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A companion to contemporary French cinema / / edited by Alistair Fox [and four others]
| A companion to contemporary French cinema / / edited by Alistair Fox [and four others] |
| Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2015 |
| Descrizione fisica | 1 online resource (1692 p.) |
| Disciplina | 791.430944 |
| Collana | Wiley Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century |
| ISBN |
1-118-58544-5
1-118-58536-4 1-118-58540-2 1-118-58542-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Series page; Title page; Copyright page; List of Contributors; Acknowledgments; Editorial Practice; Introduction; Contexts: Institutional, Political, Cultural, and Economic; Characteristics of Contemporary French Cinema; Thematic Preoccupations; Trends, Developments, and the Future of French Cinema; Part I: Economic, Institutional, and Political Contexts; 1 The Political Economy of French Cinema; Changing Patterns of Cinema Attendance; Cinematic Production and Its Outcomes; The Competitiveness of French Cinema and Market Share; Concentration and Diversity
The Transformation of the Pool of TheatersThe Future of Cinematic Theaters; Conclusion; 2 "Do We Have the Right to Exist?" French Cinema, Culture, and World Trade; France; Europe: Television Without Frontiers; Cultural Exception: GATT; Cultural Diversity: MAI/UNESCO; Conclusion; 3 Historicizing Contemporary French Blockbusters; A Tentative Typology; "Cultural Diversity" or Cultural Crisis?; The Second Lang Plan (1989-1993); The Maturation of a "Forced Marriage"; StudioCanal in the Crosshairs; A New Oligopoly?; Conclusion; 4 Moving Between Screens The Role of Television in the Financing of CinemaArte as a Stimulus and Sponsor of the New Cinema; A Cinema of Collections; Realism and Television; The Revival of Documentary; Films/Telefilms: A Play of Mirrors; "Television Films" and Cinema Formatting; From Comic Television to Comedy in Cinemas; Cinema and Televised Series; Conclusion; 5 Contemporary Political Cinema; Taking Stock: Working-Class Histories and the Exit from Fordism; Outsiders and Victims, Ethics and Politics; Political Effectiveness; New Departures?; 6 Diasporic and Postcolonial Cinema in France from the 1990s to the Present Auteur-led Productions and the "Return" of the Politicalin Diasporic and Postcolonial Cinema Since the 1990sFrom Margins to the Mainstream: Postcolonial Comedy and the Mainstreaming of Maghrebi-French Filmmakers in the 2000s; Memorializing Colonial History: From Neo-Colonial to "Counter-Heritage" Cinema; Return Narratives in Diasporic Cinema of the 2000s; Beyond Ethnicity? Reconfiguring Difference in Diasporic Cinema; Part II: Auteurs and Auteurism; 7 The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema; The Extraordinary Fecundity of the Veterans of the New Wave The Quartet of Founding Members: Chabrol, Rohmer, Rivette, GodardThe "Left Bank" of the New Wave; A Problematical Legacy; Epilogue: The Enduring Influence of Bresson and Pialat; 8 Was There a Young French Cinema?; To What Does the Term "Young French Cinema" Refer?; The Arrival of the New Cinema; The Counter-Attack of Positif; Maturity and Defining Parameters; New Appraisals, New Perspectives; Consensus and Uncertainties; What Remains of the Young French Cinema?; 9 Auteurism, Personal Cinema, and the Fémis Generation; Characteristics of Auteur Cinema; Categories of Auteur Directors Auteurist Styles |
| Record Nr. | UNINA-9910208956103321 |
| Chichester, England : , : Wiley-Blackwell, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to contemporary French cinema / / edited by Alistair Fox [and four others]
| A companion to contemporary French cinema / / edited by Alistair Fox [and four others] |
| Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2015 |
| Descrizione fisica | 1 online resource (1692 p.) |
| Disciplina | 791.430944 |
