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The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
| The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober |
| Autore | Schober Anna |
| Pubbl/distr/stampa | Bristol, : Intellect, 2013 |
| Descrizione fisica | 1 online resource (258 p.) |
| Disciplina | 791.43094 |
| Soggetto topico |
Motion pictures - Europe - History - 21st century
Violence in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78320-069-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover |
| Record Nr. | UNINA-9910462909403321 |
Schober Anna
|
||
| Bristol, : Intellect, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
| The Cinema makers [[electronic resource] ] : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober |
| Autore | Schober Anna |
| Pubbl/distr/stampa | Bristol, : Intellect, 2013 |
| Descrizione fisica | 1 online resource (258 p.) |
| Disciplina | 791.43094 |
| Soggetto topico |
Motion pictures - Europe - History - 21st century
Violence in motion pictures |
| ISBN | 1-78320-069-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover |
| Record Nr. | UNINA-9910786224003321 |
|
Schober Anna
|
||
| Bristol, : Intellect, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cinema makers : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober
| The Cinema makers : public life and the exhibition of difference in south-eastern and central europe since the 1960s / / by Anna Schober |
| Autore | Schober Anna |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, : Intellect, 2013 |
| Descrizione fisica | 1 online resource (258 p.) |
| Disciplina | 791.43094 |
| Soggetto topico |
Motion pictures - Europe - History - 21st century
Violence in motion pictures |
| ISBN | 1-78320-069-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO
2.3. Transnationality: interaction and struggle vis-à-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover |
| Record Nr. | UNINA-9910828915903321 |
|
Schober Anna
|
||
| Bristol, : Intellect, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
European cinema in the twenty-first century : discourses, directions and genres / / Ingrid Lewis, Laura Canning, editors
| European cinema in the twenty-first century : discourses, directions and genres / / Ingrid Lewis, Laura Canning, editors |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2020] |
| Descrizione fisica | 1 online resource (xxi, 343 pages) : illustrations |
| Disciplina |
791.43094
791.4309409051 |
| Soggetto topico | Motion pictures - Europe - History - 21st century |
| ISBN | 3-030-33436-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: The Identity of European Cinema - Ingrid Lewis and Laura Canning -- PART I: Discourses -- 2.Nordic Cinema and Ecology: From Representation to Brainprint - Pietari Kääpa -- 3.Migrations in European Documentary - Adam Vaughan -- 4. Questioning the “Normality Drama”: The Representation of Disability - Eleanor Andrews -- 5.Women’s Memories in Holocaust Cinema - Ingrid Lewis -- 6. A Warrior and His Inevitable Defeat in Post-Yugoslav Cinema - Dino Murtić -- PART II: Directions -- 7. Manoel de Oliveira Revisited: Auteur Cinema in the Twenty-First-Century - Ingrid Lewis and Irena Sever Globan -- 8. From The Death of Mr. Lăzărescu to the Rebirth of Romanian Cinema - Doru Pop -- 9. Connecting Through Denial: Small Eastern European Cinemas/Mainstream Recognition - Andrea Virginás -- 10. “I choose a film for the story… not for the awards”: Explaining the transnational appeal of contemporary European films - Huw Jones -- 11. A Political Economic Analysis of the Provision of Tax Incentives in Irish Cinema - Laura Canning and Maria O’Brien -- PART III: Genres -- 12. On the Eve of the Journey: The New European Road Movie - Laura Rascaroli -- 13. Analysing European Neo-Noir Cinema - Begoña Gutiérrez Martínez -- 14. Dystopia Regained: European Science Fiction Film - Mariano Paz -- 15. Spanish Horror Film - Vicente Rodriguez Ortega and Rubén Romero Santos -- 16. European Animated Film - Joshua Gulam. |
| Record Nr. | UNINA-9910484648103321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Framing Africa [[electronic resource] ] : portrayals of a continent in contemporary mainstream cinema / / edited by Nigel Eltringham
| Framing Africa [[electronic resource] ] : portrayals of a continent in contemporary mainstream cinema / / edited by Nigel Eltringham |
| Pubbl/distr/stampa | New York, : Berghahn, 2013 |
| Descrizione fisica | 1 online resource (192 p.) |
| Disciplina | 791.43/651 |
| Altri autori (Persone) | EltringhamNigel |
| Soggetto topico |
Motion pictures - Europe - History - 21st century
