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Cinematography in the Weimar Republic : Lola-Lola, Dirty singles, and the men who shot them / / Paul Matthew St. Pierre
| Cinematography in the Weimar Republic : Lola-Lola, Dirty singles, and the men who shot them / / Paul Matthew St. Pierre |
| Autore | St. Pierre Paul Matthew |
| Pubbl/distr/stampa | Madison, Wisconsin ; ; Teaneck, New Jersey : , : Fairleigh Dickinson University Press, , 2016 |
| Descrizione fisica | 1 online resource (287 pages) |
| Disciplina | 791.430943/09042 |
| Collana | Fairleigh Dickinson University Press Series In Communication Studies |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Cinematography - Germany - History - 20th century |
| ISBN | 1-61147-945-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Weimar revolution and German collaborative filmmaking -- The optical convergence of Theodor Sparkuhl and Ernst Lubitsch -- Karl Freund's signature visual designs in manifold collaborations -- Carl Hoffmann and the new visual discourse of German silent film -- Fritz Arno Wagner, With F. W. Murnau, Fritz Lang, and Arthur Robison -- Fritz Arno Wagner, G. W. Pabst, and the Weimar zeitgeist -- Günther Rittau, Günther Krampf, optical language, and autonomous collaborative agency -- Guido Seeber's promotion from special effects technician to cinematographic artist -- Rudolph Maté, Carl Theodor Dreyer, and the framing principle of cinematography -- Cinematographers as directors as cinematographers and the rebirth of civilization -- Filmograph. |
| Record Nr. | UNINA-9910798780203321 |
St. Pierre Paul Matthew
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| Madison, Wisconsin ; ; Teaneck, New Jersey : , : Fairleigh Dickinson University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematography in the Weimar Republic : Lola-Lola, Dirty singles, and the men who shot them / / Paul Matthew St. Pierre
| Cinematography in the Weimar Republic : Lola-Lola, Dirty singles, and the men who shot them / / Paul Matthew St. Pierre |
| Autore | St. Pierre Paul Matthew |
| Pubbl/distr/stampa | Madison, Wisconsin ; ; Teaneck, New Jersey : , : Fairleigh Dickinson University Press, , 2016 |
| Descrizione fisica | 1 online resource (287 pages) |
| Disciplina | 791.430943/09042 |
| Collana | Fairleigh Dickinson University Press Series In Communication Studies |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Cinematography - Germany - History - 20th century |
| ISBN | 1-61147-945-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Weimar revolution and German collaborative filmmaking -- The optical convergence of Theodor Sparkuhl and Ernst Lubitsch -- Karl Freund's signature visual designs in manifold collaborations -- Carl Hoffmann and the new visual discourse of German silent film -- Fritz Arno Wagner, With F. W. Murnau, Fritz Lang, and Arthur Robison -- Fritz Arno Wagner, G. W. Pabst, and the Weimar zeitgeist -- Günther Rittau, Günther Krampf, optical language, and autonomous collaborative agency -- Guido Seeber's promotion from special effects technician to cinematographic artist -- Rudolph Maté, Carl Theodor Dreyer, and the framing principle of cinematography -- Cinematographers as directors as cinematographers and the rebirth of civilization -- Filmograph. |
| Record Nr. | UNINA-9910822569803321 |
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St. Pierre Paul Matthew
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| Madison, Wisconsin ; ; Teaneck, New Jersey : , : Fairleigh Dickinson University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Continuity and crisis in German cinema, 1928-1936 / / edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein [[electronic resource]]
| Continuity and crisis in German cinema, 1928-1936 / / edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein [[electronic resource]] |
| Pubbl/distr/stampa | Rochester, New York : , : Camden House, , 2016 |
| Descrizione fisica | 1 online resource (vi, 333 pages) : digital, PDF file(s) |
| Disciplina | 791.430943 |
| Collana | Screen cultures: German film and the visual |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Motion pictures - Political aspects - Germany - History - 20th century Motion pictures - Social aspects - Germany - History - 20th century |
| Soggetto non controllato |
European history
German cinema Hitler Nazism World War II anthropology film scholarship film studies history of film media studies sociology twentieth century Germany |
| ISBN | 1-78204-843-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I. Politics -- 1: “Timid Heresies”: Werner Hochbaum’s Razzia in St. Pauli (1932) -- 2: Film as Pedagogy in Late Weimar and Early Nazi Cinema: The Role of the Street in Mobilizing the Spectator -- Part II. The Economy -- 3: “A Fairy Tale for Grown-ups”: Financial and Cinematic Crises in Die Koffer des Herrn O.F. (1931) -- 4: “Denn Gold ist Glück und Fluch dieser Welt”: Examining the Trope of “Gold” in Gold (1934) and Der Kaiser von Kalifornien (1936) -- Part III. Concepts of Race and Ethnicity -- 5: Degenerate Disease and the Doctors of Death: Racial Hygiene Film as Propaganda in Weimar and Early Nazi Germany -- 6: “White Jews” and Dark Continents: Capitalist Critique and Its Racial Undercurrents in Detlef Sierck’s April! April! (1935) -- Part IV. Genre Cinema -- 