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Affective Moments in the Films of Martel, Carri, and Puenzo [[electronic resource] /] / by Inela Selimović
| Affective Moments in the Films of Martel, Carri, and Puenzo [[electronic resource] /] / by Inela Selimović |
| Autore | Selimović Inela |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (270 pages) |
| Disciplina | 858.91209 |
| Soggetto topico |
Motion pictures, American
Motion pictures—Production and direction Women Ethnology—Latin America Culture Gender Latin American Cinema and TV Directing Women's Studies Latin American Culture Culture and Gender |
| ISBN | 1-137-49642-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri’s La rabia (2008) -- 3. Affective Otherness in Lucrecia Martel’s La ciénaga (2001) -- 4. Lucía Puenzo’s El niño pez (2009): Fluid Intimacies, Affective Dwelling -- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri’s Los rubios (2003) -- 6. Muted Gestures, Screaming Affects in Lucrecia Martel’s La mujer sin cabeza (2008) -- 7. Ghostly Pasts and Contested Silence in Lucía Puenzo’s Wakolda: El médico alemán (2013) -- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo’s XXY (2007) -- 9. Albertina Carri’s Géminis (2005): Leisurely Boredom, Incestuous Discontent -- 10. Lucrecia Martel’s La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis -- 11. Conclusion. . |
| Record Nr. | UNINA-9910300001803321 |
Selimović Inela
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Alien Audiences [[electronic resource] ] : Remembering and Evaluating a Classic Movie / / by M. Barker, K. Egan, S. Ralph, T. Phillips
| Alien Audiences [[electronic resource] ] : Remembering and Evaluating a Classic Movie / / by M. Barker, K. Egan, S. Ralph, T. Phillips |
| Autore | Barker M |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Pivot, , 2016 |
| Descrizione fisica | 1 online resource (X, 139 p.) |
| Disciplina | 791.43 |
| Collana | Palgrave Pivot |
| Soggetto topico |
Motion pictures—Production and direction
Motion pictures—United States Motion pictures—History Arts America—Literatures Fiction Directing American Cinema and TV Film History North American Literature |
| ISBN | 1-137-53206-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910255253503321 |
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Barker M
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Pivot, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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British Television Drama [[electronic resource] ] : Past, Present and Future / / edited by J. Bignell, S. Lacey
| British Television Drama [[electronic resource] ] : Past, Present and Future / / edited by J. Bignell, S. Lacey |
| Edizione | [2nd ed. 2014.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 |
| Descrizione fisica | XII, 255 s |
| Disciplina | 822.025 |
| Soggetto topico |
Culture
Motion pictures and television Motion pictures—Production and direction Motion picture authorship Film genres Motion pictures—History Sociology of Culture Screen Studies Directing Screenwriting Genre Film History |
| ISBN |
1-137-32757-X
1-137-32758-8 |
| Classificazione | PER010010PER010030SOC052000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Contents -- Acknowledgements -- Notes on the Contributors -- Editors' Introduction -- 1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 Brookside: The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: Coronation Street in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of Persuasion; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in The Sarah Jane Adventures; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving Waterloo Road from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam -- Editors' Conclusion -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910156232603321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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British Women Film Directors in the New Millennium [[electronic resource] /] / by Stella Hockenhull
| British Women Film Directors in the New Millennium [[electronic resource] /] / by Stella Hockenhull |
