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Afro-Cuban identity in post-revolutionary novel and film [[electronic resource] ] : inclusion, loss, and cultural resistance / / Andrea Easley Morris
| Afro-Cuban identity in post-revolutionary novel and film [[electronic resource] ] : inclusion, loss, and cultural resistance / / Andrea Easley Morris |
| Autore | Morris Andrea E |
| Pubbl/distr/stampa | Lanham, Md., : Bucknell University Press, : Co-published with The Rowman & Littlefield Pub. Group, Inc., 2012 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 863/.640997291 |
| Soggetto topico |
Cuban literature - 20th century - History and criticism
Black people in literature Race in literature Identity (Philosophical concept) in literature Motion pictures - Cuba - History - 20th century Black people in motion pictures Race in motion pictures Black people - Race identity - Cuba - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-66361-8
9786613640543 1-61148-423-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way of détour -- Post-revolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Conclusion -- Epilogue: the 1980s and beyond. |
| Record Nr. | UNINA-9910457559203321 |
Morris Andrea E
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| Lanham, Md., : Bucknell University Press, : Co-published with The Rowman & Littlefield Pub. Group, Inc., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Afro-Cuban identity in post-revolutionary novel and film [[electronic resource] ] : inclusion, loss, and cultural resistance / / Andrea Easley Morris
| Afro-Cuban identity in post-revolutionary novel and film [[electronic resource] ] : inclusion, loss, and cultural resistance / / Andrea Easley Morris |
| Autore | Morris Andrea E |
| Pubbl/distr/stampa | Lanham, Md., : Bucknell University Press, : Co-published with The Rowman & Littlefield Pub. Group, Inc., 2012 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 863/.640997291 |
| Soggetto topico |
Cuban literature - 20th century - History and criticism
Black people in literature Race in literature Identity (Philosophical concept) in literature Motion pictures - Cuba - History - 20th century Black people in motion pictures Race in motion pictures Black people - Race identity - Cuba - History - 20th century |
| ISBN |
1-280-66361-8
9786613640543 1-61148-423-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way of détour -- Post-revolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Conclusion -- Epilogue: the 1980s and beyond. |
| Record Nr. | UNINA-9910778928703321 |
|
Morris Andrea E
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||
| Lanham, Md., : Bucknell University Press, : Co-published with The Rowman & Littlefield Pub. Group, Inc., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Afro-Cuban identity in post-revolutionary novel and film [[electronic resource] ] : inclusion, loss, and cultural resistance / / Andrea Easley Morris
| Afro-Cuban identity in post-revolutionary novel and film [[electronic resource] ] : inclusion, loss, and cultural resistance / / Andrea Easley Morris |
| Autore | Morris Andrea E |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Md., : Bucknell University Press, : Co-published with The Rowman & Littlefield Pub. Group, Inc., 2012 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 863/.640997291 |
| Soggetto topico |
Cuban literature - 20th century - History and criticism
Black people in literature Race in literature Identity (Philosophical concept) in literature Motion pictures - Cuba - History - 20th century Black people in motion pictures Race in motion pictures Black people - Race identity - Cuba - History - 20th century |
| ISBN |
1-280-66361-8
9786613640543 1-61148-423-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way of détour -- Post-revolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Conclusion -- Epilogue: the 1980s and beyond. |
| Record Nr. | UNINA-9910807192903321 |
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Morris Andrea E
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| Lanham, Md., : Bucknell University Press, : Co-published with The Rowman & Littlefield Pub. Group, Inc., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Neorrealismo y cine en Cuba : Historia y discurso en torno a la primera polémica de la Revolución, 1951–1962 / / Anastasia Valecce
| Neorrealismo y cine en Cuba : Historia y discurso en torno a la primera polémica de la Revolución, 1951–1962 / / Anastasia Valecce |
| Autore | Valecce Anastasia <1980-> |
| Pubbl/distr/stampa | West Lafayette : , : Purdue University Press, , 2021 |
| Descrizione fisica | 1 online resource (1 online resource) |
| Disciplina | 791.43097291/09045 |
| Collana | Purdue studies in Romance literatures |
| Soggetto topico |
Realism in motion pictures
Motion pictures - Cuba - History - 20th century |
| ISBN |
1-55753-988-X
1-55753-987-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Nota di contenuto |
