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Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes
| Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes |
| Autore | Wyatt Hilary |
| Edizione | [3rd ed. /] |
| Pubbl/distr/stampa | Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 778.52344 |
| Altri autori (Persone) | AmyesTim |
| Soggetto topico |
Motion pictures - Sound effects
Sound motion pictures Sound - Recording and reproducing Video tapes - Editing |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-12005-X
1-136-12006-8 1-280-96156-2 9786610961566 0-08-047045-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed
Identification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production Film releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration Video resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay Sourcing sound effects |
| Record Nr. | UNINA-9910457537003321 |
Wyatt Hilary
|
||
| Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes
| Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes |
| Autore | Wyatt Hilary |
| Edizione | [3rd ed. /] |
| Pubbl/distr/stampa | Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 778.52344 |
| Altri autori (Persone) | AmyesTim |
| Soggetto topico |
Motion pictures - Sound effects
Sound motion pictures Sound - Recording and reproducing Video tapes - Editing |
| ISBN |
1-136-12005-X
1-136-12006-8 1-280-96156-2 9786610961566 0-08-047045-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed
Identification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production Film releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration Video resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay Sourcing sound effects |
| Altri titoli varianti | Audio post-production for television and film |
| Record Nr. | UNINA-9910784575603321 |
|
Wyatt Hilary
|
||
| Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Designing sound [[electronic resource] /] / Andy Farnell
| Designing sound [[electronic resource] /] / Andy Farnell |
| Autore | Farnell Andy <1969-> |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2010 |
| Descrizione fisica | 664 p. : ill |
| Disciplina | 006.5 |
| Soggetto topico |
Computer sound processing
Sound - Recording and reproducing - Digital techniques Sounds Motion pictures - Sound effects Animated films - Sound effects Video games - Sound effects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-262-28936-9
0-262-28883-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Theory -- 2. Tools -- 3. Technique -- 4. Practicals. |
| Record Nr. | UNINA-9910452250503321 |
|
Farnell Andy <1969->
|
||
| Cambridge, Mass., : MIT Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Designing sound [[electronic resource] /] / Andy Farnell
| Designing sound [[electronic resource] /] / Andy Farnell |
| Autore | Farnell Andy <1969-> |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2010 |
| Descrizione fisica | 664 p. : ill |
| Disciplina | 006.5 |
| Soggetto topico |
Computer sound processing
Sound - Recording and reproducing - Digital techniques Sounds Motion pictures - Sound effects Animated films - Sound effects Video games - Sound effects |
| ISBN |
0-262-28936-9
0-262-28883-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Theory -- 2. Tools -- 3. Technique -- 4. Practicals. |
| Record Nr. | UNINA-9910779182203321 |
|
Farnell Andy <1969->
|
||
| Cambridge, Mass., : MIT Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Siren city [[electronic resource] ] : sound and source music in classic American noir / / Robert Miklitsch
| Siren city [[electronic resource] ] : sound and source music in classic American noir / / Robert Miklitsch |
| Autore | Miklitsch Robert <1953-> |
| Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, 2011 |
| Descrizione fisica | 1 online resource (312 p.) |
| Disciplina | 791.4302/4 |
| Soggetto topico |
Film noir - History and criticism
Motion pictures - Sound effects Motion picture music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-86428-2
0-8135-5392-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | House sound : reverb, offscreen sound, and voice-over narration in early RKO noir -- Sonic effects : sound and fury in Forties noir -- Audio technologies : intercoms and dictaphones, telephones and radios, phonographs and jukeboxes -- Blues in the night : popular and classical instrumental source music -- Singing detectives and bluesmen, black jazzwomen and torch singers -- The big number (side b) : killing them softly -- The big number (a side) : siren city. |
| Record Nr. | UNINA-9910461228803321 |
|
Miklitsch Robert <1953->
|
||
| New Brunswick, N.J., : Rutgers University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Siren city [[electronic resource] ] : sound and source music in classic American noir / / Robert Miklitsch
| Siren city [[electronic resource] ] : sound and source music in classic American noir / / Robert Miklitsch |
| Autore | Miklitsch Robert <1953-> |
| Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, 2011 |
| Descrizione fisica | 1 online resource (312 p.) |
| Disciplina | 791.4302/4 |
| Soggetto topico |
Film noir - History and criticism
Motion pictures - Sound effects Motion picture music - History and criticism |
| ISBN |
1-283-86428-2
