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Cosmopolitan film cultures in Latin America, 1896-1960 / / edited by Rielle Navitski and Nicolas Poppe
| Cosmopolitan film cultures in Latin America, 1896-1960 / / edited by Rielle Navitski and Nicolas Poppe |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2017 |
| Descrizione fisica | 1 online resource (391 pages) |
| Disciplina | 791.43098/0904 |
| Collana | New Directions in National Cinemas |
| Soggetto topico |
Motion pictures - Latin America - History - 20th century
Motion pictures - Social aspects - Latin America |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-253-02655-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The silent era: between global capitalism and national modernization. primary text: "The Lumiere Cinematograph," El monitor republicano (Mexico City), August 16, 1896. Gabriel Veyre and Fernand Bon Bernard, representatives of the Lumiere brothers in Mexico / Aurelio de los Reyes -- Primary text: Tic tac (Carlos Villafañe), "the show on June 15th," Películas Bogotá), June 1919 -- Films on paper: early Colombian cinema periodicals, 1916-1920 / Juan Sebastián Ospina León -- Primary text: Enrique Mendez Calzada, "The lover of Rudolph Valentino" from And Christ returned to Buenos Aires (1926) -- Manipulation and authenticity: the unassimilable Valentino in 1920's Argentina / Giorgio Bertellini -- The interwar period: between Hollywood and the avant-garde. Primary text: Felipe de Leiva, "Memoirs of an extra," Cinelandia, (Hollywood) November/December 1927 -- Mediating the 'conquering and cosmopolitan cinema:' Latin American audiences and U.S. film magazines in Spanish, 1916-1948 / Rielle Navitski -- Primary text: Octávio de Faria, "Russian cinema and Brazilian cinema," O Fan (Rio de Janeiro), October 2, 1928 -- Parallel modernities: the first reception of Soviet cinema in Latin America / Sarah Ann Wells -- Primary text: Guillermo de Torre, "The Cineclub of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930 -- A gaze turned towards Europe: modernity and tradition in the work of Horacio Coppola / Andrea Cuarterolo -- The golden age of Latin American film industries: negotiating the popular and the cosmopolitan. Primary text: John Alton, "Motion picture production in South America," International Photographer (Hollywood), May 1934 -- John Alton in Argentina, 1932-1939 / Nicolas Poppe -- The golden age otherwise: Mexican cinema and the mediations of capitalist modernity in the 1940's and 1950's / Ignacio M. Sánchez Prado -- Primary text: Gabriel García Márquez, "The mambo" El Heraldo (Barranquilla), January 12, 1951 -- Bad neighbors: Perez Prado, cinema and the politics of Mambo / Jason Borge -- The afterlives of moving images: cinephilia and cult spectatorship. Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s continuing competition for scholarships to summer school at the Universidad de la Habana" (1956) -- Film culture and education in Republican Cuba: the legacy of Jose Manuel Valdes-Rodríguez / Irene Rozsa -- The secret history of Aztlán: transnational exploitation film, Chicano art and unexpected cultural flows / Colin Gunckel. |
| Record Nr. | UNINA-9910468029603321 |
| Bloomington, Indiana : , : Indiana University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cosmopolitan film cultures in Latin America, 1896-1960 / / edited by Rielle Navitski and Nicolas Poppe
| Cosmopolitan film cultures in Latin America, 1896-1960 / / edited by Rielle Navitski and Nicolas Poppe |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2017 |
| Descrizione fisica | 1 online resource (391 pages) |
| Disciplina | 791.43098/0904 |
| Collana | New Directions in National Cinemas |
| Soggetto topico |
Motion pictures - Latin America - History - 20th century
Motion pictures - Social aspects - Latin America |