| Collana | Wiley Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century |
| ISBN |
1-118-58544-5
1-118-58536-4 1-118-58540-2 1-118-58542-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Series page; Title page; Copyright page; List of Contributors; Acknowledgments; Editorial Practice; Introduction; Contexts: Institutional, Political, Cultural, and Economic; Characteristics of Contemporary French Cinema; Thematic Preoccupations; Trends, Developments, and the Future of French Cinema; Part I: Economic, Institutional, and Political Contexts; 1 The Political Economy of French Cinema; Changing Patterns of Cinema Attendance; Cinematic Production and Its Outcomes; The Competitiveness of French Cinema and Market Share; Concentration and Diversity
The Transformation of the Pool of TheatersThe Future of Cinematic Theaters; Conclusion; 2 "Do We Have the Right to Exist?" French Cinema, Culture, and World Trade; France; Europe: Television Without Frontiers; Cultural Exception: GATT; Cultural Diversity: MAI/UNESCO; Conclusion; 3 Historicizing Contemporary French Blockbusters; A Tentative Typology; "Cultural Diversity" or Cultural Crisis?; The Second Lang Plan (1989-1993); The Maturation of a "Forced Marriage"; StudioCanal in the Crosshairs; A New Oligopoly?; Conclusion; 4 Moving Between Screens The Role of Television in the Financing of CinemaArte as a Stimulus and Sponsor of the New Cinema; A Cinema of Collections; Realism and Television; The Revival of Documentary; Films/Telefilms: A Play of Mirrors; "Television Films" and Cinema Formatting; From Comic Television to Comedy in Cinemas; Cinema and Televised Series; Conclusion; 5 Contemporary Political Cinema; Taking Stock: Working-Class Histories and the Exit from Fordism; Outsiders and Victims, Ethics and Politics; Political Effectiveness; New Departures?; 6 Diasporic and Postcolonial Cinema in France from the 1990s to the Present Auteur-led Productions and the "Return" of the Politicalin Diasporic and Postcolonial Cinema Since the 1990sFrom Margins to the Mainstream: Postcolonial Comedy and the Mainstreaming of Maghrebi-French Filmmakers in the 2000s; Memorializing Colonial History: From Neo-Colonial to "Counter-Heritage" Cinema; Return Narratives in Diasporic Cinema of the 2000s; Beyond Ethnicity? Reconfiguring Difference in Diasporic Cinema; Part II: Auteurs and Auteurism; 7 The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema; The Extraordinary Fecundity of the Veterans of the New Wave The Quartet of Founding Members: Chabrol, Rohmer, Rivette, GodardThe "Left Bank" of the New Wave; A Problematical Legacy; Epilogue: The Enduring Influence of Bresson and Pialat; 8 Was There a Young French Cinema?; To What Does the Term "Young French Cinema" Refer?; The Arrival of the New Cinema; The Counter-Attack of Positif; Maturity and Defining Parameters; New Appraisals, New Perspectives; Consensus and Uncertainties; What Remains of the Young French Cinema?; 9 Auteurism, Personal Cinema, and the Fémis Generation; Characteristics of Auteur Cinema; Categories of Auteur Directors Auteurist Styles |
| Record Nr. | UNINA-9910828846303321 |
| Chichester, England : , : Wiley-Blackwell, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
French literature on screen / / edited by Homer B. Pettey and R. Barton Palmer
| French literature on screen / / edited by Homer B. Pettey and R. Barton Palmer |
| Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2019 |
| Descrizione fisica | 1 online resource (xii, 250 pages) : illustrations; digital file(s) |
| Disciplina | 791.430944 |
| Soggetto topico |
French literature - History and criticism
French literature - Film adaptations - History and criticism Motion pictures - France - History - 20th century Motion pictures - France - History - 21st century Film Studies Film Theory & Criticism Cultural studies |
| Soggetto genere / forma |
Film adaptations.
