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Contemporary music [[electronic resource] ] : theoretical and philosophical perspectives / / edited by Max Paddison and Irène Deliège
| Contemporary music [[electronic resource] ] : theoretical and philosophical perspectives / / edited by Max Paddison and Irène Deliège |
| Pubbl/distr/stampa | Burlington, VT, : Ashgate, c2009 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 780.9/04 |
| Altri autori (Persone) |
PaddisonMax
DeliègeIrène |
| Soggetto topico |
Music - 20th century - History and criticism
Music - 20th century - Philosophy and aesthetics Music - 21st century - History and criticism Music - 21st century - Philosophy and aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-16069-X
1-317-16068-1 1-282-74382-1 9786612743825 1-4094-0416-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Music Examples; List of Figures and Tables; Contributors; Preface; Introduction: Contemporary Music: Theory, Aesthetics, Critical Theory; PART I: Theoretical Perspectives and Retrospectives; 1 The Principles of Music and the Rationalization of Theory; 2 Atonal Harmony: From Set to Scale; 3 In Search of Lost Harmony; 4 Against a Theory of Musical (New) Complexity; 5 Heterogeneity: Or, On the Choice of Being Omnivorous; 6 Varèse, Serialism and the Acoustic Metaphor; 7 'I Open and Close'?; 8 A Period of Confrontation: The Post-Webern Years
PART II: Philosophical Critiques and Speculations After Adorno9 A Philosophy of Totality; 10 Possibilities for a Work-Immanent Contemporary Musical Logic; 11 Postmodernism and the Survival of the Avant-garde; 12 Material Constraints: Adorno, Benjamin, Arendt; 13 Towards an Aesthetics of Risk; 14 Music and Social Relations: Towards a Theory of Mediation; PART III: Creative Orientations; 15 Music, Ambiguity, Buddhism: A Composer's Perspective; 16 Artistic Orientations and the Limits of Explanation: An Interview with Pierre Boulez 17 Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough18 Sound Structures, Transformations, and Broken Magic: An Interview with Helmut Lachenmann; 19 Hunting and Forms: An Interview with Wolfgang Rihm; Postlude: Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition; Index of Names; Index of Subjects |
| Record Nr. | UNINA-9910459277803321 |
| Burlington, VT, : Ashgate, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary music [[electronic resource] ] : theoretical and philosophical perspectives / / edited by Max Paddison and Irène Deliège
| Contemporary music [[electronic resource] ] : theoretical and philosophical perspectives / / edited by Max Paddison and Irène Deliège |
| Pubbl/distr/stampa | Burlington, VT, : Ashgate, c2009 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 780.9/04 |
| Altri autori (Persone) |
PaddisonMax
DeliègeIrène |
| Soggetto topico |
Music - 20th century - History and criticism
Music - 20th century - Philosophy and aesthetics Music - 21st century - History and criticism Music - 21st century - Philosophy and aesthetics |
| ISBN |
1-315-57388-1
1-317-16069-X 1-317-16068-1 1-282-74382-1 9786612743825 1-4094-0416-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Music Examples; List of Figures and Tables; Contributors; Preface; Introduction: Contemporary Music: Theory, Aesthetics, Critical Theory; PART I: Theoretical Perspectives and Retrospectives; 1 The Principles of Music and the Rationalization of Theory; 2 Atonal Harmony: From Set to Scale; 3 In Search of Lost Harmony; 4 Against a Theory of Musical (New) Complexity; 5 Heterogeneity: Or, On the Choice of Being Omnivorous; 6 Varèse, Serialism and the Acoustic Metaphor; 7 'I Open and Close'?; 8 A Period of Confrontation: The Post-Webern Years
PART II: Philosophical Critiques and Speculations After Adorno9 A Philosophy of Totality; 10 Possibilities for a Work-Immanent Contemporary Musical Logic; 11 Postmodernism and the Survival of the Avant-garde; 12 Material Constraints: Adorno, Benjamin, Arendt; 13 Towards an Aesthetics of Risk; 14 Music and Social Relations: Towards a Theory of Mediation; PART III: Creative Orientations; 15 Music, Ambiguity, Buddhism: A Composer's Perspective; 16 Artistic Orientations and the Limits of Explanation: An Interview with Pierre Boulez 17 Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough18 Sound Structures, Transformations, and Broken Magic: An Interview with Helmut Lachenmann; 19 Hunting and Forms: An Interview with Wolfgang Rihm; Postlude: Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition; Index of Names; Index of Subjects |