| ISBN | 0-253-02655-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The silent era: between global capitalism and national modernization. primary text: "The Lumiere Cinematograph," El monitor republicano (Mexico City), August 16, 1896. Gabriel Veyre and Fernand Bon Bernard, representatives of the Lumiere brothers in Mexico / Aurelio de los Reyes -- Primary text: Tic tac (Carlos Villafañe), "the show on June 15th," Películas Bogotá), June 1919 -- Films on paper: early Colombian cinema periodicals, 1916-1920 / Juan Sebastián Ospina León -- Primary text: Enrique Mendez Calzada, "The lover of Rudolph Valentino" from And Christ returned to Buenos Aires (1926) -- Manipulation and authenticity: the unassimilable Valentino in 1920's Argentina / Giorgio Bertellini -- The interwar period: between Hollywood and the avant-garde. Primary text: Felipe de Leiva, "Memoirs of an extra," Cinelandia, (Hollywood) November/December 1927 -- Mediating the 'conquering and cosmopolitan cinema:' Latin American audiences and U.S. film magazines in Spanish, 1916-1948 / Rielle Navitski -- Primary text: Octávio de Faria, "Russian cinema and Brazilian cinema," O Fan (Rio de Janeiro), October 2, 1928 -- Parallel modernities: the first reception of Soviet cinema in Latin America / Sarah Ann Wells -- Primary text: Guillermo de Torre, "The Cineclub of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930 -- A gaze turned towards Europe: modernity and tradition in the work of Horacio Coppola / Andrea Cuarterolo -- The golden age of Latin American film industries: negotiating the popular and the cosmopolitan. Primary text: John Alton, "Motion picture production in South America," International Photographer (Hollywood), May 1934 -- John Alton in Argentina, 1932-1939 / Nicolas Poppe -- The golden age otherwise: Mexican cinema and the mediations of capitalist modernity in the 1940's and 1950's / Ignacio M. Sánchez Prado -- Primary text: Gabriel García Márquez, "The mambo" El Heraldo (Barranquilla), January 12, 1951 -- Bad neighbors: Perez Prado, cinema and the politics of Mambo / Jason Borge -- The afterlives of moving images: cinephilia and cult spectatorship. Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s continuing competition for scholarships to summer school at the Universidad de la Habana" (1956) -- Film culture and education in Republican Cuba: the legacy of Jose Manuel Valdes-Rodríguez / Irene Rozsa -- The secret history of Aztlán: transnational exploitation film, Chicano art and unexpected cultural flows / Colin Gunckel. |
| Record Nr. | UNINA-9910794806203321 |
| Bloomington, Indiana : , : Indiana University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cosmopolitan film cultures in Latin America, 1896-1960 / / edited by Rielle Navitski and Nicolas Poppe
| Cosmopolitan film cultures in Latin America, 1896-1960 / / edited by Rielle Navitski and Nicolas Poppe |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2017 |
| Descrizione fisica | 1 online resource (391 pages) |
| Disciplina | 791.43098/0904 |
| Collana | New Directions in National Cinemas |
| Soggetto topico |
Motion pictures - Latin America - History - 20th century
Motion pictures - Social aspects - Latin America |
| ISBN | 0-253-02655-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The silent era: between global capitalism and national modernization. primary text: "The Lumiere Cinematograph," El monitor republicano (Mexico City), August 16, 1896. Gabriel Veyre and Fernand Bon Bernard, representatives of the Lumiere brothers in Mexico / Aurelio de los Reyes -- Primary text: Tic tac (Carlos Villafañe), "the show on June 15th," Películas Bogotá), June 1919 -- Films on paper: early Colombian cinema periodicals, 1916-1920 / Juan Sebastián Ospina León -- Primary text: Enrique Mendez Calzada, "The lover of Rudolph Valentino" from And Christ returned to Buenos Aires (1926) -- Manipulation and authenticity: the unassimilable Valentino in 1920's Argentina / Giorgio Bertellini -- The interwar period: between Hollywood and the avant-garde. Primary text: Felipe de Leiva, "Memoirs of an extra," Cinelandia, (Hollywood) November/December 1927 -- Mediating the 'conquering and cosmopolitan cinema:' Latin American audiences and U.S. film magazines in Spanish, 1916-1948 / Rielle Navitski -- Primary text: Octávio de Faria, "Russian cinema and Brazilian cinema," O Fan (Rio de Janeiro), October 2, 1928 -- Parallel modernities: the first reception of Soviet cinema in Latin America / Sarah Ann Wells -- Primary text: Guillermo de Torre, "The Cineclub of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930 -- A gaze turned towards Europe: modernity and