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Beyond auteurism [[electronic resource] ] : new directions in authorial film practices in France, Italy and Spain since the 1980s / / Rosanna Maule
| Beyond auteurism [[electronic resource] ] : new directions in authorial film practices in France, Italy and Spain since the 1980s / / Rosanna Maule |
| Autore | Maule Rosanna |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, USA, : Intellect, c2008 |
| Descrizione fisica | 1 online resource (298 p.) |
| Disciplina |
302.2343
791.4302330922 |
| Soggetto topico |
Motion pictures - Europe
Cinematography - Europe |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-78604-7
9786611786045 1-84150-255-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction; Part One: The 'Death of Cinema' and the Institutionalization of the Author; Chapter 1: The Film Author and the Survival of European Cinema; Chapter 2: The Middle Generation: Maurice Pialat, Gianni Amelio, and Víctor Erice; Chapter 3: The Difficult Legacy of the Nouvelle Vague: Olivier Assayas and French Film Authors at the End of Auteurism; Part Two: The Film Author in the New Audio-visual System
Chapter 4: For an Impure Cinema: Gabriele Salvatores and the Hybrid Nature of Film Authorship in Contemporary Italian Cinema Chapter 5: A Different Type of Cinephilia: Alejandro Amenábar and the New Generation of Spanish Film Authors; Chapter 6: Made in Europa: Luc Besson and the Question of Cultural Exception in Post-auteur France; Part Three: The Female Author in the Era of Post-feminism; Chapter 7: Auteurism and Women's Cinema in France, Italy and Spain; Chapter 8: Female Authors and Gendered Identity in Film: Claire Denis's Post-subjective Representation Chapter 9: Feminine Matters: Francesca Archibugi and the Reconfiguration of Women in the Private Sphere Conclusion; Bibliography; Index; Back Cover |
| Record Nr. | UNINA-9910453598903321 |
Maule Rosanna
|
||
| Bristol, UK ; ; Chicago, USA, : Intellect, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond auteurism [[electronic resource] ] : new directions in authorial film practices in France, Italy and Spain since the 1980s / / Rosanna Maule
| Beyond auteurism [[electronic resource] ] : new directions in authorial film practices in France, Italy and Spain since the 1980s / / Rosanna Maule |
| Autore | Maule Rosanna |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, USA, : Intellect, c2008 |
| Descrizione fisica | 1 online resource (298 p.) |
| Disciplina |
302.2343
791.4302330922 |
| Soggetto topico |
Motion pictures - Europe
Cinematography - Europe |
| ISBN |
1-281-78604-7
9786611786045 1-84150-255-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction; Part One: The 'Death of Cinema' and the Institutionalization of the Author; Chapter 1: The Film Author and the Survival of European Cinema; Chapter 2: The Middle Generation: Maurice Pialat, Gianni Amelio, and Víctor Erice; Chapter 3: The Difficult Legacy of the Nouvelle Vague: Olivier Assayas and French Film Authors at the End of Auteurism; Part Two: The Film Author in the New Audio-visual System
Chapter 4: For an Impure Cinema: Gabriele Salvatores and the Hybrid Nature of Film Authorship in Contemporary Italian Cinema Chapter 5: A Different Type of Cinephilia: Alejandro Amenábar and the New Generation of Spanish Film Authors; Chapter 6: Made in Europa: Luc Besson and the Question of Cultural Exception in Post-auteur France; Part Three: The Female Author in the Era of Post-feminism; Chapter 7: Auteurism and Women's Cinema in France, Italy and Spain; Chapter 8: Female Authors and Gendered Identity in Film: Claire Denis's Post-subjective Representation Chapter 9: Feminine Matters: Francesca Archibugi and the Reconfiguration of Women in the Private Sphere Conclusion; Bibliography; Index; Back Cover |
| Record Nr. | UNINA-9910782383003321 |
|
Maule Rosanna
|
||
| Bristol, UK ; ; Chicago, USA, : Intellect, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond auteurism [[electronic resource] ] : new directions in authorial film practices in France, Italy and Spain since the 1980s / / Rosanna Maule
| Beyond auteurism [[electronic resource] ] : new directions in authorial film practices in France, Italy and Spain since the 1980s / / Rosanna Maule |
| Autore | Maule Rosanna |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, USA, : Intellect, c2008 |
| Descrizione fisica | 1 online resource (298 p.) |
| Disciplina |
302.2343
791.4302330922 |
| Soggetto topico |
Motion pictures - Europe
Cinematography - Europe |
| ISBN |
1-281-78604-7
9786611786045 1-84150-255-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction; Part One: The 'Death of Cinema' and the Institutionalization of the Author; Chapter 1: The Film Author and the Survival of European Cinema; Chapter 2: The Middle Generation: Maurice Pialat, Gianni Amelio, and Víctor Erice; Chapter 3: The Difficult Legacy of the Nouvelle Vague: Olivier Assayas and French Film Authors at the End of Auteurism; Part Two: The Film Author in the New Audio-visual System
