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Aux origines d'une discipline historique : La musique et son histoire en France aux XVIIe et XVIIIe siècles / / Philippe Vendrix
| Aux origines d'une discipline historique : La musique et son histoire en France aux XVIIe et XVIIIe siècles / / Philippe Vendrix |
| Autore | Vendrix Philippe |
| Pubbl/distr/stampa | Liège, Belgium : , : Presses universitaires de Liège, , 1993 |
| Descrizione fisica | 1 online resource (432 pages) |
| Disciplina | 780.72 |
| Soggetto topico |
Music - Historiography
Music - France - History and criticism - 18th century |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Altri titoli varianti | Aux origines d’une discipline historique |
| Record Nr. | UNINA-9910724339603321 |
Vendrix Philippe
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| Liège, Belgium : , : Presses universitaires de Liège, , 1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Aux origines d’une discipline historique : La musique et son histoire en France aux XVIIe et XVIIIe siècles / / Philippe Vendrix
| Aux origines d’une discipline historique : La musique et son histoire en France aux XVIIe et XVIIIe siècles / / Philippe Vendrix |
| Autore | Vendrix Philippe |
| Pubbl/distr/stampa | Liège, : Presses universitaires de Liège, 2018 |
| Descrizione fisica | 1 online resource (417-[14] p.) |
| Disciplina | 780/.944/09032 |
| Soggetto topico |
Music - Historiography
Music - France - 17th century - History and criticism Music - France - 18th century - History and criticism |
| Soggetto non controllato |
histoire
théorie musique misque medieval civilisation |
| ISBN | 979-1-03-651651-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910338227603321 |
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Vendrix Philippe
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| Liège, : Presses universitaires de Liège, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Historiography of Music in Global Perspective
| The Historiography of Music in Global Perspective |
| Pubbl/distr/stampa | Piscataway, NJ : , : Gorgias Press, , [2010] |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.9 |
| Collana | Gorgias Précis Portfolios |
| Soggetto topico |
Music archaelogy - Congresses
Music - Historiography HISTORY / General |
| Soggetto genere / forma | Conference papers and proceedings. |
| ISBN | 1-4632-2253-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- TABLE OF CONTENTS -- Preface -- Remembering Music in Early Greece / Franklin, John C. -- Interpreting Non-European Perceptions and Representations of Early Modern European Music / Irving, David R. M. -- From Music Archaeology to Historiography: Andean Music Archaeology and Musical Instruments, Singing and Dancing in Guaman Poma's Nuéva Crónica y Bien Gobierno / Hickmann, Ellen -- Music-Archaeological Research on Pre-Columbian Music Cultures, 1880-1920 / Both, Arnd Adje -- Antiquarians, Archaeologists and Music in Nineteenth Century London: Early Conversations in Music's Prehistory / Lawson, Graeme -- The False Decipherment of Cuneiform 'Notation' in the Early Twentieth Century / Mirelman, Sam -- Studies of Ancient Nordic Music, 1915-1940 / Kolltveit, Gjermund -- Music Archaeology in Scandinavia, 1800-1990 / Lund, Cajsa S. |
| Record Nr. | UNISA-996309136603316 |
| Piscataway, NJ : , : Gorgias Press, , [2010] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The historiography of music in global perspective / / edited by Sam Mirelman
| The historiography of music in global perspective / / edited by Sam Mirelman |
| Pubbl/distr/stampa | Piscataway, New Jersey : , : Gorgias Press, , 2010 |
| Descrizione fisica | 1 online resource (216 p.) |
| Disciplina | 780.9 |
| Collana | Gorgias Précis Portfolio |
| Soggetto topico |
Music archaeology
Music - Historiography |
| ISBN | 1-4632-0473-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Title Page""; ""Copyright Page""; ""Table of Contents""; ""Preface""; ""Remembering Music in Early Greece by John C. Franklin""; ""Interpreting Non-European Perceptions and Representations of Early modern European Music by David R. M. Irving""; ""From Music Archaeology to Historiography: Andean Music Archaeology and Musical Instruments, Singing and Dancing in Guaman Poma's ""Nueva Cronica y Bien Gobierno"" by Ellen Hickmann""; ""Music-Archaeological Research on Pre-Columbian Music Cultures, 1880-1920 by Arnd Adje Both""
