Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Critical Cinema [[electronic resource] ] : Beyond the Theory of Practice
| Critical Cinema [[electronic resource] ] : Beyond the Theory of Practice |
| Autore | Myer Clive |
| Pubbl/distr/stampa | New York, : Columbia University Press, 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
791.43
791.4301 |
| Soggetto topico |
Film criticism
Motion pictures -- Aesthetics Motion pictures -- Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-231-50456-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Notes on Contributors; FOREWORD by Bill Nichols; INTRODUCTION by Clive Myer; PART ONE Reframing; 1. Theoretical Practice: Diegesis Is Not a Code of Cinema; 2. Cinema, Theory, Women; 3. Theory and Practice; 4. Passing Time: Reflections on the Old and the New; 5. Sublime Acts: The Fate of Resistance Between Film Theory and Practice; 6. Ranciere and the Persistence of Film Theory; 7. Behind the Mask of the Screenplay: The Screen Idea; 8. The Theory-Practice Interface in Film Education: Observational Documentary in India
9. The Student Author, Lacanian Discourse Theory and La Nuit Americaine10. Just Because You Have Eyes Does Not Mean You Can See; 11. Theory for Practice: Ceci N'est Pas L'Epistomologie; PART II Conversations; 12. Film and Philosophy: An Interview with Mike Figgis; 13. Playing with New Toys: An Interview With Peter Greenaway; 14. An Interview with Noel Burch: Playing with Toys by the Wayside; Index |
| Record Nr. | UNINA-9910461875003321 |
Myer Clive
|
||
| New York, : Columbia University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical Cinema [[electronic resource] ] : Beyond the Theory of Practice
| Critical Cinema [[electronic resource] ] : Beyond the Theory of Practice |
| Autore | Myer Clive |
| Pubbl/distr/stampa | New York, : Columbia University Press, 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
791.43
791.4301 |
| Soggetto topico |
Film criticism
Motion pictures -- Aesthetics Motion pictures -- Philosophy |
| ISBN | 0-231-50456-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Notes on Contributors; FOREWORD by Bill Nichols; INTRODUCTION by Clive Myer; PART ONE Reframing; 1. Theoretical Practice: Diegesis Is Not a Code of Cinema; 2. Cinema, Theory, Women; 3. Theory and Practice; 4. Passing Time: Reflections on the Old and the New; 5. Sublime Acts: The Fate of Resistance Between Film Theory and Practice; 6. Ranciere and the Persistence of Film Theory; 7. Behind the Mask of the Screenplay: The Screen Idea; 8. The Theory-Practice Interface in Film Education: Observational Documentary in India
9. The Student Author, Lacanian Discourse Theory and La Nuit Americaine10. Just Because You Have Eyes Does Not Mean You Can See; 11. Theory for Practice: Ceci N'est Pas L'Epistomologie; PART II Conversations; 12. Film and Philosophy: An Interview with Mike Figgis; 13. Playing with New Toys: An Interview With Peter Greenaway; 14. An Interview with Noel Burch: Playing with Toys by the Wayside; Index |
| Record Nr. | UNINA-9910785507903321 |
|
Myer Clive
|
||
| New York, : Columbia University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical Cinema [[electronic resource] ] : Beyond the Theory of Practice
| Critical Cinema [[electronic resource] ] : Beyond the Theory of Practice |
| Autore | Myer Clive |
| Pubbl/distr/stampa | New York, : Columbia University Press, 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
791.43
791.4301 |
| Soggetto topico |
Film criticism
Motion pictures -- Aesthetics Motion pictures -- Philosophy |
| ISBN | 0-231-50456-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Notes on Contributors; FOREWORD by Bill Nichols; INTRODUCTION by Clive Myer; PART ONE Reframing; 1. Theoretical Practice: Diegesis Is Not a Code of Cinema; 2. Cinema, Theory, Women; 3. Theory and Practice; 4. Passing Time: Reflections on the Old and the New; 5. Sublime Acts: The Fate of Resistance Between Film Theory and Practice; 6. Ranciere and the Persistence of Film Theory; 7. Behind the Mask of the Screenplay: The Screen Idea; 8. The Theory-Practice Interface in Film Education: Observational Documentary in India
9. The Student Author, Lacanian Discourse Theory and La Nuit Americaine10. Just Because You Have Eyes Does Not Mean You Can See; 11. Theory for Practice: Ceci N'est Pas L'Epistomologie; PART II Conversations; 12. Film and Philosophy: An Interview with Mike Figgis; 13. Playing with New Toys: An Interview With Peter Greenaway; 14. An Interview with Noel Burch: Playing with Toys by the Wayside; Index |
| Record Nr. | UNINA-9910812399103321 |
|
Myer Clive
|
||
| New York, : Columbia University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Slow Movies : Countering the Cinema of Action / / Ira Jaffe
| Slow Movies : Countering the Cinema of Action / / Ira Jaffe |
| Autore | Jaffe Ira |
| Edizione | [Pilot project. eBook available to selected US libraries only] |