Chapter 4: For an Impure Cinema: Gabriele Salvatores and the Hybrid Nature of Film Authorship in Contemporary Italian Cinema Chapter 5: A Different Type of Cinephilia: Alejandro Amenábar and the New Generation of Spanish Film Authors; Chapter 6: Made in Europa: Luc Besson and the Question of Cultural Exception in Post-auteur France; Part Three: The Female Author in the Era of Post-feminism; Chapter 7: Auteurism and Women's Cinema in France, Italy and Spain; Chapter 8: Female Authors and Gendered Identity in Film: Claire Denis's Post-subjective Representation Chapter 9: Feminine Matters: Francesca Archibugi and the Reconfiguration of Women in the Private Sphere Conclusion; Bibliography; Index; Back Cover |
| Record Nr. | UNINA-9910824804103321 |
|
Maule Rosanna
|
||
| Bristol, UK ; ; Chicago, USA, : Intellect, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Europe and love in cinema [[electronic resource] /] / edited by Luisa Passerini, Jo Labanyi and Karen Diehl
| Europe and love in cinema [[electronic resource] /] / edited by Luisa Passerini, Jo Labanyi and Karen Diehl |
| Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2012 |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina |
791.436543094
941 |
| Altri autori (Persone) |
PasseriniLuisa
LabanyiJo DiehlKaren |
| Soggetto topico |
Motion pictures - Europe
Love in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84150-672-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Disciplinary and historical contexts -- pt. 2. Impossible loves -- pt. 3. Movements in time-space -- pt. 4. Cultural re-inscriptions. |
| Record Nr. | UNINA-9910462051503321 |
| Bristol ; ; Chicago, : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Europe and love in cinema [[electronic resource] /] / edited by Luisa Passerini, Jo Labanyi and Karen Diehl
| Europe and love in cinema [[electronic resource] /] / edited by Luisa Passerini, Jo Labanyi and Karen Diehl |
| Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2012 |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina |
791.436543094
941 |
| Altri autori (Persone) |
PasseriniLuisa
LabanyiJo DiehlKaren |
| Soggetto topico |
Motion pictures - Europe
Love in motion pictures |
| ISBN | 1-84150-672-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Disciplinary and historical contexts -- pt. 2. Impossible loves -- pt. 3. Movements in time-space -- pt. 4. Cultural re-inscriptions. |
| Record Nr. | UNINA-9910790297903321 |
| Bristol ; ; Chicago, : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Europe and love in cinema [[electronic resource] /] / edited by Luisa Passerini, Jo Labanyi and Karen Diehl
| Europe and love in cinema [[electronic resource] /] / edited by Luisa Passerini, Jo Labanyi and Karen Diehl |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol ; ; Chicago, : Intellect, 2012 |
| Descrizione fisica | 1 online resource (294 p.) |
| Disciplina |
791.436543094
941 |
| Altri autori (Persone) |
PasseriniLuisa
LabanyiJo DiehlKaren |
| Soggetto topico |
Motion pictures - Europe
Love in motion pictures |
| ISBN | 1-84150-672-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Disciplinary and historical contexts -- pt. 2. Impossible loves -- pt. 3. Movements in time-space -- pt. 4. Cultural re-inscriptions. |
| Record Nr. | UNINA-9910827630703321 |
| Bristol ; ; Chicago, : Intellect, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
European cinema [[electronic resource] ] : face to face with Hollywood / / Thomas Elsaesser
| European cinema [[electronic resource] ] : face to face with Hollywood / / Thomas Elsaesser |
| Autore | Elsaesser Thomas <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam ; [Great Britain], : Amsterdam University Press, c2005 |
| Descrizione fisica | 1 online resource (567 p.) |
| Disciplina | 791.43094 |
| Collana | Film culture in transition |
| Soggetto topico |
Motion picture industry - Europe
Motion pictures - Europe |
| ISBN |
90-485-0517-8
1-4237-4625-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Table of Contents -- Preface -- Introduction -- European Cinema: Conditions of Impossibility? -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood -- ImpersoNations: National Cinema, Historical Imaginaries -- Film Festival Networks: The New Topographies of Cinema in Europe -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990's -- Auteurs and Art Cinemas: Modernism and Self-Reference, Installation Art and Autobiography -- Ingmar Bergman - Person and Persona: The Mountain of Modern Cinema on the Road to Morocco -- Late Losey: Time Lost and Time Found -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light -- The Body as Perceptual Surface: The Films of Johan van der Keuken -- Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel -- Touching Base: Some German Women Directors in the 1980's -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles -- Raoul Ruiz's L'Hypothèse du Tableau Volé -- Images for Sale: The "New" British Cinema -- "If You Want a Life": The Marathon Man -- British Television in the 1980's Through The Looking Glass -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf / Wedel, Michael -- Under Western Eyes: What Does Žižek Want? -- Our Balkanist Gaze: About Memory's No Man's Land -- Europe Haunted by History and Empire -- Is History an Old Movie? -- Edgar Reitz's Heimat: Memory, Home and Hollywood -- Discourse and History: One Man's War - An Interview with Edgardo Cozarinsky -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes -- Joseph Losey's The Go-Between -- Games of Love and Death: Peter Greenaway and Other Englishmen -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death -- Andy Engel's Melancholia -- On The High Seas: Edgardo Cozarinsky's Dutch Adventure -- Third Cinema/World Cinema: An Interview with Ruy Guerra -- Ruy Guerra's Erendira -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema between Hollywood and Art Cinema -- Conclusion -- European Cinema as World Cinema: A New Beginning? -- European Cinema: A Brief Bibliography -- List of Sources and Places of First Publication -- Index of Names -- Index of Film Titles / Subjects |
