Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Amending Public Law 106-206 to direct the Secretary of the Interior and the Secretary of Agriculture to require annual permits and assess annual fees for commercial filming activities on federal land for film crews of 5 persons or fewer : report together with dissenting views (to accompany accompany H.R. 2798) (including cost estimate of the Congressional Budget Office)
| Amending Public Law 106-206 to direct the Secretary of the Interior and the Secretary of Agriculture to require annual permits and assess annual fees for commercial filming activities on federal land for film crews of 5 persons or fewer : report together with dissenting views (to accompany accompany H.R. 2798) (including cost estimate of the Congressional Budget Office) |
| Pubbl/distr/stampa | [Washington, D.C.] : , : [U.S. Government Printing Office], , [2014]- |
| Descrizione fisica | 1 online resource (volumes) |
| Collana | Rept. / 113th Congress, 2d session, House of Representatives |
| Soggetto topico |
Public lands - Fees - United States
National parks and reserves - Fees - United States Motion pictures - Production and direction - United States |
| Soggetto genere / forma | Legislative materials. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Amending Public Law 106-206 to direct the Secretary of the Interior and the Secretary of Agriculture to require annual permits and assess annual fees for commercial filming activities on federal land for film crews of 5 persons or fewer |
| Record Nr. | UNINA-9910703913403321 |
| [Washington, D.C.] : , : [U.S. Government Printing Office], , [2014]- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American classic screen interviews [[electronic resource] /] / edited by John C. Tibbetts, James M. Welsh
| American classic screen interviews [[electronic resource] /] / edited by John C. Tibbetts, James M. Welsh |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, Inc., 2010 |
| Descrizione fisica | 1 online resource (287 p.) |
| Disciplina | 791.43092/2 |
| Altri autori (Persone) |
TibbettsJohn C
WelshJames Michael |
| Soggetto topico |
Motion pictures - United States
Motion pictures - Production and direction - United States Motion picture industry - United States Motion picture actors and actresses - United States Motion picture producers and directors - United States Animators - United States Film historians - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-71364-7
9786612713644 0-8108-7675-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
American Classic Screen Interviews; Contents; Foreword; Preface; Acknowledgments; Introduction; Part I: ACTORS AND ACTRESSES; Fred Astaire; Joan Bennett; Buster Crabbe; "Perfect Manners"; An Visit with Irene Dunne; Joan Fontaine; Margaret Hamilton; The MacMurrays at Home; Mike Mazurki; Twenty-Five Years with the Golden Boy (Paul Newman); Robert Preston Talks about Typecasting, Cecil B. DeMille, and Victor/Victoria; Esther Ralston; America's Boyfriend; That Beautiful Brat; Part II: BEHIND THE CAMERA: THE DIRECTORS; Frank Capra; Stanley Donen; Hollywood Royalty; Mervyn LeRoy; Rouben Mamoulian
Part III: BEHIND THE CAMERA: THE CRAFTSMENBernard Brown; "I Never Saw a Mountain I Wouldn't Climb"; Winton Hoch; In Step with Hermes Pan; Glen MacWilliams; Part IV: ANIMATION; From Kansas City to Hollywood; Ollie Johnston on "Classic" Disney Animation; Lord Love a Duck!; Part V: FILM HISTORIANS; An Interview with Kevin Brownlow; Adventures in Film History with William K. Everson; Index; About the Editors; About the Contributors |
| Record Nr. | UNINA-9910458844903321 |
| Lanham, : Scarecrow Press, Inc., 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American classic screen interviews [[electronic resource] /] / edited by John C. Tibbetts, James M. Welsh
| American classic screen interviews [[electronic resource] /] / edited by John C. Tibbetts, James M. Welsh |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, Inc., 2010 |
| Descrizione fisica | 1 online resource (287 p.) |
| Disciplina | 791.43092/2 |
| Altri autori (Persone) |
TibbettsJohn C
WelshJames Michael |
| Soggetto topico |
Motion pictures - United States
