Bringing the body to the stage and screen [[electronic resource] ] : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton |
Autore | Lust Annette |
Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
Descrizione fisica | 1 online resource (365 p.) |
Disciplina | 792.02/8 |
Altri autori (Persone) |
TomalinJo
YeatonC |
Soggetto topico |
Movement (Acting)
Mime Movement, Aesthetics of |
Soggetto genere / forma | Electronic books. |
ISBN |
9780810881259
081088125X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: goals and objectives for learning to move expressively -- Physical and expressive exercises for stage and screen movement, mime, pantomime, corporeal mime, improvisation, basic physical and expressive exercises, and utilizing movement to create a visual image. Definitions of stage and screen movement, mime, pantomime, corporeal mime, stage combat, physical theatre and physical improvisation -- Conducting a class and practicing on one's own -- Basic physical and expressive exercises: utilizing movement to create a visual image -- Subjects for improvisation, pantomimes, movement for acting, mime and text. Interviews and essays on mime and acting, mask, Decroux and contemporary theatre, street theatre, movement training, dance and the female body, puppetry, theatrical dance, clowning, body of theater, and film -- Improvisation -- Pantomimes and scenes for nonverbal acting -- "Physicalizing" the word -- Interviews and essays. A conversation with Bill Irwin on mime and acting -- Interview with Bernie Schürch and Floriana Frassetto of the Swiss Mummenschanz Company -- Interview with Geoff Hoyle on the mime-clown-actor's art -- Etienne Decroux and the contemporary theatre: Decroux corporeal mime / by Robert Fleshman -- "The Bond St. Theatre's use of physical street theatre: an interview with Joanna Sherman and Michael McGuigan -- Joan Schirle on movement training for the actor -- Ilka Schönbein: dance and the female body -- Liebe Wetzel and movement in puppetry -- Karina Epperlein: images and body expression in film: gift of the gods -- Theatrical dance / by Joe Goode -- Jeff Raz: the clown conservatory teaching of professional clowns in the 21st century -- Movement for puppeteers by Dr. Jo Tomalin -- Too much geniality: notes and quotes on a reappraisal: stage versus screen acting / by Ken Bullock -- The body of theater / by Mark Jackson -- How Charlie Chaplin spun stagecraft into cinematic gold / by Dan Kamin -- Epilogue. |
Record Nr. | UNINA-9910461330203321 |
Lust Annette | ||
Lanham, Md., : Scarecrow Press, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Bringing the body to the stage and screen [[electronic resource] ] : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton |
Autore | Lust Annette |
Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
Descrizione fisica | 1 online resource (365 p.) |
Disciplina | 792.02/8 |
Altri autori (Persone) |
TomalinJo
YeatonC |
Soggetto topico |
Movement (Acting)
Mime Movement, Aesthetics of |
ISBN |
9780810881259
081088125X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: goals and objectives for learning to move expressively -- Physical and expressive exercises for stage and screen movement, mime, pantomime, corporeal mime, improvisation, basic physical and expressive exercises, and utilizing movement to create a visual image. Definitions of stage and screen movement, mime, pantomime, corporeal mime, stage combat, physical theatre and physical improvisation -- Conducting a class and practicing on one's own -- Basic physical and expressive exercises: utilizing movement to create a visual image -- Subjects for improvisation, pantomimes, movement for acting, mime and text. Interviews and essays on mime and acting, mask, Decroux and contemporary theatre, street theatre, movement training, dance and the female body, puppetry, theatrical dance, clowning, body of theater, and film -- Improvisation -- Pantomimes and scenes for nonverbal acting -- "Physicalizing" the word -- Interviews and essays. A conversation with Bill Irwin on mime and acting -- Interview with Bernie Schürch and Floriana Frassetto of the Swiss Mummenschanz Company -- Interview with Geoff Hoyle on the mime-clown-actor's art -- Etienne Decroux and the contemporary theatre: Decroux corporeal mime / by Robert Fleshman -- "The Bond St. Theatre's use of physical street theatre: an interview with Joanna Sherman and Michael McGuigan -- Joan Schirle on movement training for the actor -- Ilka Schönbein: dance and the female body -- Liebe Wetzel and movement in puppetry -- Karina Epperlein: images and body expression in film: gift of the gods -- Theatrical dance / by Joe Goode -- Jeff Raz: the clown conservatory teaching of professional clowns in the 21st century -- Movement for puppeteers by Dr. Jo Tomalin -- Too much geniality: notes and quotes on a reappraisal: stage versus screen acting / by Ken Bullock -- The body of theater / by Mark Jackson -- How Charlie Chaplin spun stagecraft into cinematic gold / by Dan Kamin -- Epilogue. |
