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The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]]
| The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]] |
| Autore | Rothman William |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
| Descrizione fisica | 1 online resource (xxxii, 389 pages) : digital, PDF file(s) |
| Disciplina | 791.43 |
| Collana | Cambridge studies in film |
| Soggetto topico | Motion pictures |
| ISBN |
1-107-14535-X
1-280-45769-4 0-511-18499-9 0-511-61660-0 0-511-18582-0 0-511-18766-1 0-511-31372-1 0-511-18673-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Foreword to the Second Edition; Preface to the First Edition; Acknowledgments; Notes on the Essays; CHAPTER 1 Hollywood Reconsidered: Reflections on the Classical American Cinema; CHAPTER 2 D. W. Griffith and the Birth of the Movies; CHAPTER 3 Judith of Bethulia; CHAPTER 4 True Heart Griffith; CHAPTER 5 The Ending of City Lights; CHAPTER 6 The Goddess: Reflections on Melodrama East and West; CHAPTER 7 Red Dust: The Erotic Screen Image; CHAPTER 8 Virtue and Villainy in the Face of the Camera
CHAPTER 9 Pathos and Transfiguration in the Face of the Camera: A Reading of Stella Dallas CHAPTER 10 Viewing the World in Black and White: Race and the Melodrama of the Unknown Woman; CHAPTER 11 Howard Hawks and Bringing Up Baby; CHAPTER 12 The Film maker in the Film: Octave and the Rules of Renoir's Game; CHAPTER 13 Stagecoach and the Quest for Self hood; CHAPTER 14 To Have and Have Not Adapted a Film from a Novel; CHAPTER 15 Hollywood and the Rise of Suburbia; CHAPTER 16 Nobody's Perfect: Billy Wilder and the Postwar American Cinema; CHAPTER 17 The River CHAPTER 18 Vertigo: The Unknown Woman in Hitchcock CHAPTER 19 North by Northwest: Hitchcock's Monument to the Hitchcock Film; CHAPTER 20 The Villain in Hitchcock: "Does He Look Like a 'Wrong One' to You?"; CHAPTER 21 Thoughts on Hitchcock's Authorship; CHAPTER 22 Eternal Vérités: Cinema-Vérité and Classical Cinema; CHAPTER 23 Visconti's Death in Venice; CHAPTER 24 Alfred Guzzetti's Family Portrait Sittings; CHAPTER 25 A Taste for Beauty: Eric Rohmer's Writings on Film; CHAPTER 26 Tale of Winter: Philosophical Thought in the Films of Eric Rohmer; CHAPTER 27 The "New Latin American Cinema" CHAPTER 28 Violence and Film CHAPTER 29 What Is American about American Film Study?; Index |
| Record Nr. | UNINA-9910457560103321 |
Rothman William
|
||
| Cambridge : , : Cambridge University Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]]
| The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]] |
| Autore | Rothman William |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
| Descrizione fisica | 1 online resource (xxxii, 389 pages) : digital, PDF file(s) |
| Disciplina | 791.43 |
| Collana | Cambridge studies in film |
| Soggetto topico | Motion pictures |
| ISBN |
0-511-18857-9
1-107-14535-X 1-280-45769-4 0-511-18499-9 0-511-61660-0 0-511-18582-0 0-511-18766-1 0-511-31372-1 0-511-18673-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Foreword to the Second Edition; Preface to the First Edition; Acknowledgments; Notes on the Essays; CHAPTER 1 Hollywood Reconsidered: Reflections on the Classical American Cinema; CHAPTER 2 D. W. Griffith and the Birth of the Movies; CHAPTER 3 Judith of Bethulia; CHAPTER 4 True Heart Griffith; CHAPTER 5 The Ending of City Lights; CHAPTER 6 The Goddess: Reflections on Melodrama East and West; CHAPTER 7 Red Dust: The Erotic Screen Image; CHAPTER 8 Virtue and Villainy in the Face of the Camera
CHAPTER 9 Pathos and Transfiguration in the Face of the Camera: A Reading of Stella Dallas CHAPTER 10 Viewing the World in Black and White: Race and the Melodrama of the Unknown Woman; CHAPTER 11 Howard Hawks and Bringing Up Baby; CHAPTER 12 The Film maker in the Film: Octave and the Rules of Renoir's Game; CHAPTER 13 Stagecoach and the Quest for Self hood; CHAPTER 14 To Have and Have Not Adapted a Film from a Novel; CHAPTER 15 Hollywood and the Rise of Suburbia; CHAPTER 16 Nobody's Perfect: Billy Wilder and the Postwar American Cinema; CHAPTER 17 The River CHAPTER 18 Vertigo: The Unknown Woman in Hitchcock CHAPTER 19 North by Northwest: Hitchcock's Monument to the Hitchcock Film; CHAPTER 20 The Villain in Hitchcock: "Does He Look Like a 'Wrong One' to You?"; CHAPTER 21 Thoughts on Hitchcock's Authorship; CHAPTER 22 Eternal Vérités: Cinema-Vérité and Classical Cinema; CHAPTER 23 Visconti's Death in Venice; CHAPTER 24 Alfred Guzzetti's Family Portrait Sittings; CHAPTER 25 A Taste for Beauty: Eric Rohmer's Writings on Film; CHAPTER 26 Tale of Winter: Philosophical Thought in the Films of Eric Rohmer; CHAPTER 27 The "New Latin American Cinema" CHAPTER 28 Violence and Film CHAPTER 29 What Is American about American Film Study?; Index |