""Antiquarians, Archaeologists and Music in Nineteenth Century London: Early Conversations in Music's Prehistory by Graeme Lawson""""The False Decipherment of Cuneiform 'Notation' in the Early Twentieth Century by Sam Mirelman""; ""Studies of Ancient Nordic Music, 1915-1940 by Gjermund Kolltveit""; ""Music Archaeology in Scandinavia, 1800-1990 by Cajsa S. Lund"" |
| Record Nr. | UNISA-996483570903316 |
| Piscataway, New Jersey : , : Gorgias Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The historiography of music in global perspective / / edited by Sam Mirelman
| The historiography of music in global perspective / / edited by Sam Mirelman |
| Pubbl/distr/stampa | Piscataway, New Jersey : , : Gorgias Press, , 2010 |
| Descrizione fisica | 1 online resource (216 p.) |
| Disciplina | 780.9 |
| Collana | Gorgias Précis Portfolio |
| Soggetto topico |
Music archaeology
Music - Historiography |
| ISBN | 1-4632-0473-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Title Page""; ""Copyright Page""; ""Table of Contents""; ""Preface""; ""Remembering Music in Early Greece by John C. Franklin""; ""Interpreting Non-European Perceptions and Representations of Early modern European Music by David R. M. Irving""; ""From Music Archaeology to Historiography: Andean Music Archaeology and Musical Instruments, Singing and Dancing in Guaman Poma's ""Nueva Cronica y Bien Gobierno"" by Ellen Hickmann""; ""Music-Archaeological Research on Pre-Columbian Music Cultures, 1880-1920 by Arnd Adje Both""
""Antiquarians, Archaeologists and Music in Nineteenth Century London: Early Conversations in Music's Prehistory by Graeme Lawson""""The False Decipherment of Cuneiform 'Notation' in the Early Twentieth Century by Sam Mirelman""; ""Studies of Ancient Nordic Music, 1915-1940 by Gjermund Kolltveit""; ""Music Archaeology in Scandinavia, 1800-1990 by Cajsa S. Lund"" |
| Record Nr. | UNINA-9910586699803321 |
| Piscataway, New Jersey : , : Gorgias Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The invention of "folk music" and "art music" : emerging categories from Ossian to Wagner / / Matthew Gelbart [[electronic resource]]
| The invention of "folk music" and "art music" : emerging categories from Ossian to Wagner / / Matthew Gelbart [[electronic resource]] |
| Autore | Gelbart Matthew |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2007 |
| Descrizione fisica | 1 online resource (xii, 287 pages) : digital, PDF file(s) |
| Disciplina | 786.2 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Folk music - History and criticism
Music - Europe - 18th century - History and criticism Music - Europe - 19th century - History and criticism Music - Historiography |
| ISBN |
0-511-35340-5
1-107-17823-1 1-281-15340-0 9786611153403 0-511-35398-7 1-139-13193-1 0-511-35510-6 0-511-48191-8 0-511-35456-8 0-511-35562-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction; 1. Function to origin: national identity and national genius emerge, c. 1700-1780; 2. From pastoral to picturesque: nature, art, and genre in the later eighteenth century; 3. Genius versus Art in the creative process: 'national' and 'cultivated' music as categories, 1760-1800; 4. The invention of folk modality, 1775-1840; 5. 'Folk' and 'tradition': authenticity as musical idiom from the late eighteenth century onward; 6. Organic 'art music' and individual original genius: aestheticizing the folk collective; 7. Local nation and universal folk: the legacy of geography in musical categories; 8. Folk and art music in the modern western world. |
| Altri titoli varianti | The Invention of 'Folk Music' & 'Art Music' |
| Record Nr. | UNISA-996248112203316 |
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Gelbart Matthew
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| Cambridge : , : Cambridge University Press, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Musikvermittlung lernen : Analysen und Empfehlungen zur Aus- und Weiterbildung von Musiker_innen / / Axel Petri-Preis
| Musikvermittlung lernen : Analysen und Empfehlungen zur Aus- und Weiterbildung von Musiker_innen / / Axel Petri-Preis |
| Autore | Petri-Preis Axel |
| Pubbl/distr/stampa | Bielefeld, Germany : , : transcript Verlag, , 2022 |
| Descrizione fisica | 1 online resource (288 pages) |