Record Nr. | UNINA-9910790471903321 |
Lust Annette | ||
Lanham, Md., : Scarecrow Press, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Bringing the body to the stage and screen : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton |
Autore | Lust Annette |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
Descrizione fisica | 1 online resource (365 p.) |
Disciplina | 792.02/8 |
Altri autori (Persone) |
TomalinJo
YeatonC |
Soggetto topico |
Movement (Acting)
Mime Movement, Aesthetics of |
ISBN |
9780810881259
081088125X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: goals and objectives for learning to move expressively -- Physical and expressive exercises for stage and screen movement, mime, pantomime, corporeal mime, improvisation, basic physical and expressive exercises, and utilizing movement to create a visual image. Definitions of stage and screen movement, mime, pantomime, corporeal mime, stage combat, physical theatre and physical improvisation -- Conducting a class and practicing on one's own -- Basic physical and expressive exercises: utilizing movement to create a visual image -- Subjects for improvisation, pantomimes, movement for acting, mime and text. Interviews and essays on mime and acting, mask, Decroux and contemporary theatre, street theatre, movement training, dance and the female body, puppetry, theatrical dance, clowning, body of theater, and film -- Improvisation -- Pantomimes and scenes for nonverbal acting -- "Physicalizing" the word -- Interviews and essays. A conversation with Bill Irwin on mime and acting -- Interview with Bernie Schürch and Floriana Frassetto of the Swiss Mummenschanz Company -- Interview with Geoff Hoyle on the mime-clown-actor's art -- Etienne Decroux and the contemporary theatre: Decroux corporeal mime / by Robert Fleshman -- "The Bond St. Theatre's use of physical street theatre: an interview with Joanna Sherman and Michael McGuigan -- Joan Schirle on movement training for the actor -- Ilka Schönbein: dance and the female body -- Liebe Wetzel and movement in puppetry -- Karina Epperlein: images and body expression in film: gift of the gods -- Theatrical dance / by Joe Goode -- Jeff Raz: the clown conservatory teaching of professional clowns in the 21st century -- Movement for puppeteers by Dr. Jo Tomalin -- Too much geniality: notes and quotes on a reappraisal: stage versus screen acting / by Ken Bullock -- The body of theater / by Mark Jackson -- How Charlie Chaplin spun stagecraft into cinematic gold / by Dan Kamin -- Epilogue. |
Record Nr. | UNINA-9910815393903321 |
Lust Annette | ||
Lanham, Md., : Scarecrow Press, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Eloquent Gestures : The Transformation of Performance Style in the Griffith Biograph Films / / Roberta E. Pearson |
Autore | Pearson Roberta E. |
Edizione | [Reprint 2019] |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1992] |
Descrizione fisica | 1 online resource (x, 184 p. ) : ill. ; |
Disciplina | 791.43/0973 |
Soggetto topico |
Silent films - United States - History
Motion picture acting Movement (Acting) Silent films - History and criticism - United States |
ISBN |
0-585-29940-4
0-520-91104-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. The Theatrical Heritage -- 3. The Histrionic and Verisimilar Codes in the Biograph Films -- 4. Performance Style and the Interaction of Signifying Practices -- 5. D. W. Griffith and the Biograph Company -- 6. Henry B. Walthall -- 7. Trade Press Discourse -- 8. Conclusion -- Notes -- Bibliography -- Index |
Record Nr. | UNISA-996248213003316 |
Pearson Roberta E. | ||
Berkeley, CA : , : University of California Press, , [1992] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Eloquent Gestures : The Transformation of Performance Style in the Griffith Biograph Films / / Roberta Pearson |
Autore | Pearson Roberta E. |
Edizione | [First edition.] |
Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , [1992] |
Descrizione fisica | 1 online resource (x, 184 p. ) : ill. ; |
Disciplina | 791.430973 |
Soggetto topico |
Silent films - United States - History and criticism
Motion picture acting Movement (Acting) |
ISBN |
0-585-29940-4
0-520-91104-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. The Theatrical Heritage -- 3. The Histrionic and Verisimilar Codes in the Biograph Films -- 4. Performance Style and the Interaction of Signifying Practices -- 5. D. W. Griffith and the Biograph Company -- 6. Henry B. Walthall -- 7. Trade Press Discourse -- 8. Conclusion -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910496140103321 |
Pearson Roberta E. | ||
Berkeley, California : , : University of California Press, , [1992] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The intercultural performance handbook / / John Martin |
Autore | Martin John <1951, > |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2004 |
Descrizione fisica | 1 online resource (168 p.) |