| Record Nr. | UNISA-996248111803316 |
|
Rothman William
|
||
| Cambridge : , : Cambridge University Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]]
| The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]] |
| Autore | Rothman William |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
| Descrizione fisica | 1 online resource (xxxii, 389 pages) : digital, PDF file(s) |
| Disciplina | 791.43 |
| Collana | Cambridge studies in film |
| Soggetto topico | Motion pictures |
| ISBN |
0-511-18857-9
1-107-14535-X 1-280-45769-4 0-511-18499-9 0-511-61660-0 0-511-18582-0 0-511-18766-1 0-511-31372-1 0-511-18673-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Foreword to the Second Edition; Preface to the First Edition; Acknowledgments; Notes on the Essays; CHAPTER 1 Hollywood Reconsidered: Reflections on the Classical American Cinema; CHAPTER 2 D. W. Griffith and the Birth of the Movies; CHAPTER 3 Judith of Bethulia; CHAPTER 4 True Heart Griffith; CHAPTER 5 The Ending of City Lights; CHAPTER 6 The Goddess: Reflections on Melodrama East and West; CHAPTER 7 Red Dust: The Erotic Screen Image; CHAPTER 8 Virtue and Villainy in the Face of the Camera
CHAPTER 9 Pathos and Transfiguration in the Face of the Camera: A Reading of Stella Dallas CHAPTER 10 Viewing the World in Black and White: Race and the Melodrama of the Unknown Woman; CHAPTER 11 Howard Hawks and Bringing Up Baby; CHAPTER 12 The Film maker in the Film: Octave and the Rules of Renoir's Game; CHAPTER 13 Stagecoach and the Quest for Self hood; CHAPTER 14 To Have and Have Not Adapted a Film from a Novel; CHAPTER 15 Hollywood and the Rise of Suburbia; CHAPTER 16 Nobody's Perfect: Billy Wilder and the Postwar American Cinema; CHAPTER 17 The River CHAPTER 18 Vertigo: The Unknown Woman in Hitchcock CHAPTER 19 North by Northwest: Hitchcock's Monument to the Hitchcock Film; CHAPTER 20 The Villain in Hitchcock: "Does He Look Like a 'Wrong One' to You?"; CHAPTER 21 Thoughts on Hitchcock's Authorship; CHAPTER 22 Eternal Vérités: Cinema-Vérité and Classical Cinema; CHAPTER 23 Visconti's Death in Venice; CHAPTER 24 Alfred Guzzetti's Family Portrait Sittings; CHAPTER 25 A Taste for Beauty: Eric Rohmer's Writings on Film; CHAPTER 26 Tale of Winter: Philosophical Thought in the Films of Eric Rohmer; CHAPTER 27 The "New Latin American Cinema" CHAPTER 28 Violence and Film CHAPTER 29 What Is American about American Film Study?; Index |
| Record Nr. | UNINA-9910784701103321 |
|
Rothman William
|
||
| Cambridge : , : Cambridge University Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]]
| The "I" of the camera : essays in film criticism, history, and aesthetics / / William Rothman [[electronic resource]] |
| Autore | Rothman William |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
| Descrizione fisica | 1 online resource (xxxii, 389 pages) : digital, PDF file(s) |
| Disciplina | 791.43 |
| Collana | Cambridge studies in film |
| Soggetto topico | Motion pictures |
| ISBN |
0-511-18857-9
1-107-14535-X 1-280-45769-4 0-511-18499-9 0-511-61660-0 0-511-18582-0 0-511-18766-1 0-511-31372-1 0-511-18673-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Foreword to the Second Edition; Preface to the First Edition; Acknowledgments; Notes on the Essays; CHAPTER 1 Hollywood Reconsidered: Reflections on the Classical American Cinema; CHAPTER 2 D. W. Griffith and the Birth of the Movies; CHAPTER 3 Judith of Bethulia; CHAPTER 4 True Heart Griffith; CHAPTER 5 The Ending of City Lights; CHAPTER 6 The Goddess: Reflections on Melodrama East and West; CHAPTER 7 Red Dust: The Erotic Screen Image; CHAPTER 8 Virtue and Villainy in the Face of the Camera