Aufsatzsammlung Criticism, interpretation, etc. History |
| Soggetto non controllato |
Adaptation
American Film British Film Film History Film Studies French Film French Literature Industry Studies National Cinema Silent Film |
| ISBN | 1-5261-3315-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: ; 1. Introduction: screening French literature / R. Barton Palmer -- ; 2. The spectacle of Monte Cristo / Jennifer L. Jenkins -- ; 3. Adultery and adulteration in film versions of Flaubert's Madame Bovary / Colin Davis -- ; 4. For the first time on screen together: Madame Bovary and Les Miserables in 1934 / Dudley Andrew -- ; 5. The Americanization of Victor Hugo: Darryl F. Zanuck's Les Miserables (1935) / Guerric DeBona -- ; 6. From heterotopia to metatopia: staging Carmen's death / Phil Powrie -- ; 7. From the Recherche on film toward a Proustian cinema / Steven Ungar -- ; 8. Otto Preminger's Bonjour, Tristesse: a tale of three women, if not more / R. Barton Palmer -- ; 9. Adapting Pagnol and Provence / Jeremy Strong -- ; 10. Maigret on screen: stardom and literary adaptation / Ginette Vincendeau -- ; 11. The making and remaking of Therese Desqueyroux: one novel, two films / Susan Hayward -- ; 12. Elle (2016), rape, and adaptation / Homer B. Pettey. |
| Record Nr. | UNINA-9910793502703321 |
| Manchester, UK : , : Manchester University Press, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
French literature on screen / / edited by Homer B. Pettey and R. Barton Palmer
| French literature on screen / / edited by Homer B. Pettey and R. Barton Palmer |
| Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2019 |
| Descrizione fisica | 1 online resource (xii, 250 pages) : illustrations; digital file(s) |
| Disciplina | 791.430944 |
| Soggetto topico |
French literature - History and criticism
French literature - Film adaptations - History and criticism Motion pictures - France - History - 20th century Motion pictures - France - History - 21st century Film Studies Film Theory & Criticism Cultural studies |
| Soggetto genere / forma |
Film adaptations.
Aufsatzsammlung Criticism, interpretation, etc. History |
| Soggetto non controllato |
Adaptation
American Film British Film Film History Film Studies French Film French Literature Industry Studies National Cinema Silent Film |
| ISBN | 1-5261-3315-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: ; 1. Introduction: screening French literature / R. Barton Palmer -- ; 2. The spectacle of Monte Cristo / Jennifer L. Jenkins -- ; 3. Adultery and adulteration in film versions of Flaubert's Madame Bovary / Colin Davis -- ; 4. For the first time on screen together: Madame Bovary and Les Miserables in 1934 / Dudley Andrew -- ; 5. The Americanization of Victor Hugo: Darryl F. Zanuck's Les Miserables (1935) / Guerric DeBona -- ; 6. From heterotopia to metatopia: staging Carmen's death / Phil Powrie -- ; 7. From the Recherche on film toward a Proustian cinema / Steven Ungar -- ; 8. Otto Preminger's Bonjour, Tristesse: a tale of three women, if not more / R. Barton Palmer -- ; 9. Adapting Pagnol and Provence / Jeremy Strong -- ; 10. Maigret on screen: stardom and literary adaptation / Ginette Vincendeau -- ; 11. The making and remaking of Therese Desqueyroux: one novel, two films / Susan Hayward -- ; 12. Elle (2016), rape, and adaptation / Homer B. Pettey. |
| Record Nr. | UNINA-9910826568303321 |
| Manchester, UK : , : Manchester University Press, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The pedagogical imagination : the republican legacy in twenty-first-century French literature and film / / Leon Sachs
| The pedagogical imagination : the republican legacy in twenty-first-century French literature and film / / Leon Sachs |
| Autore | Sachs Leon <1967-> |
| Pubbl/distr/stampa | Lincoln, [Nebraska] ; ; London, England : , : University of Nebraska Press, , 2014 |