7: The Zigeunerdrama Reloaded: Leni Riefenstahl’s Fantasy Gypsies and Sacrificial Others -- 8: Regaining Mobility: The Aviator in Weimar Mountain Films -- Part V. Making Cinema Stars -- 9: Brigitte Helm and Germany’s Star System in the 1920s and 1930s -- 10: Foreign Attractions: Czech Stars and Ethnic Masquerade -- Part VI. Film Technologies -- 11: Objects in Motion: Hans Richter’s Vormittagsspuk (1928) and the Crisis of Avant-Garde Film -- 12: Seeing Crisis in Harry Piel’s Ein Unsichtbarer geht durch die Stadt (1933) -- Part VII. German-International Film Relations -- 13: Playing the European Market: Marcel L’Herbier’s L’Argent (1928), Ufa, and German-French Film Relations -- 14: A Serious Man? Ernst Lubitsch’s Antiwar Film The Man I Killed (aka Broken Lullaby, USA 1932) -- Selected Bibliography -- Notes on the Contributors -- Index |
| Record Nr. | UNINA-9910149431903321 |
| Rochester, New York : , : Camden House, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A culture of light [[electronic resource] ] : cinema and technology in 1920s Germany / / Frances Guerin
| A culture of light [[electronic resource] ] : cinema and technology in 1920s Germany / / Frances Guerin |
| Autore | Guerin Frances |
| Pubbl/distr/stampa | Minneapolis, Minn., : University of Minnesota Press |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 791.43094309042 |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Cinematography - Lighting - Germany - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9561-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; 1. The Electrification of Life, Cinema, and Art; 2. Bringing Cinema to Life through Light: German Film to World War I; 3. Legends of Light and Shadow: The Mythical Past in Algol and Schatten; 4. The Spell of Light: Cinema as Modern Magic in Faust, Der Golem, Siegfried, and Metropolis; 5. Reformulations of Space through Light in Die StraBe, Jenseits der StraBe, and Am Rande der Welt; 6. Dazzled by the Profusion of Lights: Technological Entertainment in Varieté and Sylvester; Conclusion; Notes; Index |
| Record Nr. | UNINA-9910451650203321 |
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Guerin Frances
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| Minneapolis, Minn., : University of Minnesota Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A culture of light [[electronic resource] ] : cinema and technology in 1920s Germany / / Frances Guerin
| A culture of light [[electronic resource] ] : cinema and technology in 1920s Germany / / Frances Guerin |
| Autore | Guerin Frances |
| Pubbl/distr/stampa | Minneapolis, Minn., : University of Minnesota Press |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 791.43094309042 |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Cinematography - Lighting - Germany - History - 20th century |
| ISBN | 0-8166-9561-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; 1. The Electrification of Life, Cinema, and Art; 2. Bringing Cinema to Life through Light: German Film to World War I; 3. Legends of Light and Shadow: The Mythical Past in Algol and Schatten; 4. The Spell of Light: Cinema as Modern Magic in Faust, Der Golem, Siegfried, and Metropolis; 5. Reformulations of Space through Light in Die StraBe, Jenseits der StraBe, and Am Rande der Welt; 6. Dazzled by the Profusion of Lights: Technological Entertainment in Varieté and Sylvester; Conclusion; Notes; Index |
| Record Nr. | UNINA-9910784107303321 |
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Guerin Frances
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| Minneapolis, Minn., : University of Minnesota Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A culture of light [[electronic resource] ] : cinema and technology in 1920s Germany / / Frances Guerin
| A culture of light [[electronic resource] ] : cinema and technology in 1920s Germany / / Frances Guerin |
| Autore | Guerin Frances |
| Pubbl/distr/stampa | Minneapolis, Minn., : University of Minnesota Press |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 791.43094309042 |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Cinematography - Lighting - Germany - History - 20th century |
| ISBN | 0-8166-9561-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; 1. The Electrification of Life, Cinema, and Art; 2. Bringing Cinema to Life through Light: German Film to World War I; 3. Legends of Light and Shadow: The Mythical Past in Algol and Schatten; 4. The Spell of Light: Cinema as Modern Magic in Faust, Der Golem, Siegfried, and Metropolis; 5. Reformulations of Space through Light in Die StraBe, Jenseits der StraBe, and Am Rande der Welt; 6. Dazzled by the Profusion of Lights: Technological Entertainment in Varieté and Sylvester; Conclusion; Notes; Index |
| Record Nr. | UNINA-9910814339903321 |
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Guerin Frances
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| Minneapolis, Minn., : University of Minnesota Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film front Weimar : representations of the first World War in German films of the Weimar period (1919-1933) / / Bernadette Kester [[electronic resource]]
| Film front Weimar : representations of the first World War in German films of the Weimar period (1919-1933) / / Bernadette Kester [[electronic resource]] |
