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Classic Hollywood : lifestyles and film styles of American cinema, 1930-1960 / / Veronica Pravadelli ; translated by Michael Theodore Meadows
| Classic Hollywood : lifestyles and film styles of American cinema, 1930-1960 / / Veronica Pravadelli ; translated by Michael Theodore Meadows |
| Autore | Pravadelli Veronica <1964-> |
| Pubbl/distr/stampa | Urbana, Illinois : , : University of Illinois Press, , 2015 |
| Descrizione fisica | 1 online resource (viii, 226 pages ) |
| Disciplina | 791.430973 |
| Soggetto topico |
Motion pictures - United States - History - 20th century
Motion pictures - Production and direction - United States - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-252-08034-3
0-252-09673-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: classical Hollywood cinema and film studies -- The early thirties: modernity, new women, and the aesthetic of attractions -- Normative desires and visual sobriety: apogee of the classical model -- The male subject of noir and the modern gaze -- (Dis)adventures of female desire in the 1940's woman's film -- Excess, spectacle, sensation: family melodrama in the 1950's -- Performative bodies and non-referential images: excesses of the musical. |
| Record Nr. | UNINA-9910459879203321 |
Pravadelli Veronica <1964->
|
||
| Urbana, Illinois : , : University of Illinois Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Classic Hollywood : lifestyles and film styles of American cinema, 1930-1960 / / Veronica Pravadelli ; translated by Michael Theodore Meadows
| Classic Hollywood : lifestyles and film styles of American cinema, 1930-1960 / / Veronica Pravadelli ; translated by Michael Theodore Meadows |
| Autore | Pravadelli Veronica <1964-> |
| Pubbl/distr/stampa | Urbana, Illinois : , : University of Illinois Press, , 2015 |
| Descrizione fisica | 1 online resource (viii, 226 pages ) |
| Disciplina | 791.430973 |
| Soggetto topico |
Motion pictures - United States - History - 20th century
Motion pictures - Production and direction - United States - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| ISBN |
0-252-08034-3
0-252-09673-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: classical Hollywood cinema and film studies -- The early thirties: modernity, new women, and the aesthetic of attractions -- Normative desires and visual sobriety: apogee of the classical model -- The male subject of noir and the modern gaze -- (Dis)adventures of female desire in the 1940's woman's film -- Excess, spectacle, sensation: family melodrama in the 1950's -- Performative bodies and non-referential images: excesses of the musical. |
| Record Nr. | UNINA-9910787127903321 |
|
Pravadelli Veronica <1964->
|
||
| Urbana, Illinois : , : University of Illinois Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Classic Hollywood : lifestyles and film styles of American cinema, 1930-1960 / / Veronica Pravadelli ; translated by Michael Theodore Meadows
| Classic Hollywood : lifestyles and film styles of American cinema, 1930-1960 / / Veronica Pravadelli ; translated by Michael Theodore Meadows |
| Autore | Pravadelli Veronica <1964-> |
| Pubbl/distr/stampa | Urbana, Illinois : , : University of Illinois Press, , 2015 |
| Descrizione fisica | 1 online resource (viii, 226 pages ) |
| Disciplina | 791.430973 |
| Soggetto topico |
Motion pictures - United States - History - 20th century
Motion pictures - Production and direction - United States - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| ISBN |
0-252-08034-3
0-252-09673-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: classical Hollywood cinema and film studies -- The early thirties: modernity, new women, and the aesthetic of attractions -- Normative desires and visual sobriety: apogee of the classical model -- The male subject of noir and the modern gaze -- (Dis)adventures of female desire in the 1940's woman's film -- Excess, spectacle, sensation: family melodrama in the 1950's -- Performative bodies and non-referential images: excesses of the musical. |
| Record Nr. | UNINA-9910824372203321 |
|
Pravadelli Veronica <1964->
|
||
| Urbana, Illinois : , : University of Illinois Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The classical Hollywood reader / / edited by Steve Neale
| The classical Hollywood reader / / edited by Steve Neale |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (483 p.) |
| Disciplina | 384/.80979494 |
| Altri autori (Persone) | NealeStephen <1950-> |
| Soggetto topico |
Motion pictures - California - Los Angeles - History - 20th century
Performing arts - California - Los Angeles - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-84353-6
1-135-72000-2 0-203-72081-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Classical Hollywood Reader; Copyright Page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Permissions; Steve Neale: Introduction; 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives; Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26; 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s; 3. Richard Koszarski: Making Movies, 1915-28; 4. Kristin Thompson: The Limits of Experimentation in Hollywood
