Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat |
Autore | Ehrat Johannes <1952-> |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 |
Descrizione fisica | 1 online resource (693 p.) |
Disciplina | 791.43014 |
Collana | Toronto Studies in Semiotics and Communication |
Soggetto topico |
Motion pictures - Semiotics
Motion pictures - Aesthetics |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-02907-X
9786612029073 1-4426-7295-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 On Signs, Categories, and Reality and How They Relate to Cinema -- 2 Semiotic and Its Practical Use for Cinema -- 3 What 'Is' Cinema? -- 4 Narration in Film and Film Theory -- 5 Narration, Time, and Narratologies -- 6 Enunciation in Cinema -- Conclusion -- Notes -- Bibliography -- Filmography, by Director -- Index |
Record Nr. | UNINA-9910455827503321 |
Ehrat Johannes <1952-> | ||
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat |
Autore | Ehrat Johannes <1952-> |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 |
Descrizione fisica | 1 online resource (693 p.) |
Disciplina | 791.43014 |
Collana | Toronto Studies in Semiotics and Communication |
Soggetto topico |
Motion pictures - Semiotics
Motion pictures - Aesthetics |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-02907-X
9786612029073 1-4426-7295-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Acknowledgments""; ""Introduction""; ""1 On Signs, Categories, and Reality and How They Relate to Cinema""; ""1.1 The Use of Signs""; ""1.2 The Construction of Meaning""; ""1.3 Investigating Conduct as a Form""; ""1.4 The Categories of Behaviour""; ""1.5 The Categorial Form of Behaviour""; ""1.6 Logic of Relations""; ""1.7 The Metaphysics of Pragmaticistic Semiotic""; ""2 Semiotic and Its Practical Use for Cinema""; ""2.1 Cinema �Is� a Class of Sign""; ""2.2 The Iconism of Cinema: A first Semiotic Approach""; ""2.3 (From Film Pragmatics to) The Pragmaticism of Cinema""
""3 What �Is� Cinema?""""3.1 Cinema �Is� Syntagma""; ""3.2 Cinema �Is� Sign Function""; ""3.3 Cinema �Is� Percept""; ""3.4 Cinema �Is� Moving Matter or Time""; ""3.5 What Cinema Becomes: Theory Objects Compared, Reconciled, Rejected""; ""Intermezzo: Cinematic Imagination of Godard�s Je vous salue, Marie""; ""4 Narration in Film and Film Theory""; ""4.1 The Narratological Question, Peirce, and Cinema""; ""4.2 The Semiotic of Narrative Time""; ""4.3 Cinematic Time""; ""Intermezzo: Two Kinds of Narrative Time in Dreyer�s Ordet""; ""5 Narration, Time, and Narratologies"" ""5.1 Ricoeur�s Mimesis""""5.2 Heidegger�s Ekstasis""; ""5.3 Aristotle�s Poesis""; ""5.4 Greimas�s Semiosis""; ""5.5 Bordwell�s Formalism""; ""5.6 Olmi�s Genesi""; ""6 Enunciation in Cinema""; ""6.1 Enunciation: From Vagueness to Generality""; ""6.2 Narrative Enunciation""; ""6.3 Rhetorical Enunciation in Cinema: Meaning in Figures""; ""6.4 Aesthetic Enunciation in Film""; ""Epilogue: Two Aesthetic Processes in Cinema""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Filmography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M"" ""N""""o""; ""p""; ""q""; ""r""; ""s""; ""t""; ""u""; ""v""; ""w""; ""z"" |
Record Nr. | UNINA-9910780689103321 |
Ehrat Johannes <1952-> | ||
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Cinema and semiotic : Peirce and film aesthetics, narration, and representation / / Johannes Ehrat |
Autore | Ehrat Johannes <1952-> |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 |
Descrizione fisica | 1 online resource (693 p.) |
Disciplina | 791.43014 |
Collana | Toronto Studies in Semiotics and Communication |
Soggetto topico |
Motion pictures - Semiotics
Motion pictures - Aesthetics |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-02907-X
9786612029073 1-4426-7295-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Contents""; ""Acknowledgments""; ""Introduction""; ""1 On Signs, Categories, and Reality and How They Relate to Cinema""; ""1.1 The Use of Signs""; ""1.2 The Construction of Meaning""; ""1.3 Investigating Conduct as a Form""; ""1.4 The Categories of Behaviour""; ""1.5 The Categorial Form of Behaviour""; ""1.6 Logic of Relations""; ""1.7 The Metaphysics of Pragmaticistic Semiotic""; ""2 Semiotic and Its Practical Use for Cinema""; ""2.1 Cinema �Is� a Class of Sign""; ""2.2 The Iconism of Cinema: A first Semiotic Approach""; ""2.3 (From Film Pragmatics to) The Pragmaticism of Cinema""
