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Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat
| Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat |
| Autore | Ehrat Johannes <1952-> |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 |
| Descrizione fisica | 1 online resource (693 p.) |
| Disciplina | 791.43014 |
| Collana | Toronto Studies in Semiotics and Communication |
| Soggetto topico |
Motion pictures - Semiotics
Motion pictures - Aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-02907-X
9786612029073 1-4426-7295-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 On Signs, Categories, and Reality and How They Relate to Cinema -- 2 Semiotic and Its Practical Use for Cinema -- 3 What 'Is' Cinema? -- 4 Narration in Film and Film Theory -- 5 Narration, Time, and Narratologies -- 6 Enunciation in Cinema -- Conclusion -- Notes -- Bibliography -- Filmography, by Director -- Index |
| Record Nr. | UNINA-9910455827503321 |
Ehrat Johannes <1952->
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat
| Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat |
| Autore | Ehrat Johannes <1952-> |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 |
| Descrizione fisica | 1 online resource (693 p.) |
| Disciplina | 791.43014 |
| Collana | Toronto Studies in Semiotics and Communication |
| Soggetto topico |
Motion pictures - Semiotics
Motion pictures - Aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-02907-X
9786612029073 1-4426-7295-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Acknowledgments""; ""Introduction""; ""1 On Signs, Categories, and Reality and How They Relate to Cinema""; ""1.1 The Use of Signs""; ""1.2 The Construction of Meaning""; ""1.3 Investigating Conduct as a Form""; ""1.4 The Categories of Behaviour""; ""1.5 The Categorial Form of Behaviour""; ""1.6 Logic of Relations""; ""1.7 The Metaphysics of Pragmaticistic Semiotic""; ""2 Semiotic and Its Practical Use for Cinema""; ""2.1 Cinema �Is� a Class of Sign""; ""2.2 The Iconism of Cinema: A first Semiotic Approach""; ""2.3 (From Film Pragmatics to) The Pragmaticism of Cinema""
""3 What �Is� Cinema?""""3.1 Cinema �Is� Syntagma""; ""3.2 Cinema �Is� Sign Function""; ""3.3 Cinema �Is� Percept""; ""3.4 Cinema �Is� Moving Matter or Time""; ""3.5 What Cinema Becomes: Theory Objects Compared, Reconciled, Rejected""; ""Intermezzo: Cinematic Imagination of Godard�s Je vous salue, Marie""; ""4 Narration in Film and Film Theory""; ""4.1 The Narratological Question, Peirce, and Cinema""; ""4.2 The Semiotic of Narrative Time""; ""4.3 Cinematic Time""; ""Intermezzo: Two Kinds of Narrative Time in Dreyer�s Ordet""; ""5 Narration, Time, and Narratologies"" ""5.1 Ricoeur�s Mimesis""""5.2 Heidegger�s Ekstasis""; ""5.3 Aristotle�s Poesis""; ""5.4 Greimas�s Semiosis""; ""5.5 Bordwell�s Formalism""; ""5.6 Olmi�s Genesi""; ""6 Enunciation in Cinema""; ""6.1 Enunciation: From Vagueness to Generality""; ""6.2 Narrative Enunciation""; ""6.3 Rhetorical Enunciation in Cinema: Meaning in Figures""; ""6.4 Aesthetic Enunciation in Film""; ""Epilogue: Two Aesthetic Processes in Cinema""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Filmography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M"" ""N""""o""; ""p""; ""q""; ""r""; ""s""; ""t""; ""u""; ""v""; ""w""; ""z"" |
| Record Nr. | UNINA-9910780689103321 |
|
Ehrat Johannes <1952->
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat
| Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat |
| Autore | Ehrat Johannes <1952-> |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 |
| Descrizione fisica | 1 online resource (693 p.) |
| Disciplina | 791.43014 |
| Collana | Toronto Studies in Semiotics and Communication |
| Soggetto topico |
Motion pictures - Semiotics
Motion pictures - Aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-02907-X
9786612029073 1-4426-7295-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Acknowledgments""; ""Introduction""; ""1 On Signs, Categories, and Reality and How They Relate to Cinema""; ""1.1 The Use of Signs""; ""1.2 The Construction of Meaning""; ""1.3 Investigating Conduct as a Form""; ""1.4 The Categories of Behaviour""; ""1.5 The Categorial Form of Behaviour""; ""1.6 Logic of Relations""; ""1.7 The Metaphysics of Pragmaticistic Semiotic""; ""2 Semiotic and Its Practical Use for Cinema""; ""2.1 Cinema �Is� a Class of Sign""; ""2.2 The Iconism of Cinema: A first Semiotic Approach""; ""2.3 (From Film Pragmatics to) The Pragmaticism of Cinema""
""3 What �Is� Cinema?""""3.1 Cinema �Is� Syntagma""; ""3.2 Cinema �Is� Sign Function""; ""3.3 Cinema �Is� Percept""; ""3.4 Cinema �Is� Moving Matter or Time""; ""3.5 What Cinema Becomes: Theory Objects Compared, Reconciled, Rejected""; ""Intermezzo: Cinematic Imagination of Godard�s Je vous salue, Marie""; ""4 Narration in Film and Film Theory""; ""4.1 The Narratological Question, Peirce, and Cinema""; ""4.2 The Semiotic of Narrative Time""; ""4.3 Cinematic Time""; ""Intermezzo: Two Kinds of Narrative Time in Dreyer�s Ordet""; ""5 Narration, Time, and Narratologies"" ""5.1 Ricoeur�s Mimesis""""5.2 Heidegger�s Ekstasis""; ""5.3 Aristotle�s Poesis""; ""5.4 Greimas�s Semiosis""; ""5.5 Bordwell�s Formalism""; ""5.6 Olmi�s Genesi""; ""6 Enunciation in Cinema""; ""6.1 Enunciation: From Vagueness to Generality""; ""6.2 Narrative Enunciation""; ""6.3 Rhetorical Enunciation in Cinema: Meaning in Figures""; ""6.4 Aesthetic Enunciation in Film""; ""Epilogue: Two Aesthetic Processes in Cinema""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Filmography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M"" ""N""""o""; ""p""; ""q""; ""r""; ""s""; ""t""; ""u""; ""v""; ""w""; ""z"" |