| Autore | Hockenhull Stella |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 264 p. 5 illus. in color.) |
| Disciplina | 306.0941 |
| Soggetto topico |
Ethnology—Europe
Culture Gender Motion pictures—Production and direction Motion pictures Motion pictures—Great Britain British Culture Culture and Gender Directing Film/TV Industry British Cinema and TV |
| ISBN | 1-137-48992-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Women and British cinema funding: from the UKFC to creative England -- Women directors and documentary cinema -- Women directors and poetic realism -- Popular cinema from a female perspective -- Alternatives to mainstream and classic modes of narration -- Conclusion. |
| Record Nr. | UNINA-9910255062403321 |
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Hockenhull Stella
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chinese Film Festivals [[electronic resource] ] : Sites of Translation / / edited by Chris Berry, Luke Robinson
| Chinese Film Festivals [[electronic resource] ] : Sites of Translation / / edited by Chris Berry, Luke Robinson |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 376 p. 6 illus. in color.) |
| Disciplina | 791.43095 |
| Collana | Framing Film Festivals |
| Soggetto topico |
Motion pictures—Asia
Motion pictures—History Ethnology—Asia China—History Motion pictures—Production and direction Asian Cinema and TV Film History Asian Culture History of China Directing |
| ISBN | 1-137-55016-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | .Introduction -- .Section 1: Translating the Film Festival -- .A: International Film Festivals in the Chinese Speaking World -- .1. Chris Berry, “Shanghai and Hong Kong: A Tale of Two Festivals.” -- .2. Elena Pollacchi, “’Mature at Birth’: The Beijing International Film Festival between the National Film Industry and the International Film Circuit.” -- .3. Ming-yeh T. Rawnsley, “Culture Translation between ‘Local’ and ‘International’: The Golden Harvest Award Festival in Taiwan.” -- .B: Specialized Independent and Small Film Festivals in the Chinese-Speaking World -- .4. Hongwei Bao, “Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation.” -- .5. Flora Lichaa, “The Beijing Independent Film Festival: Translating the Non-Profit Model into China.” -- .6. Nikki J.Y. Lee and Julian Stringer, “‘China’s Sundance’ and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival.” -- .7. Esther C.M. Yau, “What Can Small Festivals Do? Towards Film Festivals as Testimony to Expanded Civic Engagement in Post-handover Hong Kong.” -- .8. Sabrina Qiong Yu and Lydia Dan Wu, “The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization.” -- .C: Chinese Film Festivals Outside the Chinese-Speaking World -- .9. Luke Robinson, “Sole Traders, Cultural Brokers, and Chinese-Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival.” -- .Section 2: Translating Culture -- .A: International Film Festivals in the Chinese-Speaking World -- .10. Dina Iordanova, “Yingying, Zhenzhen and Fenfen? China at the Festivals.” -- .11. Ma Ran, “Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival.” -- .12. Gina Marchetti, “Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics of the Sponsored Short.” -- .B: Specialized Film Festivals in the Chinese-Speaking World -- .13. Jenny Chio, “Rural Films in an Urban Festival: Community Media and Cultural Translation at the Yunnan Multi Culture Visual Festival.” -- .14. Su-Anne Yeo, “Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival.” -- .15. Cindy Wong, “Translating Chinese Film Festivals – Three Cases in New York.” -- .C: Chinese Film Festivals outside the Chinese-Speaking World -- .Chinese Character Lists -- .Notes on Contributors. |
| Record Nr. | UNINA-9910164900703321 |
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Cinema of Muhammad Malas : Visions of a Syrian Auteur / / by Samirah Alkassim, Nezar Andary
| The Cinema of Muhammad Malas : Visions of a Syrian Auteur / / by Samirah Alkassim, Nezar Andary |
| Autore | Alkassim Samirah |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (189 pages) |
| Disciplina | 791.43095691 |
| Collana | Palgrave Studies in Arab Cinema |
| Soggetto topico |
Motion pictures—Production and direction