""3 What �Is� Cinema?""""3.1 Cinema �Is� Syntagma""; ""3.2 Cinema �Is� Sign Function""; ""3.3 Cinema �Is� Percept""; ""3.4 Cinema �Is� Moving Matter or Time""; ""3.5 What Cinema Becomes: Theory Objects Compared, Reconciled, Rejected""; ""Intermezzo: Cinematic Imagination of Godard�s Je vous salue, Marie""; ""4 Narration in Film and Film Theory""; ""4.1 The Narratological Question, Peirce, and Cinema""; ""4.2 The Semiotic of Narrative Time""; ""4.3 Cinematic Time""; ""Intermezzo: Two Kinds of Narrative Time in Dreyer�s Ordet""; ""5 Narration, Time, and Narratologies"" ""5.1 Ricoeur�s Mimesis""""5.2 Heidegger�s Ekstasis""; ""5.3 Aristotle�s Poesis""; ""5.4 Greimas�s Semiosis""; ""5.5 Bordwell�s Formalism""; ""5.6 Olmi�s Genesi""; ""6 Enunciation in Cinema""; ""6.1 Enunciation: From Vagueness to Generality""; ""6.2 Narrative Enunciation""; ""6.3 Rhetorical Enunciation in Cinema: Meaning in Figures""; ""6.4 Aesthetic Enunciation in Film""; ""Epilogue: Two Aesthetic Processes in Cinema""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Filmography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M"" ""N""""o""; ""p""; ""q""; ""r""; ""s""; ""t""; ""u""; ""v""; ""w""; ""z"" |
Record Nr. | UNINA-9910806970403321 |
Ehrat Johannes <1952-> | ||
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The cognitive semiotics of film / / Warren Buckland [[electronic resource]] |
Autore | Buckland Warren |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
Descrizione fisica | 1 online resource (xi, 174 pages) : digital, PDF file(s) |
Disciplina | 791.43/01/4 |
Soggetto topico | Motion pictures - Semiotics |
ISBN |
1-107-11992-8
0-521-03715-8 0-511-30249-5 0-511-61314-8 0-511-15540-9 0-511-04997-8 1-280-42959-3 0-511-17521-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index |
Record Nr. | UNINA-9910455328303321 |
Buckland Warren | ||
Cambridge : , : Cambridge University Press, , 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The cognitive semiotics of film / / Warren Buckland [[electronic resource]] |
Autore | Buckland Warren |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
Descrizione fisica | 1 online resource (xi, 174 pages) : digital, PDF file(s) |
Disciplina | 791.43/01/4 |
Soggetto topico | Motion pictures - Semiotics |
ISBN |
1-107-11992-8
0-521-03715-8 0-511-30249-5 0-511-61314-8 0-511-15540-9 0-511-04997-8 1-280-42959-3 0-511-17521-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index |
Record Nr. | UNINA-9910780088203321 |
Buckland Warren | ||
Cambridge : , : Cambridge University Press, , 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The cognitive semiotics of film / / Warren Buckland |
Autore | Buckland Warren |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge ; ; New York, : Cambridge University Press, 2000 |
Descrizione fisica | 1 online resource (xi, 174 pages) : digital, PDF file(s) |
Disciplina | 791.43/01/4 |
Soggetto topico | Motion pictures - Semiotics |
ISBN |
1-107-11992-8
0-521-03715-8 0-511-30249-5 0-511-61314-8 0-511-15540-9 0-511-04997-8 1-280-42959-3 0-511-17521-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index |
Record Nr. | UNINA-9910814117303321 |
Buckland Warren | ||
Cambridge ; ; New York, : Cambridge University Press, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama |
Autore | Okuyama Yoshiko |
Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2015 |
Descrizione fisica | 1 online resource (263 p.) |
Disciplina | 791.43/615 |
Soggetto topico |
Mythology in motion pictures
