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Closely Watched Films : An Introduction to the Art of Narrative Film Technique / / Marilyn Fabe
| Closely Watched Films : An Introduction to the Art of Narrative Film Technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2020] |
| Descrizione fisica | 1 online resource (298 p.) |
| Disciplina | 791.43015 |
| Soggetto topico |
Motion pictures - Aesthetics
Motion pictures - Evaluation Motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-35974-6
9786612359743 0-520-93729-5 1-59734-547-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith’s The Birth of a Nation -- 2. The Art of Montage: Sergei Eisenstein’s The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau’s The Last Laugh and Charles Chaplin’s The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks’s His Girl Friday -- 5. Expressive Realism: Orson Welles’s Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica’s The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut’s The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock’s Notorious -- 9. The European Art Film: Federico Fellini’s 8 1/2 -- 10. Film and Postmodernism: Woody Allen’s Annie Hall -- 11. Political Cinema: Spike Lee’s Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema’s I’ve Heard the Mermaids Singing -- 13. Epilogue: Digital Video and New Forms of Narrative in Mike Figgis’s Timecode -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNISA-996248250203316 |
Fabe Marilyn
|
||
| Berkeley, CA : , : University of California Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910460087403321 |
|
Fabe Marilyn
|
||
| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910787197203321 |
|
Fabe Marilyn
|
||
| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910820139803321 |
|
Fabe Marilyn
|
||
| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New review of film and television studies
| New review of film and television studies |
| Pubbl/distr/stampa | [Abingdon, Oxfordshire], : Routledge, ©2003- |
| Disciplina | 791.437 |
| Soggetto topico |
Motion pictures - Evaluation
Film criticism Television Television criticism |
| Soggetto genere / forma | Periodicals. |
| ISSN | 1740-7923 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Film and television studies |
| Record Nr. | UNISA-996216607003316 |
| [Abingdon, Oxfordshire], : Routledge, ©2003- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
New review of film and television studies
| New review of film and television studies |
| Pubbl/distr/stampa | [Abingdon, Oxfordshire], : Routledge, ©2003- |
| Disciplina | 791.437 |
| Soggetto topico |
Motion pictures - Evaluation
Film criticism Television Television criticism |
| Soggetto genere / forma | Periodicals. |
| ISSN | 1740-7923 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Film and television studies |
| Record Nr. | UNINA-9910263948903321 |
| [Abingdon, Oxfordshire], : Routledge, ©2003- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Watching human rights : the 101 best films / / Mark Gibney
| Watching human rights : the 101 best films / / Mark Gibney |
| Autore | Gibney Mark |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 791.43658 |
| Collana | International studies intensives |
| Soggetto topico |
Human rights in motion pictures
Motion pictures - Evaluation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-24936-4
1-315-63121-0 1-317-24935-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Contents; Preface; Introduction; Part I Feature Films; 1 Schindler's List (Steven Spielberg, 1993); Also of Note; The Last Days (James Moll, 1998); Into the Arms of Strangers: Stories of the Kindertransport (Mark Jonathan Harris, 2000); Anne Frank Remembered (Jon Blair, 1995); 2 The Lives of Others (Florian Henckel von Donnersmarck, 2006); Also of Note; Fahrenheit 451 (François Truffaut, 1966); 3 Missing (Costa-Gavras, 1982); 4 The Official Story (Luis Puenzo, 1985); 5 The Killing Fields (Roland Joffé, 1984)
