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Bollywood in the age of new media [[electronic resource] ] : the geo-televisual aesthetic / / Anustup Basu
| Bollywood in the age of new media [[electronic resource] ] : the geo-televisual aesthetic / / Anustup Basu |
| Autore | Basu Anustup |
| Pubbl/distr/stampa | Edinburgh, : Edinburgh University Press, c2010 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.430954 |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - Bombay - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-7486-5124-1
1-282-89980-5 9786612899805 0-7486-4323-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Contents; List of Figures; Acknowledgments; Part I Introduction; CHAPTER 1 Cinematic "Assemblages": The 1990's and Earlier; CHAPTER 2 The Geo-televisual and Hindi Film in the Age of Information; Part II Informatics, Sovereignty, and the Cinematic City; CHAPTER 3 Allegories of Power/Information; CHAPTER 4 The Music of Intolerable Love: Indian Film Music, Globalization, and the Sound of Partitioned Selves; Part III Myth and Repetition; CHAPTER 5 Technopolis and the Ramayana: New Temporalities; CHAPTER 6 Repetitions with Difference: Mother India and her Thousand Sons; Epilogue
BibliographyIndex |
| Record Nr. | UNINA-9910459056203321 |
Basu Anustup
|
||
| Edinburgh, : Edinburgh University Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bollywood in the age of new media [[electronic resource] ] : the geo-televisual aesthetic / / Anustup Basu
| Bollywood in the age of new media [[electronic resource] ] : the geo-televisual aesthetic / / Anustup Basu |
| Autore | Basu Anustup |
| Pubbl/distr/stampa | Edinburgh, : Edinburgh University Press, c2010 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.430954 |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - Bombay - History |
| ISBN |
0-7486-5124-1
1-282-89980-5 9786612899805 0-7486-4323-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Contents; List of Figures; Acknowledgments; Part I Introduction; CHAPTER 1 Cinematic "Assemblages": The 1990's and Earlier; CHAPTER 2 The Geo-televisual and Hindi Film in the Age of Information; Part II Informatics, Sovereignty, and the Cinematic City; CHAPTER 3 Allegories of Power/Information; CHAPTER 4 The Music of Intolerable Love: Indian Film Music, Globalization, and the Sound of Partitioned Selves; Part III Myth and Repetition; CHAPTER 5 Technopolis and the Ramayana: New Temporalities; CHAPTER 6 Repetitions with Difference: Mother India and her Thousand Sons; Epilogue
BibliographyIndex |
| Record Nr. | UNINA-9910785358903321 |
|
Basu Anustup
|
||
| Edinburgh, : Edinburgh University Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bollywood in the age of new media : the geo-televisual aesthetic / / Anustup Basu
| Bollywood in the age of new media : the geo-televisual aesthetic / / Anustup Basu |
| Autore | Basu Anustup |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Edinburgh, : Edinburgh University Press, c2010 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.430954 |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - Bombay - History |
| ISBN |
0-7486-5124-1
1-282-89980-5 9786612899805 0-7486-4323-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Contents; List of Figures; Acknowledgments; Part I Introduction; CHAPTER 1 Cinematic "Assemblages": The 1990's and Earlier; CHAPTER 2 The Geo-televisual and Hindi Film in the Age of Information; Part II Informatics, Sovereignty, and the Cinematic City; CHAPTER 3 Allegories of Power/Information; CHAPTER 4 The Music of Intolerable Love: Indian Film Music, Globalization, and the Sound of Partitioned Selves; Part III Myth and Repetition; CHAPTER 5 Technopolis and the Ramayana: New Temporalities; CHAPTER 6 Repetitions with Difference: Mother India and her Thousand Sons; Epilogue
BibliographyIndex |
| Record Nr. | UNINA-9910819859803321 |
|
Basu Anustup
|
||
| Edinburgh, : Edinburgh University Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Routledge handbook of Indian cinemas / / edited K. Moti Gokulsing and Wimal Dissanayake ; editorial assistant Rohit K. Dasgupta
| Routledge handbook of Indian cinemas / / edited K. Moti Gokulsing and Wimal Dissanayake ; editorial assistant Rohit K. Dasgupta |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (1264 p.) |
| Disciplina | 791.430954 |
| Altri autori (Persone) |
DasguptaRohit K
DissanayakeWimal GokulsingK. Moti |
| Collana | Routledge handbooks |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-55605-4