Disciplina | 792/.028 |
Soggetto topico |
Movement (Acting)
Improvisation (Acting) Voice culture |
Soggetto genere / forma | Electronic books. |
ISBN |
0-415-28187-3
1-134-46064-3 1-280-07427-2 0-203-63379-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Book Cover; Title; Contents; List of figures; About the author; Acknowledgements; Authors note; This intercultural world; Discovering the energy; Using the energy; The energy of rhythm; Improvisation; Energy and the voice; Appendix Games to start the day; Index; |
Record Nr. | UNINA-9910451221203321 |
Martin John <1951, > | ||
London ; ; New York : , : Routledge, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The intercultural performance handbook / / John Martin |
Autore | Martin John <1951, > |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2004 |
Descrizione fisica | 1 online resource (168 p.) |
Disciplina | 792/.028 |
Soggetto topico |
Movement (Acting)
Improvisation (Acting) Voice culture |
ISBN |
1-134-46063-5
0-415-28187-3 1-134-46064-3 1-280-07427-2 0-203-63379-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Book Cover; Title; Contents; List of figures; About the author; Acknowledgements; Authors note; This intercultural world; Discovering the energy; Using the energy; The energy of rhythm; Improvisation; Energy and the voice; Appendix Games to start the day; Index; |
Record Nr. | UNINA-9910784077603321 |
Martin John <1951, > | ||
London ; ; New York : , : Routledge, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The intercultural performance handbook / / John Martin |
Autore | Martin John Jeffries <1951-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London ; ; New York, : Routledge, 2004 |
Descrizione fisica | 1 online resource (168 p.) |
Disciplina | 792/.028 |
Soggetto topico |
Movement (Acting)
Improvisation (Acting) Voice culture |
ISBN |
1-134-46063-5
0-415-28187-3 1-134-46064-3 1-280-07427-2 0-203-63379-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Book Cover; Title; Contents; List of figures; About the author; Acknowledgements; Authors note; This intercultural world; Discovering the energy; Using the energy; The energy of rhythm; Improvisation; Energy and the voice; Appendix Games to start the day; Index; |
Record Nr. | UNINA-9910825162103321 |
Martin John Jeffries <1951-> | ||
London ; ; New York, : Routledge, 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Physical actor training : what shall I do with the body they gave me? / / Andrei Droznin ; edited and translated by Natalia Fedorova |
Autore | Droznin A. B ( Andrei Droznin) |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2017 |
Descrizione fisica | 1 online resource (225 pages) |
Disciplina | 792.028 |
Altri autori (Persone) | FedorovaNatalia (Dance teacher) |
Soggetto topico |
Acting
Movement (Acting) Nonverbal communication in motion pictures |
ISBN |
1-317-45043-4
1-315-69763-7 1-317-45044-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. The actor's external technique -- 3. The actor's external technique (continued) -- 4. The actor's external technique (conclusion) -- 5. The body as a material medium of acting -- 6. Desomatisation (loss of functions) -- 7. Desomatisation (self-destruction) -- 8. Body and soul (in life) -- 9. Body and soul (in art) -- 10. Stanislavski -- 11. Meyerhold -- 12. The problem (between Stanislavski and Meyerhold) -- 13. Vakhtangov -- 14. The others (time to search) -- 15. After the Titans (time to lose) -- 16. Drama school in the age of pluralism -- 17. Physical universalism -- 18. Phobia of the physical -- 19. Phobia of the physical (continued) -- 20. On the actor's external technique again (dropout of the external technique) -- 21. Physical actor training (time to gather stones) -- 22. Instead of an epilogue. |
Record Nr. | UNINA-9910155131303321 |
Droznin A. B ( Andrei Droznin) | ||
London ; ; New York : , : Routledge, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Women's somatic training in early modern Spanish theater / / Elizabeth Marie Cruz Petersen |
Autore | Peterson Elizabeth Marie Cruz |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2017 |
Descrizione fisica | 1 online resource (165 pages) : illustrations |
Disciplina | 792.02/80820946 |
Collana | Women and Gender in the Early Modern World |
Soggetto topico |
Women in the theater - Spain - History - 17th century
Actresses - Spain - 17th century Movement (Acting) Human body (Philosophy) Aesthetics - Physiological aspects |
ISBN |
1-315-54649-3
1-134-78080-X 1-134-78073-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Theoretical models : somaesthetics and arte nuevo -- 2. The Corral's contribution to somatic experience -- 3. Sociopolitics of the Spanish woman actor : building character -- 4. Building a character for the seventeenth-century Spanish stage. |
Record Nr. | UNINA-9910149372303321 |
Peterson Elizabeth Marie Cruz | ||
London ; ; New York : , : Routledge, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|