| Descrizione fisica | 1 online resource (401 p.) |
| Disciplina | 840.9/0092 |
| Soggetto topico |
French literature - 21st century - History and criticism
Education in literature Education in motion pictures Republicanism in literature Motion pictures - France - History - 21st century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8032-5512-8
0-8032-5511-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Contents; List of Illustrations; Acknowledgments; Introduction; 1. A New Language of Learning; 2. Visualizing Literacy; 3. Teaching Suspicion; 4. A Classic Dodge; 5. Writing on Walls; Conclusion; Notes; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910453599103321 |
Sachs Leon <1967->
|
||
| Lincoln, [Nebraska] ; ; London, England : , : University of Nebraska Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The pedagogical imagination : the republican legacy in twenty-first-century French literature and film / / Leon Sachs
| The pedagogical imagination : the republican legacy in twenty-first-century French literature and film / / Leon Sachs |
| Autore | Sachs Leon <1967-> |
| Pubbl/distr/stampa | Lincoln, [Nebraska] ; ; London, England : , : University of Nebraska Press, , 2014 |
| Descrizione fisica | 1 online resource (401 p.) |
| Disciplina | 840.9/0092 |
| Soggetto topico |
French literature - 21st century - History and criticism
Education in literature Education in motion pictures Republicanism in literature Motion pictures - France - History - 21st century |
| ISBN |
0-8032-5512-8
0-8032-5511-X |
| Classificazione | PER004030EDU011000LIT004150 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Contents; List of Illustrations; Acknowledgments; Introduction; 1. A New Language of Learning; 2. Visualizing Literacy; 3. Teaching Suspicion; 4. A Classic Dodge; 5. Writing on Walls; Conclusion; Notes; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910791043703321 |
|
Sachs Leon <1967->
|
||
| Lincoln, [Nebraska] ; ; London, England : , : University of Nebraska Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The pedagogical imagination : the republican legacy in twenty-first-century French literature and film / / Leon Sachs
| The pedagogical imagination : the republican legacy in twenty-first-century French literature and film / / Leon Sachs |
| Autore | Sachs Leon <1967-> |
| Pubbl/distr/stampa | Lincoln, [Nebraska] ; ; London, England : , : University of Nebraska Press, , 2014 |
| Descrizione fisica | 1 online resource (401 p.) |
| Disciplina | 840.9/0092 |
| Soggetto topico |
French literature - 21st century - History and criticism
Education in literature Education in motion pictures Republicanism in literature Motion pictures - France - History - 21st century |
| ISBN |
0-8032-5512-8
0-8032-5511-X |
| Classificazione | PER004030EDU011000LIT004150 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Contents; List of Illustrations; Acknowledgments; Introduction; 1. A New Language of Learning; 2. Visualizing Literacy; 3. Teaching Suspicion; 4. A Classic Dodge; 5. Writing on Walls; Conclusion; Notes; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910813326403321 |
|
Sachs Leon <1967->
|
||
| Lincoln, [Nebraska] ; ; London, England : , : University of Nebraska Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Studies in French cinema [[electronic resource] ] : UK perspectives, 1985-2010 / / edited by Will Higbee and Sarah Leahy
| Studies in French cinema [[electronic resource] ] : UK perspectives, 1985-2010 / / edited by Will Higbee and Sarah Leahy |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (402 p.) |
| Disciplina | 791.430944 |
| Altri autori (Persone) |
HigbeeWill
LeahySarah |
| Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century Motion pictures, French - Study and teaching (Higher) - Great Britain |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-16266-0