tradition in the work of Horacio Coppola / Andrea Cuarterolo -- The golden age of Latin American film industries: negotiating the popular and the cosmopolitan. Primary text: John Alton, "Motion picture production in South America," International Photographer (Hollywood), May 1934 -- John Alton in Argentina, 1932-1939 / Nicolas Poppe -- The golden age otherwise: Mexican cinema and the mediations of capitalist modernity in the 1940's and 1950's / Ignacio M. Sánchez Prado -- Primary text: Gabriel García Márquez, "The mambo" El Heraldo (Barranquilla), January 12, 1951 -- Bad neighbors: Perez Prado, cinema and the politics of Mambo / Jason Borge -- The afterlives of moving images: cinephilia and cult spectatorship. Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s continuing competition for scholarships to summer school at the Universidad de la Habana" (1956) -- Film culture and education in Republican Cuba: the legacy of Jose Manuel Valdes-Rodríguez / Irene Rozsa -- The secret history of Aztlán: transnational exploitation film, Chicano art and unexpected cultural flows / Colin Gunckel. |
| Record Nr. | UNINA-9910815851903321 |
| Bloomington, Indiana : , : Indiana University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Framing Latin American cinema [[electronic resource] ] : contemporary critical perspectives / / Ann Marie Stock, editor ; foreword by Ambrosio Fornet
| Framing Latin American cinema [[electronic resource] ] : contemporary critical perspectives / / Ann Marie Stock, editor ; foreword by Ambrosio Fornet |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1997 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 791.43/098 |
| Altri autori (Persone) | StockAnn Marie |
| Collana | Hispanic issues |
| Soggetto topico |
Motion pictures - Political aspects - Latin America
Motion pictures - Social aspects - Latin America Motion pictures - Latin America |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-8823-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction: Through Other Worlds and Other Times: Critical Praxis and Latin American Cinema; Chapter 1 High-Rise Apartments, Arcades, Cars, and Hoteles de citas: Urban Discourse and the Reconstruction of the Public/Private Divide in 1960's Buenos Aires; Chapter 2 Backwards Blindness: Brazilian Cinema of the 1980's; Chapter 3 Recent Colombian Cinema: Public Histories and Private Stories; Chapter 4 When the Mountains Tremble: Images of Ethnicity in a Transcultural Text; Chapter 5 How Real Is Reel? Fernando de Fuentes's Revolutionary Trilogy
Chapter 6 Kiss of the Spider Woman, Novel, Play, and Film: Homosexuality and the Discourse of the Maternal in a Third World Prison Chapter 7 Moving to Thought: The Inspired Reflective Cinema of Fernando Pérez; Chapter 8 Román Chalbaud: The ""National"" Melodrama on an Air of Bolero; Chapter 9 The Persistence of Vision: Going to the Movies in Colombia; Chapter 10 Mexican Melodramas of Patriarchy: Specificity of a Transcultural Form; Chapter 11 Queering the Patriarchy in Hermosillo's Doña Herlinda y su hijo Chapter 12 Will There Be Latin American Cinema in the Year 2000? Visual Culture in a Post-national Era Contributors; Index |
| Record Nr. | UNINA-9910457409703321 |
| Minneapolis, : University of Minnesota Press, c1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Framing Latin American cinema [[electronic resource] ] : contemporary critical perspectives / / Ann Marie Stock, editor ; foreword by Ambrosio Fornet
| Framing Latin American cinema [[electronic resource] ] : contemporary critical perspectives / / Ann Marie Stock, editor ; foreword by Ambrosio Fornet |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1997 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 791.43/098 |
| Altri autori (Persone) | StockAnn Marie |
| Collana | Hispanic issues |
| Soggetto topico |
Motion pictures - Political aspects - Latin America
Motion pictures - Social aspects - Latin America Motion pictures - Latin America |