5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s; Part II: Sound and the studio system, 1926-46; 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry; 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version; 9. Howard T. Lewis: Organization; 10. Thomas Schatz: Hollywood: The Triumph of the Studio System 11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12. Tino Balio: Selling Stars: The Economic Imperative; Part III: Representation, technology, production and style, 1926-46; 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood; 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s; 15. Kathryn Kalinak: The Classical Hollywood Film Score 16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era; 18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation; Part IV: Postwar Hollywood and the end of the studio system, 1946-66; 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry; 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition 21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification; 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s; 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation; Steve Neale: Epilogue; Bibliography; Index |
| Record Nr. | UNINA-9910461978303321 |
| Abingdon, Oxon ; ; New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The classical Hollywood reader / / edited by Steve Neale
| The classical Hollywood reader / / edited by Steve Neale |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (483 p.) |
| Disciplina | 384/.80979494 |
| Altri autori (Persone) | NealeStephen <1950-> |
| Soggetto topico |
Motion pictures - California - Los Angeles - History - 20th century
Performing arts - California - Los Angeles - History - 20th century |
| ISBN |
1-135-72007-X
1-283-84353-6 1-135-72000-2 0-203-72081-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Classical Hollywood Reader; Copyright Page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Permissions; Steve Neale: Introduction; 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives; Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26; 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s; 3. Richard Koszarski: Making Movies, 1915-28; 4. Kristin Thompson: The Limits of Experimentation in Hollywood
5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s; Part II: Sound and the studio system, 1926-46; 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry; 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version; 9. Howard T. Lewis: Organization; 10. Thomas Schatz: Hollywood: The Triumph of the Studio System 11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12. Tino Balio: Selling Stars: The Economic Imperative; Part III: Representation, technology, production and style, 1926-46; 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood; 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s; 15. Kathryn Kalinak: The Classical Hollywood Film Score 16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era; 18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation; Part IV: Postwar Hollywood and the end of the studio system, 1946-66; 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry; 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition 21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification; 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s; 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation; Steve Neale: Epilogue; Bibliography; Index |
| Record Nr. | UNINA-9910786335603321 |
| Abingdon, Oxon ; ; New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The classical Hollywood reader / / edited by Steve Neale
| The classical Hollywood reader / / edited by Steve Neale |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (483 p.) |
| Disciplina | 384/.80979494 |
| Altri autori (Persone) | NealeStephen <1950-> |
| Soggetto topico |
Motion pictures - California - Los Angeles - History - 20th century
Performing arts - California - Los Angeles - History - 20th century |
| ISBN |
1-135-72007-X
1-283-84353-6 1-135-72000-2 0-203-72081-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Classical Hollywood Reader; Copyright Page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Permissions; Steve Neale: Introduction; 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives; Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26; 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s; 3. Richard Koszarski: Making Movies, 1915-28; 4. Kristin Thompson: The Limits of Experimentation in Hollywood
5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s; Part II: Sound and the studio system, 1926-46; 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry; 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version; 9. Howard T. Lewis: Organization; 10. Thomas Schatz: Hollywood: The Triumph of the Studio System 11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12. Tino Balio: Selling Stars: The Economic Imperative; Part III: Representation, technology, production and style, 1926-46; 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood; 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s; 15. Kathryn Kalinak: The Classical Hollywood Film Score 16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era; 18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation; Part IV: Postwar Hollywood and the end of the studio system, 1946-66; 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry; 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition 21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification; 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s; 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation; Steve Neale: Epilogue; Bibliography; Index |