| Pubbl/distr/stampa | New York, NY : , : Columbia University Press, , [2014] |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures -- Philosophy
Motion pictures -- Plots, themes, etc Motion pictures -- Production and direction -- History and criticism Motion pictures -- Technique |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-231-85063-8 |
| Classificazione | AP 50900 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- Deadpan -- Stillness -- Long Shot -- Wait Time -- Drift and Resistance -- Death-Drive, Life-Drive -- Rebellion's Limits -- Notes -- Index |
| Record Nr. | UNINA-9910465577903321 |
|
Jaffe Ira
|
||
| New York, NY : , : Columbia University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Slow Movies : Countering the Cinema of Action / / Ira Jaffe
| Slow Movies : Countering the Cinema of Action / / Ira Jaffe |
| Autore | Jaffe Ira |
| Edizione | [Pilot project. eBook available to selected US libraries only] |
| Pubbl/distr/stampa | New York, NY : , : Columbia University Press, , [2014] |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures -- Philosophy
Motion pictures -- Plots, themes, etc Motion pictures -- Production and direction -- History and criticism Motion pictures -- Technique |
| ISBN | 0-231-85063-8 |
| Classificazione | AP 50900 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- Deadpan -- Stillness -- Long Shot -- Wait Time -- Drift and Resistance -- Death-Drive, Life-Drive -- Rebellion's Limits -- Notes -- Index |
| Record Nr. | UNINA-9910792288503321 |
|
Jaffe Ira
|
||
| New York, NY : , : Columbia University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Slow Movies : Countering the Cinema of Action / / Ira Jaffe
| Slow Movies : Countering the Cinema of Action / / Ira Jaffe |
| Autore | Jaffe Ira |
| Edizione | [Pilot project. eBook available to selected US libraries only] |
| Pubbl/distr/stampa | New York, NY : , : Columbia University Press, , [2014] |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures -- Philosophy
Motion pictures -- Plots, themes, etc Motion pictures -- Production and direction -- History and criticism Motion pictures -- Technique |
| ISBN | 0-231-85063-8 |
| Classificazione | AP 50900 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- Deadpan -- Stillness -- Long Shot -- Wait Time -- Drift and Resistance -- Death-Drive, Life-Drive -- Rebellion's Limits -- Notes -- Index |
| Record Nr. | UNINA-9910822630903321 |
|
Jaffe Ira
|
||
| New York, NY : , : Columbia University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Terministic Screen [[electronic resource] ] : Rhetorical Perspectives on Film
| The Terministic Screen [[electronic resource] ] : Rhetorical Perspectives on Film |
| Autore | Blakesley David |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2007 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 791.43 |
| Soggetto topico |
Film criticism
Motion pictures -- Philosophy Motion pictures Rhetoric Motion pictures - Philosophy Film Music, Dance, Drama & Film |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-585-49958-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction: The Rhetoric of Film and Film Studies by David Blakesley; Part One: Perspectives on Film and Film Theory as Rhetoric; 1. Mapping the Other: The English Patient, Colonial Rhetoric, and Cinematic Representation by Alan Nadel; 2. Rhetoric and the Early Work of Christian Metz: Augmenting Ideological Inquiry in Rhetorical Film Theory and Criticism by Ann Chisholm; 3. Temptation as Taboo: A Psychorhetorical Reading of The Last Temptation of Christ by Martin J. Medhurst
4. Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element by Byron Hawk5. Time, Space, and Political Identity: Envisioning Community in Triumph of the Will by Ekaterina V. Haskins; 6. On Rhetorical Bodies: Hoop Dreams and Constitutional Discourse by James Roberts; Part Two: Rhetorical Perspectives on Film and Culture; 7. Looking for the Public in the Popular: The Hollywood Blacklist and the Rhetoric of Collective Memory by Thomas W. Benson; 8. Copycat, Serial Murder, and the (De)Terministic Screen Narrative by Philip L. Simpson 9. Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance by Davis W. Houck and Caroline J. S. Picart10. From "World Conspiracy" to "Cultural Imperialism": The History of Anti-Plutocratic Rhetoric in German Film by Friedemann Weidauer; Part Three: Perspectives on Films about Rhetoric; 11. Rhetorical Conditioning: The Manchurian Candidate by Bruce Krajewski; 12. Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects by David Blakesley; 13. Textual Trouble in River City: Literacy, Rhetoric, and Consumerism in The Music Man by Harriet Malinowitz 14. Screen Play: Ethos and Dialectics in A Time to Kill by Granetta L. Richardson15. Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse by Kelly Ritter; Contributors; Index; Editor Biography; Back Cover |
| Record Nr. | UNINA-9910455505103321 |
|
Blakesley David
|
||