CHAPTER 9 Pathos and Transfiguration in the Face of the Camera: A Reading of Stella Dallas CHAPTER 10 Viewing the World in Black and White: Race and the Melodrama of the Unknown Woman; CHAPTER 11 Howard Hawks and Bringing Up Baby; CHAPTER 12 The Film maker in the Film: Octave and the Rules of Renoir's Game; CHAPTER 13 Stagecoach and the Quest for Self hood; CHAPTER 14 To Have and Have Not Adapted a Film from a Novel; CHAPTER 15 Hollywood and the Rise of Suburbia; CHAPTER 16 Nobody's Perfect: Billy Wilder and the Postwar American Cinema; CHAPTER 17 The River CHAPTER 18 Vertigo: The Unknown Woman in Hitchcock CHAPTER 19 North by Northwest: Hitchcock's Monument to the Hitchcock Film; CHAPTER 20 The Villain in Hitchcock: "Does He Look Like a 'Wrong One' to You?"; CHAPTER 21 Thoughts on Hitchcock's Authorship; CHAPTER 22 Eternal Vérités: Cinema-Vérité and Classical Cinema; CHAPTER 23 Visconti's Death in Venice; CHAPTER 24 Alfred Guzzetti's Family Portrait Sittings; CHAPTER 25 A Taste for Beauty: Eric Rohmer's Writings on Film; CHAPTER 26 Tale of Winter: Philosophical Thought in the Films of Eric Rohmer; CHAPTER 27 The "New Latin American Cinema" CHAPTER 28 Violence and Film CHAPTER 29 What Is American about American Film Study?; Index |
| Record Nr. | UNINA-9910825788803321 |
|
Rothman William
|
||
| Cambridge : , : Cambridge University Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
'Bad' Women of Bombay Films : Studies in Desire and Anxiety / / edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha
| 'Bad' Women of Bombay Films : Studies in Desire and Anxiety / / edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina |
791.43652042
791.43 |
| Soggetto topico |
Motion pictures—Asia
Culture Gender Motion pictures Ethnology—Asia Asian Cinema and TV Culture and Gender Global Cinema and TV Asian Culture Global/International Culture |
| ISBN | 3-030-26788-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Breaking Bad -- The Disorderly Presence at Home -- 2. Desire, Deviancy and Defiance in Bombay Cinema (1937-1960) -- 3. “haan, haan mein alaida hoon!” (Yes, yes I am different!): the Disorderly Bibi in Sahib, Bibi aur Ghulam (1962) -- 4. The Goddess of Mean Things: the Mother-in-law in Hindi Films -- 5. “ek admi tha, usne shadi karli!” (“There was a man who got married!”): Female Agency and Domestication in Omkara (2006) -- The Business of the Body -- 6. The Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941; Chitralekha, 1964; Amrapali, 1966) -- 7. Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015) -- 8. The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s -- 9. Guns, Gangsters and “Gandagi”: the Moll in Hindi Cinema -- 10. Sex Workers in Hindi Cinema: Imagos and Realities -- The Question of Violence -- 11. The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963) -- 12. “itni bhhi mahaan main nahi hoon, raja!” (“I’m not that great, O king”): the Angry Young Woman of the 1970s -- 13. Outcast[e] / Outlawed: The Bandit Queen (1996) -- 14. The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s -- 15. Honoured Mother and ‘Honour’ Killing: Ammaji in NH10 (2015) -- The Advent of the New Woman -- 16. Of Pallus and Pants: Fabricating the New Woman of the New Nation -- Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955) -- 17. Consumer Pleasures and Hindi Cinema’s En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011) -- 18. Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014) -- 19. Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018) -- The Screening of the Actress -- 20. “naye naam nit naye roop dhar” (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema -- 21. Playing Anaarkali: Gender, Morality and Erotica. . |
| Record Nr. | UNINA-9910483825503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
| (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema |
| Autore | Wheeler Duncan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol : , : Intellect, Limited, , 2014 |
| Descrizione fisica | 1 online resource (502 pages) |
| Disciplina | 791.43094609/049 |
| Altri autori (Persone) | CanetFernando |
| Soggetto topico |
Motion pictures - Spain - History - 21st century
