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'Bad' Women of Bombay Films [[electronic resource] ] : Studies in Desire and Anxiety / / edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha
| 'Bad' Women of Bombay Films [[electronic resource] ] : Studies in Desire and Anxiety / / edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina | 791.43652042 |
| Soggetto topico |
Motion pictures—Asia
Culture Gender Motion pictures Ethnology—Asia Asian Cinema and TV Culture and Gender Global Cinema and TV Asian Culture Global/International Culture |
| ISBN | 3-030-26788-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Breaking Bad -- The Disorderly Presence at Home -- 2. Desire, Deviancy and Defiance in Bombay Cinema (1937-1960) -- 3. “haan, haan mein alaida hoon!” (Yes, yes I am different!): the Disorderly Bibi in Sahib, Bibi aur Ghulam (1962) -- 4. The Goddess of Mean Things: the Mother-in-law in Hindi Films -- 5. “ek admi tha, usne shadi karli!” (“There was a man who got married!”): Female Agency and Domestication in Omkara (2006) -- The Business of the Body -- 6. The Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941; Chitralekha, 1964; Amrapali, 1966) -- 7. Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015) -- 8. The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s -- 9. Guns, Gangsters and “Gandagi”: the Moll in Hindi Cinema -- 10. Sex Workers in Hindi Cinema: Imagos and Realities -- The Question of Violence -- 11. The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963) -- 12. “itni bhhi mahaan main nahi hoon, raja!” (“I’m not that great, O king”): the Angry Young Woman of the 1970s -- 13. Outcast[e] / Outlawed: The Bandit Queen (1996) -- 14. The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s -- 15. Honoured Mother and ‘Honour’ Killing: Ammaji in NH10 (2015) -- The Advent of the New Woman -- 16. Of Pallus and Pants: Fabricating the New Woman of the New Nation -- Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955) -- 17. Consumer Pleasures and Hindi Cinema’s En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011) -- 18. Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014) -- 19. Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018) -- The Screening of the Actress -- 20. “naye naam nit naye roop dhar” (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema -- 21. Playing Anaarkali: Gender, Morality and Erotica. . |
| Record Nr. | UNINA-9910483825503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chinese Film Festivals [[electronic resource] ] : Sites of Translation / / edited by Chris Berry, Luke Robinson
| Chinese Film Festivals [[electronic resource] ] : Sites of Translation / / edited by Chris Berry, Luke Robinson |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 376 p. 6 illus. in color.) |
| Disciplina | 791.43095 |
| Collana | Framing Film Festivals |
| Soggetto topico |
Motion pictures—Asia
Motion pictures—History Ethnology—Asia China—History Motion pictures—Production and direction Asian Cinema and TV Film History Asian Culture History of China Directing |
| ISBN | 1-137-55016-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | .Introduction -- .Section 1: Translating the Film Festival -- .A: International Film Festivals in the Chinese Speaking World -- .1. Chris Berry, “Shanghai and Hong Kong: A Tale of Two Festivals.” -- .2. Elena Pollacchi, “’Mature at Birth’: The Beijing International Film Festival between the National Film Industry and the International Film Circuit.” -- .3. Ming-yeh T. Rawnsley, “Culture Translation between ‘Local’ and ‘International’: The Golden Harvest Award Festival in Taiwan.” -- .B: Specialized Independent and Small Film Festivals in the Chinese-Speaking World -- .4. Hongwei Bao, “Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation.” -- .5. Flora Lichaa, “The Beijing Independent Film Festival: Translating the Non-Profit Model into China.” -- .6. Nikki J.Y. Lee and Julian Stringer, “‘China’s Sundance’ and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival.” -- .7. Esther C.M. Yau, “What Can Small Festivals Do? Towards Film Festivals as Testimony to Expanded Civic Engagement in Post-handover Hong Kong.” -- .8. Sabrina Qiong Yu and Lydia Dan Wu, “The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization.” -- .C: Chinese Film Festivals Outside the Chinese-Speaking World -- .9. Luke Robinson, “Sole Traders, Cultural Brokers, and Chinese-Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival.” -- .Section 2: Translating Culture -- .A: International Film Festivals in the Chinese-Speaking World -- .10. Dina Iordanova, “Yingying, Zhenzhen and