9786613162663 1-84150-447-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Contributors; Chapter 1: Introduction; Part I; Chapter 2: Pierrot le fou and Post-New Wave French Cinema; Chapter 3: National Cinemas and the Body Politic; Chapter 4: Unfamiliar Places: 'Heterospection' and Recent French Films on Children; Chapter 5: The Circular Ruins? Frontiers, Exile and the Nation in Renoir's Le Crime de Monsieur Lange; Chapter 6: Beurz n the Hood: The Articulation of Beur and French Identities in Le Thé au harem d'Archimède and Hexagone
Chapter 7: Community, Nostalgia and the Spectacle of Masculinity: Jean Gabin References to Part I; Part II; Chapter 8: Asserting Text, Context and Intertext: Jill Forbes and French Film Studies; Chapter 9: Jill Forbes: The Continued Conversation; Chapter 10: Political Threads and Material Memory: Mayo's Wardrobe for Casque d'or (1952); Chapter 11: 'Une vraie famille Benetton': Maternal Metaphors of Nation in Il y a longtemps que je t'aime (2008) - a Response to Susan Hayward; Chapter 12: Phil Powrie: French Film Studies as a Heterotopic Field Chapter 13: Men in Unfamiliar Places: A Response to Phil Powrie Chapter 14: To Elicit and Elude: The Film Writing of Keith Reader; Chapter 15: Sexuality (and Resnais): A Response to Keith Reader; Chapter 16: Of Spaces and Difference in La Graine et le mulet (2007): A Dialogue with Carrie Tarr; Chapter 17: Cinema, the Second Sex and Studies of French Women's Films in the 2000's; Chapter 18: The Bafflement of Gabin and Raimu and the Breathlessness of Belmondo: A Dialogue with the Work of Ginette Vincendeau; Chapter 19: Placing French Film History; References to Part II; Part III Chapter 20: To the Distant Observer Chapter 21: Censoring French 'Cinéma de qualité' - Bel-Ami (1954/1957); Chapter 22: Raymond Bernard's Les Misérables (1933); Chapter 23: Jewish-Arab Relations in French, Franco-Maghrebi and Maghrebi Cinemas; Chapter 24: The Frenchness of French Cinema: The Language of National Identity, from the Regional to the Trans-national; Chapter 25: Four Decades of Teaching and Research in French Cinema; References to Part III; Index; Back Cover |
| Record Nr. | UNINA-9910465519303321 |
| Bristol, UK ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Studies in French cinema [[electronic resource] ] : UK perspectives, 1985-2010 / / edited by Will Higbee and Sarah Leahy
| Studies in French cinema [[electronic resource] ] : UK perspectives, 1985-2010 / / edited by Will Higbee and Sarah Leahy |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (402 p.) |
| Disciplina | 791.430944 |
| Altri autori (Persone) |
HigbeeWill
LeahySarah |
| Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century Motion pictures, French - Study and teaching (Higher) - Great Britain |
| ISBN |
1-283-16266-0
9786613162663 1-84150-447-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Contributors; Chapter 1: Introduction; Part I; Chapter 2: Pierrot le fou and Post-New Wave French Cinema; Chapter 3: National Cinemas and the Body Politic; Chapter 4: Unfamiliar Places: 'Heterospection' and Recent French Films on Children; Chapter 5: The Circular Ruins? Frontiers, Exile and the Nation in Renoir's Le Crime de Monsieur Lange; Chapter 6: Beurz n the Hood: The Articulation of Beur and French Identities in Le Thé au harem d'Archimède and Hexagone
