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Cinema of Feng Xiaogang [[electronic resource] ] : commercialization and censorship in Chinese cinema after1989 / / Rui Zhang
| Cinema of Feng Xiaogang [[electronic resource] ] : commercialization and censorship in Chinese cinema after1989 / / Rui Zhang |
| Autore | Zhang Rui |
| Pubbl/distr/stampa | Aberdeen, Hong Kong, : Hong Kong university press, 2008 |
| Descrizione fisica | 1 online resource (204 p.) |
| Disciplina |
300
791.430951 |
| Soggetto topico |
Motion pictures - China
Motion picture producers and directors - China |
| Soggetto genere / forma | Electronic books. |
| ISBN |
988-220-752-9
1-282-70945-3 9786612709456 988-8052-86-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; 1. Introduction; 2. Chinese Cinema on the Eve of the Tian'anmen Incident; 3. Chinese Cinema from 1989 to the Middle of the 1990s and Feng Xiaogang's Early Career; 4. New Year Films and Chinese Cinema at the End of the 1990s; 5. The "Corporate Era" of Chinese Cinema in the New Millennium and Feng's Post-New Year Production; 6. Conclusion; Notes; Filmography; Selected Bibliography; Index |
| Record Nr. | UNINA-9910456508203321 |
Zhang Rui
|
||
| Aberdeen, Hong Kong, : Hong Kong university press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema of Feng Xiaogang [[electronic resource] ] : commercialization and censorship in Chinese cinema after1989 / / Rui Zhang
| Cinema of Feng Xiaogang [[electronic resource] ] : commercialization and censorship in Chinese cinema after1989 / / Rui Zhang |
| Autore | Zhang Rui |
| Pubbl/distr/stampa | Aberdeen, Hong Kong, : Hong Kong university press, 2008 |
| Descrizione fisica | 1 online resource (204 p.) |
| Disciplina |
300
791.430951 |
| Soggetto topico |
Motion pictures - China
Motion picture producers and directors - China |
| ISBN |
988-220-752-9
1-282-70945-3 9786612709456 988-8052-86-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; 1. Introduction; 2. Chinese Cinema on the Eve of the Tian'anmen Incident; 3. Chinese Cinema from 1989 to the Middle of the 1990s and Feng Xiaogang's Early Career; 4. New Year Films and Chinese Cinema at the End of the 1990s; 5. The "Corporate Era" of Chinese Cinema in the New Millennium and Feng's Post-New Year Production; 6. Conclusion; Notes; Filmography; Selected Bibliography; Index |
| Record Nr. | UNINA-9910780945303321 |
|
Zhang Rui
|
||
| Aberdeen, Hong Kong, : Hong Kong university press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema of Feng Xiaogang : commercialization and censorship in Chinese cinema after1989 / / Rui Zhang
| Cinema of Feng Xiaogang : commercialization and censorship in Chinese cinema after1989 / / Rui Zhang |
| Autore | Zhang Rui |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Aberdeen, Hong Kong, : Hong Kong university press, 2008 |
| Descrizione fisica | 1 online resource (204 p.) |
| Disciplina |
300
791.430951 |
| Soggetto topico |
Motion pictures - China
Motion picture producers and directors - China |
| ISBN |
988-220-752-9
1-282-70945-3 9786612709456 988-8052-86-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; 1. Introduction; 2. Chinese Cinema on the Eve of the Tian'anmen Incident; 3. Chinese Cinema from 1989 to the Middle of the 1990s and Feng Xiaogang's Early Career; 4. New Year Films and Chinese Cinema at the End of the 1990s; 5. The "Corporate Era" of Chinese Cinema in the New Millennium and Feng's Post-New Year Production; 6. Conclusion; Notes; Filmography; Selected Bibliography; Index |
| Record Nr. | UNINA-9910816645803321 |
|
Zhang Rui
|
||
| Aberdeen, Hong Kong, : Hong Kong university press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to Wong Kar-wai / / edited by Martha P. Nochimson
| A companion to Wong Kar-wai / / edited by Martha P. Nochimson |
| Pubbl/distr/stampa | Chichester, West Sussex : , : Wiley Blackwell, , 2016 |
| Descrizione fisica | 1 online resource (660 p.) |
| Disciplina | 791.4301 |
| Collana |
Wiley Blackwell companions to film directors
THEi Wiley ebooks |
| Soggetto topico |
Motion picture producers and directors - China
Motion pictures - China |
| ISBN |
1-118-42527-8
1-118-42526-X 1-118-42558-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Wiley Blackwell Companions to Film Directors; Title page; Copyright; Notes on Contributors; Acknowledgments; Part One Introduction; Wong Kar-wai: Invoking the Universal and the Local; References; Part Two Mapping Wong's Liminality; 1 Transnational Wong; Introduction; Transnational vs. national; Wong between models, theories, disciplines; Transience and randomness; Shifting narratives and self-referentiality; Talking to themselves; Conclusion; Notes; References; 2 It is a Restless Moment; Generating and shaping flow; The Grandmaster: Force, gesture, and release; Time flows, the body knows