| Record Nr. | UNINA-9910808882003321 |
| Abingdon, Oxon ; ; New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cultural politics of contemporary Hollywood film : power, culture, and society / / Chris Beasley and Heather Brook
| The cultural politics of contemporary Hollywood film : power, culture, and society / / Chris Beasley and Heather Brook |
| Autore | Beasley Chris |
| Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2019 |
| Descrizione fisica | 1 online resource (xi, 367 pages) : digital file(s) |
| Disciplina | 791.436581 |
| Soggetto topico |
Politics in motion pictures
Motion pictures - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 21st century Film and Media Film Theory & Criticism PERFORMING ARTS / Film / History & Criticism |
| Soggetto non controllato |
Cultural politics
Feminism Film history Globalisation Hollywood Masculinity Political myths Power Security Social critique gender/sexuality |
| ISBN | 1-5261-3574-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword by Douglas Kellner -- 1. Introduction: the cultural politics of popular film -- 2. Frames -- Part I: Security -- 3. Security: order and disorder -- 4. War and order -- 5. Disorder and fear -- 6. Fearsome monsters -- Part II: Relationalities -- 7. Gender and intimate relationships -- 8. Romance -- 9. Bromance -- Part III: Social critique -- 10. Against the grain? Socially critical movies -- 11. Questioning the critical -- Part IV: Global agendas -- 12. The big picture: the 'metropole' and peripheral 'others' -- 13. Responses from 'the margins' -- Index. |
| Record Nr. | UNINA-9910793600203321 |
|
Beasley Chris
|
||
| Manchester, UK : , : Manchester University Press, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cultural politics of contemporary Hollywood film : power, culture, and society / / Chris Beasley and Heather Brook
| The cultural politics of contemporary Hollywood film : power, culture, and society / / Chris Beasley and Heather Brook |
| Autore | Beasley Chris |
| Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2019 |
| Descrizione fisica | 1 online resource (xi, 367 pages) : digital file(s) |
| Disciplina | 791.436581 |
| Soggetto topico |
Politics in motion pictures
Motion pictures - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 21st century Film and Media Film Theory & Criticism PERFORMING ARTS / Film / History & Criticism |
| Soggetto non controllato |
Cultural politics
Feminism Film history Globalisation Hollywood Masculinity Political myths Power Security Social critique gender/sexuality |
| ISBN | 1-5261-3574-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword by Douglas Kellner -- 1. Introduction: the cultural politics of popular film -- 2. Frames -- Part I: Security -- 3. Security: order and disorder -- 4. War and order -- 5. Disorder and fear -- 6. Fearsome monsters -- Part II: Relationalities -- 7. Gender and intimate relationships -- 8. Romance -- 9. Bromance -- Part III: Social critique -- 10. Against the grain? Socially critical movies -- 11. Questioning the critical -- Part IV: Global agendas -- 12. The big picture: the 'metropole' and peripheral 'others' -- 13. Responses from 'the margins' -- Index. |
| Record Nr. | UNINA-9910815554103321 |
|
Beasley Chris
|
||
| Manchester, UK : , : Manchester University Press, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon
| Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon |
| Autore | Dixon Wheeler W. <1950-> |
| Pubbl/distr/stampa | New Brunswick, NJ, : Rutgers University Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 384/.80979494 |
| Collana |
Techniques of the Moving Image
Techniques of the moving image |
| Soggetto topico |
Motion picture studios - California - Los Angeles - History - 20th century
Motion picture industry - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8135-5376-8
1-283-68556-6 0-8135-5378-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Prologue -- 1. The Postwar Collapse -- 2. White Fang at Columbia -- 3. Z for Zanuck -- 4. Mayer's MGM -- 5. Zukor and Paramount -- 6. The Major Minors -- 7. Universal Goes Corporate -- 8. That's All, Folks: Jack Warner's Lost Kingdom -- Works Cited and Consulted -- Index -- About the Author |
| Record Nr. | UNINA-9910463587903321 |
|
Dixon Wheeler W. <1950->
|
||
| New Brunswick, NJ, : Rutgers University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon
| Death of the moguls [[electronic resource] ] : the end of classical Hollywood / / Wheeler Winston Dixon |
| Autore | Dixon Wheeler W. <1950-> |
| Pubbl/distr/stampa | New Brunswick, NJ, : Rutgers University Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 384/.80979494 |
| Collana |
Techniques of the Moving Image
Techniques of the moving image |
| Soggetto topico |
Motion picture studios - California - Los Angeles - History - 20th century
Motion picture industry - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 20th century |
| ISBN |
0-8135-5376-8
1-283-68556-6 0-8135-5378-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Prologue -- 1. The Postwar Collapse -- 2. White Fang at Columbia -- 3. Z for Zanuck -- 4. Mayer's MGM -- 5. Zukor and Paramount -- 6. The Major Minors -- 7. Universal Goes Corporate -- 8. That's All, Folks: Jack Warner's Lost Kingdom -- Works Cited and Consulted -- Index -- About the Author |
| Record Nr. | UNINA-9910788682903321 |
|
Dixon Wheeler W. <1950->
|
||
| New Brunswick, NJ, : Rutgers University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