Chapter 7: Community, Nostalgia and the Spectacle of Masculinity: Jean Gabin References to Part I; Part II; Chapter 8: Asserting Text, Context and Intertext: Jill Forbes and French Film Studies; Chapter 9: Jill Forbes: The Continued Conversation; Chapter 10: Political Threads and Material Memory: Mayo's Wardrobe for Casque d'or (1952); Chapter 11: 'Une vraie famille Benetton': Maternal Metaphors of Nation in Il y a longtemps que je t'aime (2008) - a Response to Susan Hayward; Chapter 12: Phil Powrie: French Film Studies as a Heterotopic Field Chapter 13: Men in Unfamiliar Places: A Response to Phil Powrie Chapter 14: To Elicit and Elude: The Film Writing of Keith Reader; Chapter 15: Sexuality (and Resnais): A Response to Keith Reader; Chapter 16: Of Spaces and Difference in La Graine et le mulet (2007): A Dialogue with Carrie Tarr; Chapter 17: Cinema, the Second Sex and Studies of French Women's Films in the 2000's; Chapter 18: The Bafflement of Gabin and Raimu and the Breathlessness of Belmondo: A Dialogue with the Work of Ginette Vincendeau; Chapter 19: Placing French Film History; References to Part II; Part III Chapter 20: To the Distant Observer Chapter 21: Censoring French 'Cinéma de qualité' - Bel-Ami (1954/1957); Chapter 22: Raymond Bernard's Les Misérables (1933); Chapter 23: Jewish-Arab Relations in French, Franco-Maghrebi and Maghrebi Cinemas; Chapter 24: The Frenchness of French Cinema: The Language of National Identity, from the Regional to the Trans-national; Chapter 25: Four Decades of Teaching and Research in French Cinema; References to Part III; Index; Back Cover |
| Record Nr. | UNINA-9910791980603321 |
| Bristol, UK ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Studies in French cinema : UK perspectives, 1985-2010 / / edited by Will Higbee and Sarah Leahy
| Studies in French cinema : UK perspectives, 1985-2010 / / edited by Will Higbee and Sarah Leahy |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (402 p.) |
| Disciplina | 791.430944 |
| Altri autori (Persone) |
HigbeeWill
LeahySarah |
| Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century Motion pictures, French - Study and teaching (Higher) - Great Britain |
| ISBN |
1-283-16266-0
9786613162663 1-84150-447-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Contributors; Chapter 1: Introduction; Part I; Chapter 2: Pierrot le fou and Post-New Wave French Cinema; Chapter 3: National Cinemas and the Body Politic; Chapter 4: Unfamiliar Places: 'Heterospection' and Recent French Films on Children; Chapter 5: The Circular Ruins? Frontiers, Exile and the Nation in Renoir's Le Crime de Monsieur Lange; Chapter 6: Beurz n the Hood: The Articulation of Beur and French Identities in Le Thé au harem d'Archimède and Hexagone
Chapter 7: Community, Nostalgia and the Spectacle of Masculinity: Jean Gabin References to Part I; Part II; Chapter 8: Asserting Text, Context and Intertext: Jill Forbes and French Film Studies; Chapter 9: Jill Forbes: The Continued Conversation; Chapter 10: Political Threads and Material Memory: Mayo's Wardrobe for Casque d'or (1952); Chapter 11: 'Une vraie famille Benetton': Maternal Metaphors of Nation in Il y a longtemps que je t'aime (2008) - a Response to Susan Hayward; Chapter 12: Phil Powrie: French Film Studies as a Heterotopic Field Chapter 13: Men in Unfamiliar Places: A Response to Phil Powrie Chapter 14: To Elicit and Elude: The Film Writing of Keith Reader; Chapter 15: Sexuality (and Resnais): A Response to Keith Reader; Chapter 16: Of Spaces and Difference in La Graine et le mulet (2007): A Dialogue with Carrie Tarr; Chapter 17: Cinema, the Second Sex and Studies of French Women's Films in the 2000's; Chapter 18: The Bafflement of Gabin and Raimu and the Breathlessness of Belmondo: A Dialogue with the Work of Ginette Vincendeau; Chapter 19: Placing French Film History; References to Part II; Part III Chapter 20: To the Distant Observer Chapter 21: Censoring French 'Cinéma de qualité' - Bel-Ami (1954/1957); Chapter 22: Raymond Bernard's Les Misérables (1933); Chapter 23: Jewish-Arab Relations in French, Franco-Maghrebi and Maghrebi Cinemas; Chapter 24: The Frenchness of French Cinema: The Language of National Identity, from the Regional to the Trans-national; Chapter 25: Four Decades of Teaching and Research in French Cinema; References to Part III; Index; Back Cover |
| Record Nr. | UNINA-9910823139703321 |
| Bristol, UK ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