Fenfen? China at the Festivals.” -- .11. Ma Ran, “Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival.” -- .12. Gina Marchetti, “Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics of the Sponsored Short.” -- .B: Specialized Film Festivals in the Chinese-Speaking World -- .13. Jenny Chio, “Rural Films in an Urban Festival: Community Media and Cultural Translation at the Yunnan Multi Culture Visual Festival.” -- .14. Su-Anne Yeo, “Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival.” -- .15. Cindy Wong, “Translating Chinese Film Festivals – Three Cases in New York.” -- .C: Chinese Film Festivals outside the Chinese-Speaking World -- .Chinese Character Lists -- .Notes on Contributors. |
| Record Nr. | UNINA-9910164900703321 |
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chinese Independent Animation [[electronic resource] ] : Renegotiating Identity in Modern China / / by Wenhai Zhou
| Chinese Independent Animation [[electronic resource] ] : Renegotiating Identity in Modern China / / by Wenhai Zhou |
| Autore | Zhou Wenhai |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xii, 222 pages) : illustrations |
| Disciplina | 338.4768824 |
| Collana | Palgrave Animation |
| Soggetto topico |
Animated films
Motion pictures—Asia Animation Asian Cinema and TV |
| ISBN | 3-030-40697-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- ‘Postsocialism’ and ‘Independence’ -- Chapter 1: A dispersed 'independent' ecology -- 1.1 The Meishu Legacy -- 1.2 An Emergent ‘Animation Industry’ -- 1.3 The Pioneer of Chinese Independent Animation – Shanke -- 1.4 Toward an ‘Ecological’ Conception of Independent Animation -- Chapter 2: Understanding the Ecology of Independent Chinese Animation within the context of China's Post-Socialist Reality -- 2.1 Minjian Individuality -- 2.2 From production pipeline to platform: the CIAFF -- 2.3 Conclusion: Assembling Ambiguous Contradictions -- Chapter 3: The Imaginative World of Pisan -- 3.1 Pisan – Redefining ‘Independence’ -- 3.2 An Icon of Resistance – Kuangkuang -- 3.3 Parallel ‘Realities’ in Miss Puff -- 3.4 ‘Parallel’ Responses of Pisan Within the Chinese Media Ecology -- 3.5 Conclusion -- Chapter 4: Lei Lei: A 'third way': Lei Lei and the Festival circuit -- 4.1 The journey towards independence -- 4.2 Early ‘rebellion’ through animation Face (2007) -- 4.3 Post-socialist ‘reality’ and collective ‘identity’ -- 4.4 Lei Lei's Transcendent Response to the Media Ecology -- 4.5 Conclusion -- Chapter 5: The Future Prospect of the Chinese Independent Animation Ecology -- 5.1 The mainstream path: a national ideology of Chineseness -- 5.2 The evolving independent path: disoriented individual identity -- 5.3 An ideological mirror: Piercing I -- 5.4 Conclusion -- Chapter 6: Conclusion. . |
| Record Nr. | UNINA-9910484797703321 |
Zhou Wenhai
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Consuming Cultural Hegemony [[electronic resource] ] : Bollywood in Bangladesh / / by Harisur Rahman
| Consuming Cultural Hegemony [[electronic resource] ] : Bollywood in Bangladesh / / by Harisur Rahman |
| Autore | Rahman Harisur |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (253 pages) |
| Disciplina | 384.80954792 |
| Soggetto topico |
Motion pictures
Culture Motion pictures—Asia Ethnology—Asia Mass media Communication Global Cinema and TV Global/International Culture Asian Cinema and TV Asian Culture Media Sociology |
| ISBN | 3-030-31707-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. From Partition to Hegemony: Bangladesh and Bangladeshi Films in the South Asian Context -- 3. Ethnographic Fieldwork: The Self as an Informant and an Observer -- 4. The Political Economy, Materiality and the Visceral Experience of Cable Television -- 5. The Cultural Economy of the CD/DVD Store and the Creation of Space -- 6. Culture of Copying and Copying of Culture: Media "Piracy" in Bangladesh -- 7. Belonging to Class: Hindi Film and the Formation of Middle Class Audience in Bangladesh -- 8. Negotiating Mediated Modernity and Culture: When “Soft Power” Becomes Hard -- 9. Bollywoodization or Ghettoization?: The Bangladeshi Dream Factory is in Disarray -- 10. Summary and Conclusion. |
| Record Nr. | UNINA-9910484705803321 |
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Rahman Harisur
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary Chinese Films and Celebrity Directors [[electronic resource] /] / by Shenshen Cai
| Contemporary Chinese Films and Celebrity Directors [[electronic resource] /] / by Shenshen Cai |
| Autore | Cai Shenshen |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Singapore : , : Springer Singapore : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (VII, 168 p.) |
