Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Museum pieces [[electronic resource] ] : toward the indigenization of Canadian museums / / Ruth B. Phillips
| Museum pieces [[electronic resource] ] : toward the indigenization of Canadian museums / / Ruth B. Phillips |
| Autore | Phillips Ruth B (Ruth Bliss), <1945-> |
| Pubbl/distr/stampa | Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 |
| Descrizione fisica | 1 online resource (393 p.) |
| Disciplina | 305.89707107 |
| Collana | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| Soggetto topico |
Museum exhibits - Canada
Museums and Indians - Canada Museums - Political aspects - Canada Museums - Social aspects - Canada |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-7735-3906-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Pt. 1. Confrontation and contestation. Undoing the Settler Museum: showing off and showing up. "Arrow of truth": the Indians of Canada Pavilion at Expo 67 / with Sherry Brydon -- Moment of truth: The Spirit Sings as critical event and the exhibition inside it -- APEC at the Muesum of Anthropology: the politics of site and the poetics of sight bite --
Pt. 2. Re-disciplining the museum. Exclusions and inclusions: authenticity, sacrality, and possession. How museums marginalize: naming domains of inclusion and exclusion -- Fielding culture: dialogues between art history and anthropology -- Disappearing acts: traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- The global travels of a Mi'kmaq coat: colonial legacies, repatriation, and the new cosmopolitanism -- Pt. 3. Working it out. Indigenizing exhibitions: experiments and practices. Making space: First Nations artists, the National Museums, and the Columbus Quincentennial (1992) -- Cancelling white noise: Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civlization (1995) -- Toward a dialogic paradigm: new models of collaborative curatorial practice -- Inside-out and outside-in: re-presenting native North America at the Canadian Museum of Civilization and the National Museum of American Indian (2003-2004) -- Pt. 4. The second museum age. Working with hybridity. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion: indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- The digital (r)evolution of museums-based research -- "Learning to feed off controversies": meeting the challenges of translation and recovery in Canadian museums. |
| Record Nr. | UNINA-9910453334903321 |
Phillips Ruth B (Ruth Bliss), <1945->
|
||
| Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Museum pieces [[electronic resource] ] : toward the indigenization of Canadian museums / / Ruth B. Phillips
| Museum pieces [[electronic resource] ] : toward the indigenization of Canadian museums / / Ruth B. Phillips |
| Autore | Phillips Ruth B (Ruth Bliss), <1945-> |
| Pubbl/distr/stampa | Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 |
| Descrizione fisica | 1 online resource (393 p.) |
| Disciplina | 305.89707107 |
| Collana | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| Soggetto topico |
Museum exhibits - Canada
Museums and Indians - Canada Museums - Political aspects - Canada Museums - Social aspects - Canada |
| ISBN | 0-7735-3906-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Pt. 1. Confrontation and contestation. Undoing the Settler Museum: showing off and showing up. "Arrow of truth": the Indians of Canada Pavilion at Expo 67 / with Sherry Brydon -- Moment of truth: The Spirit Sings as critical event and the exhibition inside it -- APEC at the Muesum of Anthropology: the politics of site and the poetics of sight bite --
Pt. 2. Re-disciplining the museum. Exclusions and inclusions: authenticity, sacrality, and possession. How museums marginalize: naming domains of inclusion and exclusion -- Fielding culture: dialogues between art history and anthropology -- Disappearing acts: traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- The global travels of a Mi'kmaq coat: colonial legacies, repatriation, and the new cosmopolitanism -- Pt. 3. Working it out. Indigenizing exhibitions: experiments and practices. Making space: First Nations artists, the National Museums, and the Columbus Quincentennial (1992) -- Cancelling white noise: Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civlization (1995) -- Toward a dialogic paradigm: new models of collaborative curatorial practice -- Inside-out and outside-in: re-presenting native North America at the Canadian Museum of Civilization and the National Museum of American Indian (2003-2004) -- Pt. 4. The second museum age. Working with hybridity. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion: indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- The digital (r)evolution of museums-based research -- "Learning to feed off controversies": meeting the challenges of translation and recovery in Canadian museums. |
| Record Nr. | UNINA-9910790605303321 |
|
Phillips Ruth B (Ruth Bliss), <1945->
|
||
| Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Museum pieces : toward the indigenization of Canadian museums / / Ruth B. Phillips
| Museum pieces : toward the indigenization of Canadian museums / / Ruth B. Phillips |
| Autore | Phillips Ruth B (Ruth Bliss), <1945-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 |
| Descrizione fisica | 1 online resource (393 p.) |
| Disciplina | 305.89707107 |
| Collana | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| Soggetto topico |
Museum exhibits - Canada
Museums and Indians - Canada Museums - Political aspects - Canada Museums - Social aspects - Canada |
| ISBN | 0-7735-3906-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Pt. 1. Confrontation and contestation. Undoing the Settler Museum: showing off and showing up. "Arrow of truth": the Indians of Canada Pavilion at Expo 67 / with Sherry Brydon -- Moment of truth: The Spirit Sings as critical event and the exhibition inside it -- APEC at the Muesum of Anthropology: the politics of site and the poetics of sight bite --
Pt. 2. Re-disciplining the museum. Exclusions and inclusions: authenticity, sacrality, and possession. How museums marginalize: naming domains of inclusion and exclusion -- Fielding culture: dialogues between art history and anthropology -- Disappearing acts: traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- The global travels of a Mi'kmaq coat: colonial legacies, repatriation, and the new cosmopolitanism -- Pt. 3. Working it out. Indigenizing exhibitions: experiments and practices. Making space: First Nations artists, the National Museums, and the Columbus Quincentennial (1992) -- Cancelling white noise: Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civlization (1995) -- Toward a dialogic paradigm: new models of collaborative curatorial practice -- Inside-out and outside-in: re-presenting native North America at the Canadian Museum of Civilization and the National Museum of American Indian (2003-2004) -- Pt. 4. The second museum age. Working with hybridity. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion: indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- The digital (r)evolution of museums-based research -- "Learning to feed off controversies": meeting the challenges of translation and recovery in Canadian museums. |
| Record Nr. | UNINA-9910816612503321 |
|
Phillips Ruth B (Ruth Bliss), <1945->
|
||
| Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