Motion picture industry - Spain Motion pictures - Spain - History - 20th century Motion picture industry Motion pictures Spanien |
| Soggetto genere / forma | History |
| ISBN | 1-78320-407-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Pt. 1. Sense and sensibility : new forms of being and seeing in recent Spanish cinema -- pt. 2. Revisiting the past : the politics of memory and the transition's cinematic legacy -- pt. 3. Redefining auteurship, genre and stardom in a transnational age -- Coda : Backstage pass : engaging with practitioners and cinematic institutions. |
| Record Nr. | UNINA-9910809157403321 |
|
Wheeler Duncan
|
||
| Bristol : , : Intellect, Limited, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
(Re)viewing creative, critical and commercial practices in contemporary Spanish cinema / / editors, Duncan Wheeler and Fernando Canet
| (Re)viewing creative, critical and commercial practices in contemporary Spanish cinema / / editors, Duncan Wheeler and Fernando Canet |
| Pubbl/distr/stampa | Intellect |
| Disciplina | 791.43094609/049 |
| Soggetto topico |
Motion pictures - Spain - History - 21st century
Motion picture industry - Spain Motion pictures - Spain - History - 20th century Motion picture industry Motion pictures Spanien |
| Soggetto genere / forma | History |
| ISBN | 1-78320-407-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Pt. 1. Sense and sensibility : new forms of being and seeing in recent Spanish cinema -- pt. 2. Revisiting the past : the politics of memory and the transition's cinematic legacy -- pt. 3. Redefining auteurship, genre and stardom in a transnational age -- Coda : Backstage pass : engaging with practitioners and cinematic institutions. |
| Record Nr. | UNINA-9910797108303321 |
| Intellect | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik
| 100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik |
| Autore | Mathijs Ernest |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 |
| Descrizione fisica | 1 online resource (253 pages) : illustrations |
| Disciplina | 791.43653 |
| Collana | Screen Guides |
| Soggetto topico |
Cult films - History and criticism
Motion pictures - History Cult films Motion pictures Film & Media Film, TV & radio |
| Soggetto genere / forma |
History
Criticism, interpretation, etc. |
| ISBN |
1-83871-054-X
1-83871-400-6 1-84457-571-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Foreword, Joe Dante -- Introduction -- 2001: A Space Odyssey, Stanley Kubrick, 1968 -- Akira, Katsuhiro Otomo, 1988 -- Angel of Vengeance, Abel Ferrara, 1981 -- Bad Taste, Peter Jackson, 1987 -- Baise-moi, Virginie Despentes, Coralie Trinh Thi, 2000 -- Begotten, E. Elias Merhige, 1991 -- Behind the Green Door, Artie Mitchell, Jim Mitchell, 1972 -- La belle et la bête, Jean Cocteau, 1946 -- Beyond the Valley of the Dolls, Russ Meyer, 1970 -- The Big Lebowski, Joel Coen, Ethan Coen, 1998 -- Blade Runner, Ridley Scott, 1982 -- Blue Sunshine, Jeff Lieberman, 1978 -- Brazil, Terry Gilliam, 1985 -- Bride of Frankenstein, James Whale, 1935 -- The Brood, David Cronenberg, 1979 -- Das Cabinet des Dr. Caligari, Robert Wiene, 1920 -- Café Flesh, Stephen Sayadian, 1982 -- Cannibal Holocaust, Ruggero Deodato, 1979 -- Casablanca, Michael Curtiz, 1942 -- Un chien andalou, Luis Buñel, Salvador Dalí,1928 -- Coffy, Jack Hill, 1973 -- Daughters of Darkness, Harry Kümel, 1971 -- Dawn of the Dead, George A. Romero, 1978 -- Deadly Weapons, Doris Wishman, 1974 -- Debbie Does Dallas, Jim Clark, 1978 -- Deep Red, Dario Argento, 1975 -- Dirty Dancing, Emile Ardolino, 1987 -- Django, Sergio Corbucci, 1966 -- Donnie Darko, Richard Kelly, 2001 -- Don't Torture a Duckling, Lucio Fulci, 1972 -- Edward Scissorhands, Tim Burton, 1990 -- Emanuelle and the Last Cannibals, Aristide Massaccesi, 1977 -- Emmanuelle, Just Jaeckin, 1974 -- Enter the Dragon, Robert Clouse, 1973 -- Eraserhead, David Lynch, 1977 -- The Evil Dead, Sam Raimi, 1981 -- Fight Club, David Fincher, 1999 -- Flaming Creatures, Jack Smith, 1963 -- Freak Orlando, Ulrike Ottinger, 1981 -- Freaks, Tod Browning, 1932 -- Ginger Snaps, John Fawcett, 2000 -- The Gods Must Be Crazy, Jamie Uys, 1981 -- Godzilla, Ishir? Honda, 1954.
