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Cinepoetry [[electronic resource] ] : imaginary cinemas in French poetry / / Christophe Wall-Romana
| Cinepoetry [[electronic resource] ] : imaginary cinemas in French poetry / / Christophe Wall-Romana |
| Autore | Wall-Romana Christophe |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Fordham University Press, 2013 |
| Descrizione fisica | 1 online resource (504 p.) |
| Disciplina | 841/.91209357 |
| Collana | Verbal arts: studies in poetics |
| Soggetto topico |
French poetry - 19th century - History and criticism
French poetry - 20th century - History and criticism Motion pictures and literature - France Motion pictures in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8232-4551-9
0-8232-5252-3 0-8232-5033-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Cinema as Imaginary Medium in French Poetry -- 1. Mallarmé Unfolds the Cinématographe -- 2. The Pen-Camera: Raymond Roussel’s Freeze-Frame Panorama -- 3. Le Film surnaturel: Cocteau’s Immersive Writing -- 4. Jean Epstein’s Invention of Cinepoetry -- 5. Breton’s Surrealism, or How to Sublimate Cinepoetry -- 6. Doing Filmic Things with Words: On Chaplin -- 7. The Poem-Scenario in the Interwar (1917–1928) -- 8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946–1959) -- 9. Postlyricism and the Movie Program: From Jarry to Alferi -- 10. Cine-Verse: Decoupage Poetics and Filmic Implicature -- 11. Max Jeanne’s Western: Eschatological Sarcasm in the Postcolony -- 12. Maurice Roche’s Compact: Word-Tracks and the Body Apparatus -- 13. Nelly Kaplan’s Le Collier de ptyx: Mallarmé as Political McGuffin -- Conclusion: The Film to Come in Contemporary Poetry -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910463285503321 |
Wall-Romana Christophe
|
||
| New York, : Fordham University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinepoetry [[electronic resource] ] : imaginary cinemas in French poetry / / Christophe Wall-Romana
| Cinepoetry [[electronic resource] ] : imaginary cinemas in French poetry / / Christophe Wall-Romana |
| Autore | Wall-Romana Christophe |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Fordham University Press, 2013 |
| Descrizione fisica | 1 online resource (504 p.) |
| Disciplina | 841/.91209357 |
| Collana | Verbal arts: studies in poetics |
| Soggetto topico |
French poetry - 19th century - History and criticism
French poetry - 20th century - History and criticism Motion pictures and literature - France Motion pictures in literature |
| Soggetto non controllato |
André Breton
Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry |
| ISBN |
0-8232-4551-9
0-8232-5252-3 0-8232-5033-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Cinema as Imaginary Medium in French Poetry -- 1. Mallarmé Unfolds the Cinématographe -- 2. The Pen-Camera: Raymond Roussel’s Freeze-Frame Panorama -- 3. Le Film surnaturel: Cocteau’s Immersive Writing -- 4. Jean Epstein’s Invention of Cinepoetry -- 5. Breton’s Surrealism, or How to Sublimate Cinepoetry -- 6. Doing Filmic Things with Words: On Chaplin -- 7. The Poem-Scenario in the Interwar (1917–1928) -- 8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946–1959) -- 9. Postlyricism and the Movie Program: From Jarry to Alferi -- 10. Cine-Verse: Decoupage Poetics and Filmic Implicature -- 11. Max Jeanne’s Western: Eschatological Sarcasm in the Postcolony -- 12. Maurice Roche’s Compact: Word-Tracks and the Body Apparatus -- 13. Nelly Kaplan’s Le Collier de ptyx: Mallarmé as Political McGuffin -- Conclusion: The Film to Come in Contemporary Poetry -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910788213803321 |
|
Wall-Romana Christophe
|
||
| New York, : Fordham University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinepoetry : imaginary cinemas in French poetry / / Christophe Wall-Romana
| Cinepoetry : imaginary cinemas in French poetry / / Christophe Wall-Romana |
