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After uniqueness : a history of film and video art in circulation / / Erika Balsom
| After uniqueness : a history of film and video art in circulation / / Erika Balsom |
| Autore | Balsom Erika |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2017 |
| Descrizione fisica | 1 online resource (313 pages) |
| Disciplina | 302.2343 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - History
Video art - History Motion pictures and the arts Art and motion pictures Motion picture industry - Technological innovations |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-231-17692-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910466088903321 |
Balsom Erika
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| New York : , : Columbia University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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After uniqueness : a history of film and video art in circulation / / Erika Balsom
| After uniqueness : a history of film and video art in circulation / / Erika Balsom |
| Autore | Balsom Erika |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2017 |
| Descrizione fisica | 1 online resource (313 pages) |
| Disciplina | 302.2343 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - History
Video art - History Motion pictures and the arts Art and motion pictures Motion picture industry - Technological innovations |
| ISBN | 0-231-17692-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910792796403321 |
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Balsom Erika
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| New York : , : Columbia University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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After uniqueness : a history of film and video art in circulation / / Erika Balsom
| After uniqueness : a history of film and video art in circulation / / Erika Balsom |
| Autore | Balsom Erika |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2017 |
| Descrizione fisica | 1 online resource (313 pages) |
| Disciplina | 302.2343 |
| Collana | Film and Culture Series |
| Soggetto topico |
Motion picture audiences - History
Video art - History Motion pictures and the arts Art and motion pictures Motion picture industry - Technological innovations |
| ISBN | 0-231-17692-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910826288703321 |
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Balsom Erika
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| New York : , : Columbia University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Architecture in Cinema
| Architecture in Cinema |
| Autore | Erdoğan Nevnihal |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Sharjah : , : Bentham Science Publishers, , 2024 |
| Descrizione fisica | 1 online resource (454 pages) |
| Altri autori (Persone) | AkarsuHikmet Temel |
| Soggetto topico |
Architecture in motion pictures
Motion pictures and the arts |
| ISBN |
9789815223316
9815223313 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Title -- Copyright -- End User License Agreement -- Contents -- Preface -- List of Contributors -- Ben-Hur/1959 -- Nevnihal Erdoğan1,* -- INTRODUCTION -- THE SUBJECT OF BEN-HUR – 1959 -- ARCHITECTURAL THEMES OF THE MOVIE AND AN ARCHITECTURAL PERSPECTIVE -- POWER AND ARCHITECTURE -- FAITH AND ARCHITECTURE -- CONCLUSION -- REFERENCES -- The Name of the Rose (Umberto Eco) -- Z. Türkiz Özbursalı1,* -- INTRODUCTION -- ABOUT THE FILM -- SPACE IN THE NAME OF THE ROSE -- CONCLUSION -- REFERENCES -- Fellini's Rome -- Hikmet Temel Akarsu1,* -- INTRODUCTION -- COMMON CHARACTERISTICS OF FELLINI FILMS -- THE EUROPEAN TOUCH IN CINEMA: “AUTEUR CINEMA” -- FELLINI'S ROME -- CONCLUSION |
| Record Nr. | UNINA-9910985692203321 |
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Erdoğan Nevnihal
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| Sharjah : , : Bentham Science Publishers, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic intermediality : theory and practice / / edited by Kim Knowles and Marion Schmid
| Cinematic intermediality : theory and practice / / edited by Kim Knowles and Marion Schmid |
| Autore | Knowles Kim |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , [2021] |
| Descrizione fisica | 1 online resource (208 pages) : illustrations |
| Disciplina | 791.43657 |
| Collana | Edinburgh studies in film and intermediality |
| Soggetto topico |
Motion pictures and the arts
Intermediality Motion pictures - Criticism and interpretation |
| ISBN |
1-4744-9523-0
1-4744-4636-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index. |
| Record Nr. | UNISA-996552355103316 |
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Knowles Kim