6 Once Were Warriors (Lee Tamahori, 1994)7 Hunger (Steve McQueen, 2008); Also of Note; In the Name of the Father (Jim Sheridan, 1993); 8 Precious: Based on the Novel ""Push"" by Sapphire (Lee Daniels, 2009); Also of Note; Love and Diane (Jennifer Dworkin, 2002); 9 Sometimes in April (Raoul Peck, 2005) and Hotel Rwanda (Terry George, 2004) (tie); 11 Dead Man Walking (Tim Robbins, 1995); Also of Note; Love Lived On Death Row (Linda Booker, 2007); After Innocence (Jessica Sanders, 2005); Pierrepoint: The Last Hangman (Adrian Shergold, 2005); 12 The Pianist (Roman Polanski, 2002); Also of Note A Film Unfinished (Yael Hersonski, 2010)13 Journey of Hope (Xavier Koller, 1990); Also of Note; In This World (Michael Winterbottom, 2002); 14 Midnight Cowboy (John Schlesinger, 1969); Also of Note; Winter's Bone (Debra Granik, 2010); Frozen River (Courtney Hunt, 2008); 15 Gandhi (Richard Attenborough, 1982); Also of Note; 1947: Earth (Deepa Mehta, 1998); 16 Slumdog Millionaire (Danny Boyle, 2008); Also of Note; Salaam Bombay (Mira Nair, 1988); Born into Brothels (Zana Briski and Ross Kauffman, 2004); 17 Milk (Gus Van Sant, 2008); Also of Note; The Times of Harvey Milk (Rob Epstein, 1984) Brokeback Mountain (Ang Lee, 2005)Before Night Falls (Julian Schnabel, 2000); La Mission (Peter Bratt, 2009); Fire (Deepa Mehta, 1996); 18 Norma Rae (Martin Ritt, 1979); Also of Note; Matewan (John Sayles, 1987); Bread and Roses (Ken Loach, 2000); 19 The Insider (Michael Mann, 1999); Also of Note; The China Syndrome (James Bridges, 1979); Silkwood (Mike Nichols, 1983); Erin Brockovich (Steven Soderbergh, 2000); 20 V for Vendetta (James McTeigue, 2006); 21 A Dry White Season (Euzhan Palcy, 1989); Also of Note; Cry Freedom (Richard Attenborough, 1987); 22 Philadelphia (Jonathan Demme, 1993) Also of NoteYesterday (Darrell Roodt, 2004); Life, Above All (Oliver Schmitz, 2010); 23 Good Night, and Good Luck (George Clooney, 2005); 24 To Kill a Mockingbird (Robert Mulligan, 1962); Also of Note; 12 Angry Men (Sidney Lumet, 1957); The Verdict (Sidney Lumet, 1982); A Time to Kill (Joel Schumacher, 1996); 25 Days of Glory (Indigènes) (Rachid Bouchareb, 2006); 26 District 9 (Neill Blomkamp, 2009); 27 Sophie's Choice (Alan J. Pakula, 1982); 28 Bloody Sunday (Paul Greengrass, 2002); 29 Omagh (Pete Travis, 2004); 30 Paradise Now (Hany Abu-Assad, 2005); Also of Note The Terrorist (Santosh Sivan, 1998) |
| Record Nr. | UNINA-9910460958503321 |
|
Gibney Mark
|
||
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Watching human rights : the 101 best films / / Mark Gibney
| Watching human rights : the 101 best films / / Mark Gibney |
| Autore | Gibney Mark |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 791.43658 |
| Collana | International studies intensives |
| Soggetto topico |
Human rights in motion pictures
Motion pictures - Evaluation |
| ISBN |
1-317-24936-4
1-315-63121-0 1-317-24935-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Contents; Preface; Introduction; Part I Feature Films; 1 Schindler's List (Steven Spielberg, 1993); Also of Note; The Last Days (James Moll, 1998); Into the Arms of Strangers: Stories of the Kindertransport (Mark Jonathan Harris, 2000); Anne Frank Remembered (Jon Blair, 1995); 2 The Lives of Others (Florian Henckel von Donnersmarck, 2006); Also of Note; Fahrenheit 451 (François Truffaut, 1966); 3 Missing (Costa-Gavras, 1982); 4 The Official Story (Luis Puenzo, 1985); 5 The Killing Fields (Roland Joffé, 1984)