Motion pictures - United States - History - 21st century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78238-074-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Cinema/chimera? the re-presencing of Africa in twenty-first-century film / Nigel Eltringham -- "Print the legend": myth and reality in The last King of Scotland / Mark Leopold -- Black Hawk down: recasting U.S. military history at Somali expense / Lidwien Kapteijns -- Pharma in Africa: health, corruption and contemporary Kenya in The constant gardener / Daniel Branch -- War in the city, crime in the country: Blood diamond and the representation of violence in the Sierra Leone War / Danny Hoffman -- Showing what cannot be imagined: Shooting dogs and Hotel Rwanda / Nigel Eltringham -- Torture, betrayal and forgiveness: Red dust and the search for truth in post-apartheid South Africa / Annelies Verdoolaege -- Go Amabokoboko! rugby, race, madiba and the Invictus creation myth of a new South Africa / Derek Charles Catsam. |
| Record Nr. | UNINA-9910453111003321 |
| New York, : Berghahn, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Framing Africa [[electronic resource] ] : portrayals of a continent in contemporary mainstream cinema / / edited by Nigel Eltringham
| Framing Africa [[electronic resource] ] : portrayals of a continent in contemporary mainstream cinema / / edited by Nigel Eltringham |
| Pubbl/distr/stampa | New York, : Berghahn, 2013 |
| Descrizione fisica | 1 online resource (192 p.) |
| Disciplina | 791.43/651 |
| Altri autori (Persone) | EltringhamNigel |
| Soggetto topico |
Motion pictures - Europe - History - 21st century
Motion pictures - United States - History - 21st century |
| ISBN | 1-78238-074-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Cinema/chimera? the re-presencing of Africa in twenty-first-century film / Nigel Eltringham -- "Print the legend": myth and reality in The last King of Scotland / Mark Leopold -- Black Hawk down: recasting U.S. military history at Somali expense / Lidwien Kapteijns -- Pharma in Africa: health, corruption and contemporary Kenya in The constant gardener / Daniel Branch -- War in the city, crime in the country: Blood diamond and the representation of violence in the Sierra Leone War / Danny Hoffman -- Showing what cannot be imagined: Shooting dogs and Hotel Rwanda / Nigel Eltringham -- Torture, betrayal and forgiveness: Red dust and the search for truth in post-apartheid South Africa / Annelies Verdoolaege -- Go Amabokoboko! rugby, race, madiba and the Invictus creation myth of a new South Africa / Derek Charles Catsam. |
| Record Nr. | UNINA-9910779842003321 |
| New York, : Berghahn, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Framing Africa : portrayals of a continent in contemporary mainstream cinema / / edited by Nigel Eltringham
| Framing Africa : portrayals of a continent in contemporary mainstream cinema / / edited by Nigel Eltringham |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Berghahn, 2013 |
| Descrizione fisica | 1 online resource (192 p.) |
| Disciplina | 791.43/651 |
| Altri autori (Persone) | EltringhamNigel |
| Soggetto topico |
Motion pictures - Europe - History - 21st century
Motion pictures - United States - History - 21st century |
| ISBN | 1-78238-074-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Cinema/chimera? the re-presencing of Africa in twenty-first-century film / Nigel Eltringham -- "Print the legend": myth and reality in The last King of Scotland / Mark Leopold -- Black Hawk down: recasting U.S. military history at Somali expense / Lidwien Kapteijns -- Pharma in Africa: health, corruption and contemporary Kenya in The constant gardener / Daniel Branch -- War in the city, crime in the country: Blood diamond and the representation of violence in the Sierra Leone War / Danny Hoffman -- Showing what cannot be imagined: Shooting dogs and Hotel Rwanda / Nigel Eltringham -- Torture, betrayal and forgiveness: Red dust and the search for truth in post-apartheid South Africa / Annelies Verdoolaege -- Go Amabokoboko! rugby, race, madiba and the Invictus creation myth of a new South Africa / Derek Charles Catsam. |
| Record Nr. | UNINA-9910818268503321 |
| New York, : Berghahn, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From self-fulfillment to survival of the fittest : work in European cinema from the 1960s to the present / / Ewa Mazierska
| From self-fulfillment to survival of the fittest : work in European cinema from the 1960s to the present / / Ewa Mazierska |
| Autore | Mazierska Ewa |
| Pubbl/distr/stampa | Berghahn Books, 2015 |
| Descrizione fisica | 1 online resource (vii, 303 pages) : illustrations (black and white); digital file(s) |
| Disciplina | 791.4 |
| Soggetto topico |
Work in motion pictures
Working class in motion pictures Motion pictures - Europe - History - 20th century Motion pictures - Europe - History - 21st century |
| Soggetto non controllato |
Performing Arts
Film History & Criticism |
| ISBN |
9781782384878
1782384871 9781789204742 1789204747 9781322950655 1322950652 9781782384861 1782384863 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Homo Faber and the work of cinema -- 2. The 1960s: in search of self-fulfilment -- 3. The 1970s: seeking change -- 4. The 1980s: learning to survive -- 5. The 1990s, the 2000s and beyond: moving towards the unknown -- Conclusions: towards the new cinema of work and idleness. |
| Altri titoli varianti | Work in European cinema from the 1960s to the present |
| Record Nr. | UNINA-9910433238903321 |
|
Mazierska Ewa
|
||
| Berghahn Books, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