0-8135-5392-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | House sound : reverb, offscreen sound, and voice-over narration in early RKO noir -- Sonic effects : sound and fury in Forties noir -- Audio technologies : intercoms and dictaphones, telephones and radios, phonographs and jukeboxes -- Blues in the night : popular and classical instrumental source music -- Singing detectives and bluesmen, black jazzwomen and torch singers -- The big number (side b) : killing them softly -- The big number (a side) : siren city. |
| Record Nr. | UNINA-9910790032003321 |
|
Miklitsch Robert <1953->
|
||
| New Brunswick, N.J., : Rutgers University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sound design & science fiction [[electronic resource] /] / by William Whittington
| Sound design & science fiction [[electronic resource] /] / by William Whittington |
| Autore | Whittington William (William Brian) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, TX, : University of Texas Press, c2007 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 791.4302/4 |
| Soggetto topico |
Sound motion pictures
Motion pictures - Sound effects Sound - Recording and reproducing Science fiction films |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-79511-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Sound design and science fiction |
| Record Nr. | UNINA-9910451891003321 |
|
Whittington William (William Brian)
|
||
| Austin, TX, : University of Texas Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sound design & science fiction [[electronic resource] /] / by William Whittington
| Sound design & science fiction [[electronic resource] /] / by William Whittington |
| Autore | Whittington William (William Brian) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, TX, : University of Texas Press, c2007 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 791.4302/4 |
| Soggetto topico |
Sound motion pictures
Motion pictures - Sound effects Sound - Recording and reproducing Science fiction films |
| ISBN | 0-292-79511-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. The Dawn of Sound Design -- Chapter 1. Sound Design -- chapter 2. Music and Speculation in 2001: A Space Odyssey -- Part II . Sound Montage -- Chapter 3. The Convergence of Hollywood and New Wave Science Fiction -- Chapter 4. Suggestive Fragments in THX 1138 -- Part III . Sound Designing -- Chapter 5. From Sound Capture to Construction -- Chapter 6. Surround Sound and Science Fiction -- Part IV. Sound Effects -- Chapter 7. Genre Splicing -- Chapter 8. Alien -- Part V. Voice Design -- Chapter 9. Blade Runners -- Part VI. Final Design -- Chapter 10. Sound Mixing and Sound Design in Science Fiction Cinema -- Chapter 11. Mixing Man and Machine in Terminator 2: Judgment Day -- Part VII . Conclusion: A Sounding of the Future -- Chapter 12. What is The Matrix? -- Appendix -- Notes -- Glossary -- Bibliography -- Filmography -- Index |
| Altri titoli varianti | Sound design and science fiction |
| Record Nr. | UNINA-9910778107603321 |
|
Whittington William (William Brian)
|
||
| Austin, TX, : University of Texas Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The sound handbook / / Tim Crook
| The sound handbook / / Tim Crook |
| Autore | Crook Tim <1959-, > |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (265 pages) |
| Disciplina | 621.389/3 |
| Collana | Media practice |
| Soggetto topico |
Sound - Recording and reproducing
Radio broadcasting - Sound effects Motion pictures - Sound effects Television broadcasting - Sound effects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-299-69281-8
1-136-52109-7 0-203-15320-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Sound Handbook; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; CHAPTER1 Sound philosophies; CHAPTER2 Sound technologies; CHAPTER3 Sound practice and theory in radio; CHAPTER4 Sound practice and theory in stage theatre; CHAPTER5 Sound practice and theory in music; CHAPTER6 Sound practice and theory in film; CHAPTER7 Sound practice and theory in animation and games; CHAPTER8 Sound practice and theory in art exhibition and installation; CHAPTER9 Sound practice and theory in Internet broadcasting and podcasting; Glossary; Bibliography; Index |
| Record Nr. | UNINA-9910451741903321 |
|
Crook Tim <1959-, >
|
||
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The sound handbook / / Tim Crook
| The sound handbook / / Tim Crook |
| Autore | Crook Tim |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : Zed Books, , 2011 |
| Descrizione fisica | 1 online resource (265 pages) |
| Disciplina |
621.389/3
621.3893 |
| Collana | Media Practice |
| Soggetto topico |
Sound - Recording and reproducing
Radio broadcasting - Sound effects Motion pictures - Sound effects Television broadcasting - Sound effects |
| ISBN |
1-136-52108-9
1-299-69281-8 1-136-52109-7 0-203-15320-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Sound Handbook; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; CHAPTER1 Sound philosophies; CHAPTER2 Sound technologies; CHAPTER3 Sound practice and theory in radio; CHAPTER4 Sound practice and theory in stage theatre; CHAPTER5 Sound practice and theory in music; CHAPTER6 Sound practice and theory in film; CHAPTER7 Sound practice and theory in animation and games; CHAPTER8 Sound practice and theory in art exhibition and installation; CHAPTER9 Sound practice and theory in Internet broadcasting and podcasting; Glossary; Bibliography; Index. |
| Record Nr. | UNINA-9910779044803321 |
|
Crook Tim
|
||
| London, England : , : Zed Books, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