| Record Nr. | UNINA-9910144872903321 |
|
Elsaesser Thomas <1943->
|
||
| Amsterdam ; [Great Britain], : Amsterdam University Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
European cinema [[electronic resource] ] : face to face with Hollywood / / Thomas Elsaesser
| European cinema [[electronic resource] ] : face to face with Hollywood / / Thomas Elsaesser |
| Autore | Elsaesser Thomas <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam ; [Great Britain], : Amsterdam University Press, c2005 |
| Descrizione fisica | 1 online resource (567 p.) |
| Disciplina | 791.43094 |
| Collana | Film culture in transition |
| Soggetto topico |
Motion picture industry - Europe
Motion pictures - Europe |
| ISBN |
90-485-0517-8
1-4237-4625-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Table of Contents -- Preface -- Introduction -- European Cinema: Conditions of Impossibility? -- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood -- ImpersoNations: National Cinema, Historical Imaginaries -- Film Festival Networks: The New Topographies of Cinema in Europe -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990's -- Auteurs and Art Cinemas: Modernism and Self-Reference, Installation Art and Autobiography -- Ingmar Bergman - Person and Persona: The Mountain of Modern Cinema on the Road to Morocco -- Late Losey: Time Lost and Time Found -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light -- The Body as Perceptual Surface: The Films of Johan van der Keuken -- Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel -- Touching Base: Some German Women Directors in the 1980's -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles -- Raoul Ruiz's L'Hypothèse du Tableau Volé -- Images for Sale: The "New" British Cinema -- "If You Want a Life": The Marathon Man -- British Television in the 1980's Through The Looking Glass -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf / Wedel, Michael -- Under Western Eyes: What Does Žižek Want? -- Our Balkanist Gaze: About Memory's No Man's Land -- Europe Haunted by History and Empire -- Is History an Old Movie? -- Edgar Reitz's Heimat: Memory, Home and Hollywood -- Discourse and History: One Man's War - An Interview with Edgardo Cozarinsky -- Rendezvous with the French Revolution: Ettore Scola's That Night in Varennes -- Joseph Losey's The Go-Between -- Games of Love and Death: Peter Greenaway and Other Englishmen -- Border-Crossings: Filmmaking without a Passport -- Peter Wollen's Friendship's Death -- Andy Engel's Melancholia -- On The High Seas: Edgardo Cozarinsky's Dutch Adventure -- Third Cinema/World Cinema: An Interview with Ruy Guerra -- Ruy Guerra's Erendira -- Hyper-, Retro- or Counter-: European Cinema as Third Cinema between Hollywood and Art Cinema -- Conclusion -- European Cinema as World Cinema: A New Beginning? -- European Cinema: A Brief Bibliography -- List of Sources and Places of First Publication -- Index of Names -- Index of Film Titles / Subjects |
| Record Nr. | UNISA-996207171503316 |
|
Elsaesser Thomas <1943->
|
||
| Amsterdam ; [Great Britain], : Amsterdam University Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
European film theory [[electronic resource] /] / edited by Temenuga Trifonova
| European film theory [[electronic resource] /] / edited by Temenuga Trifonova |
| Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 791.4301 |
| Altri autori (Persone) | TrifonovaTemenuga |
| Collana | AFI film readers |
| Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
| Record Nr. | UNINA-9910455156503321 |
| London : New York, : Routledge, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
European film theory [[electronic resource] /] / edited by Temenuga Trifonova
| European film theory [[electronic resource] /] / edited by Temenuga Trifonova |
| Pubbl/distr/stampa | London : New York, : Routledge, 2008 |
| Descrizione fisica | 1 online resource (383 p.) |
| Disciplina | 791.4301 |
| Altri autori (Persone) | TrifonovaTemenuga |
| Collana | AFI film readers |
| Soggetto topico |
Motion pictures - Europe
Film criticism - Europe |
| ISBN |
1-135-90253-4
1-282-25650-5 9786612256509 0-203-89370-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
book cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
six: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancière on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory fourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andré bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory twenty - one: neorealism at a distanceappendix: teaching aid; contributors; index |
| Record Nr. | UNINA-9910778051303321 |
| London : New York, : Routledge, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