1-299-48278-3 1-136-77284-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Historical analysis -- pt. II. Themes and perspectives -- pt. III. The business of Indian cinemas -- pt. IV. Cinema halls and audiences. |
| Record Nr. | UNINA-9910452570503321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Routledge handbook of Indian cinemas / / edited K. Moti Gokulsing and Wimal Dissanayake ; editorial assistant Rohit K. Dasgupta
| Routledge handbook of Indian cinemas / / edited K. Moti Gokulsing and Wimal Dissanayake ; editorial assistant Rohit K. Dasgupta |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (1264 p.) |
| Disciplina | 791.430954 |
| Altri autori (Persone) |
DasguptaRohit K
DissanayakeWimal GokulsingK. Moti |
| Collana | Routledge handbooks |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - History |
| ISBN |
1-136-77291-X
0-203-55605-4 1-299-48278-3 1-136-77284-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Historical analysis -- pt. II. Themes and perspectives -- pt. III. The business of Indian cinemas -- pt. IV. Cinema halls and audiences. |
| Record Nr. | UNINA-9910779682503321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Routledge handbook of Indian cinemas / / edited K. Moti Gokulsing and Wimal Dissanayake ; editorial assistant Rohit K. Dasgupta
| Routledge handbook of Indian cinemas / / edited K. Moti Gokulsing and Wimal Dissanayake ; editorial assistant Rohit K. Dasgupta |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (1264 p.) |
| Disciplina | 791.430954 |
| Altri autori (Persone) |
DasguptaRohit K
DissanayakeWimal GokulsingK. Moti |
| Collana | Routledge handbooks |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - History |
| ISBN |
1-136-77291-X
0-203-55605-4 1-299-48278-3 1-136-77284-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Historical analysis -- pt. II. Themes and perspectives -- pt. III. The business of Indian cinemas -- pt. IV. Cinema halls and audiences. |
| Record Nr. | UNINA-9910828662603321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Speaking havoc [[electronic resource] ] : social suffering & South Asian narratives / / Ramu Nagappan
| Speaking havoc [[electronic resource] ] : social suffering & South Asian narratives / / Ramu Nagappan |
| Autore | Nagappan Ramu |
| Pubbl/distr/stampa | Seattle, : University of Washington Press, c2005 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 809/.933556 |
| Collana | Literary conjugations |
| Soggetto topico |
South Asian literature - 20th century - History and criticism
Motion pictures - India - History Suffering in literature Communalism in literature Suffering in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-295-80171-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents ""; ""Acknowledgments""; ""Introduction: Who Owns Suffering? ""; ""1. Writing and Redemption""; ""2. The Argument of Fiction""; ""3. Murderous Fictions""; ""4. The Momentary Pleasures of Reconciliation""; ""Coda""; ""Notes""; ""Bibliography""; ""Index"" |
| Record Nr. | UNINA-9910457812003321 |
|
Nagappan Ramu
|
||
| Seattle, : University of Washington Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Speaking havoc [[electronic resource] ] : social suffering & South Asian narratives / / Ramu Nagappan
| Speaking havoc [[electronic resource] ] : social suffering & South Asian narratives / / Ramu Nagappan |
| Autore | Nagappan Ramu |
| Pubbl/distr/stampa | Seattle, : University of Washington Press, c2005 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 809/.933556 |
| Collana | Literary conjugations |
| Soggetto topico |
South Asian literature - 20th century - History and criticism
Motion pictures - India - History Suffering in literature Communalism in literature Suffering in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-295-80171-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents ""; ""Acknowledgments""; ""Introduction: Who Owns Suffering? ""; ""1. Writing and Redemption""; ""2. The Argument of Fiction""; ""3. Murderous Fictions""; ""4. The Momentary Pleasures of Reconciliation""; ""Coda""; ""Notes""; ""Bibliography""; ""Index"" |
| Record Nr. | UNINA-9910542718003321 |
|
Nagappan Ramu
|
||
| Seattle, : University of Washington Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A very old machine : the many origins of the cinema in India / / Sudhir Mahadevan
| A very old machine : the many origins of the cinema in India / / Sudhir Mahadevan |
| Autore | Mahadevan Sudhir <1973-> |
| Pubbl/distr/stampa | Albany, New York : , : SUNY Press, , 2015 |
| Descrizione fisica | 1 online resource (258 p.) |
| Disciplina | 791.430954 |
