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Continuity and crisis in German cinema, 1928-1936 / / edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein [[electronic resource]]
| Continuity and crisis in German cinema, 1928-1936 / / edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein [[electronic resource]] |
| Pubbl/distr/stampa | Rochester, New York : , : Camden House, , 2016 |
| Descrizione fisica | 1 online resource (vi, 333 pages) : digital, PDF file(s) |
| Disciplina | 791.430943 |
| Collana | Screen cultures: German film and the visual |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Motion pictures - Political aspects - Germany - History - 20th century Motion pictures - Social aspects - Germany - History - 20th century |
| Soggetto non controllato |
European history
German cinema Hitler Nazism World War II anthropology film scholarship film studies history of film media studies sociology twentieth century Germany |
| ISBN | 1-78204-843-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I. Politics -- 1: “Timid Heresies”: Werner Hochbaum’s Razzia in St. Pauli (1932) -- 2: Film as Pedagogy in Late Weimar and Early Nazi Cinema: The Role of the Street in Mobilizing the Spectator -- Part II. The Economy -- 3: “A Fairy Tale for Grown-ups”: Financial and Cinematic Crises in Die Koffer des Herrn O.F. (1931) -- 4: “Denn Gold ist Glück und Fluch dieser Welt”: Examining the Trope of “Gold” in Gold (1934) and Der Kaiser von Kalifornien (1936) -- Part III. Concepts of Race and Ethnicity -- 5: Degenerate Disease and the Doctors of Death: Racial Hygiene Film as Propaganda in Weimar and Early Nazi Germany -- 6: “White Jews” and Dark Continents: Capitalist Critique and Its Racial Undercurrents in Detlef Sierck’s April! April! (1935) -- Part IV. Genre Cinema -- 7: The Zigeunerdrama Reloaded: Leni Riefenstahl’s Fantasy Gypsies and Sacrificial Others -- 8: Regaining Mobility: The Aviator in Weimar Mountain Films -- Part V. Making Cinema Stars -- 9: Brigitte Helm and Germany’s Star System in the 1920s and 1930s -- 10: Foreign Attractions: Czech Stars and Ethnic Masquerade -- Part VI. Film Technologies -- 11: Objects in Motion: Hans Richter’s Vormittagsspuk (1928) and the Crisis of Avant-Garde Film -- 12: Seeing Crisis in Harry Piel’s Ein Unsichtbarer geht durch die Stadt (1933) -- Part VII. German-International Film Relations -- 13: Playing the European Market: Marcel L’Herbier’s L’Argent (1928), Ufa, and German-French Film Relations -- 14: A Serious Man? Ernst Lubitsch’s Antiwar Film The Man I Killed (aka Broken Lullaby, USA 1932) -- Selected Bibliography -- Notes on the Contributors -- Index |
| Record Nr. | UNINA-9910149431903321 |
| Rochester, New York : , : Camden House, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film Societies in Germany and Austria 1910-1933 : Tracing the Social Life of Cinema / / Michael Cowan
| Film Societies in Germany and Austria 1910-1933 : Tracing the Social Life of Cinema / / Michael Cowan |
| Autore | Cowan Michael |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 791.4306043 |
| Collana | Film Culture in Transition |
| Soggetto topico |
Motion pictures - Social aspects - Austria - History - 20th century
Motion pictures - Social aspects - Germany - History - 20th century Motion pictures - Societies, etc - History HISTORY / Europe / Germany |
| Soggetto non controllato | Film societies, German cinema, Austrian cinema, film culture, film journals, media archaeology, scientific film, film industries, cinephilia, film activism |
| ISBN | 90-485-5572-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- List of Illustrations -- Introduction : What Was a Film Society? Towards a New Archaeology of Screen Communities -- 1. The Knowledge Community : The Birth of the Film Society from the Spirit of Amateur Science -- 2. The Professional Community : Conceptualizing the Film Industry in the Deutsche Kinotechnische Gesellschaft -- 3. Communities of Love : Cinephilic Film Clubs, Movie Magazines and the Viennese Kinogemeinde -- 4. The Skeptical Community : Left-Wing Film Societies and the Making of the Suspicious Spectator -- Afterword: What’s in an ‘Idea’? -- Bibliography -- Index |
| Record Nr. | UNISA-996517771403316 |
Cowan Michael
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| Amsterdam : , : Amsterdam University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Film Societies in Germany and Austria 1910-1933 : Tracing the Social Life of Cinema / / Michael Cowan
| Film Societies in Germany and Austria 1910-1933 : Tracing the Social Life of Cinema / / Michael Cowan |
| Autore | Cowan Michael |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 791.4306043 |
| Collana | Film Culture in Transition |
| Soggetto topico |
Motion pictures - Social aspects - Austria - History - 20th century
Motion pictures - Social aspects - Germany - History - 20th century Motion pictures - Societies, etc - History HISTORY / Europe / Germany |
| Soggetto non controllato | Film societies, German cinema, Austrian cinema, film culture, film journals, media archaeology, scientific film, film industries, cinephilia, film activism |
| ISBN | 90-485-5572-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- List of Illustrations -- Introduction : What Was a Film Society? Towards a New Archaeology of Screen Communities -- 1. The Knowledge Community : The Birth of the Film Society from the Spirit of Amateur Science -- 2. The Professional Community : Conceptualizing the Film Industry in the Deutsche Kinotechnische Gesellschaft -- 3. Communities of Love : Cinephilic Film Clubs, Movie Magazines and the Viennese Kinogemeinde -- 4. The Skeptical Community : Left-Wing Film Societies and the Making of the Suspicious Spectator -- Afterword: What’s in an ‘Idea’? -- Bibliography -- Index |
| Record Nr. | UNINA-9910647292403321 |
|
Cowan Michael
|
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| Amsterdam : , : Amsterdam University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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