Afterimages of Gilles Deleuze's film philosophy [[electronic resource] /] / D. N. Rodowick, editor |
Pubbl/distr/stampa | Minneapolis, Minnesota : , : University of Minnesota Press, , 2010 |
Descrizione fisica | 1 online resource (xxiv, 396 pages); : illustrations |
Disciplina | 791.4301 |
Soggetto topico | Motion pictures - Philosophy |
ISBN | 0-8166-7072-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents --Acknowledgments --Introduction: What Does Time Express? --part I. Doublings --part II. Ethics --part III. Becomings --part IV. Experiments --part V. Futures --Publication History --Contributors --Index. |
Record Nr. | UNINA-9910456857803321 |
Minneapolis, Minnesota : , : University of Minnesota Press, , 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Afterimages of Gilles Deleuze's film philosophy [[electronic resource] /] / D. N. Rodowick, editor |
Pubbl/distr/stampa | Minneapolis, Minnesota : , : University of Minnesota Press, , 2010 |
Descrizione fisica | 1 online resource (xxiv, 396 pages); : illustrations |
Disciplina | 791.4301 |
Soggetto topico | Motion pictures - Philosophy |
ISBN | 0-8166-7072-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents --Acknowledgments --Introduction: What Does Time Express? --part I. Doublings --part II. Ethics --part III. Becomings --part IV. Experiments --part V. Futures --Publication History --Contributors --Index. |
Record Nr. | UNINA-9910780974003321 |
Minneapolis, Minnesota : , : University of Minnesota Press, , 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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The altering eye [[electronic resource] ] : contemporary international cinema / / Robert Phillip Kolker |
Autore | Kolker Robert Philip |
Edizione | [Rev. ed. with a new preface and up updated bibliography.] |
Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2009 |
Descrizione fisica | 1 online resource (xviii, 326 pages) : illustrations, photographs; digital, PDF file(s) |
Disciplina | 791.4309045 |
Soggetto topico |
Motion picture plays - History and criticism
Motion pictures - Philosophy |
Soggetto non controllato |
movies
cinema rainer maria fassbinder european film joseph losey jean-luc godard film film studies glauber rocha new german cinema Filmmaking |
ISBN |
1-906924-03-1
2-8218-1695-2 1-906924-05-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | New Preface -- Introduction -- 1. The Validity of the Image -- 2. The Substance of Form -- 3. Politics, Psychology, and Memory -- Notes -- Annotated Bibliography -- Selected Bibliography on European Cinema Since 1983 -- Index. |
Record Nr. | UNINA-9910141561703321 |
Kolker Robert Philip
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Cambridge, : Open Book Publishers, 2009 | ||
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Lo trovi qui: Univ. Federico II | ||
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The altering eye [[electronic resource] ] : contemporary international cinema / / Robert Phillip Kolker |
Autore | Kolker Robert Philip |
Edizione | [Rev. ed. with a new preface and up updated bibliography.] |
Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2009 |
Descrizione fisica | 1 online resource (xviii, 326 pages) : illustrations, photographs; digital, PDF file(s) |
Disciplina | 791.4309045 |
Soggetto topico |
Motion picture plays - History and criticism
Motion pictures - Philosophy |
Soggetto non controllato |
movies
cinema rainer maria fassbinder european film joseph losey jean-luc godard film film studies glauber rocha new german cinema Filmmaking |
ISBN |
1-906924-03-1
2-8218-1695-2 1-906924-05-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | New Preface -- Introduction -- 1. The Validity of the Image -- 2. The Substance of Form -- 3. Politics, Psychology, and Memory -- Notes -- Annotated Bibliography -- Selected Bibliography on European Cinema Since 1983 -- Index. |
Record Nr. | UNISA-996210785703316 |
Kolker Robert Philip
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Cambridge, : Open Book Publishers, 2009 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
Autore | Bazin André <1918-1958, > |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (590 p.) |
Disciplina | 791.4 |
Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
Soggetto genere / forma | Electronic books. |
ISBN |
0-520-28357-0
0-520-95939-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
Record Nr. | UNINA-9910458473603321 |
Bazin André <1918-1958, >
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Oakland, California : , : University of California Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
Autore | Bazin André <1918-1958, > |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (590 p.) |
Disciplina | 791.4 |
Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
ISBN |
0-520-28357-0
0-520-95939-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