Motion pictures - Semiotics Motion pictures - Japan - History and criticism Animated films - Japan - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 1-4985-1433-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Preface; Acknowledgments; Conventions; Part I. SEMIOTICS FOR FILM ANALYSIS; Chapter 1. Introduction: What Is Semiotics?; Chapter 2. Reading Film: The Nature of Interpretation; Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime?; Chapter 4. Storytelling: What Is in the Story?; Chapter 5. Visual Literacy: What Do We Get from Watching Film?; Part II. APPLICATION; Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003); Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000)
Chapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008)Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004); Chapter 10. Conclusion. Social Usage of Mythology; Bibliography; Index; About the Author |
Record Nr. | UNINA-9910463621703321 |
Okuyama Yoshiko | ||
Lanham, Maryland : , : Lexington Books, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama |
Autore | Okuyama Yoshiko |
Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2015 |
Descrizione fisica | 1 online resource (263 p.) |
Disciplina | 791.43/615 |
Soggetto topico |
Mythology in motion pictures
Motion pictures - Semiotics Motion pictures - Japan - History and criticism Animated films - Japan - History and criticism |
ISBN | 1-4985-1433-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Preface; Acknowledgments; Conventions; Part I. SEMIOTICS FOR FILM ANALYSIS; Chapter 1. Introduction: What Is Semiotics?; Chapter 2. Reading Film: The Nature of Interpretation; Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime?; Chapter 4. Storytelling: What Is in the Story?; Chapter 5. Visual Literacy: What Do We Get from Watching Film?; Part II. APPLICATION; Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003); Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000)
Chapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008)Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004); Chapter 10. Conclusion. Social Usage of Mythology; Bibliography; Index; About the Author |
Record Nr. | UNINA-9910788119303321 |
Okuyama Yoshiko | ||
Lanham, Maryland : , : Lexington Books, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Japanese mythology in film : a semiotic approach to reading Japanese film and anime / / Yoshiko Okuyama |
Autore | Okuyama Yoshiko |
Pubbl/distr/stampa | Lanham, Maryland : , : Lexington Books, , 2015 |
Descrizione fisica | 1 online resource (263 p.) |
Disciplina | 791.43/615 |
Soggetto topico |
Mythology in motion pictures
Motion pictures - Semiotics Motion pictures - Japan - History and criticism Animated films - Japan - History and criticism |
ISBN | 1-4985-1433-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Preface; Acknowledgments; Conventions; Part I. SEMIOTICS FOR FILM ANALYSIS; Chapter 1. Introduction: What Is Semiotics?; Chapter 2. Reading Film: The Nature of Interpretation; Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime?; Chapter 4. Storytelling: What Is in the Story?; Chapter 5. Visual Literacy: What Do We Get from Watching Film?; Part II. APPLICATION; Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003); Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000)
Chapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008)Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004); Chapter 10. Conclusion. Social Usage of Mythology; Bibliography; Index; About the Author |
Record Nr. | UNINA-9910817051803321 |
Okuyama Yoshiko | ||
Lanham, Maryland : , : Lexington Books, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Life to those shadows / / Noël Burch ; translated and edited by Ben Brewster [[electronic resource]] |
Autore | Burch Noël <1932-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, 1990 |
Descrizione fisica | 1 online resource (317 p. ) : ill. ; |
Disciplina | 791.43/014 |
Altri autori (Persone) | BrewsterBen |
Soggetto topico |
Motion pictures - History
Motion pictures - Semiotics Silent films - History and criticism |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996248242303316 |
Burch Noël <1932-> | ||
Berkeley, : University of California Press, 1990 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|