| Collana | SUNY series, Horizons of Cinema |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4384-5830-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Illustrations; Acknowledgments; Introduction; The Argument; Imaginaries; The Structure of the Book; Part I: Obsolescence; 1. The Nineteenth-Century Indian Techno-Bazaar; From Novelty to Apparatus: Photography's Material Cultures; Formal Expertise and Informal Know-How; Proto-Global Influences: The Scalar and Spatial Logic of Empire; Conclusion; 2 Traveling Showmen, Makeshift Cinemas: The Bioscopewallah and Early Cinema; Phantasmagoria Shows; Lantern Slides, Kinetoscopes, and Junk Films; Mobile cinema and Visual Education; A Recycled Modernity
Part II: Mechanical Reproduction and Mass Culture3 Copyright and Cultural Authenticity: The Politics of Mechanical Reproduction in South Asia; Introduction; Empire and the Impossibility of Originality; From Genius to Genus; Turning the Tables: The Nationality of the Image; Cultural Patrimony Meets "Popular" Culture; 4 The Cinema as Mass Culture: The Melodramas of Mechanical Reproduction; Phalke the Craftsman; The Craftsman in the Meshes of Pirate Networks; Cinema as Mass Culture in Postcolonial India; Postscripts: Reminiscing the Age of Prints; Part III: Intermediality 5 The Emergence of Topicality: Snapshot Cultures and Newspaper PhotojournalismBicycle Photography; The Ethnographic and the Picturesque Image; Photo-Illustrations and Film; Mimesis or Exemplarity? Crime Films and Photographs and the Legacy of Topicality; Black Sheep (1953); 6 Politics across Media: The Partition of Bengal (1905) and the Cinematic City; Cinema and Urban Space: From Imperial Ritual to Nationalist Politics; Cinema and the Standardization of Time; The Emblematic and the Tidal Crowd; Facing the Crowd; Conclusion; Part IV: Archives 7 The Abundant Ephemeral: The Protocols of Popular Film Historiography in IndiaCinema Cinema (1979); Film Hi Film (1983); 8. Postscript; Notes; Works Cited; Filmography; Index |
| Record Nr. | UNINA-9910460362103321 |
|
Mahadevan Sudhir <1973->
|
||
| Albany, New York : , : SUNY Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A very old machine : the many origins of the cinema in India / / Sudhir Mahadevan
| A very old machine : the many origins of the cinema in India / / Sudhir Mahadevan |
| Autore | Mahadevan Sudhir <1973-> |
| Pubbl/distr/stampa | Albany, New York : , : SUNY Press, , 2015 |
| Descrizione fisica | 1 online resource (258 p.) |
| Disciplina | 791.430954 |
| Collana | SUNY series, Horizons of Cinema |
| Soggetto topico |
Motion pictures - India - History
Motion picture industry - India - History |
| ISBN | 1-4384-5830-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Illustrations; Acknowledgments; Introduction; The Argument; Imaginaries; The Structure of the Book; Part I: Obsolescence; 1. The Nineteenth-Century Indian Techno-Bazaar; From Novelty to Apparatus: Photography's Material Cultures; Formal Expertise and Informal Know-How; Proto-Global Influences: The Scalar and Spatial Logic of Empire; Conclusion; 2 Traveling Showmen, Makeshift Cinemas: The Bioscopewallah and Early Cinema; Phantasmagoria Shows; Lantern Slides, Kinetoscopes, and Junk Films; Mobile cinema and Visual Education; A Recycled Modernity
Part II: Mechanical Reproduction and Mass Culture3 Copyright and Cultural Authenticity: The Politics of Mechanical Reproduction in South Asia; Introduction; Empire and the Impossibility of Originality; From Genius to Genus; Turning the Tables: The Nationality of the Image; Cultural Patrimony Meets "Popular" Culture; 4 The Cinema as Mass Culture: The Melodramas of Mechanical Reproduction; Phalke the Craftsman; The Craftsman in the Meshes of Pirate Networks; Cinema as Mass Culture in Postcolonial India; Postscripts: Reminiscing the Age of Prints; Part III: Intermediality 5 The Emergence of Topicality: Snapshot Cultures and Newspaper PhotojournalismBicycle Photography; The Ethnographic and the Picturesque Image; Photo-Illustrations and Film; Mimesis or Exemplarity? Crime Films and Photographs and the Legacy of Topicality; Black Sheep (1953); 6 Politics across Media: The Partition of Bengal (1905) and the Cinematic City; Cinema and Urban Space: From Imperial Ritual to Nationalist Politics; Cinema and the Standardization of Time; The Emblematic and the Tidal Crowd; Facing the Crowd; Conclusion; Part IV: Archives 7 The Abundant Ephemeral: The Protocols of Popular Film Historiography in IndiaCinema Cinema (1979); Film Hi Film (1983); 8. Postscript; Notes; Works Cited; Filmography; Index |
| Record Nr. | UNINA-9910797636703321 |
|
Mahadevan Sudhir <1973->
|
||
| Albany, New York : , : SUNY Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