| Autore | Wall-Romana Christophe |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Fordham University Press, 2013 |
| Descrizione fisica | 1 online resource (504 p.) |
| Disciplina |
841/.91209357
841.91209357 |
| Collana | Verbal arts: studies in poetics |
| Soggetto topico |
French poetry - 19th century - History and criticism
French poetry - 20th century - History and criticism Motion pictures and literature - France Motion pictures in literature |
| Soggetto non controllato |
André Breton
Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry |
| ISBN |
0-8232-4551-9
0-8232-5252-3 0-8232-5033-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Cinema as Imaginary Medium in French Poetry -- 1. Mallarmé Unfolds the Cinématographe -- 2. The Pen-Camera: Raymond Roussel’s Freeze-Frame Panorama -- 3. Le Film surnaturel: Cocteau’s Immersive Writing -- 4. Jean Epstein’s Invention of Cinepoetry -- 5. Breton’s Surrealism, or How to Sublimate Cinepoetry -- 6. Doing Filmic Things with Words: On Chaplin -- 7. The Poem-Scenario in the Interwar (1917–1928) -- 8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946–1959) -- 9. Postlyricism and the Movie Program: From Jarry to Alferi -- 10. Cine-Verse: Decoupage Poetics and Filmic Implicature -- 11. Max Jeanne’s Western: Eschatological Sarcasm in the Postcolony -- 12. Maurice Roche’s Compact: Word-Tracks and the Body Apparatus -- 13. Nelly Kaplan’s Le Collier de ptyx: Mallarmé as Political McGuffin -- Conclusion: The Film to Come in Contemporary Poetry -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910814200803321 |
|
Wall-Romana Christophe
|
||
| New York, : Fordham University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Consuming visions [[electronic resource] ] : cinema, writing, and modernity in Rio de Janeiro / / Maite Conde
| Consuming visions [[electronic resource] ] : cinema, writing, and modernity in Rio de Janeiro / / Maite Conde |
| Autore | Conde Maite <1971-> |
| Pubbl/distr/stampa | Charlottesville, : University of Virginia Press, 2012 |
| Descrizione fisica | 1 online resource (245 p.) |
| Disciplina | 791.430981 |
| Collana | New World studies |
| Soggetto topico |
Brazilian literature - 20th century - History and criticism
Modernism (Literature) - Brazil Motion pictures and literature - Brazil Motion pictures in literature Motion pictures - Brazil - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-67814-3
9786613655073 0-8139-3219-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Writers, film, and the new visual landscape of Rio de Janeiro. Documenting new urban experiences: the cinematic work of the Crônica -- Comic visions of the new city: writers and film production during the Belle Époque of Brazilian cinema -- Writers, film, and alternative visions of Rio de Janeiro. Envisioning a new political landscape: Martin Fontes's anarchist flirtation with film -- Women, Rio's modernity, and film's visual pleasures: Benjamin Costallat's Mademoiselle Cinema -- Conclusion. Reviving the lettered city. |
| Record Nr. | UNINA-9910451921203321 |
|
Conde Maite <1971->
|
||
| Charlottesville, : University of Virginia Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Consuming visions [[electronic resource] ] : cinema, writing, and modernity in Rio de Janeiro / / Maite Conde
| Consuming visions [[electronic resource] ] : cinema, writing, and modernity in Rio de Janeiro / / Maite Conde |
| Autore | Conde Maite <1971-> |
| Pubbl/distr/stampa | Charlottesville, : University of Virginia Press, 2012 |
| Descrizione fisica | 1 online resource (245 p.) |
| Disciplina | 791.430981 |
| Collana | New World studies |
| Soggetto topico |
Brazilian literature - 20th century - History and criticism
Modernism (Literature) - Brazil Motion pictures and literature - Brazil Motion pictures in literature Motion pictures - Brazil - History - 20th century |
| ISBN |
1-280-67814-3