6 Once Were Warriors (Lee Tamahori, 1994)7 Hunger (Steve McQueen, 2008); Also of Note; In the Name of the Father (Jim Sheridan, 1993); 8 Precious: Based on the Novel ""Push"" by Sapphire (Lee Daniels, 2009); Also of Note; Love and Diane (Jennifer Dworkin, 2002); 9 Sometimes in April (Raoul Peck, 2005) and Hotel Rwanda (Terry George, 2004) (tie); 11 Dead Man Walking (Tim Robbins, 1995); Also of Note; Love Lived On Death Row (Linda Booker, 2007); After Innocence (Jessica Sanders, 2005); Pierrepoint: The Last Hangman (Adrian Shergold, 2005); 12 The Pianist (Roman Polanski, 2002); Also of Note A Film Unfinished (Yael Hersonski, 2010)13 Journey of Hope (Xavier Koller, 1990); Also of Note; In This World (Michael Winterbottom, 2002); 14 Midnight Cowboy (John Schlesinger, 1969); Also of Note; Winter's Bone (Debra Granik, 2010); Frozen River (Courtney Hunt, 2008); 15 Gandhi (Richard Attenborough, 1982); Also of Note; 1947: Earth (Deepa Mehta, 1998); 16 Slumdog Millionaire (Danny Boyle, 2008); Also of Note; Salaam Bombay (Mira Nair, 1988); Born into Brothels (Zana Briski and Ross Kauffman, 2004); 17 Milk (Gus Van Sant, 2008); Also of Note; The Times of Harvey Milk (Rob Epstein, 1984) Brokeback Mountain (Ang Lee, 2005)Before Night Falls (Julian Schnabel, 2000); La Mission (Peter Bratt, 2009); Fire (Deepa Mehta, 1996); 18 Norma Rae (Martin Ritt, 1979); Also of Note; Matewan (John Sayles, 1987); Bread and Roses (Ken Loach, 2000); 19 The Insider (Michael Mann, 1999); Also of Note; The China Syndrome (James Bridges, 1979); Silkwood (Mike Nichols, 1983); Erin Brockovich (Steven Soderbergh, 2000); 20 V for Vendetta (James McTeigue, 2006); 21 A Dry White Season (Euzhan Palcy, 1989); Also of Note; Cry Freedom (Richard Attenborough, 1987); 22 Philadelphia (Jonathan Demme, 1993) Also of NoteYesterday (Darrell Roodt, 2004); Life, Above All (Oliver Schmitz, 2010); 23 Good Night, and Good Luck (George Clooney, 2005); 24 To Kill a Mockingbird (Robert Mulligan, 1962); Also of Note; 12 Angry Men (Sidney Lumet, 1957); The Verdict (Sidney Lumet, 1982); A Time to Kill (Joel Schumacher, 1996); 25 Days of Glory (Indigènes) (Rachid Bouchareb, 2006); 26 District 9 (Neill Blomkamp, 2009); 27 Sophie's Choice (Alan J. Pakula, 1982); 28 Bloody Sunday (Paul Greengrass, 2002); 29 Omagh (Pete Travis, 2004); 30 Paradise Now (Hany Abu-Assad, 2005); Also of Note The Terrorist (Santosh Sivan, 1998) |
| Record Nr. | UNINA-9910797828403321 |
|
Gibney Mark
|
||
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo
| ¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo |
| Autore | Sánchez Navarro Jordi |
| Pubbl/distr/stampa | Barcelona : , : Editorial UOC, , 2015 |
| Descrizione fisica | 1 online resource (100 p.) |
| Disciplina | 401.41 |
| Collana | H2pac Series |
| Soggetto topico |
Discourse analysis, Narrative
Film criticism Motion pictures - Evaluation |
| ISBN | 84-9064-448-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNINA-9910795225503321 |
|
Sánchez Navarro Jordi
|
||
| Barcelona : , : Editorial UOC, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo
| ¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo |
| Autore | Sánchez Navarro Jordi |
| Pubbl/distr/stampa | Barcelona : , : Editorial UOC, , 2015 |
| Descrizione fisica | 1 online resource (100 p.) |
| Disciplina | 401.41 |
| Collana | H2pac Series |
| Soggetto topico |
Discourse analysis, Narrative
Film criticism Motion pictures - Evaluation |
| ISBN | 84-9064-448-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNINA-9910811531803321 |
|
Sánchez Navarro Jordi
|
||
| Barcelona : , : Editorial UOC, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
