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Music and international history in the twentieth century / / edited by Jessica C. E. Gienow-Hecht
| Music and international history in the twentieth century / / edited by Jessica C. E. Gienow-Hecht |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
| Descrizione fisica | 1 online resource (278 p.) |
| Disciplina | 7809/.04 |
| Collana | Explorations in Culture and International History Series |
| Soggetto topico |
Music - Political aspects - History - 20th century
Music and diplomacy Music and state |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78238-501-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Music and International History in the Twentieth Century; Contents; Illustrations; Acknowledgments; Contributors; Introduction: Sonic History, or Why Music Matters in International History; Part I - Music, International Relations, and the Absence of the State; Chapter One - The Wicked Barrisons; Chapter Two - The International Society for Contemporary Music and Its Political Context (Prague, 1935); Part II - Music, International History, and the State; Chapter Three - Music and International Relations in Occupied Germany, 1945-49
Chapter Four - Instruments of Diplomacy: Writing Music into the History of Cold War International RelationsChapter Five - ""To Reach . . . into the Hearts and Minds of Our Friends"": The United States' Symphonic Tours and the Cold War; Chapter Six - Music Diplomacy in an Emergency: Eisenhower's ""Secret Weapon,"" Iceland, 1954-59; Chapter Seven - Intimate Histories of the Musical Cold War: Fred Prieberg and Igor Blazhkov's Unofficial Diplomacy; Chapter Eight - ""Where I Cannot Roam, My Song Will Take Wing"": Polish Cultural Promotion in Belarus, 1988; Index |
| Record Nr. | UNINA-9910460803203321 |
| New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music and international history in the twentieth century / / edited by Jessica C. E. Gienow-Hecht
| Music and international history in the twentieth century / / edited by Jessica C. E. Gienow-Hecht |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
| Descrizione fisica | 1 online resource (278 p.) |
| Disciplina | 7809/.04 |
| Collana | Explorations in Culture and International History Series |
| Soggetto topico |
Music - Political aspects - History - 20th century
Music and diplomacy Music and state |
| ISBN | 1-78238-501-0 |
| Classificazione | LR 57727 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Music and International History in the Twentieth Century; Contents; Illustrations; Acknowledgments; Contributors; Introduction: Sonic History, or Why Music Matters in International History; Part I - Music, International Relations, and the Absence of the State; Chapter One - The Wicked Barrisons; Chapter Two - The International Society for Contemporary Music and Its Political Context (Prague, 1935); Part II - Music, International History, and the State; Chapter Three - Music and International Relations in Occupied Germany, 1945-49
Chapter Four - Instruments of Diplomacy: Writing Music into the History of Cold War International RelationsChapter Five - ""To Reach . . . into the Hearts and Minds of Our Friends"": The United States' Symphonic Tours and the Cold War; Chapter Six - Music Diplomacy in an Emergency: Eisenhower's ""Secret Weapon,"" Iceland, 1954-59; Chapter Seven - Intimate Histories of the Musical Cold War: Fred Prieberg and Igor Blazhkov's Unofficial Diplomacy; Chapter Eight - ""Where I Cannot Roam, My Song Will Take Wing"": Polish Cultural Promotion in Belarus, 1988; Index |
| Record Nr. | UNINA-9910797164103321 |
| New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music and international history in the twentieth century / / edited by Jessica C. E. Gienow-Hecht
| Music and international history in the twentieth century / / edited by Jessica C. E. Gienow-Hecht |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
| Descrizione fisica | 1 online resource (278 p.) |
| Disciplina | 7809/.04 |
| Collana | Explorations in Culture and International History Series |
| Soggetto topico |
Music - Political aspects - History - 20th century
Music and diplomacy Music and state |
| ISBN | 1-78238-501-0 |
| Classificazione | LR 57727 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Music and International History in the Twentieth Century; Contents; Illustrations; Acknowledgments; Contributors; Introduction: Sonic History, or Why Music Matters in International History; Part I - Music, International Relations, and the Absence of the State; Chapter One - The Wicked Barrisons; Chapter Two - The International Society for Contemporary Music and Its Political Context (Prague, 1935); Part II - Music, International History, and the State; Chapter Three - Music and International Relations in Occupied Germany, 1945-49
Chapter Four - Instruments of Diplomacy: Writing Music into the History of Cold War International RelationsChapter Five - ""To Reach . . . into the Hearts and Minds of Our Friends"": The United States' Symphonic Tours and the Cold War; Chapter Six - Music Diplomacy in an Emergency: Eisenhower's ""Secret Weapon,"" Iceland, 1954-59; Chapter Seven - Intimate Histories of the Musical Cold War: Fred Prieberg and Igor Blazhkov's Unofficial Diplomacy; Chapter Eight - ""Where I Cannot Roam, My Song Will Take Wing"": Polish Cultural Promotion in Belarus, 1988; Index |
| Record Nr. | UNINA-9910822967403321 |
| New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music divided [[electronic resource] ] : Bartók's legacy in cold war culture / / Danielle Fosler-Lussier