| Record Nr. | UNINA-9910785190703321 |
| Burlington, VT, : Ashgate, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary music : theoretical and philosophical perspectives / / edited by Max Paddison and Irène Deliège
| Contemporary music : theoretical and philosophical perspectives / / edited by Max Paddison and Irène Deliège |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Burlington, VT, : Ashgate, c2009 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 780.9/04 |
| Altri autori (Persone) |
PaddisonMax
DeliègeIrène |
| Soggetto topico |
Music - 20th century - History and criticism
Music - 20th century - Philosophy and aesthetics Music - 21st century - History and criticism Music - 21st century - Philosophy and aesthetics |
| ISBN |
1-315-57388-1
1-317-16069-X 1-317-16068-1 1-282-74382-1 9786612743825 1-4094-0416-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Music Examples; List of Figures and Tables; Contributors; Preface; Introduction: Contemporary Music: Theory, Aesthetics, Critical Theory; PART I: Theoretical Perspectives and Retrospectives; 1 The Principles of Music and the Rationalization of Theory; 2 Atonal Harmony: From Set to Scale; 3 In Search of Lost Harmony; 4 Against a Theory of Musical (New) Complexity; 5 Heterogeneity: Or, On the Choice of Being Omnivorous; 6 Varèse, Serialism and the Acoustic Metaphor; 7 'I Open and Close'?; 8 A Period of Confrontation: The Post-Webern Years
PART II: Philosophical Critiques and Speculations After Adorno9 A Philosophy of Totality; 10 Possibilities for a Work-Immanent Contemporary Musical Logic; 11 Postmodernism and the Survival of the Avant-garde; 12 Material Constraints: Adorno, Benjamin, Arendt; 13 Towards an Aesthetics of Risk; 14 Music and Social Relations: Towards a Theory of Mediation; PART III: Creative Orientations; 15 Music, Ambiguity, Buddhism: A Composer's Perspective; 16 Artistic Orientations and the Limits of Explanation: An Interview with Pierre Boulez 17 Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough18 Sound Structures, Transformations, and Broken Magic: An Interview with Helmut Lachenmann; 19 Hunting and Forms: An Interview with Wolfgang Rihm; Postlude: Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition; Index of Names; Index of Subjects |
| Record Nr. | UNINA-9910824297503321 |
| Burlington, VT, : Ashgate, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From music to sound : the emergence of sound in 20th- and 21st-century music / / Makis Solomos
| From music to sound : the emergence of sound in 20th- and 21st-century music / / Makis Solomos |
| Autore | Solomos Makis |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : Zed Books, , 2019 |
| Descrizione fisica | 1 online resource (295 pages) : illustrations |
| Disciplina | 781.2/3 |
| Collana | Routledge research in music series |
| Soggetto topico |
Music - 20th century - Philosophy and aesthetics
Music - 21st century - Philosophy and aesthetics Sound (Philosophy) Noise (Philosophy) Listening (Philosophy) Tone color (Music) |
| ISBN |
0-429-57712-5
0-429-57501-7 0-429-20111-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. |
| Record Nr. | UNINA-9910793960203321 |
Solomos Makis
|
||
| London, England : , : Zed Books, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From music to sound : the emergence of sound in 20th- and 21st-century music / / Makis Solomos
| From music to sound : the emergence of sound in 20th- and 21st-century music / / Makis Solomos |
| Autore | Solomos Makis |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : Zed Books, , 2019 |
| Descrizione fisica | 1 online resource (295 pages) : illustrations |
| Disciplina | 781.2/3 |
| Collana | Routledge research in music series |
| Soggetto topico |
Music - 20th century - Philosophy and aesthetics
Music - 21st century - Philosophy and aesthetics Sound (Philosophy) Noise (Philosophy) Listening (Philosophy) Tone color (Music) |
| ISBN |
0-429-57712-5
0-429-57501-7 0-429-20111-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. |
| Record Nr. | UNINA-9910813338503321 |
|
Solomos Makis
|
||
| London, England : , : Zed Books, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
