dance; "Making the Nation": The Role of Local People in the Festival; A Note on 'Kavango' Traditional Dances; Rehearsal Performances; At Swapo Regional Office; Festival Making: Exploring Local participation and Influences in the Discourse of Nation-Building; Mpungu Circuit and Kavango Regional Festivals; 8. Deconstructing Postcolonial Ethnic Diversity. Annual National Culture Festival: Discourses of Difference and Belongingin Postcolonial NamibiaThe Annual National Culture Festival; The March Through Town; Inside the Stadium; 'Performances' of Culture; Analysis of the Festival Representations in Kavango; Reflections on Kavango Identity; 9. The Postcolonial Nation as Curated by the State Through Dance; Conclusion; Festivals and 'Nation Building'; List of Abbreviations; Bibliography; Index; Back cover. |
| Record Nr. | UNINA-9910797114503321 |
|
Akuupa Michael
|
||
| Basel, Switzerland : , : Basler Afrika Bibliographien, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
National culture in post-apartheid Namibia : state-sponsored cultural festivals and their histories / / Michael Akuupa
| National culture in post-apartheid Namibia : state-sponsored cultural festivals and their histories / / Michael Akuupa |
| Autore | Akuupa Michael |
| Pubbl/distr/stampa | Basel, Switzerland : , : Basler Afrika Bibliographien, , 2015 |
| Descrizione fisica | 1 online resource (242 p.) |
| Disciplina | 780.71068 |
| Collana | Basel Namibia studies series |
| Soggetto topico |
Music - Instruction and study - South Africa
Music - Instruction and study - Sweden Music - Social aspects - Sweden Music - Social aspects - South Africa Music - South Africa - History and criticism Music - Sweden - History and criticism |
| Soggetto genere / forma |
Theses et ecrits academiques.
Academic theses. History Electronic books. |
| ISBN | 3-905758-69-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title page; Copyright page; Contents; Acknowledgement; Preface; Foreword; 1. The Festive 'Moment' of Namibia; Introduction; 2. The 'Performance' of Culture; On 'Doing' and 'Performing' 'Culture' at State Sponsored Culture Festivals; Anthropology and Performance; Performance Theory in the Social Science Sphere; Theory of Performance: A Critical Analysis; Postcolonial Nationalism: One Namibia One Nation; Festival Making in Postcolonial Africa; Culture and Making the Nation; Festival with New Social Meaning and Function; 3. Home Anthropology and Politics of Ekoro.
"Whose Child are You?1" The Dynamics and Politics of ekoro/likoro in Doing Ethnography at HomeConnectedness of Ekoro and its Workings in the Research Field; Analysis of Ekoro and its Working in the Research Field; Assumed and Imposed Fieldwork Self; 4. Kavango the 'Domicile' in Perspective; Kavango: Whose Land is It?; Kavango the Place or People?; Kavango as Told in Legends; The Royal Narrative; Early German Colonial and Missionary Encounters; Kavango the Native Reserve; Volkekunde Anthropology and Kavango; Kavango After the Implementation of the Odendaal Plan. Kavango in Contemporary Discourse: A Historical Sanitization Project5. Sangfees, the Antecedent of the Postcolonial Annual National Culture Festival; The Making of the Colonial Festival: 'sangfees1'; The Department of Education Administration for Kavango; Division of Youth and Culture Affairs; Sangfees at Ekongoro; Ezuva for the 'Youth'; Postcolonial Annual Culture Festivals; 6. Kavango Cultural Identity in Postcolonial Namibia; Reclaiming Colonial Ethnicity in a Postcolonial Context; On the Search for 'Tradition' and 'Culture' in Namibia; Kavango Museum. Maria Mwengere Culture Centre: 'The Culture Booklet: An Instrument of Objectification'"Culture Booklet": A Resource of Advocacy; 7. Namibian Identity Through Dance; "Making the Nation": The Role of Local People in the Festival; A Note on 'Kavango' Traditional Dances; Rehearsal Performances; At Swapo Regional Office; Festival Making: Exploring Local participation and Influences in the Discourse of Nation-Building; Mpungu Circuit and Kavango Regional Festivals; 8. Deconstructing Postcolonial Ethnic Diversity. Annual National Culture Festival: Discourses of Difference and Belongingin Postcolonial NamibiaThe Annual National Culture Festival; The March Through Town; Inside the Stadium; 'Performances' of Culture; Analysis of the Festival Representations in Kavango; Reflections on Kavango Identity; 9. The Postcolonial Nation as Curated by the State Through Dance; Conclusion; Festivals and 'Nation Building'; List of Abbreviations; Bibliography; Index; Back cover. |
| Record Nr. | UNINA-9910812457103321 |
|
Akuupa Michael
|
||
| Basel, Switzerland : , : Basler Afrika Bibliographien, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On 'Shoot the Boer', hate speech and the banning of struggle songs / / Karin van Marle
| On 'Shoot the Boer', hate speech and the banning of struggle songs / / Karin van Marle |
| Autore | Marle Karin van |
| Pubbl/distr/stampa | [Place of publication not identified] : , : Pretoria University Law Press (PULP), , 2010 |
| Descrizione fisica | 1 online resource (23 pages) |
| Disciplina | 780.968 |
| Collana | Pulp fictions |
| Soggetto topico |
Music - South Africa - History and criticism
Hate speech Protest songs |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557819103321 |
|
Marle Karin van
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| [Place of publication not identified] : , : Pretoria University Law Press (PULP), , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