Ethnology—Middle East Motion pictures Motion pictures - Production and direction Middle East—Politics and government Directing Middle Eastern Culture Global Cinema and TV Film and TV Production Middle Eastern Politics |
| ISBN | 3-319-76813-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The Cinema of Memory -- 2. From Quneitra to Moscow and Back -- 3. Early Years and Memories -- 4. Collaborations and Documentary -- 5. Poignancy and Memoir in Documentary -- 6. Excerpts from The Dream: A Diary of a Film -- 7. Behind the Scenes and Films in the Making -- 8. Reflections on Memory, Intertextuality, and Banned Films -- 9. Bab al-Maqam: From Beginnings to Caricatures of Banality -- 10. On Patriarchy and Resistance in Ladder to Damascus -- 11. Filmmaking in the New Millenium -- 12. On Cinema al-Dunya by Muhammad Malas. |
| Record Nr. | UNINA-9910300006903321 |
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Alkassim Samirah
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary Argentine Women Filmmakers / / edited by Mirna Vohnsen, Daniel Mourenza
| Contemporary Argentine Women Filmmakers / / edited by Mirna Vohnsen, Daniel Mourenza |
| Autore | Vohnsen Mirna |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (274 pages) |
| Disciplina |
791.4098
791.4302330982 |
| Altri autori (Persone) | MourenzaDaniel |
| Soggetto topico |
Motion pictures, American
Gender identity in mass media Motion pictures—Production and direction Latin American Film and TV Media and Gender Directing Film and Television Production Directores cinematogràfiques Dones en la cinematografia |
| Soggetto genere / forma | Llibres electrònics |
| ISBN | 3-031-32346-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction. Women Filmmakers in Argentina: Reworking Cinematic Practices Mirna Vohnsen & Daniel Mourenza Auteurs -- 2. Lita Stantic: “The Personal Is Political” Is Professional Constanza Burucúa -- 3. Jeanine Meerapfel: Cosmopolitan Auteur of the Immigrant Condition Matt Losada -- 4. María Victoria Menis’s Counter-Cinema: La cámara oscura (2008) and María y el Araña (2013) Carolina Rocha -- Traumatic Experiences -- 5. Sisterhood on the Threshold in Julia Solomonoff’s Hermanas (2005) Mirna Vohnsen -- 6. Screaming into the Abyss: Trauma and Witnessing in Albertina Carri’s Los rubios (2003) and La rabia (2008) Fiona Clancy -- 7. Are You Listening? Voices and Images in Gabriela David’s Taxi, un encuentro (2001) and Lucía Puenzo’s El niño pez (2009) Ana Forcinito -- 8. Intersectionality in Gabriela David’s La mosca en la ceniza (2010) Traci Roberts-Camps -- Aesthetics -- 9. They Are All around Us: Pain, Memory and Multisensory Images in Paula Markovitch’s El premio (2011) Guillermo Severiche -- 10. The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz’s El futuro perfecto (2016) Pedro Cabello del Moral & Roberto Elvira Mathez -- 11. Manipulating the Gaze in La novia del desierto (dir. Cecilia Atán and Valeria Pivato, 2017) Andrea Meador Smith -- Genre Cinema -- 12. Women, Hybridity and Genre in the Films of Verónica Chen Beatriz Urraca -- 13. A Different Terror: Crudo Films and Women’s Horror Cinema in Argentina Jonathan Risner -- 14. Girlhood and the Uncanny in the Coming-of-Age Genre: Abrir puertas y ventanas (dir. Milagros Mumenthaler, 2011) and Mamá, mamá, mamá (dir. Sol Berruezo Pichon-Rivière, 2020) Daniel Mourenza -- Epilogue. On Cinematic Disobedience Inela Selimović. |
| Record Nr. | UNINA-9910734835903321 |
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Vohnsen Mirna
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Films of Arturo Ripstein : The Sinister Gaze of the World / / edited by Manuel Gutiérrez Silva, Luis Duno Gottberg
| The Films of Arturo Ripstein : The Sinister Gaze of the World / / edited by Manuel Gutiérrez Silva, Luis Duno Gottberg |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (375 pages) |
| Disciplina |
791.430972
791.430233092 |
| Soggetto topico |
Motion pictures, American
Ethnology—Latin America Motion pictures—Production and direction Latin America—Politics and government Communication Latin American Cinema and TV Latin American Culture Directing Latin American Politics Media and Communication |