| Disciplina | 780.72 |
| Collana | Forum Musikvermittlung - Perspektiven aus Forschung und Praxis |
| Soggetto topico |
Music - Historiography
Musicology - Methodology |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Cover -- Inhalt -- 1. Einleitung -- 1.1 Erkenntnisinteresse und Ziel der Studie -- 1.2 Aufbau der Arbeit -- 1.3 Dank -- 2. Methodologische Grundlagen und methodisches Vorgehen -- 2.1 Grundsätze qualitativer Forschung -- 2.2 Epistemologische Grundannahmen der Situational Analysis -- 2.2.1 Dekonstruktive Analyse -- 2.2.2 Umgang mit Vorwissen -- 2.2.3 Abduktive Forschungslogik -- 2.2.4 Verkörperung und Situiertheit der Forschenden -- 2.2.5 Der Situationsbegriff als analytische Grundlage -- 2.3 Methodisches Vorgehen und Selbstreflexion -- 2.3.1 Persönliche Situiertheit als Forscher -- 2.3.2 Datengewinnung -- 2.3.3 Datenauswertung -- 2.3.4 Die Verschriftlichung der Studie -- 3. Theoretischer Referenzrahmen -- 3.1 Situational Analysis -- 3.1.1 Soziale Welten, Diskurse und nichtmenschliche Aktanten -- 3.1.2 Eigenschaften sozialer Welten -- 3.1.3 Dezentrierung des Subjektes -- 3.1.4 Sozialer Wandel -- 3.2 Site Ontology -- 3.2.1 Überschneidungen und Unterschiede in den Praxistheorien -- 3.2.2 Schatzkis Konzeptualisierung von Praktiken -- 3.2.3 Bündel und Konstellationen -- 3.2.4 Menschen und Praktiken -- 3.2.5 Sozialer Wandel -- 3.3 Überschneidungen zwischen Situational Analysis und Site Ontology -- 3.3.1 Flache Ontologien -- 3.3.2 Bedeutung von Materialität -- 3.3.3 Praktiken und kollektive Handlungen -- 3.3.4 Soziale Welten und Konstellationen -- 3.3.5 Das Subjekt -- 3.4 Lernen aus praxistheoretischer Perspektive -- 3.4.1 Wissensformen -- 3.4.2 Identität und soziale Zugehörigkeit -- 3.5 Zusammenfassung und Ausblick auf die weiteren Kapitel -- 4. The Big Picture -- 4.1 Musikvermittlung: eine Definition -- 4.2 Anmerkungen zur Bedeutung und Verwendung des Begriffs Musikvermittlung -- 4.3 Theoretische Perspektiven auf Musikvermittlung -- 4.3.1 Musikvermittlung aus der Perspektive der Cultural Studies -- 4.3.2 Musikvermittlung aus der Perspektive der Feldtheorie -- 4.3.3 Musikvermittlung aus der Perspektive der Systemtheorie -- 4.3.4 Zusammenfassung -- 4.4 Die soziale Welt der Musikvermittlung -- 4.4.1 Historische Bezugspunkte der SW Musikvermittlung -- 4.4.2 »Urknall« und Evolution der SW Musikvermittlung -- 4.4.3 Akteur_innen der SW Musikvermittlung -- 4.4.4 Die zentrale Aktivität der SW Musikvermittlung und ihre Orte -- 4.4.5 Ziele von Akteur_innen der SW Musikvermittlung -- 4.4.6 Formale Organisationen mit Bezug zur SW Musikvermittlung -- 4.4.7 Angrenzende soziale Welten und Arenen -- 4.4.8 Zusammenfassung -- 5. Die Lernwege der Musiker_innen -- 5.1 Anita: »Das Bild ist jetzt vollständig geworden für mich.« -- 5.2 Bernhard: »Das ist ganz normal durch mein Engagement im Orchester passiert.« -- 5.3 Carsten: »Klassik aufs platte Land bringen.« -- 5.4 Dora: »Der Drang eben, etwas über den Tellerrand zu schauen.« -- 5.5 Emilia: »Dann bin ich einfach mal ins Büro vom Chefdirigenten damals, und hab' ihm ein fertiges Konzept hingelegt.«. |
| Altri titoli varianti | Musikvermittlung lernen |
| Record Nr. | UNINA-9910576869203321 |
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Petri-Preis Axel
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| Bielefeld, Germany : , : transcript Verlag, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theory and method in historical ethnomusicology / / edited by Jonathan McCollum and David G. Hebert
| Theory and method in historical ethnomusicology / / edited by Jonathan McCollum and David G. Hebert |
| Pubbl/distr/stampa | Lanham, Maryland ; ; London, England : , : Lexington Books, , 2014 |
| Descrizione fisica | 1 online resource (431 p.) |
| Disciplina | 780.89 |
| Soggetto topico |
Historical ethnomusicology
Music - Historiography |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4985-0086-2
1-4985-0705-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Theory and Method in Historical Ethnomusicology; Contents; Foreword: The Past is No Longer a Foreign Country; Acknowledgments; Chapter 1Foundations of Historical Ethnomusicology; Chapter 2Methodologies for Historical Ethnomusicology in the Twenty-First Century; Chapter 3 Philosophy of History and Theory in HistoricalEthnomusicology; Chapter 4 Hearing Echoes, Sensing History: The Challengesof Musical Diasporas; Chapter 5 Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in HistoricalEthnomusicology