| ISBN | 0-8166-8823-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction: Through Other Worlds and Other Times: Critical Praxis and Latin American Cinema; Chapter 1 High-Rise Apartments, Arcades, Cars, and Hoteles de citas: Urban Discourse and the Reconstruction of the Public/Private Divide in 1960's Buenos Aires; Chapter 2 Backwards Blindness: Brazilian Cinema of the 1980's; Chapter 3 Recent Colombian Cinema: Public Histories and Private Stories; Chapter 4 When the Mountains Tremble: Images of Ethnicity in a Transcultural Text; Chapter 5 How Real Is Reel? Fernando de Fuentes's Revolutionary Trilogy
Chapter 6 Kiss of the Spider Woman, Novel, Play, and Film: Homosexuality and the Discourse of the Maternal in a Third World Prison Chapter 7 Moving to Thought: The Inspired Reflective Cinema of Fernando Pérez; Chapter 8 Román Chalbaud: The ""National"" Melodrama on an Air of Bolero; Chapter 9 The Persistence of Vision: Going to the Movies in Colombia; Chapter 10 Mexican Melodramas of Patriarchy: Specificity of a Transcultural Form; Chapter 11 Queering the Patriarchy in Hermosillo's Doña Herlinda y su hijo Chapter 12 Will There Be Latin American Cinema in the Year 2000? Visual Culture in a Post-national Era Contributors; Index |
| Record Nr. | UNINA-9910784105203321 |
| Minneapolis, : University of Minnesota Press, c1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Framing Latin American cinema [[electronic resource] ] : contemporary critical perspectives / / Ann Marie Stock, editor ; foreword by Ambrosio Fornet
| Framing Latin American cinema [[electronic resource] ] : contemporary critical perspectives / / Ann Marie Stock, editor ; foreword by Ambrosio Fornet |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1997 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 791.43/098 |
| Altri autori (Persone) | StockAnn Marie |
| Collana | Hispanic issues |
| Soggetto topico |
Motion pictures - Political aspects - Latin America
Motion pictures - Social aspects - Latin America Motion pictures - Latin America |
| ISBN | 0-8166-8823-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction: Through Other Worlds and Other Times: Critical Praxis and Latin American Cinema; Chapter 1 High-Rise Apartments, Arcades, Cars, and Hoteles de citas: Urban Discourse and the Reconstruction of the Public/Private Divide in 1960's Buenos Aires; Chapter 2 Backwards Blindness: Brazilian Cinema of the 1980's; Chapter 3 Recent Colombian Cinema: Public Histories and Private Stories; Chapter 4 When the Mountains Tremble: Images of Ethnicity in a Transcultural Text; Chapter 5 How Real Is Reel? Fernando de Fuentes's Revolutionary Trilogy
Chapter 6 Kiss of the Spider Woman, Novel, Play, and Film: Homosexuality and the Discourse of the Maternal in a Third World Prison Chapter 7 Moving to Thought: The Inspired Reflective Cinema of Fernando Pérez; Chapter 8 Román Chalbaud: The ""National"" Melodrama on an Air of Bolero; Chapter 9 The Persistence of Vision: Going to the Movies in Colombia; Chapter 10 Mexican Melodramas of Patriarchy: Specificity of a Transcultural Form; Chapter 11 Queering the Patriarchy in Hermosillo's Doña Herlinda y su hijo Chapter 12 Will There Be Latin American Cinema in the Year 2000? Visual Culture in a Post-national Era Contributors; Index |
| Record Nr. | UNINA-9910820029303321 |
| Minneapolis, : University of Minnesota Press, c1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Migration in contemporary Hispanic cinema [[electronic resource] /] / Thomas G. Deveny
| Migration in contemporary Hispanic cinema [[electronic resource] /] / Thomas G. Deveny |
| Autore | Deveny Thomas G. <1950-> |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2012 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 791.43098 |
| Soggetto topico |
Motion pictures - Latin America
Emigration and immigration in motion pictures Motion pictures - Social aspects - Latin America |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-87996-3
9786613721273 0-8108-8505-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; Ch01. Migration in Spanish Cinema; Ch02. Migration in Argentine Cinema; Ch03. Migration in Mexican Cinema; Ch04. Migration in Films from Central America; Ch05. Migration in Films from the Hispanic Caribbean; Ch06. The Underbelly of Migration: Trafficking of Drugs and Humans; Ch07. Mulitnational Migration in the Hispanic World; Ch08. Hispanic Cinema and "Huddled Masses Yearning to Breathe Free"; Works Cited; Filmography; Index; About the Author |
| Record Nr. | UNINA-9910453058203321 |