Motion pictures - Production and direction - United States Motion picture industry - United States Motion picture actors and actresses - United States Motion picture producers and directors - United States Animators - United States Film historians - United States |
| ISBN |
1-282-71364-7
9786612713644 0-8108-7675-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
American Classic Screen Interviews; Contents; Foreword; Preface; Acknowledgments; Introduction; Part I: ACTORS AND ACTRESSES; Fred Astaire; Joan Bennett; Buster Crabbe; "Perfect Manners"; An Visit with Irene Dunne; Joan Fontaine; Margaret Hamilton; The MacMurrays at Home; Mike Mazurki; Twenty-Five Years with the Golden Boy (Paul Newman); Robert Preston Talks about Typecasting, Cecil B. DeMille, and Victor/Victoria; Esther Ralston; America's Boyfriend; That Beautiful Brat; Part II: BEHIND THE CAMERA: THE DIRECTORS; Frank Capra; Stanley Donen; Hollywood Royalty; Mervyn LeRoy; Rouben Mamoulian
Part III: BEHIND THE CAMERA: THE CRAFTSMENBernard Brown; "I Never Saw a Mountain I Wouldn't Climb"; Winton Hoch; In Step with Hermes Pan; Glen MacWilliams; Part IV: ANIMATION; From Kansas City to Hollywood; Ollie Johnston on "Classic" Disney Animation; Lord Love a Duck!; Part V: FILM HISTORIANS; An Interview with Kevin Brownlow; Adventures in Film History with William K. Everson; Index; About the Editors; About the Contributors |
| Record Nr. | UNINA-9910791587103321 |
| Lanham, : Scarecrow Press, Inc., 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American classic screen interviews / / edited by John C. Tibbetts, James M. Welsh
| American classic screen interviews / / edited by John C. Tibbetts, James M. Welsh |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, Inc., 2010 |
| Descrizione fisica | 1 online resource (287 p.) |
| Disciplina | 791.43092/2 |
| Altri autori (Persone) |
TibbettsJohn C
WelshJames Michael |
| Soggetto topico |
Motion pictures - United States
Motion pictures - Production and direction - United States Motion picture industry - United States Motion picture actors and actresses - United States Motion picture producers and directors - United States Animators - United States Film historians - United States |
| ISBN |
1-282-71364-7
9786612713644 0-8108-7675-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
American Classic Screen Interviews; Contents; Foreword; Preface; Acknowledgments; Introduction; Part I: ACTORS AND ACTRESSES; Fred Astaire; Joan Bennett; Buster Crabbe; "Perfect Manners"; An Visit with Irene Dunne; Joan Fontaine; Margaret Hamilton; The MacMurrays at Home; Mike Mazurki; Twenty-Five Years with the Golden Boy (Paul Newman); Robert Preston Talks about Typecasting, Cecil B. DeMille, and Victor/Victoria; Esther Ralston; America's Boyfriend; That Beautiful Brat; Part II: BEHIND THE CAMERA: THE DIRECTORS; Frank Capra; Stanley Donen; Hollywood Royalty; Mervyn LeRoy; Rouben Mamoulian
Part III: BEHIND THE CAMERA: THE CRAFTSMENBernard Brown; "I Never Saw a Mountain I Wouldn't Climb"; Winton Hoch; In Step with Hermes Pan; Glen MacWilliams; Part IV: ANIMATION; From Kansas City to Hollywood; Ollie Johnston on "Classic" Disney Animation; Lord Love a Duck!; Part V: FILM HISTORIANS; An Interview with Kevin Brownlow; Adventures in Film History with William K. Everson; Index; About the Editors; About the Contributors |
| Record Nr. | UNINA-9910818609603321 |
| Lanham, : Scarecrow Press, Inc., 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra
| Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra |
| Autore | Berra John |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2008 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Experimental films - United States
Independent filmmakers - United States Independent films - Production and direction - United States Low budget films - United States Motion pictures - Production and direction - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-17235-9
9786611172350 1-84150-218-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Chapter One - Genesis: Modern American Independent Cinema and its Position within an Industry of Mass Production; Chapter Two - Ancestry of Independence: Easy Rider and the Declaration of a New American Cinema; Chapter Three - The Art of the Possible: Hollywood Feature Film Production since 1970; Chapter Four - Oppositional Fantasies: The Economic Structure of American Independent Cinema and its Essential Lineaments