| Record Nr. | UNINA-9910806970403321 |
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Ehrat Johannes <1952->
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cognitive semiotics of film / / Warren Buckland [[electronic resource]]
| The cognitive semiotics of film / / Warren Buckland [[electronic resource]] |
| Autore | Buckland Warren |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
| Descrizione fisica | 1 online resource (xi, 174 pages) : digital, PDF file(s) |
| Disciplina | 791.43/01/4 |
| Soggetto topico | Motion pictures - Semiotics |
| ISBN |
1-107-11992-8
0-521-03715-8 0-511-30249-5 0-511-61314-8 0-511-15540-9 0-511-04997-8 1-280-42959-3 0-511-17521-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index |
| Record Nr. | UNINA-9910455328303321 |
|
Buckland Warren
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| Cambridge : , : Cambridge University Press, , 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cognitive semiotics of film / / Warren Buckland [[electronic resource]]
| The cognitive semiotics of film / / Warren Buckland [[electronic resource]] |
| Autore | Buckland Warren |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
| Descrizione fisica | 1 online resource (xi, 174 pages) : digital, PDF file(s) |
| Disciplina | 791.43/01/4 |
| Soggetto topico | Motion pictures - Semiotics |
| ISBN |
1-107-11992-8
0-521-03715-8 0-511-30249-5 0-511-61314-8 0-511-15540-9 0-511-04997-8 1-280-42959-3 0-511-17521-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index |
| Record Nr. | UNINA-9910780088203321 |
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Buckland Warren
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| Cambridge : , : Cambridge University Press, , 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama
| Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama |
| Autore | Okuyama Yoshiko |
| Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2015 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 791.43/615 |
| Soggetto topico |
Mythology in motion pictures
Motion pictures - Semiotics Motion pictures - Japan - History and criticism Animated films - Japan - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4985-1433-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Conventions; Part I. SEMIOTICS FOR FILM ANALYSIS; Chapter 1. Introduction: What Is Semiotics?; Chapter 2. Reading Film: The Nature of Interpretation; Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime?; Chapter 4. Storytelling: What Is in the Story?; Chapter 5. Visual Literacy: What Do We Get from Watching Film?; Part II. APPLICATION; Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003); Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000)
Chapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008)Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004); Chapter 10. Conclusion. Social Usage of Mythology; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910463621703321 |
|
Okuyama Yoshiko
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||
| Lanham, Maryland : , : Lexington Books, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama
| Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama |
| Autore | Okuyama Yoshiko |
| Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2015 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 791.43/615 |
| Soggetto topico |
Mythology in motion pictures
Motion pictures - Semiotics Motion pictures - Japan - History and criticism Animated films - Japan - History and criticism |
| ISBN | 1-4985-1433-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Conventions; Part I. SEMIOTICS FOR FILM ANALYSIS; Chapter 1. Introduction: What Is Semiotics?; Chapter 2. Reading Film: The Nature of Interpretation; Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime?; Chapter 4. Storytelling: What Is in the Story?; Chapter 5. Visual Literacy: What Do We Get from Watching Film?; Part II. APPLICATION; Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003); Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000)
Chapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008)Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004); Chapter 10. Conclusion. Social Usage of Mythology; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910788119303321 |
|
Okuyama Yoshiko
|
||
| Lanham, Maryland : , : Lexington Books, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama
| Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama |
| Autore | Okuyama Yoshiko |
| Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2015 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 791.43/615 |