| ISBN | 3-030-22956-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Manuel Gutiérrez Silva -- Part I. Slicing the Nationalist Gaze: Arturo Ripstein in the History of Mexican Cinema -- 2. Fifty Years in Film 1: Ripstein’s early years and his place in Mexican cinema; Luis Duno-Gottberg and Manuel Gutiérrez Silva -- 3. Anachronism and Dislocation: Tiempo de morir (1965) Between the Nuevo Cine Mexicano and the Global Western; Rielle Navitski -- 4. El castillo de la pureza (1972): A National Allegory about the Perils of Closed Markets; Christina L. Sisk -- 5. Marranismo, Allegory, and the Unsayable in Arturo Ripstein’s El Santo Oficio (1974); Erin Graff Zivin -- 6. Becoming “Arturo Ripstein”? On Collaboration and the “Author Function” in The Transnational Film Adaptation of El lugar sin límites (1978); Catherine Grant -- Part II. The Sinister Gaze: Pathos, Abjection, and Blood -- 7. Fifty Years in Film 2. Accomplices: Arturo Ripstein and Paz Alicia Garciadiego, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva -- 8. Deconstructing the Divas: Music in Arturo Ripstein’s El lugar sin límites (1978) and La reina de la noche (1994); Catherine Leen -- 9. Mexican Abjection: Lucha Reyes and the Politics of Suffering in La reina de la noche (1994); Sergio de la Mora -- 10. Profundo carmesí (1996): Blood Weddings in Contemporary Mexico; Javier Guerrero -- Part III. Undoing the Melodramatic Gaze -- 11. Fifty Years in Film 3: The Melodrama and Filmmaking in the Twenty-First Century, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva -- 12. Arturo Ripstein: The Film Auteur in the Age of Neoliberal Production; Ignacio Sánchez Prado -- 13. La perdición de los hombres (200): Beyond Melodrama and its Variations; Niamh Thornton -- 14. Mothers, Maidens and Machos: Demolishing the Myths of Mexican Melodrama in Principio y fin (1996); Caryn Connelly -- 15. From La Manuela to La Princesa de Jade: Visual Spectacle and the Repetition Compulsion; Claudia Schaefer. |
| Record Nr. | UNINA-9910481956503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hong Kong's New Indie Cinema / / by Ruby Cheung
| Hong Kong's New Indie Cinema / / by Ruby Cheung |
| Autore | Cheung Ruby |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (258 pages) : illustrations |
| Disciplina | 791.43095125 |
| Collana | East Asian Popular Culture |
| Soggetto topico |
Motion pictures—Asia
Motion picture industry Television broadcasting Motion pictures—Production and direction Asian Film and TV Film and Television Industry Film and Television Production |
| ISBN |
9783031257674
3-031-25767-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction: Hong Kong’s Indie Films of the 2010s and Film Independence -- Chapter 2. The Fabric of 2010s Hong Kong Film Industry -- Chapter 3. Creative Labour -- Chapter 4. Subject Matter -- Chapter 5. The Use of Language -- Chapter 6. Distribution and Exhibition -- Chapter 7. Conclusion: A New Start or an Endgame?. . |
| Record Nr. | UNINA-9910734895603321 |
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Cheung Ruby
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jean-Luc Godard’s Political Filmmaking / / by Irmgard Emmelhainz
| Jean-Luc Godard’s Political Filmmaking / / by Irmgard Emmelhainz |
| Autore | Emmelhainz Irmgard |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (331 pages) |
| Disciplina | 791.43658 |
| Soggetto topico |
Motion pictures—Production and direction
Motion pictures—European influences Political communication Aesthetics Directing European Cinema and TV Political Communication |
| ISBN | 3-319-72095-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Who Speaks Here?: Jean-Luc Godard’s ‘Militant Filmmaking’ (1967-1974) -- 3. Elsewhere: Dialogue of Points of View: Jean-Luc Godard and Tiersmondisme -- 4. Technique and Montage: Saying, Seeing and Showing the Invisible -- 5. Representing the Unrepresentable: Restitution, Archive, Memory -- 6. Conditions of Visuality and Materialist Film at the Eve of the 21st Century -- 7. Conclusion. |
| Record Nr. | UNINA-9910484957703321 |
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Emmelhainz Irmgard
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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