Restless on the dance floor: Corporeal understandingNotes; References; 3 Wong Kar-wai and his jiang hu; Introduction: The jiang hu and its discontent; Jiang hu: Phantom space, lost space; Jiang hu as intertextual space; Jiang hu as space regained; Notes; Acknowledgments; References; Part Three Thresholds of Texture and Mood; 4 Wong Kar-wai's Cinema of Repetition; To begin with repetition; A space of disappearance; The erotics of disappearance; The ruins of action; References; 5 Wong Kar-wai; Images unfolding; From resonance to mapping; Translation and the "transcultural"; Notes; References 6 Color Design in the Cinema of Wong Kar-waiThe critical reception of color; Classical color aesthetics; Wong's improvisational methods; Color as an authorial signature; Colored audition and other forms of synesthesia; Vitality of landscapes; Play of memory; Color as a narrative enigma; Conclusion; Notes; References; 7 The Value of Re-exports; "Once Upon a Time in Kung Fu"?; The world's first Wong Kar-wai moment; Global cinema as musical inventory; Bespoke or off the rack?; Borrowed music as mood music; Mood music as point of view; Repetition as appropriation; Acknowledgments; Notes ReferencesDiscography; Part Four In the Corridors of History and Culture; 8 Wong's Ladies from Shanghai; Introduction: Wong Kar-wai's Shanghai romance; The mother, the whore, and the housewife; Su Lizhen multiplied; Hemmed in: From scopophilia to cinephilia; Acknowledgments; Notes; References; 9 The Sinophone Cinema of Wong Kar-wai; Introduction; Situating the Sinophone cinema of Wong; Minor transnationalism of a periphery outside China; Conclusion; Acknowledgments; Notes; References; 10 New Queer Angles on Wong Kar-wai; Prologue: Do it over; Queer investments; Straight-up queer Between genresErotics of failure; Bodies and bonds; Epilogue: Some strange noise; Acknowledgments; References; 11 "Pity about the furniture"; Social realism, the Hong Kong New Wave, and its precedents for Wong's screen violence; Commercial filmmaking, Patrick Tam, and an alternative mode in screen violence; Violence, Wong Kar-wai style; Acknowledgments; Notes; References; 12 In the Mood for Food; Introduction; As Tears Go By (1988); Days of Being Wild (1990); Ashes of Time (1994); Chungking Express (1994); Fallen Angels (1995); Happy Together (1997); In the Mood for Love (2000); 2046 (2004) My Blueberry Nights (2007) |
| Record Nr. | UNINA-9910134798603321 |
| Chichester, West Sussex : , : Wiley Blackwell, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jia Zhangke on Jia Zhangke/ / Michael Berry ; afterword by Dai Jinhua
| Jia Zhangke on Jia Zhangke/ / Michael Berry ; afterword by Dai Jinhua |
| Autore | Berry Michael <1974-> |
| Pubbl/distr/stampa | Durham : , : Duke University Press, , 2022 |
| Descrizione fisica | 1 online resource (233 pages) |
| Disciplina | 791.430233092 |
| Collana | Sinotheory |
| Soggetto topico | Motion picture producers and directors - China |
| ISBN |
9781478092605
9781478015499 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From Fenyang to the World -- A Portrait of an Artist as a Young Man -- The Hometown Trilogy -- Documenting Destruction and Building Worlds -- Film as Social Justice -- Return to Jianghu -- Toward an Accented Cinema. |
| Record Nr. | UNINA-9910617315003321 |
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Berry Michael <1974->
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| Durham : , : Duke University Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women in Chinese martial arts films of the new millennium [[electronic resource] ] : narrative analyses and gender politics / / Ya-chen Chen
| Women in Chinese martial arts films of the new millennium [[electronic resource] ] : narrative analyses and gender politics / / Ya-chen Chen |
| Autore | Chen Ya-chen |
| Pubbl/distr/stampa | Lanham, : Lexington Books, 2012 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/6522 |
| Soggetto topico |
Martial arts films - China - History and criticism
Feminism and motion pictures Motion picture producers and directors - China Screenwriters - China Women in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-77891-1
9786613689306 0-7391-3910-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival. |
| Record Nr. | UNINA-9910452793303321 |
|
Chen Ya-chen
|
||
| Lanham, : Lexington Books, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women in Chinese martial arts films of the new millennium [[electronic resource] ] : narrative analyses and gender politics / / Ya-chen Chen
| Women in Chinese martial arts films of the new millennium [[electronic resource] ] : narrative analyses and gender politics / / Ya-chen Chen |
| Autore | Chen Ya-chen |
| Pubbl/distr/stampa | Lanham, : Lexington Books, 2012 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/6522 |
| Soggetto topico |
Martial arts films - China - History and criticism
Feminism and motion pictures Motion picture producers and directors - China Screenwriters - China Women in motion pictures |
| ISBN |
1-280-77891-1
9786613689306 0-7391-3910-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival. |
| Record Nr. | UNINA-9910779262703321 |
|
Chen Ya-chen
|
||
| Lanham, : Lexington Books, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women in Chinese martial arts films of the new millennium : narrative analyses and gender politics / / Ya-chen Chen
| Women in Chinese martial arts films of the new millennium : narrative analyses and gender politics / / Ya-chen Chen |
| Autore | Chen Ya-chen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, : Lexington Books, 2012 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/6522 |
| Soggetto topico |
Martial arts films - China - History and criticism
Feminism and motion pictures Motion picture producers and directors - China Screenwriters - China Women in motion pictures |
| ISBN |
1-280-77891-1
9786613689306 0-7391-3910-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival. |
| Record Nr. | UNINA-9910818618203321 |
|
Chen Ya-chen
|
||
| Lanham, : Lexington Books, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