| Soggetto topico |
Mythology in motion pictures
Motion pictures - Semiotics Motion pictures - Japan - History and criticism Animated films - Japan - History and criticism |
| ISBN | 1-4985-1433-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Conventions; Part I. SEMIOTICS FOR FILM ANALYSIS; Chapter 1. Introduction: What Is Semiotics?; Chapter 2. Reading Film: The Nature of Interpretation; Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime?; Chapter 4. Storytelling: What Is in the Story?; Chapter 5. Visual Literacy: What Do We Get from Watching Film?; Part II. APPLICATION; Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003); Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000)
Chapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008)Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004); Chapter 10. Conclusion. Social Usage of Mythology; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910817051803321 |
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Okuyama Yoshiko
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| Lanham, Maryland : , : Lexington Books, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Life to those shadows / / Noël Burch ; translated and edited by Ben Brewster [[electronic resource]]
| Life to those shadows / / Noël Burch ; translated and edited by Ben Brewster [[electronic resource]] |
| Autore | Burch Noël <1932-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 1990 |
| Descrizione fisica | 1 online resource (317 p. ) : ill. ; |
| Disciplina | 791.43/014 |
| Altri autori (Persone) | BrewsterBen |
| Soggetto topico |
Motion pictures - History
Motion pictures - Semiotics Silent films - History and criticism |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996248242303316 |
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Burch Noël <1932->
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| Berkeley, : University of California Press, 1990 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Multimodal film analysis : how films mean / / John A. Bateman and Karl-Heinrich Schmidt
| Multimodal film analysis : how films mean / / John A. Bateman and Karl-Heinrich Schmidt |
| Autore | Bateman John A. |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (339 p.) |
| Disciplina | 791.4301 |
| Altri autori (Persone) | SchmidtKarl-Heinrich |
| Collana | Routledge studies in multimodality |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Semiotics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-46755-6
0-203-12822-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Multimodal Film Analysis: How Films Mean; Copyright; Contents; 1 Analysing film; 1.1 Distinguishing the filmic contribution to meaning; 1.2 Examples of filmic 'textual organisation'; 1.3 Redrawing boundaries; 1.4 Organisation of the book; 2 Semiotics and documents; 2.1 Semiotics and its relations to film; 2.2 The nature of discourse semantics; 2.3 The film as cinematographic document; 2.4 A combined view: filmic documents for filmic discourse; 2.5 Summary and Conclusions; 3 Constructing the semiotic mode of film; 3.1 Semiotic multimodality; 3.2 The internal organisation of semiotic strata
3.3 Composing and combining semiotic modes3.4 Materiality and 'epistemological commitment'; 3.5 Summary and Conclusions; 4 Christian Metz and the grande syntagmatique of the image track; 4.1 The original model; 4.2 Two examples of analysis with the grande syntagmatique; 4.3 Revisions and rebuttals; 4.4 Summary and Conclusions; 5 Foundations for analysis: filmic units; 5.1 The basic units of film: preliminaries; 5.2 Audiovisual iconic representations; 5.3 Perception, perceptual realism and reliable measurement; 5.4 Multiplicity: from perception to discourse 5.5 Filmic units revisited: discourse-motivated definitions5.6 Summary and Conclusions; 6 The paradigmatic organisation of film; 6.1 Beyond Metz: towards a grande paradigmatique; 6.2 Capturing discourse dependency structures in film; 6.3 The paradigmatic dimensions of PROJECTION, TAXIS and PLANE; 6.4 Two examples of paradigmatic analysis; 6.5 Summary and Conclusions; 7 The syntagmatic organisation of film; 7.1 Basic properties of the cinematographic document; 7.2 Monochronicity; 7.3 Monospatial monochronicity; 7.4 Narrative hierarchalisation 7.5 Alternating dramaturgy and the alternating syntagma7.6 Beyond narration; 7.7 Summary and Conclusions; 8 Combining syntagmatic and paradigmatic analysis: a detailed example; 8.1 Setting up the story; 8.2 The message; 8.3 Catching sight of the money; 8.4 Casing the joint; 8.5 Grace alone; 8.6 Spying on Grace; 8.7 Grace calls for help; 8.8 Summary and Conclusions; 9 Conclusions and outlook; 9.1 Towards empirical investigations of theories of film; 9.2 Textual logic for multimodal documents; Appendix A: Formal definitions used in the book; Filmography; Bibliography; Index of Works Cited Subject and Name Index |
| Record Nr. | UNINA-9910452209503321 |
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Bateman John A.
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| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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