Record Nr. | UNINA-9910791151703321 |
Bazin André <1918-1958, >
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Oakland, California : , : University of California Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
Autore | Bazin André <1918-1958, > |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (590 p.) |
Disciplina | 791.4 |
Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
ISBN |
0-520-28357-0
0-520-95939-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
Record Nr. | UNINA-9910809787503321 |
Bazin André <1918-1958, >
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Oakland, California : , : University of California Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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The architecture of the screen : essays in cinematographic space / / Graham Cairns ; foreword by François Penz ; Holly Rose, cover designer |
Autore | Cairns Graham |
Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina | 791.4301 |
Altri autori (Persone) |
PenzFrançois
RoseHolly |
Soggetto topico |
Motion pictures - Philosophy
Space (Architecture) in motion pictures Motion pictures - Influence |
Soggetto genere / forma | Electronic books. |
ISBN |
1-78320-212-2
1-78320-211-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover""; ""Half Title ""; ""Title ""; ""Copyright ""; ""Table of Contents ""; ""Foreword by FranÃois Penz ""; ""Introduction ""; ""Part I: Film reviews ""; ""The cinema of the French New Wave and the illusionism of SITE architects Les Carabiniers. 1963 ""; ""The architecture of Diller and Scofidio: The screen and surveillance Das Experiment. 2001 ""; ""The “cutâ€? in the architecture of Jean Nouvel and the scenery of Ken Adam You Only Live Twice. 1967 ""; ""The visual narratives of Resnais in the architecture of Carlo Scarpa Hiroshima Mon Amour. 1959 ""
""Venturi and Antonioni: The modern city and the phenomenon of the moving image Zabriskie Point. 1970 """"Part II: Applying film to architecture ""; ""Video Installation: Hybrid Artworks ""; ""The physical experience of space and the sensorial perception of image ""; ""Performance 1. Shadows ""; ""Performance 2. Memories ""; ""Performance 3. Echoes ""; ""Incidental Legacy: A technical description ""; ""The physical experience of image and the sensorial perception of space ""; ""The world imagined by Diller and Scofidio ""; ""Performance: Jet Lag ""; ""Installation: Loophole "" ""Architecture: The Slow House """"Cinematographic architecture: Exercises in theory and practice ""; ""Cinematographic space: A study of Citizen Kane""; ""Scene 1. Citizen Kane ""; ""Scene 2. Citizen Kane ""; ""Scene 3. Citizen Kane ""; ""Scene 4. Citizen Kane ""; ""From the contradictions of film to the creativity of architecture: Design workshop ""; ""Stage 1. Cinematographic analysis of film ""; ""Stage 2. Filming space ""; ""Stage 3. Storyboarding spaces ""; ""Stage 4. Storyboarding architectural events ""; ""Stage 5. Design proposals ""; ""Part III: Conceptual essays "" ""The hybridisation of sight in the hybrid architecture of sport: The effects of television on stadia and spectatorship """"Cinematic movement in the work of Le Corbusier and Sergei Eisenstein ""; ""The historical construction of cinematic space: An architectural perspective on the films of Jean Renoir and Yasujiro Ozu ""; ""Cinematic phenomenology in architecture: The Cartier Foundation, Paris, Jean Nouvel ""; ""Cinematic space and time: The morphing of a theory in film and architecture ""; ""Conclusion ""; ""Bibliography ""; ""Index ""; ""Index of Images ""; ""Back Cover"" |
Record Nr. | UNINA-9910464165003321 |
Cairns Graham
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Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The architecture of the screen : essays in cinematographic space / / Graham Cairns ; foreword by François Penz ; Holly Rose, cover designer |
Autore | Cairns Graham |
Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina | 791.4301 |
Altri autori (Persone) |
PenzFrançois
RoseHolly |
Soggetto topico |
Motion pictures - Philosophy
Space (Architecture) in motion pictures Motion pictures - Influence |
ISBN |
1-78320-212-2
1-78320-211-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover""; ""Half Title ""; ""Title ""; ""Copyright ""; ""Table of Contents ""; ""Foreword by FranÃois Penz ""; ""Introduction ""; ""Part I: Film reviews ""; ""The cinema of the French New Wave and the illusionism of SITE architects Les Carabiniers. 1963 ""; ""The architecture of Diller and Scofidio: The screen and surveillance Das Experiment. 2001 ""; ""The “cutâ€? in the architecture of Jean Nouvel and the scenery of Ken Adam You Only Live Twice. 1967 ""; ""The visual narratives of Resnais in the architecture of Carlo Scarpa Hiroshima Mon Amour. 1959 ""
