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The artistry of Afro-Cuban batá drumming [[electronic resource] ] : aesthetics, transmission, bonding, and creativity / / Kenneth Schweitzer
| The artistry of Afro-Cuban batá drumming [[electronic resource] ] : aesthetics, transmission, bonding, and creativity / / Kenneth Schweitzer |
| Autore | Schweitzer Kenneth George |
| Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2013 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 786.9/4097291 |
| Collana | Caribbean studies series |
| Soggetto topico |
Batá music - History and criticism
Music - Cuba - History and criticism Drum - Cuba Music - African influences |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-62103-006-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; A Note on Typography and Word Usage; Introduction; 1. The Lucumí Religion and Its Music; 2. Omo Añá: The Fraternity of Batá Drummers; 3. Overview of the Batá Repertoire; 4. Learning the Basics: Experiential Learning; 5. Pancho Quinto: Rumbero and Batalero; 6. Traditional Ñongo: Musical Analysis; 7. Modern Ñongo: The Evolution of a Toque; Appendix 1: Transcriptions of Ñongo Excerpts; Appendix 2: Musical Examples Available on Website; Glossary; A; B; C; D; E; F; G; I; J; O; P; R; S; T; Y; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q
RS; T; V; W; Y |
| Record Nr. | UNINA-9910462898903321 |
Schweitzer Kenneth George
|
||
| Jackson, : University Press of Mississippi, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The artistry of Afro-Cuban batá drumming [[electronic resource] ] : aesthetics, transmission, bonding, and creativity / / Kenneth Schweitzer
| The artistry of Afro-Cuban batá drumming [[electronic resource] ] : aesthetics, transmission, bonding, and creativity / / Kenneth Schweitzer |
| Autore | Schweitzer Kenneth George |
| Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2013 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 786.9/4097291 |
| Collana | Caribbean studies series |
| Soggetto topico |
Batá music - History and criticism
Music - Cuba - History and criticism Drum - Cuba Music - African influences |
| ISBN | 1-62103-006-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; A Note on Typography and Word Usage; Introduction; 1. The Lucumí Religion and Its Music; 2. Omo Añá: The Fraternity of Batá Drummers; 3. Overview of the Batá Repertoire; 4. Learning the Basics: Experiential Learning; 5. Pancho Quinto: Rumbero and Batalero; 6. Traditional Ñongo: Musical Analysis; 7. Modern Ñongo: The Evolution of a Toque; Appendix 1: Transcriptions of Ñongo Excerpts; Appendix 2: Musical Examples Available on Website; Glossary; A; B; C; D; E; F; G; I; J; O; P; R; S; T; Y; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q
RS; T; V; W; Y |
| Record Nr. | UNINA-9910786242403321 |
|
Schweitzer Kenneth George
|
||
| Jackson, : University Press of Mississippi, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The artistry of Afro-Cuban batá drumming [[electronic resource] ] : aesthetics, transmission, bonding, and creativity / / Kenneth Schweitzer
| The artistry of Afro-Cuban batá drumming [[electronic resource] ] : aesthetics, transmission, bonding, and creativity / / Kenneth Schweitzer |
| Autore | Schweitzer Kenneth George |
| Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2013 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 786.9/4097291 |
| Collana | Caribbean studies series |
| Soggetto topico |
Batá music - History and criticism
Music - Cuba - History and criticism Drum - Cuba Music - African influences |
| ISBN | 1-62103-006-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; A Note on Typography and Word Usage; Introduction; 1. The Lucumí Religion and Its Music; 2. Omo Añá: The Fraternity of Batá Drummers; 3. Overview of the Batá Repertoire; 4. Learning the Basics: Experiential Learning; 5. Pancho Quinto: Rumbero and Batalero; 6. Traditional Ñongo: Musical Analysis; 7. Modern Ñongo: The Evolution of a Toque; Appendix 1: Transcriptions of Ñongo Excerpts; Appendix 2: Musical Examples Available on Website; Glossary; A; B; C; D; E; F; G; I; J; O; P; R; S; T; Y; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q
RS; T; V; W; Y |
| Record Nr. | UNINA-9910814165703321 |
|
Schweitzer Kenneth George
|
||