Chapter Five - Loyalty to the Rhetoric: Four American Film-makers and their Commitment to an Autonomous Mode of Cultural ProductionChapter Six - Graduating Class: American Independent Cinema as Finishing School; Chapter Seven - A Cultural Comparison: British Independent Cinema and its Relation to its American Counterpart; Chapter Eight - Selective Exhibition: The Sundance Film Festival and its Significance to the Independent Sector; Chapter Nine - The Business of Art: Miramax Films and the Cultivation of the Niche Market Chapter Ten - The Reception of an Alternative Americana: Audiences and American Independent CinemaBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910458066903321 |
Berra John
|
||
| Bristol, UK ; ; Chicago, : Intellect, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra
| Declarations of independence [[electronic resource] ] : American cinema and the partiality of independent production / / John Berra |
| Autore | Berra John |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2008 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Experimental films - United States
Independent filmmakers - United States Independent films - Production and direction - United States Low budget films - United States Motion pictures - Production and direction - United States |
| ISBN |
1-281-17235-9
9786611172350 1-84150-218-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Chapter One - Genesis: Modern American Independent Cinema and its Position within an Industry of Mass Production; Chapter Two - Ancestry of Independence: Easy Rider and the Declaration of a New American Cinema; Chapter Three - The Art of the Possible: Hollywood Feature Film Production since 1970; Chapter Four - Oppositional Fantasies: The Economic Structure of American Independent Cinema and its Essential Lineaments
Chapter Five - Loyalty to the Rhetoric: Four American Film-makers and their Commitment to an Autonomous Mode of Cultural ProductionChapter Six - Graduating Class: American Independent Cinema as Finishing School; Chapter Seven - A Cultural Comparison: British Independent Cinema and its Relation to its American Counterpart; Chapter Eight - Selective Exhibition: The Sundance Film Festival and its Significance to the Independent Sector; Chapter Nine - The Business of Art: Miramax Films and the Cultivation of the Niche Market Chapter Ten - The Reception of an Alternative Americana: Audiences and American Independent CinemaBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910784793803321 |
|
Berra John
|
||
| Bristol, UK ; ; Chicago, : Intellect, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Declarations of independence : American cinema and the partiality of independent production / / John Berra
| Declarations of independence : American cinema and the partiality of independent production / / John Berra |
| Autore | Berra John |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2008 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Experimental films - United States
Independent filmmakers - United States Independent films - Production and direction - United States Low budget films - United States Motion pictures - Production and direction - United States |
| ISBN |
1-281-17235-9
9786611172350 1-84150-218-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Chapter One - Genesis: Modern American Independent Cinema and its Position within an Industry of Mass Production; Chapter Two - Ancestry of Independence: Easy Rider and the Declaration of a New American Cinema; Chapter Three - The Art of the Possible: Hollywood Feature Film Production since 1970; Chapter Four - Oppositional Fantasies: The Economic Structure of American Independent Cinema and its Essential Lineaments
Chapter Five - Loyalty to the Rhetoric: Four American Film-makers and their Commitment to an Autonomous Mode of Cultural ProductionChapter Six - Graduating Class: American Independent Cinema as Finishing School; Chapter Seven - A Cultural Comparison: British Independent Cinema and its Relation to its American Counterpart; Chapter Eight - Selective Exhibition: The Sundance Film Festival and its Significance to the Independent Sector; Chapter Nine - The Business of Art: Miramax Films and the Cultivation of the Niche Market Chapter Ten - The Reception of an Alternative Americana: Audiences and American Independent CinemaBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910806966103321 |
