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About Bach [[electronic resource] /] / edited by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer
| About Bach [[electronic resource] /] / edited by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2008 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 780.92 |
| Altri autori (Persone) |
ButlerGregory
StaufferGeorge B. <1947-> GreerMary Dalton |
| Soggetto topico | Music - 18th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-13561-2
9786613135612 0-252-09069-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Before Bach. A master teacher revealed: Johann Pachelbel's Deutliche Anweisung / Kathryn Welter ; From the house of Aaron to the house of Johann Sebastian: Old Testament roots for the Bach family tree / Mary Dalton Greer -- Bach's vocal music. Combinatorial modeling in the chorus movement of Cantata 24, Ein ungefärbt Gemüte / Alexander J. Fisher ; Choral unison in J.S. Bach's vocal music / Daniel R. Melamed ; You say sabachthani and I say asabthani: a St. Matthew passion puzzle / Michael Ochs ; Sein Segen fliesst daher wie ein Strom, BWV Anh. I 14: a source for parodied arias in the B-minor mass? / William H. Scheide -- Bach circle. Johann Friedrich Schweinitz, "a disciple of the famous Herr Bach in Leipzig" / Hans-Joachim Schulze ; Johann Christian Bach and the church symphony / Jen-Yen Chen -- Bach's instrumental music. Scribes, engravers, and notational styles: the final disposition of Bach's Art of fugue / Gregory G. Butler ; Notes on J. S. Bach and basso continuo realization / Ton Koopman ; Music for "Cavaliers et dames": Bach and the repertoire of his collegium musicum / Geogre B. Stauffer ; A print of Clavierbung I from J.S. Bach's personal library / Andrew Talle -- After Bach. Carl Reinecke's performance of Mozart's Larghetto and the nineteenth-century practice of quantitative accentuation / Robert Hill ; "Grand miscellaneous acts": observations on oratorio performance in London after Hayden / Mark Risinger ; Back from B-A-C-H: Schumann's Symphony no. 2 in C major / Douglass Seaton. |
| Record Nr. | UNINA-9910457388503321 |
| Urbana, : University of Illinois Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
About Bach [[electronic resource] /] / edited by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer
| About Bach [[electronic resource] /] / edited by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2008 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 780.92 |
| Altri autori (Persone) |
ButlerGregory
StaufferGeorge B. <1947-> GreerMary Dalton |
| Soggetto topico | Music - 18th century - History and criticism |
| ISBN |
1-283-13561-2
9786613135612 0-252-09069-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Before Bach. A master teacher revealed: Johann Pachelbel's Deutliche Anweisung / Kathryn Welter ; From the house of Aaron to the house of Johann Sebastian: Old Testament roots for the Bach family tree / Mary Dalton Greer -- Bach's vocal music. Combinatorial modeling in the chorus movement of Cantata 24, Ein ungefärbt Gemüte / Alexander J. Fisher ; Choral unison in J.S. Bach's vocal music / Daniel R. Melamed ; You say sabachthani and I say asabthani: a St. Matthew passion puzzle / Michael Ochs ; Sein Segen fliesst daher wie ein Strom, BWV Anh. I 14: a source for parodied arias in the B-minor mass? / William H. Scheide -- Bach circle. Johann Friedrich Schweinitz, "a disciple of the famous Herr Bach in Leipzig" / Hans-Joachim Schulze ; Johann Christian Bach and the church symphony / Jen-Yen Chen -- Bach's instrumental music. Scribes, engravers, and notational styles: the final disposition of Bach's Art of fugue / Gregory G. Butler ; Notes on J. S. Bach and basso continuo realization / Ton Koopman ; Music for "Cavaliers et dames": Bach and the repertoire of his collegium musicum / Geogre B. Stauffer ; A print of Clavierbung I from J.S. Bach's personal library / Andrew Talle -- After Bach. Carl Reinecke's performance of Mozart's Larghetto and the nineteenth-century practice of quantitative accentuation / Robert Hill ; "Grand miscellaneous acts": observations on oratorio performance in London after Hayden / Mark Risinger ; Back from B-A-C-H: Schumann's Symphony no. 2 in C major / Douglass Seaton. |
| Record Nr. | UNINA-9910779198503321 |
| Urbana, : University of Illinois Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
About Bach [[electronic resource] /] / edited by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer
| About Bach [[electronic resource] /] / edited by Gregory G. Butler, George B. Stauffer, and Mary Dalton Greer |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2008 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 780.92 |
| Altri autori (Persone) |
ButlerGregory
StaufferGeorge B. <1947-> GreerMary Dalton |
| Soggetto topico | Music - 18th century - History and criticism |
| ISBN |
1-283-13561-2
9786613135612 0-252-09069-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Before Bach. A master teacher revealed: Johann Pachelbel's Deutliche Anweisung / Kathryn Welter ; From the house of Aaron to the house of Johann Sebastian: Old Testament roots for the Bach family tree / Mary Dalton Greer -- Bach's vocal music. Combinatorial modeling in the chorus movement of Cantata 24, Ein ungefärbt Gemüte / Alexander J. Fisher ; Choral unison in J.S. Bach's vocal music / Daniel R. Melamed ; You say sabachthani and I say asabthani: a St. Matthew passion puzzle / Michael Ochs ; Sein Segen fliesst daher wie ein Strom, BWV Anh. I 14: a source for parodied arias in the B-minor mass? / William H. Scheide -- Bach circle. Johann Friedrich Schweinitz, "a disciple of the famous Herr Bach in Leipzig" / Hans-Joachim Schulze ; Johann Christian Bach and the church symphony / Jen-Yen Chen -- Bach's instrumental music. Scribes, engravers, and notational styles: the final disposition of Bach's Art of fugue / Gregory G. Butler ; Notes on J. S. Bach and basso continuo realization / Ton Koopman ; Music for "Cavaliers et dames": Bach and the repertoire of his collegium musicum / Geogre B. Stauffer ; A print of Clavierbung I from J.S. Bach's personal library / Andrew Talle -- After Bach. Carl Reinecke's performance of Mozart's Larghetto and the nineteenth-century practice of quantitative accentuation / Robert Hill ; "Grand miscellaneous acts": observations on oratorio performance in London after Hayden / Mark Risinger ; Back from B-A-C-H: Schumann's Symphony no. 2 in C major / Douglass Seaton. |