9786613655073 0-8139-3219-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Writers, film, and the new visual landscape of Rio de Janeiro. Documenting new urban experiences: the cinematic work of the Crônica -- Comic visions of the new city: writers and film production during the Belle Époque of Brazilian cinema -- Writers, film, and alternative visions of Rio de Janeiro. Envisioning a new political landscape: Martin Fontes's anarchist flirtation with film -- Women, Rio's modernity, and film's visual pleasures: Benjamin Costallat's Mademoiselle Cinema -- Conclusion. Reviving the lettered city. |
| Record Nr. | UNINA-9910779296203321 |
|
Conde Maite <1971->
|
||
| Charlottesville, : University of Virginia Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Consuming visions [[electronic resource] ] : cinema, writing, and modernity in Rio de Janeiro / / Maite Conde
| Consuming visions [[electronic resource] ] : cinema, writing, and modernity in Rio de Janeiro / / Maite Conde |
| Autore | Conde Maite <1971-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Charlottesville, : University of Virginia Press, 2012 |
| Descrizione fisica | 1 online resource (245 p.) |
| Disciplina | 791.430981 |
| Collana | New World studies |
| Soggetto topico |
Brazilian literature - 20th century - History and criticism
Modernism (Literature) - Brazil Motion pictures and literature - Brazil Motion pictures in literature Motion pictures - Brazil - History - 20th century |
| ISBN |
1-280-67814-3
9786613655073 0-8139-3219-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Writers, film, and the new visual landscape of Rio de Janeiro. Documenting new urban experiences: the cinematic work of the Crônica -- Comic visions of the new city: writers and film production during the Belle Époque of Brazilian cinema -- Writers, film, and alternative visions of Rio de Janeiro. Envisioning a new political landscape: Martin Fontes's anarchist flirtation with film -- Women, Rio's modernity, and film's visual pleasures: Benjamin Costallat's Mademoiselle Cinema -- Conclusion. Reviving the lettered city. |
| Record Nr. | UNINA-9910822823903321 |
|
Conde Maite <1971->
|
||
| Charlottesville, : University of Virginia Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Salman Rushdie and visual culture : celebrating impurity, disrupting borders / / edited by Ana Cristina Mendes
| Salman Rushdie and visual culture : celebrating impurity, disrupting borders / / edited by Ana Cristina Mendes |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (243 p.) |
| Disciplina | 823/.914 |
| Altri autori (Persone) | MendesAna Cristina |
| Collana | Routledge studies in twentieth-century literature |
| Soggetto topico |
Art in literature
Motion pictures in literature Art and literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-45935-3
9786613459350 1-136-59359-4 0-203-18306-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Salman Rushdie and Visual Culture Celebrating Impurity,Disrupting Borders; Copyright; Contents; List of Figures; 1 Salman Rushdie's "Epico-Mythico-Tragico-Comico-Super-Sexy- High-Masala-Art," or Considerations on Undisciplining Boundaries; 2 Merely Connect: Salman Rushdie and Tom Phillips; 3 Beyond the Visible: Secularism and Postcolonial Modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations; 4 Living Art: Artistic and Intertextual Re-envisionings of the Urban Trope in The Moor's Last Sigh
5 In Search for Lost Portraits: The Lost Portrait and The Moor's Last Sigh6 Paint, Patronage, Power, and the Translator's Visibility; 7 Show and Tell: Midnight's Children and The Boyhood of Raleigh Revisited; 8 "Nobody from Bombay should be without a basic film vocabulary": Midnight's Children and the Visual Culture of Indian Popular Cinema; 9 Visual Technologies in Rushdie's Fiction: Envisioning the Present in the 'Imagological Age'; 10 Bombay/'Wombay': Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet 11 Screening the Novel, the Novel as Screen: The Aesthetics of the Visual in Fury12 Media Competition and Visual Displeasure in Salman Rushdie's Fiction; Contributors; Index |