The Harder They Come, Perry Henzell, 1972 -- Harold and Maude, Hal Ashby, 1971 -- Häxan, Benjamin Christensen, 1922 -- Hellraiser, Clive Barker, 1987 -- The Holy Mountain, Alejandro Jodorowsky, 1973 -- The House with the Laughing Windows, Pupi Avati, 1976 -- I Walked with a Zombie, Jacques Tourneur, 1943 -- Ichi the Killer, Takashi Miike, 2001 -- In Bruges, Martin McDonagh, 2008 -- Invasion of the Body Snatchers, Don Siegel, 1956 -- Invocation of My Demon Brother, Kenneth Anger, 1969 -- It's a Wonderful Life, Frank Capra, 1946 -- The Killer, John Woo, 1989 -- Lady Terminator, H. Tjut Djalil, 1988 -- The Lord of the Rings, Peter Jackson, 2001-3 -- Mad Max 2: The Road Warrior, George Miller, 1981 -- Man Bites Dog, Rémy Belvaux, André Bonzel, Benoît Poelvoorde, 1992 -- Manos, the Hands of Fate, Harold P. Warren, 1966 -- The Masque of the Red Death, Roger Corman, 1964 -- Monty Python and the Holy Grail, Terry Gilliam, Terry Jones, 1975 -- Near Dark, Kathryn Bigelow, 1987 147 -- Nekromantik, Jörg Buttgereit, 1987 -- Night of the Living Dead, George A. Romero, 1968 -- Pink Flamingos, John Waters, 1972 -- Piranha, Joe Dante, 1978 -- Plan 9 from Outer Space, Ed Wood, Jr, 1959 -- Re-Animator, Stuart Gordon, 1985 -- Reefer Madness, Louis Gasnier, 1936 -- Repo Man, Alex Cox, 1984 -- Ringu, Hideo Nakata, 1998 -- The Rocky Horror Picture Show, Jim Sharman, 1975 -- Rome Armed to the Teeth, Umberto Lenzi, 1976 -- The Room, Tommy Wiseau, 2003 -- Salò, or the 120 Days of Sodom, Pier Paolo Pasolini, 1975 -- She Killed in Ecstasy, Jesús Franco, 1971 -- Showgirls, Paul Verhoeven, 1995 -- Soul Vengeance, Jamaa Fanaka, 1975 -- The Sound of Music, Robert Wise, 1965 -- Star Wars, George Lucas, 1977-2005 -- Superstar: The Karen Carpenter Story, Todd Haynes, 1988 -- Suspiria, Dario Argento, 1977 -- Tank Girl, Rachel Talalay, 1995 -- Tetsuo, Shinya Tsukamoto, 1989. The Texas Chainsaw Massacre, Tobe Hooper, 1974 -- This Is Sp?n¨ al Tap, Rob Reiner, 1984 -- Thriller: A Cruel Picture, Bo Arne Vibenius, 1974 -- Thundercrack!, Curt McDowell, 1975 -- El Topo, Alejandro Jodorowsky, 1970 -- The Toxic Avenger, Michael Herz, Lloyd Kaufman, 1984 -- Two-Lane Blacktop, Monte Hellman, 1971 -- Two Thousand Maniacs!, Herschell Gordon Lewis, 1964 -- The Vanishing, George Sluizer, 1988 -- Videodrome, David Cronenberg, 1983 -- The Warriors, Walter Hill, 1979 -- Witchfinder General, Michael Reeves, 1968 -- Withnail & I, Bruce Robinson, 1987 -- The Wizard of Oz, Victor Fleming, 1939 -- Key Reading -- Index. |
| Altri titoli varianti |