|
Berra John
|
||
| Bristol, UK ; ; Chicago, : Intellect, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
George Cukor : Hollywood master / / edited by Murray Pomerance and R. Barton Palmer [[electronic resource]]
| George Cukor : Hollywood master / / edited by Murray Pomerance and R. Barton Palmer [[electronic resource]] |
| Autore | Pomerance Murray |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2015 |
| Descrizione fisica | 1 online resource (xi, 186 pages) : digital, PDF file(s) |
| Disciplina | 791.430233092 |
| Soggetto topico | Motion pictures - Production and direction - United States |
| ISBN |
1-4744-1602-0
0-7486-9357-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Figures; Contributors; Acknowledgments; Introduction - R. Barton Palmer and Murray Pomerance; The Career; Working Methods; Atmospheric Touches; Chapter 1 - Cukor's Tragicomedies of Marriage: Dinner at Eight, No More Ladies, The Women, and The Marrying Kind - Maureen Turim; Dinner at Eight; The Women; No More Ladies; The Marrying Kind; Chapter 2 - George Cukor's Late Style: Justine, Travels With My Aunt, and Rich and Famous - James Morrison; Justine and New Hollywood Modernism; Abstraction and Rhythm in Travels With My Aunt; Queer Cukor: Rich and Famous
Chapter 3 - Libel, Scandal, and Bad Big Names: It Should Happen to You, Les Girls, Camille, and Romeo and Juliet - Dominic LennardBringing her Back to Earth: It Should Happen to You; Calling the Tune: Les Girls; Swooning Out of Step: Camille and Romeo and Juliet; Conclusion; Chapter 4 - The Cukor "Problem": David Copperfield, Holiday, and The Philadelphia Story - Robert B. Ray; David Copperfield; Holiday; The Philadelphia Story; Notes Chapter 5 - Modulations of the Shot: The Quiet Film Style of George Cukor in What Price Hollywood?, Born Yesterday, Sylvia Scarlett, and My Fair Lady - Lee CarruthersReading Realistic Textures: What Price Hollywood? and Born Yesterday; The Facilitating Frame: Sylvia Scarlett and My Fair Lady; Conclusion; Note; Chapter 6 - Doubling in the Cinema of George Cukor: The Royal Family of Broadway, A Bill of Divorcement, A Double Life, and Bhowani Junction - Michael DeAngelis; The Royal Family of Broadway; A Bill of Divorcement; A Double Life; Bhowani Junction Chapter 7 - George Cukor and the Case of an Actor's Director: Hepburn and/or Tracy in Little Women, The Actress, Keeper of the Flame, Adam's Rib, and Pat and Mike - Charlie KeilSolo Turns: Little Women and The Actress; Performing as a Couple: Keeper of the Flame, Adam's Rib, and Pat and Mike; Chapter 8 - Cukor Maudit: Tarnished Lady, Girls About Town, Our Betters, Susan and God, Desire Me, Edward, My Son, The Model and the Marriage Broker, Let's Make Love, and The Chapman Report - Bill Krohn; The Dangerous Thirties; The Darkling Forties; From the Fifties to the Sixties; Note Chapter 9 - George Cukor's Theatrical Feminism: Gaslight, Heller in Pink Tights, A Life of Her Own, and A Star is Born - Linda Ruth WilliamsGaslight: Home/Theater; All the World's a Stage: Heller in Pink Tights; "I don't wanna see": A Life of Her Own; Onstage and Backstage in A Star is Born; Notes; Chapter 10 - The Furthest Side of Paradise: Two-Faced Woman, A Woman's Face, Hot Spell, Wild is the Wind, and Winged Victory - R. Barton Palmer; An Unexpected Failure: Two-Faced Woman; More Script Trouble: A Woman's Face; Rescuing Hal Wallis Two Times: Wild is the Wind and Hot Spell A Worthy Contribution to the War Effort: Winged Victory |
| Record Nr. | UNINA-9910792470503321 |
|
Pomerance Murray
|
||
| Edinburgh : , : Edinburgh University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
George Cukor : Hollywood master / / edited by Murray Pomerance and R. Barton Palmer [[electronic resource]]
| George Cukor : Hollywood master / / edited by Murray Pomerance and R. Barton Palmer [[electronic resource]] |
| Autore | Pomerance Murray |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2015 |