| Record Nr. | UNINA-9910461487903321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Salman Rushdie and visual culture : celebrating impurity, disrupting borders / / edited by Ana Cristina Mendes
| Salman Rushdie and visual culture : celebrating impurity, disrupting borders / / edited by Ana Cristina Mendes |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (243 p.) |
| Disciplina | 823/.914 |
| Altri autori (Persone) | MendesAna Cristina |
| Collana | Routledge studies in twentieth-century literature |
| Soggetto topico |
Art in literature
Motion pictures in literature Art and literature |
| ISBN |
1-136-59358-6
1-283-45935-3 9786613459350 1-136-59359-4 0-203-18306-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Salman Rushdie and Visual Culture Celebrating Impurity,Disrupting Borders; Copyright; Contents; List of Figures; 1 Salman Rushdie's "Epico-Mythico-Tragico-Comico-Super-Sexy- High-Masala-Art," or Considerations on Undisciplining Boundaries; 2 Merely Connect: Salman Rushdie and Tom Phillips; 3 Beyond the Visible: Secularism and Postcolonial Modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations; 4 Living Art: Artistic and Intertextual Re-envisionings of the Urban Trope in The Moor's Last Sigh
5 In Search for Lost Portraits: The Lost Portrait and The Moor's Last Sigh6 Paint, Patronage, Power, and the Translator's Visibility; 7 Show and Tell: Midnight's Children and The Boyhood of Raleigh Revisited; 8 "Nobody from Bombay should be without a basic film vocabulary": Midnight's Children and the Visual Culture of Indian Popular Cinema; 9 Visual Technologies in Rushdie's Fiction: Envisioning the Present in the 'Imagological Age'; 10 Bombay/'Wombay': Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet 11 Screening the Novel, the Novel as Screen: The Aesthetics of the Visual in Fury12 Media Competition and Visual Displeasure in Salman Rushdie's Fiction; Contributors; Index |
| Record Nr. | UNINA-9910790446003321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Salman Rushdie and visual culture : celebrating impurity, disrupting borders / / edited by Ana Cristina Mendes
| Salman Rushdie and visual culture : celebrating impurity, disrupting borders / / edited by Ana Cristina Mendes |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (243 p.) |
| Disciplina | 823/.914 |
| Altri autori (Persone) | MendesAna Cristina |
| Collana | Routledge studies in twentieth-century literature |
| Soggetto topico |
Art in literature
Motion pictures in literature Art and literature |
| ISBN |
1-136-59358-6
1-283-45935-3 9786613459350 1-136-59359-4 0-203-18306-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Salman Rushdie and Visual Culture Celebrating Impurity,Disrupting Borders; Copyright; Contents; List of Figures; 1 Salman Rushdie's "Epico-Mythico-Tragico-Comico-Super-Sexy- High-Masala-Art," or Considerations on Undisciplining Boundaries; 2 Merely Connect: Salman Rushdie and Tom Phillips; 3 Beyond the Visible: Secularism and Postcolonial Modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations; 4 Living Art: Artistic and Intertextual Re-envisionings of the Urban Trope in The Moor's Last Sigh
5 In Search for Lost Portraits: The Lost Portrait and The Moor's Last Sigh6 Paint, Patronage, Power, and the Translator's Visibility; 7 Show and Tell: Midnight's Children and The Boyhood of Raleigh Revisited; 8 "Nobody from Bombay should be without a basic film vocabulary": Midnight's Children and the Visual Culture of Indian Popular Cinema; 9 Visual Technologies in Rushdie's Fiction: Envisioning the Present in the 'Imagological Age'; 10 Bombay/'Wombay': Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet 11 Screening the Novel, the Novel as Screen: The Aesthetics of the Visual in Fury12 Media Competition and Visual Displeasure in Salman Rushdie's Fiction; Contributors; Index |
| Record Nr. | UNINA-9910808540603321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
