Museum pieces [[electronic resource] ] : toward the indigenization of Canadian museums / / Ruth B. Phillips |
Autore | Phillips Ruth B (Ruth Bliss), <1945-> |
Pubbl/distr/stampa | Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 |
Descrizione fisica | 1 online resource (393 p.) |
Disciplina | 305.89707107 |
Collana | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
Soggetto topico |
Museum exhibits - Canada
Museums and Indians - Canada Museums - Political aspects - Canada Museums - Social aspects - Canada |
Soggetto genere / forma | Electronic books. |
ISBN | 0-7735-3906-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Pt. 1. Confrontation and contestation. Undoing the Settler Museum: showing off and showing up. "Arrow of truth": the Indians of Canada Pavilion at Expo 67 / with Sherry Brydon -- Moment of truth: The Spirit Sings as critical event and the exhibition inside it -- APEC at the Muesum of Anthropology: the politics of site and the poetics of sight bite --
Pt. 2. Re-disciplining the museum. Exclusions and inclusions: authenticity, sacrality, and possession. How museums marginalize: naming domains of inclusion and exclusion -- Fielding culture: dialogues between art history and anthropology -- Disappearing acts: traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- The global travels of a Mi'kmaq coat: colonial legacies, repatriation, and the new cosmopolitanism -- Pt. 3. Working it out. Indigenizing exhibitions: experiments and practices. Making space: First Nations artists, the National Museums, and the Columbus Quincentennial (1992) -- Cancelling white noise: Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civlization (1995) -- Toward a dialogic paradigm: new models of collaborative curatorial practice -- Inside-out and outside-in: re-presenting native North America at the Canadian Museum of Civilization and the National Museum of American Indian (2003-2004) -- Pt. 4. The second museum age. Working with hybridity. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion: indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- The digital (r)evolution of museums-based research -- "Learning to feed off controversies": meeting the challenges of translation and recovery in Canadian museums. |
Record Nr. | UNINA-9910453334903321 |
Phillips Ruth B (Ruth Bliss), <1945-> | ||
Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Museum pieces [[electronic resource] ] : toward the indigenization of Canadian museums / / Ruth B. Phillips |
Autore | Phillips Ruth B (Ruth Bliss), <1945-> |
Pubbl/distr/stampa | Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 |
Descrizione fisica | 1 online resource (393 p.) |
Disciplina | 305.89707107 |
Collana | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
Soggetto topico |
Museum exhibits - Canada
Museums and Indians - Canada Museums - Political aspects - Canada Museums - Social aspects - Canada |
ISBN | 0-7735-3906-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Pt. 1. Confrontation and contestation. Undoing the Settler Museum: showing off and showing up. "Arrow of truth": the Indians of Canada Pavilion at Expo 67 / with Sherry Brydon -- Moment of truth: The Spirit Sings as critical event and the exhibition inside it -- APEC at the Muesum of Anthropology: the politics of site and the poetics of sight bite --
Pt. 2. Re-disciplining the museum. Exclusions and inclusions: authenticity, sacrality, and possession. How museums marginalize: naming domains of inclusion and exclusion -- Fielding culture: dialogues between art history and anthropology -- Disappearing acts: traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- The global travels of a Mi'kmaq coat: colonial legacies, repatriation, and the new cosmopolitanism -- Pt. 3. Working it out. Indigenizing exhibitions: experiments and practices. Making space: First Nations artists, the National Museums, and the Columbus Quincentennial (1992) -- Cancelling white noise: Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civlization (1995) -- Toward a dialogic paradigm: new models of collaborative curatorial practice -- Inside-out and outside-in: re-presenting native North America at the Canadian Museum of Civilization and the National Museum of American Indian (2003-2004) -- Pt. 4. The second museum age. Working with hybridity. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion: indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- The digital (r)evolution of museums-based research -- "Learning to feed off controversies": meeting the challenges of translation and recovery in Canadian museums. |
Record Nr. | UNINA-9910790605303321 |
Phillips Ruth B (Ruth Bliss), <1945-> | ||
Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Museum pieces : toward the indigenization of Canadian museums / / Ruth B. Phillips |
Autore | Phillips Ruth B (Ruth Bliss), <1945-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 |
Descrizione fisica | 1 online resource (393 p.) |
Disciplina | 305.89707107 |
Collana | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
Soggetto topico |
Museum exhibits - Canada
Museums and Indians - Canada Museums - Political aspects - Canada Museums - Social aspects - Canada |
ISBN | 0-7735-3906-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Pt. 1. Confrontation and contestation. Undoing the Settler Museum: showing off and showing up. "Arrow of truth": the Indians of Canada Pavilion at Expo 67 / with Sherry Brydon -- Moment of truth: The Spirit Sings as critical event and the exhibition inside it -- APEC at the Muesum of Anthropology: the politics of site and the poetics of sight bite --
Pt. 2. Re-disciplining the museum. Exclusions and inclusions: authenticity, sacrality, and possession. How museums marginalize: naming domains of inclusion and exclusion -- Fielding culture: dialogues between art history and anthropology -- Disappearing acts: traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- The global travels of a Mi'kmaq coat: colonial legacies, repatriation, and the new cosmopolitanism -- Pt. 3. Working it out. Indigenizing exhibitions: experiments and practices. Making space: First Nations artists, the National Museums, and the Columbus Quincentennial (1992) -- Cancelling white noise: Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civlization (1995) -- Toward a dialogic paradigm: new models of collaborative curatorial practice -- Inside-out and outside-in: re-presenting native North America at the Canadian Museum of Civilization and the National Museum of American Indian (2003-2004) -- Pt. 4. The second museum age. Working with hybridity. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion: indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- The digital (r)evolution of museums-based research -- "Learning to feed off controversies": meeting the challenges of translation and recovery in Canadian museums. |
Record Nr. | UNINA-9910816612503321 |
Phillips Ruth B (Ruth Bliss), <1945-> | ||
Montreal ; ; Ithaca, : McGill-Queen's University Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|