| Descrizione fisica | 1 online resource (xi, 186 pages) : digital, PDF file(s) |
| Disciplina | 791.430233092 |
| Soggetto topico | Motion pictures - Production and direction - United States |
| ISBN |
1-4744-1602-0
0-7486-9357-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Figures; Contributors; Acknowledgments; Introduction - R. Barton Palmer and Murray Pomerance; The Career; Working Methods; Atmospheric Touches; Chapter 1 - Cukor's Tragicomedies of Marriage: Dinner at Eight, No More Ladies, The Women, and The Marrying Kind - Maureen Turim; Dinner at Eight; The Women; No More Ladies; The Marrying Kind; Chapter 2 - George Cukor's Late Style: Justine, Travels With My Aunt, and Rich and Famous - James Morrison; Justine and New Hollywood Modernism; Abstraction and Rhythm in Travels With My Aunt; Queer Cukor: Rich and Famous
Chapter 3 - Libel, Scandal, and Bad Big Names: It Should Happen to You, Les Girls, Camille, and Romeo and Juliet - Dominic LennardBringing her Back to Earth: It Should Happen to You; Calling the Tune: Les Girls; Swooning Out of Step: Camille and Romeo and Juliet; Conclusion; Chapter 4 - The Cukor "Problem": David Copperfield, Holiday, and The Philadelphia Story - Robert B. Ray; David Copperfield; Holiday; The Philadelphia Story; Notes Chapter 5 - Modulations of the Shot: The Quiet Film Style of George Cukor in What Price Hollywood?, Born Yesterday, Sylvia Scarlett, and My Fair Lady - Lee CarruthersReading Realistic Textures: What Price Hollywood? and Born Yesterday; The Facilitating Frame: Sylvia Scarlett and My Fair Lady; Conclusion; Note; Chapter 6 - Doubling in the Cinema of George Cukor: The Royal Family of Broadway, A Bill of Divorcement, A Double Life, and Bhowani Junction - Michael DeAngelis; The Royal Family of Broadway; A Bill of Divorcement; A Double Life; Bhowani Junction Chapter 7 - George Cukor and the Case of an Actor's Director: Hepburn and/or Tracy in Little Women, The Actress, Keeper of the Flame, Adam's Rib, and Pat and Mike - Charlie KeilSolo Turns: Little Women and The Actress; Performing as a Couple: Keeper of the Flame, Adam's Rib, and Pat and Mike; Chapter 8 - Cukor Maudit: Tarnished Lady, Girls About Town, Our Betters, Susan and God, Desire Me, Edward, My Son, The Model and the Marriage Broker, Let's Make Love, and The Chapman Report - Bill Krohn; The Dangerous Thirties; The Darkling Forties; From the Fifties to the Sixties; Note Chapter 9 - George Cukor's Theatrical Feminism: Gaslight, Heller in Pink Tights, A Life of Her Own, and A Star is Born - Linda Ruth WilliamsGaslight: Home/Theater; All the World's a Stage: Heller in Pink Tights; "I don't wanna see": A Life of Her Own; Onstage and Backstage in A Star is Born; Notes; Chapter 10 - The Furthest Side of Paradise: Two-Faced Woman, A Woman's Face, Hot Spell, Wild is the Wind, and Winged Victory - R. Barton Palmer; An Unexpected Failure: Two-Faced Woman; More Script Trouble: A Woman's Face; Rescuing Hal Wallis Two Times: Wild is the Wind and Hot Spell A Worthy Contribution to the War Effort: Winged Victory |
| Record Nr. | UNINA-9910826209903321 |
|
Pomerance Murray
|
||
| Edinburgh : , : Edinburgh University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
More Than Meets the Eye : Special Effects and the Fantastic Transmedia Franchise / / Bob Rehak
| More Than Meets the Eye : Special Effects and the Fantastic Transmedia Franchise / / Bob Rehak |
| Autore | Rehak Bob |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2018] |
| Descrizione fisica | 1 online resource : illustrations (black and white) |
| Disciplina | 791.43024 |
| Collana | Postmillennial Pop |
| Soggetto topico |
Mass media
Blockbusters (Motion pictures) Motion pictures - Production and direction - United States Cinematography - Special effects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4798-9707-8
1-4798-6682-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- 1. That Which Survives -- 2. Used Universes and Immaculate Realities -- 3. Chains of Evidence -- 4. Microgenres in Migration -- Conclusion -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author |
| Record Nr. | UNINA-9910480571403321 |
|
Rehak Bob
|
||
| New York, NY : , : New York University Press, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