| Disciplina | 791.43095 |
| Soggetto topico |
Motion pictures—Asia
Cultural studies Social history Asian Cinema and TV Cultural Studies Social History |
| ISBN | 981-10-2966-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Han Han and His Debut Film The Continent: Identity in Flux, Cruel Youth, and Broken Ideals -- Guo Jingming and His Tiny Times Film Series -- Xu Jinglei: A Successful Actor-writer-director -- Zhao Wei and Her Debut Film So Young: Nostalgia for the Innocent Adolescent -- Jiang Wen and His Signature Films: Let the Bullets Fly and Gone with the Bullets -- Jiang Wenli and Her Autobiographical Film Lan -- Conclusion. |
| Record Nr. | UNINA-9910255071803321 |
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Cai Shenshen
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| Singapore : , : Springer Singapore : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cultural Specificity in Indonesian Film [[electronic resource] ] : Diversity in Unity / / by David Hanan
| Cultural Specificity in Indonesian Film [[electronic resource] ] : Diversity in Unity / / by David Hanan |
| Autore | Hanan David |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XIX, 331 p. 37 illus. in color.) |
| Disciplina | 791.43095 |
| Soggetto topico |
Motion pictures—Asia
Ethnology—Asia Motion pictures—History Ethnology Asian Cinema and TV Asian Culture Film History Cultural Anthropology |
| ISBN | 3-319-40874-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: In the Words of a Filmmaker... -- 2. Indonesia: An Emerging Nation -- 3. Intermittent Industries: Film Production in Indonesia over Nine Decades -- 4. Regions and Regional Societies and Cultures in The Indonesian Cinema -- 5. Group Body Language in Performance Art, Films, and Dance by the Indonesian Avant-Garde -- 6. Body Language: From Wall Reliefs And Painting To Popular Narrative Film -- 7. Women in a Context of Cultural Difference -- 8. Conclusion: ‘Placing Culture’. . |
| Record Nr. | UNINA-9910164985203321 |
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Hanan David
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Entertainment and Politics in Contemporary China [[electronic resource] /] / by Jingsi Christina Wu
| Entertainment and Politics in Contemporary China [[electronic resource] /] / by Jingsi Christina Wu |
| Autore | Wu Jingsi Christina |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (236 pages) |
| Disciplina | 335.4345 |
| Collana | East Asian Popular Culture |
| Soggetto topico |
Communication
Motion pictures—Asia Ethnology—Asia Asia—Politics and government Social media Media and Communication Asian Cinema and TV Asian Culture Asian Politics Social Media |
| ISBN | 3-319-48264-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. An Internet with Chinese Characteristics -- 3. Voting for the Next Super Girl and Political Talk -- 4. Stories of New Generations and Social Justice -- 5. Entertainment Production and the Future of China’s Cultural Industry -- 6. Conclusion: Convergence of Entertainment and Politics in Contemporary China. |
| Record Nr. | UNINA-9910255097403321 |
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Wu Jingsi Christina
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminism, Women's Agency, and Communication in Early Twentieth-Century China [[electronic resource] ] : The Case of the Huang-Lu Elopement / / by Qiliang He
| Feminism, Women's Agency, and Communication in Early Twentieth-Century China [[electronic resource] ] : The Case of the Huang-Lu Elopement / / by Qiliang He |
| Autore | He Qiliang |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XVI, 299 p. 10 illus.) |
| Disciplina | 809.5 |
| Collana | Chinese Literature and Culture in the World |
| Soggetto topico |
Oriental literature
Culture Gender Ethnology—Asia Motion pictures—Asia Asian Literature Culture and Gender Asian Culture Asian Cinema and TV |
| ISBN | 3-319-89692-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 0: Introduction -- Chapter 1: In Search of Women’s Agency in Everyday Life: The Construction of the Huang-Lu Love Affair in the Press -- Chapter 2: The Trials of Lu Genrong: The Criminal Law Reform and Women’s Agency in Late 1920s China -- Chapter 3: Polysemy: Discussions and Debates on the Huang-Lu Love Affair -- Chapter 4: Polyphony: Vernacularized Feminisms and the Urban Network of Communication -- Chapter 5: Vernacularization as Global and Local Experiences: The Huang-Lu Affair in Film and Literature -- Chapter 6: Conclusion. |
| Record Nr. | UNINA-9910300013403321 |