Cover -- NEORREALISMO Y CINE EN CUBA -- Title -- Copyright -- Dedication -- Índice -- Agradecimientos -- Introducción El proyecto -- Sobre el neorealismo italiano -- El neorrealismo italiano en Cuba -- Cronología -- Las películas cubanas -- La ruptura -- Estructura, metodología y conceptos teóricos -- Desglose de los capítulos -- Capítulo uno El neorrealismo italiano y sus divergencias -- Un conjunto de voces -- El contexto histórico-social -- ¿Continuidad o ruptura? -- Filmografía y revistas neorrealistas -- Una estética cambiante -- Capítulo dos Zavattini transatlántico -- El aire se mide en "Za" -- La producción zavattiniana en Italia -- Zavattini y el neorrealismo -- Zavattini en Cuba -- ¿Za transatlántico o una estética transatlántica? -- Capítulo tres Entre el espectáculo, la propaganda y la realidad: El neorrealismo italiano según Julio García Espinosa y Tomás Gutiérrez Alea -- Coordenadas -- Tomás Gutiérrez Alea -- El valor de las conversaciones epistolares -- Las cartas -- Julio García Espinosa -- Conclusiones -- Capítulo cuatro La imaginación de la Revolución en pantalla: Sogno di Giovanni Bassain y El Mégano -- Imaginando nuevas posibilidades narrativas en la era prerrevolucionaria -- El sueño de Titón -- Sogno di Giovanni Bassain -- El análisis fílmico -- La imaginación desde Giovanni a Titón -- La Revolución en 16mm.: el caso de El Mégano -- Los escritos acerca de El Mégano -- Sobre el proyecto -- La película -- Conclusiones -- Capítulo cinco Por un cine "neorrealísticamente" (im)perfecto: Historias de la Revolución y El joven rebelde -- La Revolución en pantalla -- Historias de la Revolución -- Un análisis de los episodios: "El herido," "Rebeldes" y "Santa Clara" -- Historias de un espacio problemático -- El joven rebelde -- Las cartas (de unos jóvenes rebeldes) -- Un libro rebelde -- La película -- Conclusiones.
Conclusión Trayectorias futuras -- Sobre las trayectorias -- Primeros pasos -- Organización del texto -- Más allá de los límites -- De la práctica a la teoría -- Trayectorias futuras -- Neorrealismo a lo cubano -- Notas -- Bibliografía -- Filmografía -- Índice alfabético -- About the book -- About the author. |
| Record Nr. | UNINA-9910735298703321 |
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Valecce Anastasia <1980->
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| West Lafayette : , : Purdue University Press, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On location in Cuba [[electronic resource] ] : street filmaking [sic] during times of transition / / Ann Marie Stock
| On location in Cuba [[electronic resource] ] : street filmaking [sic] during times of transition / / Ann Marie Stock |
| Autore | Stock Ann Marie |
| Pubbl/distr/stampa | Chapel Hill, : University of North Carolina Press, c2009 |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43097291/090511 |
| Collana | Envisioning Cuba |
| Soggetto topico |
Motion pictures - Cuba - History - 20th century
Motion pictures - Cuba - History - 21st century Motion pictures - Study and teaching (Graduate) - Cuba |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4696-0585-6
0-8078-9419-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: screening an island nation in transition -- Documenting tumultuous times: new culture organizations proffer alternatives -- Establishing community media in the mountains: Televisión Serrana strengthens highland identity -- Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace -- Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking -- Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema -- Filming in the margins: Esteban Insausti explores life and art amidst chaos -- Making space for new interventions: a montage from the national exhibit of new filmmakers -- Epilogue: reflections on Cuba, filmmaking, and the times ahead. |
| Record Nr. | UNINA-9910455402103321 |
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Stock Ann Marie
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| Chapel Hill, : University of North Carolina Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On location in Cuba [[electronic resource] ] : street filmaking [sic] during times of transition / / Ann Marie Stock
| On location in Cuba [[electronic resource] ] : street filmaking [sic] during times of transition / / Ann Marie Stock |
| Autore | Stock Ann Marie |
| Pubbl/distr/stampa | Chapel Hill, : University of North Carolina Press, c2009 |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43097291/090511 |
| Collana | Envisioning Cuba |
| Soggetto topico |
Motion pictures - Cuba - History - 20th century
Motion pictures - Cuba - History - 21st century Motion pictures - Study and teaching (Graduate) - Cuba |
| ISBN |
1-4696-0585-6
0-8078-9419-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: screening an island nation in transition -- Documenting tumultuous times: new culture organizations proffer alternatives -- Establishing community media in the mountains: Televisión Serrana strengthens highland identity -- Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace -- Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking -- Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema -- Filming in the margins: Esteban Insausti explores life and art amidst chaos -- Making space for new interventions: a montage from the national exhibit of new filmmakers -- Epilogue: reflections on Cuba, filmmaking, and the times ahead. |
| Record Nr. | UNINA-9910778012803321 |
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Stock Ann Marie
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| Chapel Hill, : University of North Carolina Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On location in Cuba [[electronic resource] ] : street filmaking [sic] during times of transition / / Ann Marie Stock