| Music divided [[electronic resource] ] : Bartók's legacy in cold war culture / / Danielle Fosler-Lussier |
| Autore | Fosler-Lussier Danielle <1969-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 780.92 |
| Collana | California studies in 20th-century music |
| Soggetto topico |
Music - Political aspects - Hungary - History - 20th century
Music - Political aspects - History - 20th century Music - 20th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-35917-7
9786612359170 0-520-93339-7 1-4356-0198-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Bartók's Concerto for orchestra and the demise of Hungary's "third road" -- A compromised composer : Bartók's music and Western Europe's fresh start -- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy -- Bartók and his publics : defining the "modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartók question" and the politics of dissent : the case of András Mihály -- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartók's legacy and George Rochberg's postmodernity. |
| Record Nr. | UNINA-9910451719203321 |
Fosler-Lussier Danielle <1969->
|
||
| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music divided [[electronic resource] ] : Bartók's legacy in cold war culture / / Danielle Fosler-Lussier
| Music divided [[electronic resource] ] : Bartók's legacy in cold war culture / / Danielle Fosler-Lussier |
| Autore | Fosler-Lussier Danielle <1969-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 780.92 |
| Collana | California studies in 20th-century music |
| Soggetto topico |
Music - Political aspects - Hungary - History - 20th century
Music - Political aspects - History - 20th century Music - 20th century - History and criticism |
| Soggetto non controllato |
20th century composer
accessible music bruno maderna cold war tensions cold war groundbreaking study hungary international politics karlheinz stockhausen music appreciation music history negative reactions performing arts political action political anxieties politics and music radio propaganda socialism socialist state |
| ISBN |
1-282-35917-7
9786612359170 0-520-93339-7 1-4356-0198-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Bartók's Concerto for orchestra and the demise of Hungary's "third road" -- A compromised composer : Bartók's music and Western Europe's fresh start -- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy -- Bartók and his publics : defining the "modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartók question" and the politics of dissent : the case of András Mihály -- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartók's legacy and George Rochberg's postmodernity. |
| Record Nr. | UNINA-9910778117703321 |
|
Fosler-Lussier Danielle <1969->
|
||
| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music divided : Bartok's legacy in cold war culture / / Danielle Fosler-Lussier
| Music divided : Bartok's legacy in cold war culture / / Danielle Fosler-Lussier |
| Autore | Fosler-Lussier Danielle <1969-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 780.92 |
| Collana | California studies in 20th-century music |
| Soggetto topico |
Music - Political aspects - Hungary - History - 20th century
Music - Political aspects - History - 20th century Music - 20th century - History and criticism |
| ISBN |
1-282-35917-7
9786612359170 0-520-93339-7 1-4356-0198-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Bartok's Concerto for orchestra and the demise of Hungary's "third road" -- A compromised composer : Bartok's music and Western Europe's fresh start -- "Bartok is ours" : the Voice of America and Hungarian control over Bartok's legacy -- Bartok and his publics : defining the "modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartok question" and the politics of dissent : the case of Andras Mihaly -- Epilogue East : Bartok's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartok's legacy and George Rochberg's postmodernity. |
| Record Nr. | UNINA-9910822539803321 |
|
Fosler-Lussier Danielle <1969->
|
||
| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sound commitments [[electronic resource] ] : avant-garde music and the sixties / / edited by Robert Adlington
| Sound commitments [[electronic resource] ] : avant-garde music and the sixties / / edited by Robert Adlington |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 780.9/04 |
| Soggetto topico |
Music - Political aspects - History - 20th century
Avant-garde (Music) Nineteen sixties |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-533665-8
1-281-98707-7 9786611987077 0-19-971436-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Avant-garde : some introductory notes on the politics of a label / Hubert F. van den Berg -- Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party / Benjamin Piekut ; Forms of opposition at the "politiek-demonstratief experimenteel" concert / Robert Adlington ; Aesthetic theories and revolutionary practice : Nikolaus A. Huber and Clytus Gottwald in dissent / Beate Kutschke -- Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva / Amy C. Beal -- The problem of the political in Steve Reich's Come out / Sumanth Gopinath ; The politics of Presque rien / Eric Drott -- Politicising performance. ONCE and the sixties / Ralf Dietrich ; "Scream against the sky" : Japanese avant-garde music in the sixties / Yayoi Uno Everett -- The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65 / Bernard Gendron ; American cultural diplomacy and the mediation of avant-garde music / Danielle Fosler-Lussier ; From Scriabin to Pink Floyd : the ANS synthesizer and the politics of Soviet music between thaw and stagnation / Peter J. Schmelz. |