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He Qiliang
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Film Tourism in Asia [[electronic resource] ] : Evolution, Transformation, and Trajectory / / edited by Sangkyun Kim, Stijn Reijnders
| Film Tourism in Asia [[electronic resource] ] : Evolution, Transformation, and Trajectory / / edited by Sangkyun Kim, Stijn Reijnders |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Singapore : , : Springer Singapore : , : Imprint : Springer, , 2018 |
| Descrizione fisica | 1 online resource (VIII, 275 p. 34 illus., 28 illus. in color.) |
| Disciplina | 338.4791 |
| Collana | Perspectives on Asian Tourism |
| Soggetto topico |
Tourism
Management Motion pictures—Asia Ethnology—Asia Tourism Management Asian Cinema and TV Asian Culture |
| ISBN | 981-10-5909-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Asia on My Mind: Understanding Film Tourism and its Perspectives in Asia -- Section 1: Representing Asia -- Chapter 2: Film Tourism in India: An Emergent Product -- Chapter 3: Imagining Tourism and Mobilities in Modern India Through Film -- Chapter 4: Technology Adoption in Films: Can it be a Subtle Way to Promote Film Tourism in Bangladesh? -- Chapter 5: Strategic Marketing in Film Tourism: The Case of Reality TV Programmes in South Korea -- Chapter 6: Where’s that Beach? Visual Media Effects on Greece in the Korean TV Drama Descendants of the Sun -- Chapter 7: Film Tourism in China: Trends and Reviews -- Section 2: The Film Tourist Experience -- Chapter 8: Mediating Spaces of Tourism in the German Village of South Korea -- Chapter 9: The Impact of Film on Tourist Experience Transformation: A Longitudinal Autoethnographic Approach to the Case of Bali, Indonesia -- Chapter 10: Becoming Extras: Beyond Touristic Experiences at China’s Hengdian World Studios -- Chapter 11: Nostalgia and Film Tourism Products and Activities: The Case of Korean Audience of Hong Kong Films -- Section 3: Impacts on Host Communities -- Chapter 12: The Beach Goes Full Circle: The Case of Koh Phi Phi, Thailand -- Chapter 13: Attitudes of Host Communities Towards Film Tourism and Tourists’ Impacts on Social Distance -- Chapter 14: Change in Local Community’s Perceptions and Attitudes Towards Film Tourism Impacts: The Case of Eat Pray Love Film Tourism in Bali, Indonesia -- Section 4: Cross-Cultural Perspectives -- Chapter 15: Creating Places and Transferring Culture: American Theme Parks in Asia -- Chapter 16: Impact of Indian Films on Travel Decisions of Non-Resident Indians and Non-Indians -- Chapter 17. Power of a Drama? A Comparison on Voluntourism Between Chinese and American Film Tourists -- Conclusion -- Chapter 18. Future Journeys: Setting the Research Agenda for Film Tourism in Asia and Beyond. |
| Record Nr. | UNINA-9910298174903321 |
| Singapore : , : Springer Singapore : , : Imprint : Springer, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Films of Kore-eda Hirokazu [[electronic resource] ] : An Elemental Cinema / / by Linda C. Ehrlich
| The Films of Kore-eda Hirokazu [[electronic resource] ] : An Elemental Cinema / / by Linda C. Ehrlich |
| Autore | Ehrlich Linda C |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (311 pages) |
| Disciplina | 791.430952 |
| Collana | East Asian Popular Culture |
| Soggetto topico |
Motion pictures—Asia
Ethnology—Asia Motion pictures—History Popular Culture Asian Cinema and TV Asian Culture Film History |
| ISBN | 3-030-33051-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introductory thoughts -- 2. EARTH/ THE DOCUMENTARY IMPULSE. Mō hitotsu no kyoku: Ina shōgakkō haru gumi no kiroku/Lessons from a Calf, 1991 -- 3. WATER - Maboroshi no hikari/Maborosi, 1995 -- 4. Aruite mo aruite mo/Still Walking, 2008 -- 5. Umi yori mada fukaku/After the Storm, 2016 -- 6. LIMINALITY - Wandafuru raifu/ After Life, 1998 -- 7. Daremo shiranai/Nobody Knows, 2004 -- 8. FIRE - Distance, 2001 -- 9. Sandome no satsujin/The Third Murder, 2017 -- 10.AIR - Kūki ningyō/Air Doll, 2009 -- 11. Kiseki/I Wish, 2011 -- 12. Soshite chichi ni naru/Like Father Like Son, 2013 -- 13. Umimachi diari/ Our Little Sister, 2015 -- 14. METAL - Hana yori mo nao/Hana, 2006 -- 15. AN ELEMENTAL CINEMA RE-EXAMINED - Manbiki Kazoku/Shoplifters, 2018 -- 16. ENDINGS -- 17. Final Thoughts -- 18. Filmography. |
| Record Nr. | UNINA-9910484906103321 |
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Ehrlich Linda C
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
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Motion pictures—Asia
(34)
- Asian Cinema and TV (32)
- Asian Culture (24)
- Ethnology—Asia (24)
- Motion pictures (9)