Deveny Thomas G. <1950->
|
||
| Lanham, : Scarecrow Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Migration in contemporary Hispanic cinema [[electronic resource] /] / Thomas G. Deveny
| Migration in contemporary Hispanic cinema [[electronic resource] /] / Thomas G. Deveny |
| Autore | Deveny Thomas G. <1950-> |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2012 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 791.43098 |
| Soggetto topico |
Motion pictures - Latin America
Emigration and immigration in motion pictures Motion pictures - Social aspects - Latin America |
| ISBN |
1-280-87996-3
9786613721273 0-8108-8505-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; Ch01. Migration in Spanish Cinema; Ch02. Migration in Argentine Cinema; Ch03. Migration in Mexican Cinema; Ch04. Migration in Films from Central America; Ch05. Migration in Films from the Hispanic Caribbean; Ch06. The Underbelly of Migration: Trafficking of Drugs and Humans; Ch07. Mulitnational Migration in the Hispanic World; Ch08. Hispanic Cinema and "Huddled Masses Yearning to Breathe Free"; Works Cited; Filmography; Index; About the Author |
| Record Nr. | UNINA-9910779253903321 |
|
Deveny Thomas G. <1950->
|
||
| Lanham, : Scarecrow Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Migration in contemporary Hispanic cinema [[electronic resource] /] / Thomas G. Deveny
| Migration in contemporary Hispanic cinema [[electronic resource] /] / Thomas G. Deveny |
| Autore | Deveny Thomas G. <1950-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2012 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 791.43098 |
| Soggetto topico |
Motion pictures - Latin America
Emigration and immigration in motion pictures Motion pictures - Social aspects - Latin America |
| ISBN |
1-280-87996-3
9786613721273 0-8108-8505-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; Ch01. Migration in Spanish Cinema; Ch02. Migration in Argentine Cinema; Ch03. Migration in Mexican Cinema; Ch04. Migration in Films from Central America; Ch05. Migration in Films from the Hispanic Caribbean; Ch06. The Underbelly of Migration: Trafficking of Drugs and Humans; Ch07. Mulitnational Migration in the Hispanic World; Ch08. Hispanic Cinema and "Huddled Masses Yearning to Breathe Free"; Works Cited; Filmography; Index; About the Author |
| Record Nr. | UNINA-9910816485503321 |
|
Deveny Thomas G. <1950->
|
||
| Lanham, : Scarecrow Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening minors in Latin American cinema / / edited by Carolina Rocha and Georgia Seminet
| Screening minors in Latin American cinema / / edited by Carolina Rocha and Georgia Seminet |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Plymouth, [England] : , : Rowman & Littlefield : , : Lexington Books, , 2014 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 791.43098 |
| Soggetto topico |
Motion pictures - Latin America - History - 20th century
Motion pictures - Latin America Motion pictures - Social aspects - Latin America |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-7391-9953-6
0-7391-9952-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Introduction; I: Coming to Voice on Screen: Minors and the Struggle for Agency; 1 Can Children Speak in Film?; 2 From the Child Who Dies to the Adolescent Who Kills; 3 Scribbles from a Little Girl; II: Children and Family Dynamics; 4 "Yo No Soy Invisible"; 5 Playing Woman in María Novaro's Lola; 6 "Be a Man!"; III: Mobile Youth: Migration, Poverty, and Violence; 7 Subjectivities in the Making; 8 Bordering Adolescence; 9 Embodying Childhood Social Agency in Gustavo Loza's Al otro lado
10 Adolescent Subjectivity and Gender-Based Sexual Violence in Marisa Sistach's Perfume de violetas (Nadie te oye) and La niña en la piedra (Nadie te ve)IV: Minors' Subjectivity in Focus: Documentary and Neorealist Cinema; 11 The Advent of Child-Centric Perspectives in Brazil's Urban-Realist Cinema; 12 Agency, Performance, and Social Recognition in Priscila Padilla's La eterna noche de las doce lunas; Index; About the Contributors |
| Record Nr. | UNINA-9910458388503321 |
| Lanham, Maryland ; ; Plymouth, [England] : , : Rowman & Littlefield : , : Lexington Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