| Carbondale, : Southern Illinois University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The terministic screen [[electronic resource] ] : rhetorical perspectives on film
| The terministic screen [[electronic resource] ] : rhetorical perspectives on film |
| Autore | Blakesley David |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2007 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 791.43 |
| Soggetto topico |
Film criticism
Motion pictures -- Philosophy Motion pictures Rhetoric Motion pictures - Philosophy Film Music, Dance, Drama & Film |
| ISBN | 0-585-49958-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction: The Rhetoric of Film and Film Studies by David Blakesley; Part One: Perspectives on Film and Film Theory as Rhetoric; 1. Mapping the Other: The English Patient, Colonial Rhetoric, and Cinematic Representation by Alan Nadel; 2. Rhetoric and the Early Work of Christian Metz: Augmenting Ideological Inquiry in Rhetorical Film Theory and Criticism by Ann Chisholm; 3. Temptation as Taboo: A Psychorhetorical Reading of The Last Temptation of Christ by Martin J. Medhurst
4. Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element by Byron Hawk5. Time, Space, and Political Identity: Envisioning Community in Triumph of the Will by Ekaterina V. Haskins; 6. On Rhetorical Bodies: Hoop Dreams and Constitutional Discourse by James Roberts; Part Two: Rhetorical Perspectives on Film and Culture; 7. Looking for the Public in the Popular: The Hollywood Blacklist and the Rhetoric of Collective Memory by Thomas W. Benson; 8. Copycat, Serial Murder, and the (De)Terministic Screen Narrative by Philip L. Simpson 9. Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance by Davis W. Houck and Caroline J. S. Picart10. From "World Conspiracy" to "Cultural Imperialism": The History of Anti-Plutocratic Rhetoric in German Film by Friedemann Weidauer; Part Three: Perspectives on Films about Rhetoric; 11. Rhetorical Conditioning: The Manchurian Candidate by Bruce Krajewski; 12. Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects by David Blakesley; 13. Textual Trouble in River City: Literacy, Rhetoric, and Consumerism in The Music Man by Harriet Malinowitz 14. Screen Play: Ethos and Dialectics in A Time to Kill by Granetta L. Richardson15. Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse by Kelly Ritter; Contributors; Index; Editor Biography; Back Cover |
| Record Nr. | UNINA-9910780236303321 |
|
Blakesley David
|
||
| Carbondale, : Southern Illinois University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The terministic screen [[electronic resource] ] : rhetorical perspectives on film
| The terministic screen [[electronic resource] ] : rhetorical perspectives on film |
| Autore | Blakesley David |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2007 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 791.43 |
| Soggetto topico |
Film criticism
Motion pictures -- Philosophy Motion pictures Rhetoric Motion pictures - Philosophy Film Music, Dance, Drama & Film |
| ISBN | 0-585-49958-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction: The Rhetoric of Film and Film Studies by David Blakesley; Part One: Perspectives on Film and Film Theory as Rhetoric; 1. Mapping the Other: The English Patient, Colonial Rhetoric, and Cinematic Representation by Alan Nadel; 2. Rhetoric and the Early Work of Christian Metz: Augmenting Ideological Inquiry in Rhetorical Film Theory and Criticism by Ann Chisholm; 3. Temptation as Taboo: A Psychorhetorical Reading of The Last Temptation of Christ by Martin J. Medhurst
4. Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element by Byron Hawk5. Time, Space, and Political Identity: Envisioning Community in Triumph of the Will by Ekaterina V. Haskins; 6. On Rhetorical Bodies: Hoop Dreams and Constitutional Discourse by James Roberts; Part Two: Rhetorical Perspectives on Film and Culture; 7. Looking for the Public in the Popular: The Hollywood Blacklist and the Rhetoric of Collective Memory by Thomas W. Benson; 8. Copycat, Serial Murder, and the (De)Terministic Screen Narrative by Philip L. Simpson 9. Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance by Davis W. Houck and Caroline J. S. Picart10. From "World Conspiracy" to "Cultural Imperialism": The History of Anti-Plutocratic Rhetoric in German Film by Friedemann Weidauer; Part Three: Perspectives on Films about Rhetoric; 11. Rhetorical Conditioning: The Manchurian Candidate by Bruce Krajewski; 12. Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects by David Blakesley; 13. Textual Trouble in River City: Literacy, Rhetoric, and Consumerism in The Music Man by Harriet Malinowitz 14. Screen Play: Ethos and Dialectics in A Time to Kill by Granetta L. Richardson15. Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse by Kelly Ritter; Contributors; Index; Editor Biography; Back Cover |
| Record Nr. | UNINA-9910815101803321 |
|
Blakesley David
|
||
| Carbondale, : Southern Illinois University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