Chapter 6 Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth throughEarly Twentieth CenturiesChapter 7 Southern American Fiddling through theMid-Nineteenth Century: Three Snapshots; Chapter 8 A Tale of Two Sensibilities: Hindustani Musicand its Histories; Chapter 9 The Legacy of Music Archives in HistoricalEthnomusicology: A Model for Engaged Ethnomusicology; Chapter 10 Contested Contextualization: The HistoricalConstructions of East Asian Music; Chapter 11Advancing Historical Ethnomusicology; Name Index; Subject Index; About the Contributors |
| Record Nr. | UNINA-9910460326503321 |
| Lanham, Maryland ; ; London, England : , : Lexington Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theory and method in historical ethnomusicology / / edited by Jonathan McCollum and David G. Hebert
| Theory and method in historical ethnomusicology / / edited by Jonathan McCollum and David G. Hebert |
| Pubbl/distr/stampa | Lanham, Maryland ; ; London, England : , : Lexington Books, , 2014 |
| Descrizione fisica | 1 online resource (431 p.) |
| Disciplina | 780.89 |
| Soggetto topico |
Historical ethnomusicology
Music - Historiography |
| ISBN |
1-4985-0086-2
1-4985-0705-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Theory and Method in Historical Ethnomusicology; Contents; Foreword: The Past is No Longer a Foreign Country; Acknowledgments; Chapter 1Foundations of Historical Ethnomusicology; Chapter 2Methodologies for Historical Ethnomusicology in the Twenty-First Century; Chapter 3 Philosophy of History and Theory in HistoricalEthnomusicology; Chapter 4 Hearing Echoes, Sensing History: The Challengesof Musical Diasporas; Chapter 5 Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in HistoricalEthnomusicology
Chapter 6 Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth throughEarly Twentieth CenturiesChapter 7 Southern American Fiddling through theMid-Nineteenth Century: Three Snapshots; Chapter 8 A Tale of Two Sensibilities: Hindustani Musicand its Histories; Chapter 9 The Legacy of Music Archives in HistoricalEthnomusicology: A Model for Engaged Ethnomusicology; Chapter 10 Contested Contextualization: The HistoricalConstructions of East Asian Music; Chapter 11Advancing Historical Ethnomusicology; Name Index; Subject Index; About the Contributors |
| Record Nr. | UNINA-9910787063103321 |
| Lanham, Maryland ; ; London, England : , : Lexington Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theory and method in historical ethnomusicology / / edited by Jonathan McCollum and David G. Hebert
| Theory and method in historical ethnomusicology / / edited by Jonathan McCollum and David G. Hebert |
| Pubbl/distr/stampa | Lanham, Maryland ; ; London, England : , : Lexington Books, , 2014 |
| Descrizione fisica | 1 online resource (431 p.) |
| Disciplina | 780.89 |
| Soggetto topico |
Historical ethnomusicology
Music - Historiography |
| ISBN |
1-4985-0086-2
1-4985-0705-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Theory and Method in Historical Ethnomusicology; Contents; Foreword: The Past is No Longer a Foreign Country; Acknowledgments; Chapter 1Foundations of Historical Ethnomusicology; Chapter 2Methodologies for Historical Ethnomusicology in the Twenty-First Century; Chapter 3 Philosophy of History and Theory in HistoricalEthnomusicology; Chapter 4 Hearing Echoes, Sensing History: The Challengesof Musical Diasporas; Chapter 5 Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in HistoricalEthnomusicology
Chapter 6 Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth throughEarly Twentieth CenturiesChapter 7 Southern American Fiddling through theMid-Nineteenth Century: Three Snapshots; Chapter 8 A Tale of Two Sensibilities: Hindustani Musicand its Histories; Chapter 9 The Legacy of Music Archives in HistoricalEthnomusicology: A Model for Engaged Ethnomusicology; Chapter 10 Contested Contextualization: The HistoricalConstructions of East Asian Music; Chapter 11Advancing Historical Ethnomusicology; Name Index; Subject Index; About the Contributors |
| Record Nr. | UNINA-9910816204503321 |
| Lanham, Maryland ; ; London, England : , : Lexington Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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