""Venturi and Antonioni: The modern city and the phenomenon of the moving image Zabriskie Point. 1970 """"Part II: Applying film to architecture ""; ""Video Installation: Hybrid Artworks ""; ""The physical experience of space and the sensorial perception of image ""; ""Performance 1. Shadows ""; ""Performance 2. Memories ""; ""Performance 3. Echoes ""; ""Incidental Legacy: A technical description ""; ""The physical experience of image and the sensorial perception of space ""; ""The world imagined by Diller and Scofidio ""; ""Performance: Jet Lag ""; ""Installation: Loophole "" ""Architecture: The Slow House """"Cinematographic architecture: Exercises in theory and practice ""; ""Cinematographic space: A study of Citizen Kane""; ""Scene 1. Citizen Kane ""; ""Scene 2. Citizen Kane ""; ""Scene 3. Citizen Kane ""; ""Scene 4. Citizen Kane ""; ""From the contradictions of film to the creativity of architecture: Design workshop ""; ""Stage 1. Cinematographic analysis of film ""; ""Stage 2. Filming space ""; ""Stage 3. Storyboarding spaces ""; ""Stage 4. Storyboarding architectural events ""; ""Stage 5. Design proposals ""; ""Part III: Conceptual essays "" ""The hybridisation of sight in the hybrid architecture of sport: The effects of television on stadia and spectatorship """"Cinematic movement in the work of Le Corbusier and Sergei Eisenstein ""; ""The historical construction of cinematic space: An architectural perspective on the films of Jean Renoir and Yasujiro Ozu ""; ""Cinematic phenomenology in architecture: The Cartier Foundation, Paris, Jean Nouvel ""; ""Cinematic space and time: The morphing of a theory in film and architecture ""; ""Conclusion ""; ""Bibliography ""; ""Index ""; ""Index of Images ""; ""Back Cover"" |
Record Nr. | UNINA-9910789130803321 |
Cairns Graham
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||
Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The architecture of the screen : essays in cinematographic space / / Graham Cairns ; foreword by François Penz ; Holly Rose, cover designer |
Autore | Cairns Graham |
Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 |
Descrizione fisica | 1 online resource (360 p.) |
Disciplina | 791.4301 |
Altri autori (Persone) |
PenzFrançois
RoseHolly |
Soggetto topico |
Motion pictures - Philosophy
Space (Architecture) in motion pictures Motion pictures - Influence |
ISBN |
1-78320-212-2
1-78320-211-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover""; ""Half Title ""; ""Title ""; ""Copyright ""; ""Table of Contents ""; ""Foreword by FranÃois Penz ""; ""Introduction ""; ""Part I: Film reviews ""; ""The cinema of the French New Wave and the illusionism of SITE architects Les Carabiniers. 1963 ""; ""The architecture of Diller and Scofidio: The screen and surveillance Das Experiment. 2001 ""; ""The “cutâ€? in the architecture of Jean Nouvel and the scenery of Ken Adam You Only Live Twice. 1967 ""; ""The visual narratives of Resnais in the architecture of Carlo Scarpa Hiroshima Mon Amour. 1959 ""
""Venturi and Antonioni: The modern city and the phenomenon of the moving image Zabriskie Point. 1970 """"Part II: Applying film to architecture ""; ""Video Installation: Hybrid Artworks ""; ""The physical experience of space and the sensorial perception of image ""; ""Performance 1. Shadows ""; ""Performance 2. Memories ""; ""Performance 3. Echoes ""; ""Incidental Legacy: A technical description ""; ""The physical experience of image and the sensorial perception of space ""; ""The world imagined by Diller and Scofidio ""; ""Performance: Jet Lag ""; ""Installation: Loophole "" ""Architecture: The Slow House """"Cinematographic architecture: Exercises in theory and practice ""; ""Cinematographic space: A study of Citizen Kane""; ""Scene 1. Citizen Kane ""; ""Scene 2. Citizen Kane ""; ""Scene 3. Citizen Kane ""; ""Scene 4. Citizen Kane ""; ""From the contradictions of film to the creativity of architecture: Design workshop ""; ""Stage 1. Cinematographic analysis of film ""; ""Stage 2. Filming space ""; ""Stage 3. Storyboarding spaces ""; ""Stage 4. Storyboarding architectural events ""; ""Stage 5. Design proposals ""; ""Part III: Conceptual essays "" ""The hybridisation of sight in the hybrid architecture of sport: The effects of television on stadia and spectatorship """"Cinematic movement in the work of Le Corbusier and Sergei Eisenstein ""; ""The historical construction of cinematic space: An architectural perspective on the films of Jean Renoir and Yasujiro Ozu ""; ""Cinematic phenomenology in architecture: The Cartier Foundation, Paris, Jean Nouvel ""; ""Cinematic space and time: The morphing of a theory in film and architecture ""; ""Conclusion ""; ""Bibliography ""; ""Index ""; ""Index of Images ""; ""Back Cover"" |
Record Nr. | UNINA-9910828146203321 |
Cairns Graham
![]() |
||
Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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