| Record Nr. | UNINA-9910465801003321 |
| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sound commitments [[electronic resource] ] : avant-garde music and the sixties / / edited by Robert Adlington
| Sound commitments [[electronic resource] ] : avant-garde music and the sixties / / edited by Robert Adlington |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 780.9/04 |
| Soggetto topico |
Music - Political aspects - History - 20th century
Avant-garde (Music) Nineteen sixties |
| ISBN |
0-19-533665-8
1-281-98707-7 9786611987077 0-19-971436-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Avant-garde : some introductory notes on the politics of a label / Hubert F. van den Berg -- Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party / Benjamin Piekut ; Forms of opposition at the "politiek-demonstratief experimenteel" concert / Robert Adlington ; Aesthetic theories and revolutionary practice : Nikolaus A. Huber and Clytus Gottwald in dissent / Beate Kutschke -- Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva / Amy C. Beal -- The problem of the political in Steve Reich's Come out / Sumanth Gopinath ; The politics of Presque rien / Eric Drott -- Politicising performance. ONCE and the sixties / Ralf Dietrich ; "Scream against the sky" : Japanese avant-garde music in the sixties / Yayoi Uno Everett -- The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65 / Bernard Gendron ; American cultural diplomacy and the mediation of avant-garde music / Danielle Fosler-Lussier ; From Scriabin to Pink Floyd : the ANS synthesizer and the politics of Soviet music between thaw and stagnation / Peter J. Schmelz. |
| Record Nr. | UNINA-9910792226703321 |
| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sound commitments : avant-garde music and the sixties / / edited by Robert Adlington
| Sound commitments : avant-garde music and the sixties / / edited by Robert Adlington |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 780.9/04 |
| Soggetto topico |
Music - Political aspects - History - 20th century
Avant-garde (Music) Nineteen sixties |
| ISBN |
0-19-045065-7
0-19-533665-8 1-281-98707-7 9786611987077 0-19-971436-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Avant-garde : some introductory notes on the politics of a label / Hubert F. van den Berg -- Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party / Benjamin Piekut ; Forms of opposition at the "politiek-demonstratief experimenteel" concert / Robert Adlington ; Aesthetic theories and revolutionary practice : Nikolaus A. Huber and Clytus Gottwald in dissent / Beate Kutschke -- Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva / Amy C. Beal -- The problem of the political in Steve Reich's Come out / Sumanth Gopinath ; The politics of Presque rien / Eric Drott -- Politicising performance. ONCE and the sixties / Ralf Dietrich ; "Scream against the sky" : Japanese avant-garde music in the sixties / Yayoi Uno Everett -- The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65 / Bernard Gendron ; American cultural diplomacy and the mediation of avant-garde music / Danielle Fosler-Lussier ; From Scriabin to Pink Floyd : the ANS synthesizer and the politics of Soviet music between thaw and stagnation / Peter J. Schmelz. |
| Record Nr. | UNINA-9910807897503321 |
| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Twentieth-century music and politics : essays in memory of Neil Edmunds / / Pauline Fairclough
| Twentieth-century music and politics : essays in memory of Neil Edmunds / / Pauline Fairclough |
| Autore | Fairclough Pauline |
| Pubbl/distr/stampa | London, [England] ; ; New York, New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 780.9/04 |
| Soggetto topico | Music - Political aspects - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-00580-5
1-317-00579-1 1-283-85994-7 1-4094-5508-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Figures; List of Musical Examples; Notes on Contributors; Foreword; Preface and Acknowledgements; Introduction; 1 'A World of Marxist Orthodoxy'? Alan Bush's Wat Tyler in Great Britain and the German Democratic Republic; 2 Stravinsky's Petrushka: Modernizing the Past, Russianizing the Future; or, How Stravinsky Learned to Be an Exile; 3 Détente to Cold War: Anglo-Soviet Musical Exchanges in the Late Stalin Period; 4 Front Theatre: Musical Films and the War in Nazi Cinema
5 'Those damn foreigners': Xenophobia and British Musical Life During the First Half of the Twentieth Century6 'An angry ape': Some Preliminary Thoughts about Orango; 7 A Bridge between Two Worlds: The Founding Years of the Warsaw Autumn Festival; 8 Winning Hearts and Minds? Soviet Music in the Cold War Struggle against the West; 9 Preserving the Façade of Normal Times: Musical Life in Belgrade under the German Occupation (1941-1944); 10 Musical Commemorations in Post-Civil War Spain: Joaquín Rodrigo's Concierto Heroico 11 The Racialization and Ghettoization of Music in the General Government12 'I Only Need the Good Old Budapest': Hungarian Cabaret in Wartime London; 13 Irish Nationalism, British Imperialism and the Role of Popular Music; 14 Shostakovich as Film Music Theorist; 15 Diaspora, Music and Politics: Russian Musical Life in Shanghai during the Interwar Period; Select Bibliography; Index |
| Record Nr. | UNINA-9910452585103321 |
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Fairclough Pauline
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| London, [England] ; ; New York, New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