One hundred cult films
Hundred cult films |
| Record Nr. | UNINA-9910794826503321 |
|
Mathijs Ernest
|
||
| London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik
| 100 cult films : BFI sceen guides / / Ernest Mathijs & Xavier Mendik |
| Autore | Mathijs Ernest |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 |
| Descrizione fisica | 1 online resource (253 pages) : illustrations |
| Disciplina | 791.43653 |
| Collana | Screen Guides |
| Soggetto topico |
Cult films - History and criticism
Motion pictures - History Cult films Motion pictures Film & Media Film, TV & radio |
| Soggetto genere / forma |
History
Criticism, interpretation, etc. |
| ISBN |
1-83871-054-X
1-83871-400-6 1-84457-571-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Foreword, Joe Dante -- Introduction -- 2001: A Space Odyssey, Stanley Kubrick, 1968 -- Akira, Katsuhiro Otomo, 1988 -- Angel of Vengeance, Abel Ferrara, 1981 -- Bad Taste, Peter Jackson, 1987 -- Baise-moi, Virginie Despentes, Coralie Trinh Thi, 2000 -- Begotten, E. Elias Merhige, 1991 -- Behind the Green Door, Artie Mitchell, Jim Mitchell, 1972 -- La belle et la bête, Jean Cocteau, 1946 -- Beyond the Valley of the Dolls, Russ Meyer, 1970 -- The Big Lebowski, Joel Coen, Ethan Coen, 1998 -- Blade Runner, Ridley Scott, 1982 -- Blue Sunshine, Jeff Lieberman, 1978 -- Brazil, Terry Gilliam, 1985 -- Bride of Frankenstein, James Whale, 1935 -- The Brood, David Cronenberg, 1979 -- Das Cabinet des Dr. Caligari, Robert Wiene, 1920 -- Café Flesh, Stephen Sayadian, 1982 -- Cannibal Holocaust, Ruggero Deodato, 1979 -- Casablanca, Michael Curtiz, 1942 -- Un chien andalou, Luis Buñel, Salvador Dalí,1928 -- Coffy, Jack Hill, 1973 -- Daughters of Darkness, Harry Kümel, 1971 -- Dawn of the Dead, George A. Romero, 1978 -- Deadly Weapons, Doris Wishman, 1974 -- Debbie Does Dallas, Jim Clark, 1978 -- Deep Red, Dario Argento, 1975 -- Dirty Dancing, Emile Ardolino, 1987 -- Django, Sergio Corbucci, 1966 -- Donnie Darko, Richard Kelly, 2001 -- Don't Torture a Duckling, Lucio Fulci, 1972 -- Edward Scissorhands, Tim Burton, 1990 -- Emanuelle and the Last Cannibals, Aristide Massaccesi, 1977 -- Emmanuelle, Just Jaeckin, 1974 -- Enter the Dragon, Robert Clouse, 1973 -- Eraserhead, David Lynch, 1977 -- The Evil Dead, Sam Raimi, 1981 -- Fight Club, David Fincher, 1999 -- Flaming Creatures, Jack Smith, 1963 -- Freak Orlando, Ulrike Ottinger, 1981 -- Freaks, Tod Browning, 1932 -- Ginger Snaps, John Fawcett, 2000 -- The Gods Must Be Crazy, Jamie Uys, 1981 -- Godzilla, Ishir? Honda, 1954.