| Record Nr. | UNINA-9910816396103321 |
| Urbana, : University of Illinois Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]]
| Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 345 pages) : digital, PDF file(s) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - 18th century - History and criticism
Communication in music |
| ISBN |
1-107-18737-0
1-281-75130-8 9786611751302 0-511-41464-1 0-511-41532-X 0-511-41304-1 0-511-41210-X 0-511-48137-3 0-511-41396-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski. |
| Record Nr. | UNINA-9910454699703321 |
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]]
| Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 345 pages) : digital, PDF file(s) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - 18th century - History and criticism
Communication in music |
| ISBN |
1-107-18737-0
1-281-75130-8 9786611751302 0-511-41464-1 0-511-41532-X 0-511-41304-1 0-511-41210-X 0-511-48137-3 0-511-41396-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski. |
| Record Nr. | UNINA-9910782131903321 |
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]]
| Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 345 pages) : digital, PDF file(s) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - 18th century - History and criticism
Communication in music |
| ISBN |
1-107-18737-0
1-281-75130-8 9786611751302 0-511-41464-1 0-511-41532-X 0-511-41304-1 0-511-41210-X 0-511-48137-3 0-511-41396-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski. |
| Record Nr. | UNINA-9910813374403321 |
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn / / Matthew Dirst [[electronic resource]]
| Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn / / Matthew Dirst [[electronic resource]] |
| Autore | Dirst Matthew |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (xiii, 186 pages) : digital, PDF file(s) |
| Disciplina | 786.092 |
| Collana | Musical performance and reception |
| Soggetto topico |
Keyboard instrument music - 18th century - History and criticism
Music - 18th century - History and criticism |
| ISBN |
1-107-22443-8
1-139-33392-5 1-280-39381-5 9786613571731 1-139-33728-9 1-139-33973-7 1-139-34131-6 1-139-33641-X 1-139-33815-3 1-139-02790-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bürgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850. |
| Record Nr. | UNINA-9910461251603321 |
Dirst Matthew
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn / / Matthew Dirst [[electronic resource]]
| Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn / / Matthew Dirst [[electronic resource]] |
| Autore | Dirst Matthew |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (xiii, 186 pages) : digital, PDF file(s) |
| Disciplina | 786.092 |
| Collana | Musical performance and reception |
| Soggetto topico |
Keyboard instrument music - 18th century - History and criticism
Music - 18th century - History and criticism |
| ISBN |
1-107-22443-8
1-139-33392-5 1-280-39381-5 9786613571731 1-139-33728-9 1-139-33973-7 1-139-34131-6 1-139-33641-X 1-139-33815-3 1-139-02790-5 |
| Classificazione |
9,2
LP 38201 LP 38238 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bürgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850. |
| Record Nr. | UNINA-9910790130903321 |
|
Dirst Matthew
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn / / Matthew Dirst [[electronic resource]]
| Engaging Bach : the keyboard legacy from Marpurg to Mendelssohn / / Matthew Dirst [[electronic resource]] |
| Autore | Dirst Matthew |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (xiii, 186 pages) : digital, PDF file(s) |
| Disciplina | 786.092 |
| Collana | Musical performance and reception |
| Soggetto topico |
Keyboard instrument music - 18th century - History and criticism
Music - 18th century - History and criticism |
| ISBN |
1-107-22443-8
1-139-33392-5 1-280-39381-5 9786613571731 1-139-33728-9 1-139-33973-7 1-139-34131-6 1-139-33641-X 1-139-33815-3 1-139-02790-5 |
| Classificazione |
9,2
LP 38201 LP 38238 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bürgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850. |
| Record Nr. | UNINA-9910819305603321 |
|
Dirst Matthew
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The era after the Baroque [[electronic resource] ] : music and the fine arts 1750-1900 / / by Robert Tallant Laudon
| The era after the Baroque [[electronic resource] ] : music and the fine arts 1750-1900 / / by Robert Tallant Laudon |
| Autore | Laudon Robert T |
| Pubbl/distr/stampa | Hillsdale, N.Y., : Pendragon Press, c2008 |
| Descrizione fisica | 1 online resource (viii, 92 p. ) : ill. ; |
| Disciplina | 780.9/033 |
| Collana | Monographs in musicology |
| Soggetto topico |
Music - 19th century - History and criticism
Music - 18th century - History and criticism Art and music Music - History and criticism - 19th century Music - History and criticism - 18th century Music History & Criticism, General Music Music, Dance, Drama & Film |
| ISBN | 1-57647-124-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Naming the era -- The proposal : the first main theme -- The proposal : the second main theme -- Synergy of forces -- Defining the expressive ideal -- Vocal art and the expressive ideal -- Instrumental art and the expressive ideal -- Intensity and interrelationships in the arts -- Coda. |
| Record Nr. | UNISA-996248131203316 |
|
Laudon Robert T
|
||
| Hillsdale, N.Y., : Pendragon Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