| On location in Cuba [[electronic resource] ] : street filmaking [sic] during times of transition / / Ann Marie Stock |
| Autore | Stock Ann Marie |
| Pubbl/distr/stampa | Chapel Hill, : University of North Carolina Press, c2009 |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43097291/090511 |
| Collana | Envisioning Cuba |
| Soggetto topico |
Motion pictures - Cuba - History - 20th century
Motion pictures - Cuba - History - 21st century Motion pictures - Study and teaching (Graduate) - Cuba |
| ISBN |
1-4696-0585-6
0-8078-9419-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: screening an island nation in transition -- Documenting tumultuous times: new culture organizations proffer alternatives -- Establishing community media in the mountains: Televisión Serrana strengthens highland identity -- Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace -- Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking -- Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema -- Filming in the margins: Esteban Insausti explores life and art amidst chaos -- Making space for new interventions: a montage from the national exhibit of new filmmakers -- Epilogue: reflections on Cuba, filmmaking, and the times ahead. |
| Record Nr. | UNINA-9910814351903321 |
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Stock Ann Marie
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| Chapel Hill, : University of North Carolina Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening Cuba [[electronic resource] ] : film criticism as political performance during the Cold War / / Hector Amaya
| Screening Cuba [[electronic resource] ] : film criticism as political performance during the Cold War / / Hector Amaya |
| Autore | Amaya Hector |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2010 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43097291/09045 |
| Soggetto topico |
Motion pictures, Cuban - United States
Motion pictures - Cuba - History - 20th century Motion pictures - Political aspects - Cuba Film criticism - United States - History - 20th century Film criticism - Cuba - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-02871-9
9786613028716 0-252-09002-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Staging film criticism. Cuban culture, institutions, policies, and citizens -- The Cuban revolutionary hermeneutics : criticism and citizenship -- The U.S. field of culture -- U.S. criticism, dissent, and hermeneutics -- Performing film criticism. Memories of underdevelopment -- Lucia -- One way or another -- Portrait of Teresa -- Conclusion. |
| Record Nr. | UNINA-9910464431603321 |
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Amaya Hector
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| Urbana, : University of Illinois Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening Cuba [[electronic resource] ] : film criticism as political performance during the Cold War / / Hector Amaya
| Screening Cuba [[electronic resource] ] : film criticism as political performance during the Cold War / / Hector Amaya |
| Autore | Amaya Hector |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2010 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43097291/09045 |
| Soggetto topico |
Motion pictures, Cuban - United States
Motion pictures - Cuba - History - 20th century Motion pictures - Political aspects - Cuba Film criticism - United States - History - 20th century Film criticism - Cuba - History - 20th century |
| ISBN |
1-283-02871-9
9786613028716 0-252-09002-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Staging film criticism. Cuban culture, institutions, policies, and citizens -- The Cuban revolutionary hermeneutics : criticism and citizenship -- The U.S. field of culture -- U.S. criticism, dissent, and hermeneutics -- Performing film criticism. Memories of underdevelopment -- Lucia -- One way or another -- Portrait of Teresa -- Conclusion. |
| Record Nr. | UNINA-9910788720603321 |
|
Amaya Hector
|
||
| Urbana, : University of Illinois Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening Cuba [[electronic resource] ] : film criticism as political performance during the Cold War / / Hector Amaya
| Screening Cuba [[electronic resource] ] : film criticism as political performance during the Cold War / / Hector Amaya |
| Autore | Amaya Hector |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2010 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43097291/09045 |
| Soggetto topico |
Motion pictures, Cuban - United States
Motion pictures - Cuba - History - 20th century Motion pictures - Political aspects - Cuba Film criticism - United States - History - 20th century Film criticism - Cuba - History - 20th century |
| ISBN |
1-283-02871-9
9786613028716 0-252-09002-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Staging film criticism. Cuban culture, institutions, policies, and citizens -- The Cuban revolutionary hermeneutics : criticism and citizenship -- The U.S. field of culture -- U.S. criticism, dissent, and hermeneutics -- Performing film criticism. Memories of underdevelopment -- Lucia -- One way or another -- Portrait of Teresa -- Conclusion. |
| Record Nr. | UNINA-9910818232103321 |
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Amaya Hector
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||
| Urbana, : University of Illinois Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