The Harder They Come, Perry Henzell, 1972 -- Harold and Maude, Hal Ashby, 1971 -- Häxan, Benjamin Christensen, 1922 -- Hellraiser, Clive Barker, 1987 -- The Holy Mountain, Alejandro Jodorowsky, 1973 -- The House with the Laughing Windows, Pupi Avati, 1976 -- I Walked with a Zombie, Jacques Tourneur, 1943 -- Ichi the Killer, Takashi Miike, 2001 -- In Bruges, Martin McDonagh, 2008 -- Invasion of the Body Snatchers, Don Siegel, 1956 -- Invocation of My Demon Brother, Kenneth Anger, 1969 -- It's a Wonderful Life, Frank Capra, 1946 -- The Killer, John Woo, 1989 -- Lady Terminator, H. Tjut Djalil, 1988 -- The Lord of the Rings, Peter Jackson, 2001-3 -- Mad Max 2: The Road Warrior, George Miller, 1981 -- Man Bites Dog, Rémy Belvaux, André Bonzel, Benoît Poelvoorde, 1992 -- Manos, the Hands of Fate, Harold P. Warren, 1966 -- The Masque of the Red Death, Roger Corman, 1964 -- Monty Python and the Holy Grail, Terry Gilliam, Terry Jones, 1975 -- Near Dark, Kathryn Bigelow, 1987 147 -- Nekromantik, Jörg Buttgereit, 1987 -- Night of the Living Dead, George A. Romero, 1968 -- Pink Flamingos, John Waters, 1972 -- Piranha, Joe Dante, 1978 -- Plan 9 from Outer Space, Ed Wood, Jr, 1959 -- Re-Animator, Stuart Gordon, 1985 -- Reefer Madness, Louis Gasnier, 1936 -- Repo Man, Alex Cox, 1984 -- Ringu, Hideo Nakata, 1998 -- The Rocky Horror Picture Show, Jim Sharman, 1975 -- Rome Armed to the Teeth, Umberto Lenzi, 1976 -- The Room, Tommy Wiseau, 2003 -- Salò, or the 120 Days of Sodom, Pier Paolo Pasolini, 1975 -- She Killed in Ecstasy, Jesús Franco, 1971 -- Showgirls, Paul Verhoeven, 1995 -- Soul Vengeance, Jamaa Fanaka, 1975 -- The Sound of Music, Robert Wise, 1965 -- Star Wars, George Lucas, 1977-2005 -- Superstar: The Karen Carpenter Story, Todd Haynes, 1988 -- Suspiria, Dario Argento, 1977 -- Tank Girl, Rachel Talalay, 1995 -- Tetsuo, Shinya Tsukamoto, 1989. The Texas Chainsaw Massacre, Tobe Hooper, 1974 -- This Is Sp?n¨ al Tap, Rob Reiner, 1984 -- Thriller: A Cruel Picture, Bo Arne Vibenius, 1974 -- Thundercrack!, Curt McDowell, 1975 -- El Topo, Alejandro Jodorowsky, 1970 -- The Toxic Avenger, Michael Herz, Lloyd Kaufman, 1984 -- Two-Lane Blacktop, Monte Hellman, 1971 -- Two Thousand Maniacs!, Herschell Gordon Lewis, 1964 -- The Vanishing, George Sluizer, 1988 -- Videodrome, David Cronenberg, 1983 -- The Warriors, Walter Hill, 1979 -- Witchfinder General, Michael Reeves, 1968 -- Withnail & I, Bruce Robinson, 1987 -- The Wizard of Oz, Victor Fleming, 1939 -- Key Reading -- Index. |
| Altri titoli varianti |
One hundred cult films
Hundred cult films |
| Record Nr. | UNINA-9910825850703321 |
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Mathijs Ernest
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| London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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1895 : bulletin de l'Association française de recherche sur l'histoire du cinéma
| 1895 : bulletin de l'Association française de recherche sur l'histoire du cinéma |
| Pubbl/distr/stampa | Paris, : L'Association française de recherche sur l'histoire du cinéma, ©1986- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Motion pictures - History
Motion pictures - France - History Cinéma - Histoire Cinéma - France - Histoire Motion pictures Histoire Cinéma Cinematografia Història de la cinematografia |
| Soggetto genere / forma |
History
Periodicals. Revistes electṛniques. |
| ISSN | 1960-6176 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | fre |
| Altri titoli varianti |
Revue d'histoire du cinéma
Bulletin de l'Association française de recherche sur l'histoire du cinéma Dix-huit cents-quatre-vingt-quinze Mill huit cent quatre-vingt-quinze |
| Record Nr. | UNISA-996198740503316 |
| Paris, : L'Association française de recherche sur l'histoire du cinéma, ©1986- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Soggetto topico
-
Motion pictures
(1045)
- Film Theory (104)
- Film (53)
- Culture (51)
- Communication (48)