| Jackson, : University Press of Mississippi, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A language of song [[electronic resource] ] : journeys in the musical world of the African diaspora / / Samuel Charters
| A language of song [[electronic resource] ] : journeys in the musical world of the African diaspora / / Samuel Charters |
| Autore | Charters Samuel Barclay |
| Pubbl/distr/stampa | Durham [NC], : Duke University Press, 2009 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 780.89/96 |
| Soggetto topico |
Music - African influences
Music - United States - African influences Music - Latin America - African influences |
| ISBN |
9786613036391
1-283-03639-8 0-8223-9207-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A griot's art : the story of everything -- Canaries, canarios : a new music in an old world -- Go down chariot : The Georgia Sea Islands and Fanny Kemble. The slavery spirituals, Lydia Parrish and Zora Neale Hurston -- Skiffles, tubs and washboards : good time music before the Blues -- Red Clark's list : New Orleans street jazz and the Eureka brass band in the 1950s -- A dance in ragged time : "Shake the world's foundation with the maple leaf rag!" -- Gal, you got to go back to Bimini : The Bahamas, its rhymers, and Joseph Spence -- Pretenders, caressers, lions, and a mighty sparrow : Trinidad's sweet calypso -- It be like thunder if a man live close : nights in Trinidad's pan yards -- Reggae is a new bag : Kingston streets, Kingston nights -- To feel the spirit : Gospel song in the great churches of Harlem -- A prince of zydeco : Louisiana's zydeco blues and good rockin' dopsie -- Como se llama este ritmo? : Bebo Valdés, the music of Cuba, and the Buena Vista social club -- Bahia nights : Carnival in Brazil's black world. |
| Record Nr. | UNINA-9910476843503321 |
|
Charters Samuel Barclay
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| Durham [NC], : Duke University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, modernity, and the global imagination : South Africa and the West / / Veit Erlmann
| Music, modernity, and the global imagination : South Africa and the West / / Veit Erlmann |
| Autore | Erlmann Veit |
| Pubbl/distr/stampa | New York ; ; Oxford, : Oxford University Press, 1999 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 780/.968 |
| Soggetto topico |
Ethnicity
Intercultural communication Music - African influences Music - South Africa - Western influences |
| ISBN |
9786610761159
0-19-535249-1 1-280-76115-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction; Part I: ""Heartless Swindle"": The African Choir and the Zulu Choir in England and America; 1. Archaic Images, Utopian Dreams: Forms of Nineteenth-Century Historical Consciousness; 2. ""Style Is Just the Man Himself"": (Auto)Biography, Self-Identity, and Fictions of Global Order; 3. Inventing the Metropolis: Josiah Semouse's Travel Diary and the Dilemmas of Representation; 4. ""Spectatorial Lust"": Spectacle and the Crisis of Imperial Knowledge; 5. Symbols of Inclusion and Exclusion: Nationalism, Colonial Consciousness, and the ""Great Hymn""
6. Variations upon a Theme: The Zulu Choir in London, 1892-937. ""God's Own Country"": Black America, South Africa, and the Spirituals; 8. Interlude; Part II: ""Days of Miracle and Wonder"": Graceland and the Continuities of the Postcolonial World; 9. Figuring Culture: The Crisis of Modernity and Twentieth-Century Historical Consciousness; 10. Hero on the Pop Chart: Paul Simon and the Aesthetics of World Music; 11. Fantasies of Home: The Antinomies of Modernity and the Music of Ladysmith Black Mambazo 12. Dream Journeys: Techniques of the Self and the Biographical Imagination of Bhekizizwe J. Shabalala13. Songs of Truth and Healing: Searching for a New South Africa; 14. Communities of Style: Musical Figures of Black Diasporic Identity; 15. Dances with Power: Michael Jackson, Ladysmith Black Mambazo, and the Ambiguities of Race; 16. Epilogue: The Art of the Impossible; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
| Record Nr. | UNISA-996247989703316 |
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Erlmann Veit
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| New York ; ; Oxford, : Oxford University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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