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| Edinburgh, Scotland : , : Edinburgh University Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Cinematic intermediality : theory and practice / / edited by Kim Knowles and Marion Schmid
| Cinematic intermediality : theory and practice / / edited by Kim Knowles and Marion Schmid |
| Autore | Knowles Kim |
| Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , [2021] |
| Descrizione fisica | 1 online resource (208 pages) : illustrations |
| Disciplina | 791.43657 |
| Collana | Edinburgh studies in film and intermediality |
| Soggetto topico |
Motion pictures and the arts
Intermediality Motion pictures - Criticism and interpretation |
| ISBN |
1-4744-9523-0
1-4744-4636-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index. |
| Record Nr. | UNINA-9910728654403321 |
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Knowles Kim
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| Edinburgh, Scotland : , : Edinburgh University Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic intermediality : theory and practice / / edited by Kim Knowles, Marion Schmid
| Cinematic intermediality : theory and practice / / edited by Kim Knowles, Marion Schmid |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2021 |
| Descrizione fisica | 1 online resource (xiii, 206 pages) : illustrations |
| Disciplina | 791.4301 |
| Collana | Edinburgh studies in film and intermediality |
| Soggetto topico |
Motion pictures - Criticism and interpretation
Motion pictures and the arts |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index. |
| Record Nr. | UNINA-9910684568803321 |
| Edinburgh : , : Edinburgh University Press, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Exhibiting Cinema in Contemporary Art / Erika Balsom
| Exhibiting Cinema in Contemporary Art / Erika Balsom |
| Autore | Balsom Erika |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2020 |
| Descrizione fisica | 1 online resource (256 pages) : illustrations |
| Disciplina | 709.04/07 |
| Collana | Film culture in transition |
| Soggetto topico |
Motion picture industry - Technological innovations
Motion pictures and the arts Art in motion pictures Art and motion pictures |
| ISBN | 90-485-1776-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the othered cinema -- Architectures of exhibition -- Filmic ruins -- The remake: old movies, new narratives -- The fiction of truth and the truth of fiction -- Conclusions: "Cinema and ... " |
| Record Nr. | UNISA-996379049403316 |
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Balsom Erika
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| Baltimore, Maryland : , : Project Muse, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Exhibiting Cinema in Contemporary Art / Erika Balsom
| Exhibiting Cinema in Contemporary Art / Erika Balsom |
| Autore | Balsom Erika |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2020 |
| Descrizione fisica | 1 online resource (256 pages) : illustrations |
| Disciplina | 709.04/07 |
| Collana | Film culture in transition |
| Soggetto topico |
Motion picture industry - Technological innovations
Motion pictures and the arts Art in motion pictures Art and motion pictures |
| ISBN |
1-003-69513-2
1-04-078709-6 90-485-1776-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the othered cinema -- Architectures of exhibition -- Filmic ruins -- The remake: old movies, new narratives -- The fiction of truth and the truth of fiction -- Conclusions: "Cinema and ... " |
| Record Nr. | UNINA-9910141630403321 |
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Balsom Erika
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| Baltimore, Maryland : , : Project Muse, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Framing pictures : film and the visual arts / / Steven Jacobs [[electronic resource]]
| Framing pictures : film and the visual arts / / Steven Jacobs [[electronic resource]] |
| Autore | Jacobs Steven <1967-> |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2011 |
| Descrizione fisica | 1 online resource (xiv, 210 pages) : digital, PDF file(s) |
| Disciplina | 791.4/3657 |
| Collana | Edinburgh Studies in Film |
| Soggetto topico |
Motion pictures and the arts
Art and motion pictures Motion pictures - Appreciation Motion pictures - Philosophy |
| ISBN |
0-7486-7090-4
1-283-22179-9 9786613221797 0-7486-4703-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema. |
| Record Nr. | UNINA-9910461655903321 |
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Jacobs Steven <1967->
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| Edinburgh : , : Edinburgh University Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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