| Autore | Kester Bernadette <1959-> |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , c2003 |
| Descrizione fisica | 1 online resource (329 pages) : digital, PDF file(s) |
| Disciplina | 791.43/658 |
| Collana | Film culture in transition |
| Soggetto topico |
World War, 1914-1918 - Motion pictures and the war
Propaganda, German - History - 20th century Motion pictures - Germany - History - 20th century |
| ISBN |
1-280-95888-X
9786610958887 90-485-0519-4 0-585-49883-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface And Acknowledgements -- Introduction -- Chapter 1: 'Lehrreich Und Amüsant' - Historical Films In The Period 1896-1933 -- Chapter 2: 'Die Legende Von Der Unschuld' - Films About The Run-Up To The War, Especially 1914. Die Letzten Tage Vor Dem Weltbrand -- Chapter 3: 'Das Dokumentarische Gewinnt Die Oberhand' - Archival Footage And Constructions In War Films -- Chapter 4: 'Wenn Wir Helden Wären, Wären Wir Schon Längst Daheim' - Realism And Anti-War Tendencies In Four Films -- Chapter 5: 'Auf Dem Meere, Da Ist Der Mann Noch Etwas Wert' - Films About The German Navy During The First World War -- Chapter 6: 'Neid, Leid, Tränen - Das Ist Der Krieg' - Gender And War Films -- Epilogue -- Notes -- Credits Weimar War Films -- Archives And Libraries -- Bibliography -- Index Of Names -- Index Of Subjects |
| Record Nr. | UNISA-996465270403316 |
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Kester Bernadette <1959->
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| Amsterdam : , : Amsterdam University Press, , c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Film front Weimar : representations of the first World War in German films of the Weimar period (1919-1933) / / Bernadette Kester [[electronic resource]]
| Film front Weimar : representations of the first World War in German films of the Weimar period (1919-1933) / / Bernadette Kester [[electronic resource]] |
| Autore | Kester Bernadette <1959-> |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , c2003 |
| Descrizione fisica | 1 online resource (329 pages) : digital, PDF file(s) |
| Disciplina | 791.43/658 |
| Collana | Film culture in transition |
| Soggetto topico |
World War, 1914-1918 - Motion pictures and the war
Propaganda, German - History - 20th century Motion pictures - Germany - History - 20th century |
| ISBN |
1-280-95888-X
9786610958887 90-485-0519-4 0-585-49883-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface And Acknowledgements -- Introduction -- Chapter 1: 'Lehrreich Und Amüsant' - Historical Films In The Period 1896-1933 -- Chapter 2: 'Die Legende Von Der Unschuld' - Films About The Run-Up To The War, Especially 1914. Die Letzten Tage Vor Dem Weltbrand -- Chapter 3: 'Das Dokumentarische Gewinnt Die Oberhand' - Archival Footage And Constructions In War Films -- Chapter 4: 'Wenn Wir Helden Wären, Wären Wir Schon Längst Daheim' - Realism And Anti-War Tendencies In Four Films -- Chapter 5: 'Auf Dem Meere, Da Ist Der Mann Noch Etwas Wert' - Films About The German Navy During The First World War -- Chapter 6: 'Neid, Leid, Tränen - Das Ist Der Krieg' - Gender And War Films -- Epilogue -- Notes -- Credits Weimar War Films -- Archives And Libraries -- Bibliography -- Index Of Names -- Index Of Subjects |
| Record Nr. | UNINA-9910143540503321 |
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Kester Bernadette <1959->
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| Amsterdam : , : Amsterdam University Press, , c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gender and the uncanny in films of the Weimar Republic / / Anjeana K. Hans
| Gender and the uncanny in films of the Weimar Republic / / Anjeana K. Hans |
| Autore | Hans Anjeana K. |
| Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , 2014 |
| Descrizione fisica | 1 online resource (314 pages) : illustrations |
| Disciplina | 741.43094309/042 |
| Collana | Contemporary Approaches to Film and Media Series |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Women in motion pictures Sex role in motion pictures Uncanny, The (Psychoanalysis) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8143-3895-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910491850503321 |
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Hans Anjeana K.
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| Detroit, Michigan : , : Wayne State University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gender and the uncanny in films of the Weimar Republic / / Anjeana K. Hans
| Gender and the uncanny in films of the Weimar Republic / / Anjeana K. Hans |
| Autore | Hans Anjeana K. |
| Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , 2014 |
| Descrizione fisica | 1 online resource (314 pages) : illustrations |
| Disciplina | 741.43094309/042 |
| Collana | Contemporary Approaches to Film and Media Series |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Women in motion pictures Sex role in motion pictures Uncanny, The (Psychoanalysis) |
| ISBN | 0-8143-3895-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910788328503321 |
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Hans Anjeana K.
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| Detroit, Michigan : , : Wayne State University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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